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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7927B it is the complementary color #386D84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7927B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7927B shade: #CC9276, #DDA489, #EEB69C, #FFC8AF and #FFDAC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7927B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7927B shade: #C7927B, #B68068, #A56E55, #945C42 and #834A2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7927B shade: #C6917A, #C67D7A and #C67A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7927B shade: #C6917A, #C6A67A, #C6BA7A, #BDC67A and #A9C67A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7927B shade matches the following richer shades: #C6917A, #D58B6B, #E4855C and #F47F4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7927B shade: #C6917A, #B7978A, #A79D99, #98A3A8 and #89A9B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7927B shade: #C67A8C, #C67D7A, #C6917A, #C6A57A and #C6B97A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7927B shade: #A76447, #BA795E, #C6917A, #D2A997 and #DFC1B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7927B shade: #C7927B, #A0C67A and #7A82C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7927B shade: #C7927B, #7AC691 and #917AC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7927B shade: #C7927B, #A0C67A, #7AAFC6 and #A07AC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7927B shade: #C7927B, #8AC67A, #7AAFC6 and #B77AC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 38 / 22

HEX #C7927B

RGB 199 146 123

HSL 18.16, 0.4%, 0.63%

LAB 65.07, 17, 20.05

 

Complementary color

CMYK 58 / 17 / 0 / 48

HEX #386D84

RGB 56 109 132

HSL 198.16, 0.4%, 0.37%

LAB 43.42, -10.54, -18.07

 

CMYK 0 / 28 / 42 / 20

HEX #CC9276

RGB 204 146 118

HSL 19.53, 0.46%, 0.63%

LAB 65.52, 18.43, 23.52

 

CMYK 0 / 26 / 38 / 13

HEX #DDA489

RGB 221 164 137

HSL 19.29, 0.55%, 0.7%

LAB 72.05, 17.58, 22.25

 

CMYK 0 / 24 / 34 / 7

HEX #EEB69C

RGB 238 182 156

HSL 19.02, 0.71%, 0.77%

LAB 78.48, 16.82, 21.07

 

CMYK 0 / 22 / 31 / 0

HEX #FFC8AF

RGB 255 200 175

HSL 18.75, 1%, 0.84%

LAB 84.82, 16.15, 19.99

 

CMYK 0 / 15 / 24 / 0

HEX #FFDAC2

RGB 255 218 194

HSL 23.61, 1%, 0.88%

LAB 89.53, 9.3, 16.57

 

CMYK 0 / 27 / 38 / 22

HEX #C7927B

RGB 199 146 123

HSL 18.16, 0.4%, 0.63%

LAB 65.07, 17, 20.05

 

CMYK 0 / 30 / 43 / 29

HEX #B68068

RGB 182 128 104

HSL 18.46, 0.35%, 0.56%

LAB 58.4, 17.88, 21.36

 

CMYK 0 / 33 / 48 / 35

HEX #A56E55

RGB 165 110 85

HSL 18.75, 0.32%, 0.49%

LAB 51.62, 18.91, 22.82

 

CMYK 0 / 38 / 55 / 42

HEX #945C42

RGB 148 92 66

HSL 19.02, 0.38%, 0.42%

LAB 44.72, 20.11, 24.47

 

CMYK 0 / 44 / 64 / 49

HEX #834A2F

RGB 131 74 47

HSL 19.29, 0.47%, 0.35%

LAB 37.71, 21.53, 26.37

 

CMYK 0 / 27 / 38 / 22

HEX #C6917A

RGB 198 145 122

HSL 18.16, 0.4%, 0.63%

LAB 64.69, 17.03, 20.08

 

CMYK 0 / 37 / 38 / 22

HEX #C67D7A

RGB 198 125 122

HSL 2.37, 0.4%, 0.63%

LAB 59.96, 28, 13.55

 

