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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7825B it is the complementary color #387DA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7825B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7825B shade: #CC8256, #DD9469, #EEA67C, #FFB88F and #FFCAA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7825B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7825B shade: #C7825B, #B67048, #A55E35, #944C22 and #833A0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7825B shade: #C7825B, #C7655B and #C75B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7825B shade: #C7825B, #C79F5B, #C7BC5B, #B4C75B and #97C75B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7825B shade matches the following richer shades: #C7825B, #D87D49, #EA7838 and #FC7326

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7825B shade: #C7825B, #B5876D, #A38C7F, #919190 and #8096A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7825B shade: #C75B6F, #C7645B, #C7815B, #C79D5B and #C7BA5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7825B shade: #9B5935, #B96B3F, #C7825B, #D1997A and #DCB199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7825B shade: #C7825B, #8BC75B and #5B60C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7825B shade: #C7825B, #5BC781 and #815BC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7825B shade: #C7825B, #8BC75B, #5BA1C7 and #965BC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7825B shade: #C7825B, #6BC75B, #5BA1C7 and #B65BC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 54 / 22

HEX #C7825B

RGB 199 130 91

HSL 21.67, 0.49%, 0.57%

LAB 60.66, 22.49, 31.94

 

Complementary color

CMYK 66 / 24 / 0 / 36

HEX #387DA4

RGB 56 125 164

HSL 201.67, 0.49%, 0.43%

LAB 49.72, -9.15, -27.26

 

CMYK 0 / 36 / 58 / 20

HEX #CC8256

RGB 204 130 86

HSL 22.37, 0.54%, 0.57%

LAB 61.2, 24.14, 35.45

 

CMYK 0 / 33 / 52 / 13

HEX #DD9469

RGB 221 148 105

HSL 22.24, 0.63%, 0.64%

LAB 67.7, 22.92, 33.84

 

CMYK 0 / 30 / 48 / 7

HEX #EEA67C

RGB 238 166 124

HSL 22.11, 0.77%, 0.71%

LAB 74.13, 21.85, 32.35

 

CMYK 0 / 28 / 44 / 0

HEX #FFB88F

RGB 255 184 143

HSL 21.96, 1%, 0.78%

LAB 80.47, 20.9, 30.98

 

CMYK 0 / 21 / 36 / 0

HEX #FFCAA2

RGB 255 202 162

HSL 25.81, 1%, 0.82%

LAB 85.05, 13.55, 27.14

 

CMYK 0 / 35 / 54 / 22

HEX #C7825B

RGB 199 130 91

HSL 21.67, 0.49%, 0.57%

LAB 60.66, 22.49, 31.94

 

CMYK 0 / 38 / 60 / 29

HEX #B67048

RGB 182 112 72

HSL 21.82, 0.43%, 0.5%

LAB 54.03, 23.79, 33.64

 

CMYK 0 / 43 / 68 / 35

HEX #A55E35

RGB 165 94 53

HSL 21.96, 0.51%, 0.43%

LAB 47.32, 25.28, 35.48

 

CMYK 0 / 49 / 77 / 42

HEX #944C22

RGB 148 76 34

HSL 22.11, 0.63%, 0.36%

LAB 40.54, 27, 37.39

 

CMYK 0 / 56 / 89 / 49

HEX #833A0F

RGB 131 58 15

HSL 22.24, 0.79%, 0.29%

LAB 33.74, 28.95, 38.95

 

CMYK 0 / 35 / 54 / 22

HEX #C7825B

RGB 199 130 91

HSL 21.67, 0.49%, 0.57%

LAB 60.66, 22.49, 31.94

 

CMYK 0 / 49 / 54 / 22

HEX #C7655B

RGB 199 101 91

HSL 5.56, 0.49%, 0.57%

LAB 54.24, 38.02, 23.66

 

