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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C78350 it is the complementary color #387CAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C78350. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C78350 shade: #CC834B, #DD955E, #EEA771, #FFB984 and #FFCB97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C78350. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C78350 shade: #C78350, #B6713D, #A55F2A, #944D17 and #833B04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C78350 shade: #C78350, #C76350 and #C75050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C78350 shade: #C78350, #C7A350, #C7C450, #ABC750 and #8BC750

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C78350 shade matches the following richer shades: #C78350, #DA813E and #ED7E2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C78350 shade: #C78350, #B58663, #A28975, #908B88 and #7D8E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C78350 shade: #C7505E, #C76250, #C78250, #C7A250 and #C7C150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C78350 shade: #965B2F, #B56E39, #C78350, #D1996F and #DBB08F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C78350 shade: #C78350, #7EC750 and #5250C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C78350 shade: #C78350, #50C782 and #8250C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C78350 shade: #C78350, #7EC750, #5096C7 and #9A50C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C78350 shade: #C78350, #5AC750, #5096C7 and #BD50C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 60 / 22

HEX #C78350

RGB 199 131 80

HSL 25.71, 0.52%, 0.55%

LAB 60.74, 21.06, 37.96

 

Complementary color

CMYK 68 / 29 / 0 / 31

HEX #387CAF

RGB 56 124 175

HSL 205.71, 0.52%, 0.45%

LAB 49.92, -4.78, -33.34

 

CMYK 0 / 36 / 63 / 20

HEX #CC834B

RGB 204 131 75

HSL 26.05, 0.56%, 0.55%

LAB 61.29, 22.8, 41.37

 

CMYK 0 / 33 / 57 / 13

HEX #DD955E

RGB 221 149 94

HSL 25.98, 0.65%, 0.62%

LAB 67.78, 21.48, 39.76

 

CMYK 0 / 30 / 53 / 7

HEX #EEA771

RGB 238 167 113

HSL 25.92, 0.79%, 0.69%

LAB 74.19, 20.33, 38.23

 

CMYK 0 / 27 / 48 / 0

HEX #FFB984

RGB 255 185 132

HSL 25.85, 1%, 0.76%

LAB 80.53, 19.31, 36.8

 

CMYK 0 / 20 / 41 / 0

HEX #FFCB97

RGB 255 203 151

HSL 30, 1%, 0.8%

LAB 85.1, 11.81, 32.93

 

CMYK 0 / 34 / 60 / 22

HEX #C78350

RGB 199 131 80

HSL 25.71, 0.52%, 0.55%

LAB 60.74, 21.06, 37.96

 

CMYK 0 / 38 / 66 / 29

HEX #B6713D

RGB 182 113 61

HSL 25.79, 0.5%, 0.48%

LAB 54.12, 22.47, 39.63

 

CMYK 0 / 42 / 75 / 35

HEX #A55F2A

RGB 165 95 42

HSL 25.85, 0.59%, 0.41%

LAB 47.43, 24.12, 41.3

 

CMYK 0 / 48 / 84 / 42

HEX #944D17

RGB 148 77 23

HSL 25.92, 0.73%, 0.34%

LAB 40.68, 26.02, 42.67

 

CMYK 0 / 55 / 97 / 49

HEX #833B04

RGB 131 59 4

HSL 25.98, 0.94%, 0.26%

LAB 33.9, 28.16, 43.14

 

CMYK 0 / 34 / 60 / 22

HEX #C78350

RGB 199 131 80

HSL 25.71, 0.52%, 0.55%

LAB 60.74, 21.06, 37.96

 

CMYK 0 / 50 / 60 / 22

HEX #C76350

RGB 199 99 80

HSL 9.58, 0.52%, 0.55%

LAB 53.65, 38.18, 29.21

 

CMYK 0 / 60 / 60 / 22

HEX #C75050

RGB 199 80 80

HSL 0, 0.52%, 0.55%

LAB 50.05, 47.49, 24.6

 

CMYK 0 / 34 / 60 / 22

HEX #C78350

RGB 199 131 80

HSL 25.71, 0.52%, 0.55%

LAB 60.74, 21.06, 37.96

 

CMYK 0 / 18 / 60 / 22

HEX #C7A350

RGB 199 163 80

HSL 41.85, 0.52%, 0.55%

LAB 68.69, 3.62, 47.3

 

CMYK 0 / 2 / 60 / 22

HEX #C7C450

RGB 199 196 80

HSL 58.49, 0.52%, 0.55%

LAB 77.4, -13.64, 57.04

 

CMYK 14 / 0 / 60 / 22

HEX #ABC750

RGB 171 199 80

HSL 74.12, 0.52%, 0.55%

LAB 76.12, -26.59, 55.04

 

CMYK 30 / 0 / 60 / 22

HEX #8BC750

RGB 139 199 80

HSL 90.25, 0.52%, 0.55%

LAB 74.14, -38.81, 52.27

 

CMYK 0 / 34 / 60 / 22

HEX #C78350

RGB 199 131 80

HSL 25.71, 0.52%, 0.55%

LAB 60.74, 21.06, 37.96

 

CMYK 0 / 41 / 72 / 15

HEX #DA813E

RGB 218 129 62

HSL 25.77, 0.68%, 0.55%

LAB 62.47, 28.93, 49.65

 

CMYK 0 / 47 / 82 / 7

HEX #ED7E2B

RGB 237 126 43

HSL 25.67, 0.84%, 0.55%

LAB 64.24, 37.43, 60.52

 

CMYK 0 / 34 / 60 / 22

HEX #C78350

RGB 199 131 80

HSL 25.71, 0.52%, 0.55%

LAB 60.74, 21.06, 37.96

 

