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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C79989 it is the complementary color #386676. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C79989. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C79989 shade: #CC9984, #DDAB97, #EEBDAA, #FFCFBD and #FFE1D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C79989. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C79989 shade: #C79989, #B68776, #A57563, #946350 and #83513D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C79989 shade: #C79989 and #C78989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C79989 shade: #C79989, #C7AA89, #C7BA89, #C3C789 and #B2C789

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C79989 shade matches the following richer shades: #C79989, #D5927B, #E38B6D and #F1845F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C79989 shade: #C79989, #B99F97, #ABA6A5, #9DADB3 and #8FB4C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C79989 shade: #C7899A, #C7898A, #C79889, #C7A989 and #C7B989

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C79989 shade: #AC6851, #BA806D, #C79989, #D4B1A5 and #E1C9C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C79989 shade: #C79989, #ABC789 and #8992C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C79989 shade: #C79989, #89C798 and #9889C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C79989 shade: #C79989, #ABC789, #89B7C7 and #A589C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C79989 shade: #C79989, #98C789, #89B7C7 and #B789C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 31 / 22

HEX #C79989

RGB 199 153 137

HSL 15.48, 0.36%, 0.66%

LAB 67.07, 14.92, 15.03

 

Complementary color

CMYK 53 / 14 / 0 / 54

HEX #386676

RGB 56 102 118

HSL 195.48, 0.36%, 0.34%

LAB 40.66, -10.94, -13.84

 

CMYK 0 / 25 / 35 / 20

HEX #CC9984

RGB 204 153 132

HSL 17.5, 0.41%, 0.66%

LAB 67.49, 16.24, 18.46

 

CMYK 0 / 23 / 32 / 13

HEX #DDAB97

RGB 221 171 151

HSL 17.14, 0.51%, 0.73%

LAB 74.02, 15.53, 17.34

 

CMYK 0 / 21 / 29 / 7

HEX #EEBDAA

RGB 238 189 170

HSL 16.76, 0.67%, 0.8%

LAB 80.45, 14.9, 16.3

 

CMYK 0 / 19 / 26 / 0

HEX #FFCFBD

RGB 255 207 189

HSL 16.36, 1%, 0.87%

LAB 86.78, 14.33, 15.33

 

CMYK 0 / 12 / 18 / 0

HEX #FFE1D0

RGB 255 225 208

HSL 21.7, 1%, 0.91%

LAB 91.53, 7.69, 12.09

 

CMYK 0 / 23 / 31 / 22

HEX #C79989

RGB 199 153 137

HSL 15.48, 0.36%, 0.66%

LAB 67.07, 14.92, 15.03

 

CMYK 0 / 26 / 35 / 29

HEX #B68776

RGB 182 135 118

HSL 15.94, 0.3%, 0.59%

LAB 60.41, 15.65, 16.17

 

CMYK 0 / 29 / 40 / 35

HEX #A57563

RGB 165 117 99

HSL 16.36, 0.27%, 0.52%

LAB 53.62, 16.5, 17.43

 

CMYK 0 / 33 / 46 / 42

HEX #946350

RGB 148 99 80

HSL 16.76, 0.3%, 0.45%

LAB 46.71, 17.48, 18.85

 

CMYK 0 / 38 / 53 / 49

HEX #83513D

RGB 131 81 61

HSL 17.14, 0.36%, 0.38%

LAB 39.66, 18.66, 20.48

 

CMYK 0 / 23 / 31 / 22

HEX #C79989

RGB 199 153 137

HSL 15.48, 0.36%, 0.66%

LAB 67.07, 14.92, 15.03

 

CMYK 0 / 31 / 31 / 22

HEX #C78989

RGB 199 137 137

HSL 0, 0.36%, 0.66%

LAB 63.21, 23.71, 9.6

 

CMYK 0 / 23 / 31 / 22

HEX #C79989

RGB 199 153 137

HSL 15.48, 0.36%, 0.66%

LAB 67.07, 14.92, 15.03

 

CMYK 0 / 15 / 31 / 22

HEX #C7AA89

RGB 199 170 137

HSL 31.94, 0.36%, 0.66%

LAB 71.35, 5.67, 20.94

 

CMYK 0 / 7 / 31 / 22

HEX #C7BA89

RGB 199 186 137

HSL 47.42, 0.36%, 0.66%

LAB 75.49, -2.86, 26.55

 

CMYK 2 / 0 / 31 / 22

HEX #C3C789

RGB 195 199 137

HSL 63.87, 0.36%, 0.66%

LAB 78.61, -11.17, 30.65

 

CMYK 11 / 0 / 31 / 22

HEX #B2C789

RGB 178 199 137

HSL 80.32, 0.36%, 0.66%

LAB 77.35, -17.65, 28.75

 

CMYK 0 / 23 / 31 / 22

HEX #C79989

RGB 199 153 137

HSL 15.48, 0.36%, 0.66%

LAB 67.07, 14.92, 15.03

 

CMYK 0 / 31 / 42 / 16

HEX #D5927B

RGB 213 146 123

HSL 15.33, 0.52%, 0.66%

LAB 66.62, 22.56, 22.42

 

CMYK 0 / 39 / 52 / 11

HEX #E38B6D

RGB 227 139 109

HSL 15.25, 0.68%, 0.66%

LAB 66.44, 30.46, 30.19

 

CMYK 0 / 45 / 61 / 5

HEX #F1845F

RGB 241 132 95

HSL 15.21, 0.84%, 0.66%

LAB 66.54, 38.46, 38.28

 

CMYK 0 / 23 / 31 / 22

HEX #C79989

RGB 199 153 137

HSL 15.48, 0.36%, 0.66%

LAB 67.07, 14.92, 15.03

 