CMYK 0 / 54 / 54 / 22

HEX #C75B5B

RGB 199 91 91

HSL 0, 0.49%, 0.57%

LAB 52.26, 43.07, 21.03

 

CMYK 0 / 35 / 54 / 22

HEX #C7825B

RGB 199 130 91

HSL 21.67, 0.49%, 0.57%

LAB 60.66, 22.49, 31.94

 

CMYK 0 / 20 / 54 / 22

HEX #C79F5B

RGB 199 159 91

HSL 37.78, 0.49%, 0.57%

LAB 67.79, 6.64, 40.77

 

CMYK 0 / 6 / 54 / 22

HEX #C7BC5B

RGB 199 188 91

HSL 53.89, 0.49%, 0.57%

LAB 75.37, -8.72, 49.75

 

CMYK 10 / 0 / 54 / 22

HEX #B4C75B

RGB 180 199 91

HSL 70.56, 0.49%, 0.57%

LAB 76.86, -22.07, 51.1

 

CMYK 24 / 0 / 54 / 22

HEX #97C75B

RGB 151 199 91

HSL 86.67, 0.49%, 0.57%

LAB 74.94, -33.34, 48.37

 

CMYK 0 / 35 / 54 / 22

HEX #C7825B

RGB 199 130 91

HSL 21.67, 0.49%, 0.57%

LAB 60.66, 22.49, 31.94

 

CMYK 0 / 42 / 66 / 15

HEX #D87D49

RGB 216 125 73

HSL 21.82, 0.65%, 0.57%

LAB 61.44, 30.83, 42.97

 

CMYK 0 / 49 / 76 / 8

HEX #EA7838

RGB 234 120 56

HSL 21.57, 0.81%, 0.57%

LAB 62.69, 39.74, 53.37

 

CMYK 0 / 54 / 85 / 1

HEX #FC7326

RGB 252 115 38

HSL 21.59, 0.97%, 0.57%

LAB 64.24, 48.48, 63.24

 

CMYK 0 / 35 / 54 / 22

HEX #C7825B

RGB 199 130 91

HSL 21.67, 0.49%, 0.57%

LAB 60.66, 22.49, 31.94

 

CMYK 0 / 25 / 40 / 29

HEX #B5876D

RGB 181 135 109

HSL 21.67, 0.33%, 0.57%

LAB 60.12, 14.14, 20.84

 

CMYK 0 / 14 / 22 / 36

HEX #A38C7F

RGB 163 140 127

HSL 21.67, 0.16%, 0.57%

LAB 59.96, 6.53, 10.14

 

CMYK 0 / 0 / 1 / 43

HEX #919190

RGB 145 145 144

HSL 60, 0%, 0.57%

LAB 60.14, -0.19, 0.52

 

CMYK 21 / 7 / 0 / 36

HEX #8096A2

RGB 128 150 162

HSL 201.18, 0.15%, 0.57%

LAB 60.79, -5.05, -8.9

 

CMYK 0 / 54 / 44 / 22

HEX #C75B6F

RGB 199 91 111

HSL 348.89, 0.49%, 0.57%

LAB 52.7, 44.93, 9.79

 

CMYK 0 / 50 / 54 / 22

HEX #C7645B

RGB 199 100 91

HSL 5, 0.49%, 0.57%

LAB 54.04, 38.53, 23.39

 

CMYK 0 / 35 / 54 / 22

HEX #C7815B

RGB 199 129 91

HSL 21.11, 0.49%, 0.57%

LAB 60.43, 23.04, 31.64

 

CMYK 0 / 21 / 54 / 22

HEX #C79D5B

RGB 199 157 91

HSL 36.67, 0.49%, 0.57%

LAB 67.29, 7.73, 40.15

 

CMYK 0 / 7 / 54 / 22

HEX #C7BA5B

RGB 199 186 91

HSL 52.78, 0.49%, 0.57%

LAB 74.83, -7.69, 49.13

 