CMYK 0 / 38 / 38 / 22

HEX #C67A7A

RGB 198 122 122

HSL 0, 0.4%, 0.63%

LAB 59.28, 29.63, 12.59

 

CMYK 0 / 27 / 38 / 22

HEX #C6917A

RGB 198 145 122

HSL 18.16, 0.4%, 0.63%

LAB 64.69, 17.03, 20.08

 

CMYK 0 / 16 / 38 / 22

HEX #C6A67A

RGB 198 166 122

HSL 34.74, 0.4%, 0.63%

LAB 69.95, 5.57, 27.16

 

CMYK 0 / 6 / 38 / 22

HEX #C6BA7A

RGB 198 186 122

HSL 50.53, 0.4%, 0.63%

LAB 75.16, -5.08, 33.98

 

CMYK 5 / 0 / 38 / 22

HEX #BDC67A

RGB 189 198 122

HSL 67.11, 0.4%, 0.63%

LAB 77.65, -14.83, 37.04

 

CMYK 15 / 0 / 38 / 22

HEX #A9C67A

RGB 169 198 122

HSL 82.89, 0.4%, 0.63%

LAB 76.21, -22.54, 34.91

 

CMYK 0 / 27 / 38 / 22

HEX #C6917A

RGB 198 145 122

HSL 18.16, 0.4%, 0.63%

LAB 64.69, 17.03, 20.08

 

CMYK 0 / 35 / 50 / 16

HEX #D58B6B

RGB 213 139 107

HSL 18.11, 0.56%, 0.63%

LAB 64.7, 24.73, 28.7

 

CMYK 0 / 42 / 60 / 11

HEX #E4855C

RGB 228 133 92

HSL 18.09, 0.72%, 0.63%

LAB 65, 32.67, 37.6

 

CMYK 0 / 48 / 68 / 4

HEX #F47F4D

RGB 244 127 77

HSL 17.96, 0.88%, 0.63%

LAB 65.71, 41.05, 46.81

 

CMYK 0 / 27 / 38 / 22

HEX #C6917A

RGB 198 145 122

HSL 18.16, 0.4%, 0.63%

LAB 64.69, 17.03, 20.08

 

CMYK 0 / 17 / 25 / 28

HEX #B7978A

RGB 183 151 138

HSL 17.33, 0.24%, 0.63%

LAB 64.99, 9.91, 11.32

 

CMYK 0 / 6 / 8 / 35

HEX #A79D99

RGB 167 157 153

HSL 17.14, 0.07%, 0.63%

LAB 65.46, 2.92, 3.39

 

CMYK 10 / 3 / 0 / 34

HEX #98A3A8

RGB 152 163 168

HSL 198.75, 0.08%, 0.63%

LAB 66.29, -2.86, -3.93

 

CMYK 25 / 8 / 0 / 28

HEX #89A9B7

RGB 137 169 183

HSL 198.26, 0.24%, 0.63%

LAB 67.36, -7.71, -10.8

 

CMYK 0 / 38 / 29 / 22

HEX #C67A8C

RGB 198 122 140

HSL 345.79, 0.4%, 0.63%

LAB 59.72, 31.92, 2.87

 

CMYK 0 / 37 / 38 / 22

HEX #C67D7A

RGB 198 125 122

HSL 2.37, 0.4%, 0.63%

LAB 59.96, 28, 13.55

 

CMYK 0 / 27 / 38 / 22

HEX #C6917A

RGB 198 145 122

HSL 18.16, 0.4%, 0.63%

LAB 64.69, 17.03, 20.08

 

CMYK 0 / 17 / 38 / 22

HEX #C6A57A

RGB 198 165 122

HSL 33.95, 0.4%, 0.63%

LAB 69.7, 6.11, 26.82

 

CMYK 0 / 7 / 38 / 22

HEX #C6B97A

RGB 198 185 122

HSL 49.74, 0.4%, 0.63%

LAB 74.89, -4.55, 33.64

 