CMYK 0 / 14 / 18 / 27

HEX #B99F97

RGB 185 159 151

HSL 14.12, 0.2%, 0.66%

LAB 67.54, 8.25, 7.7

 

CMYK 0 / 3 / 4 / 33

HEX #ABA6A5

RGB 171 166 165

HSL 10, 0.03%, 0.66%

LAB 68.49, 1.61, 1.15

 

CMYK 12 / 3 / 0 / 30

HEX #9DADB3

RGB 157 173 179

HSL 196.36, 0.13%, 0.66%

LAB 69.69, -4.32, -4.98

 

CMYK 26 / 7 / 0 / 24

HEX #8FB4C1

RGB 143 180 193

HSL 195.6, 0.29%, 0.66%

LAB 71.1, -9.45, -10.69

 

CMYK 0 / 31 / 23 / 22

HEX #C7899A

RGB 199 137 154

HSL 343.55, 0.36%, 0.66%

LAB 63.64, 26.11, 0.58

 

CMYK 0 / 31 / 31 / 22

HEX #C7898A

RGB 199 137 138

HSL 359.03, 0.36%, 0.66%

LAB 63.23, 23.84, 9.06

 

CMYK 0 / 24 / 31 / 22

HEX #C79889

RGB 199 152 137

HSL 14.52, 0.36%, 0.66%

LAB 66.83, 15.47, 14.69

 

CMYK 0 / 15 / 31 / 22

HEX #C7A989

RGB 199 169 137

HSL 30.97, 0.36%, 0.66%

LAB 71.09, 6.21, 20.59

 

CMYK 0 / 7 / 31 / 22

HEX #C7B989

RGB 199 185 137

HSL 46.45, 0.36%, 0.66%

LAB 75.23, -2.34, 26.2

 

CMYK 0 / 40 / 53 / 33

HEX #AC6851

RGB 172 104 81

HSL 15.16, 0.36%, 0.5%

LAB 51, 24.81, 24.48

 

CMYK 0 / 31 / 41 / 27

HEX #BA806D

RGB 186 128 109

HSL 14.81, 0.36%, 0.58%

LAB 58.96, 20.08, 19.36

 

CMYK 0 / 23 / 31 / 22

HEX #C79989

RGB 199 153 137

HSL 15.48, 0.36%, 0.66%

LAB 67.07, 14.92, 15.03

 

CMYK 0 / 17 / 22 / 17

HEX #D4B1A5

RGB 212 177 165

HSL 15.32, 0.35%, 0.74%

LAB 74.92, 10.81, 10.86

 

CMYK 0 / 11 / 14 / 12

HEX #E1C9C1

RGB 225 201 193

HSL 15, 0.35%, 0.82%

LAB 82.72, 7.11, 7.05

 

CMYK 0 / 23 / 31 / 22

HEX #C79989

RGB 199 153 137

HSL 15.48, 0.36%, 0.66%

LAB 67.07, 14.92, 15.03

 

CMYK 14 / 0 / 31 / 22

HEX #ABC789

RGB 171 199 137

HSL 87.1, 0.36%, 0.66%

LAB 76.87, -20.26, 28.02

 

CMYK 31 / 27 / 0 / 22

HEX #8992C7

RGB 137 146 199

HSL 231.29, 0.36%, 0.66%

LAB 61.65, 9.1, -28.42

 

CMYK 0 / 23 / 31 / 22

HEX #C79989

RGB 199 153 137

HSL 15.48, 0.36%, 0.66%

LAB 67.07, 14.92, 15.03

 

CMYK 31 / 0 / 24 / 22

HEX #89C798

RGB 137 199 152

HSL 134.52, 0.36%, 0.66%

LAB 75.1, -29.54, 17.33

 

CMYK 24 / 31 / 0 / 22

HEX #9889C7

RGB 152 137 199

HSL 254.52, 0.36%, 0.66%

LAB 60.51, 18.8, -30.1

 

CMYK 0 / 23 / 31 / 22

HEX #C79989

RGB 199 153 137

HSL 15.48, 0.36%, 0.66%

LAB 67.07, 14.92, 15.03

 

CMYK 14 / 0 / 31 / 22

HEX #ABC789

RGB 171 199 137

HSL 87.1, 0.36%, 0.66%

LAB 76.87, -20.26, 28.02

 

CMYK 31 / 8 / 0 / 22

HEX #89B7C7

RGB 137 183 199

HSL 195.48, 0.36%, 0.66%

LAB 71.76, -11.38, -13.03

 

CMYK 17 / 31 / 0 / 22

HEX #A589C7

RGB 165 137 199

HSL 267.1, 0.36%, 0.66%

LAB 61.67, 22.83, -28.21

 

CMYK 0 / 23 / 31 / 22

HEX #C79989

RGB 199 153 137

HSL 15.48, 0.36%, 0.66%

LAB 67.07, 14.92, 15.03

 

CMYK 24 / 0 / 31 / 22

HEX #98C789

RGB 152 199 137

HSL 105.48, 0.36%, 0.66%

LAB 75.66, -27.09, 26.18

 

CMYK 31 / 8 / 0 / 22

HEX #89B7C7

RGB 137 183 199

HSL 195.48, 0.36%, 0.66%

LAB 71.76, -11.38, -13.03

 

CMYK 8 / 31 / 0 / 22

HEX #B789C7

RGB 183 137 199

HSL 284.52, 0.36%, 0.66%

LAB 63.41, 28.57, -25.38

 

Description

Color code: HEX #C79989 | qconv.com Color code: HEX #C79989 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 153 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 153 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 31 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 31% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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