CMYK 0 / 43 / 66 / 39

HEX #9B5935

RGB 155 89 53

HSL 21.18, 0.49%, 0.41%

LAB 44.76, 23.81, 32.16

 

CMYK 0 / 42 / 66 / 27

HEX #B96B3F

RGB 185 107 63

HSL 21.64, 0.49%, 0.49%

LAB 53.16, 27.17, 37.57

 

CMYK 0 / 35 / 54 / 22

HEX #C7825B

RGB 199 130 91

HSL 21.67, 0.49%, 0.57%

LAB 60.66, 22.49, 31.94

 

CMYK 0 / 27 / 42 / 18

HEX #D1997A

RGB 209 153 122

HSL 21.38, 0.49%, 0.65%

LAB 67.83, 17.06, 24.52

 

CMYK 0 / 20 / 30 / 14

HEX #DCB199

RGB 220 177 153

HSL 21.49, 0.49%, 0.73%

LAB 75.43, 12.19, 18.19

 

CMYK 0 / 35 / 54 / 22

HEX #C7825B

RGB 199 130 91

HSL 21.67, 0.49%, 0.57%

LAB 60.66, 22.49, 31.94

 

CMYK 30 / 0 / 54 / 22

HEX #8BC75B

RGB 139 199 91

HSL 93.33, 0.49%, 0.57%

LAB 74.25, -37.72, 47.38

 

CMYK 54 / 52 / 0 / 22

HEX #5B60C7

RGB 91 96 199

HSL 237.22, 0.49%, 0.57%

LAB 45.24, 27.39, -54.54

 

CMYK 0 / 35 / 54 / 22

HEX #C7825B

RGB 199 130 91

HSL 21.67, 0.49%, 0.57%

LAB 60.66, 22.49, 31.94

 

CMYK 54 / 0 / 35 / 22

HEX #5BC781

RGB 91 199 129

HSL 141.11, 0.49%, 0.57%

LAB 72.66, -46.73, 25.88

 

CMYK 35 / 54 / 0 / 22

HEX #815BC7

RGB 129 91 199

HSL 261.11, 0.49%, 0.57%

LAB 47.33, 39.07, -51.01

 

CMYK 0 / 35 / 54 / 22

HEX #C7825B

RGB 199 130 91

HSL 21.67, 0.49%, 0.57%

LAB 60.66, 22.49, 31.94

 

CMYK 30 / 0 / 54 / 22

HEX #8BC75B

RGB 139 199 91

HSL 93.33, 0.49%, 0.57%

LAB 74.25, -37.72, 47.38

 

CMYK 54 / 19 / 0 / 22

HEX #5BA1C7

RGB 91 161 199

HSL 201.11, 0.49%, 0.57%

LAB 63.21, -11.24, -26.24

 

CMYK 25 / 54 / 0 / 22

HEX #965BC7

RGB 150 91 199

HSL 272.78, 0.49%, 0.57%

LAB 49.6, 44.39, -47.24

 

CMYK 0 / 35 / 54 / 22

HEX #C7825B

RGB 199 130 91

HSL 21.67, 0.49%, 0.57%

LAB 60.66, 22.49, 31.94

 

CMYK 46 / 0 / 54 / 22

HEX #6BC75B

RGB 107 199 91

HSL 111.11, 0.49%, 0.57%

LAB 72.71, -48.21, 45.18

 

CMYK 54 / 19 / 0 / 22

HEX #5BA1C7

RGB 91 161 199

HSL 201.11, 0.49%, 0.57%

LAB 63.21, -11.24, -26.24

 

CMYK 9 / 54 / 0 / 22

HEX #B65BC7

RGB 182 91 199

HSL 290.56, 0.49%, 0.57%

LAB 53.55, 52.86, -40.75

 

Description

Color code: HEX #C7825B | qconv.com Color code: HEX #C7825B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 130 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 130 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 54 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 54% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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