CMYK 0 / 40 / 57 / 35

HEX #A76447

RGB 167 100 71

HSL 18.13, 0.4%, 0.47%

LAB 49.23, 24.09, 27.83

 

CMYK 0 / 35 / 49 / 27

HEX #BA795E

RGB 186 121 94

HSL 17.61, 0.4%, 0.55%

LAB 57, 22.37, 25.24

 

CMYK 0 / 27 / 38 / 22

HEX #C6917A

RGB 198 145 122

HSL 18.16, 0.4%, 0.63%

LAB 64.69, 17.03, 20.08

 

CMYK 0 / 20 / 28 / 18

HEX #D2A997

RGB 210 169 151

HSL 18.31, 0.4%, 0.71%

LAB 72.44, 12.37, 14.97

 

CMYK 0 / 13 / 19 / 13

HEX #DFC1B4

RGB 223 193 180

HSL 18.14, 0.4%, 0.79%

LAB 80.25, 8.6, 10.46

 

CMYK 0 / 27 / 38 / 22

HEX #C7927B

RGB 199 146 123

HSL 18.16, 0.4%, 0.63%

LAB 65.07, 17, 20.05

 

CMYK 19 / 0 / 38 / 22

HEX #A0C67A

RGB 160 198 122

HSL 90, 0.4%, 0.63%

LAB 75.62, -25.9, 34.03

 

CMYK 38 / 34 / 0 / 22

HEX #7A82C6

RGB 122 130 198

HSL 233.68, 0.4%, 0.63%

LAB 56.27, 13.91, -36.32

 

CMYK 0 / 27 / 38 / 22

HEX #C7927B

RGB 199 146 123

HSL 18.16, 0.4%, 0.63%

LAB 65.07, 17, 20.05

 

CMYK 38 / 0 / 27 / 22

HEX #7AC691

RGB 122 198 145

HSL 138.16, 0.4%, 0.63%

LAB 73.91, -34.97, 19.31

 

CMYK 27 / 38 / 0 / 22

HEX #917AC6

RGB 145 122 198

HSL 258.16, 0.4%, 0.63%

LAB 56.1, 25.15, -36.44

 

CMYK 0 / 27 / 38 / 22

HEX #C7927B

RGB 199 146 123

HSL 18.16, 0.4%, 0.63%

LAB 65.07, 17, 20.05

 

CMYK 19 / 0 / 38 / 22

HEX #A0C67A

RGB 160 198 122

HSL 90, 0.4%, 0.63%

LAB 75.62, -25.9, 34.03

 

CMYK 38 / 12 / 0 / 22

HEX #7AAFC6

RGB 122 175 198

HSL 198.16, 0.4%, 0.63%

LAB 68.66, -11.56, -17.23

 

CMYK 19 / 38 / 0 / 22

HEX #A07AC6

RGB 160 122 198

HSL 270, 0.4%, 0.63%

LAB 57.53, 29.62, -34.1

 

CMYK 0 / 27 / 38 / 22

HEX #C7927B

RGB 199 146 123

HSL 18.16, 0.4%, 0.63%

LAB 65.07, 17, 20.05

 

CMYK 30 / 0 / 38 / 22

HEX #8AC67A

RGB 138 198 122

HSL 107.37, 0.4%, 0.63%

LAB 74.32, -33.7, 32.08

 

CMYK 38 / 12 / 0 / 22

HEX #7AAFC6

RGB 122 175 198

HSL 198.16, 0.4%, 0.63%

LAB 68.66, -11.56, -17.23

 

CMYK 8 / 38 / 0 / 22

HEX #B77AC6

RGB 183 122 198

HSL 288.16, 0.4%, 0.63%

LAB 59.95, 36.68, -30.16

 

Description

Color code: HEX #C7927B | qconv.com Color code: HEX #C7927B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 146 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 146 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 38 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 38% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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