CMYK 0 / 26 / 45 / 29

HEX #B58663

RGB 181 134 99

HSL 25.61, 0.36%, 0.55%

LAB 59.68, 13.57, 25.85

 

CMYK 0 / 15 / 28 / 36

HEX #A28975

RGB 162 137 117

HSL 26.67, 0.19%, 0.55%

LAB 58.84, 6.32, 14.25

 

CMYK 0 / 3 / 6 / 44

HEX #908B88

RGB 144 139 136

HSL 22.5, 0.03%, 0.55%

LAB 58.2, 1.29, 2.25

 

CMYK 19 / 8 / 0 / 40

HEX #7D8E9A

RGB 125 142 154

HSL 204.83, 0.13%, 0.55%

LAB 58.07, -3.42, -8.42

 

CMYK 0 / 60 / 53 / 22

HEX #C7505E

RGB 199 80 94

HSL 352.94, 0.52%, 0.55%

LAB 50.32, 48.57, 16.63

 

CMYK 0 / 51 / 60 / 22

HEX #C76250

RGB 199 98 80

HSL 9.08, 0.52%, 0.55%

LAB 53.45, 38.69, 28.95

 

CMYK 0 / 35 / 60 / 22

HEX #C78250

RGB 199 130 80

HSL 25.21, 0.52%, 0.55%

LAB 60.5, 21.61, 37.67

 

CMYK 0 / 19 / 60 / 22

HEX #C7A250

RGB 199 162 80

HSL 41.34, 0.52%, 0.55%

LAB 68.43, 4.15, 47.01

 

CMYK 0 / 3 / 60 / 22

HEX #C7C150

RGB 199 193 80

HSL 56.97, 0.52%, 0.55%

LAB 76.59, -12.12, 56.16

 

CMYK 0 / 39 / 69 / 41

HEX #965B2F

RGB 150 91 47

HSL 25.63, 0.52%, 0.39%

LAB 44.48, 20.1, 34.93

 

CMYK 0 / 39 / 69 / 29

HEX #B56E39

RGB 181 110 57

HSL 25.65, 0.52%, 0.47%

LAB 53.24, 23.46, 40.67

 

CMYK 0 / 34 / 60 / 22

HEX #C78350

RGB 199 131 80

HSL 25.71, 0.52%, 0.55%

LAB 60.74, 21.06, 37.96

 

CMYK 0 / 27 / 47 / 18

HEX #D1996F

RGB 209 153 111

HSL 25.71, 0.52%, 0.63%

LAB 67.64, 15.9, 30.26

 

CMYK 0 / 20 / 35 / 14

HEX #DBB08F

RGB 219 176 143

HSL 26.05, 0.51%, 0.71%

LAB 74.88, 11.07, 22.83

 

CMYK 0 / 34 / 60 / 22

HEX #C78350

RGB 199 131 80

HSL 25.71, 0.52%, 0.55%

LAB 60.74, 21.06, 37.96

 

CMYK 37 / 0 / 60 / 22

HEX #7EC750

RGB 126 199 80

HSL 96.81, 0.52%, 0.55%

LAB 73.46, -43.36, 51.32

 

CMYK 59 / 60 / 0 / 22

HEX #5250C7

RGB 82 80 199

HSL 241.01, 0.52%, 0.55%

LAB 40.66, 35.57, -61.98

 

CMYK 0 / 34 / 60 / 22

HEX #C78350

RGB 199 131 80

HSL 25.71, 0.52%, 0.55%

LAB 60.74, 21.06, 37.96

 

CMYK 60 / 0 / 35 / 22

HEX #50C782

RGB 80 199 130

HSL 145.21, 0.52%, 0.55%

LAB 72.34, -49.02, 24.85

 

CMYK 35 / 60 / 0 / 22

HEX #8250C7

RGB 130 80 199

HSL 265.21, 0.52%, 0.55%

LAB 45.09, 45.45, -54.6

 

CMYK 0 / 34 / 60 / 22

HEX #C78350

RGB 199 131 80

HSL 25.71, 0.52%, 0.55%

LAB 60.74, 21.06, 37.96

 

CMYK 37 / 0 / 60 / 22

HEX #7EC750

RGB 126 199 80

HSL 96.81, 0.52%, 0.55%

LAB 73.46, -43.36, 51.32

 

CMYK 60 / 25 / 0 / 22

HEX #5096C7

RGB 80 150 199

HSL 204.71, 0.52%, 0.55%

LAB 59.56, -7.39, -31.91

 

CMYK 23 / 60 / 0 / 22

HEX #9A50C7

RGB 154 80 199

HSL 277.31, 0.52%, 0.55%

LAB 47.92, 51.14, -49.91

 

CMYK 0 / 34 / 60 / 22

HEX #C78350

RGB 199 131 80

HSL 25.71, 0.52%, 0.55%

LAB 60.74, 21.06, 37.96

 

CMYK 55 / 0 / 60 / 22

HEX #5AC750

RGB 90 199 80

HSL 114.96, 0.52%, 0.55%

LAB 71.96, -54.2, 49.22

 

CMYK 60 / 25 / 0 / 22

HEX #5096C7

RGB 80 150 199

HSL 204.71, 0.52%, 0.55%

LAB 59.56, -7.39, -31.91

 

CMYK 5 / 60 / 0 / 22

HEX #BD50C7

RGB 189 80 199

HSL 294.96, 0.52%, 0.55%

LAB 52.6, 59.83, -42.18

 

Description

Color code: HEX #C78350 | qconv.com Color code: HEX #C78350 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 131 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 131 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 60 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 60% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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