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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C79B80 it is the complementary color #38647F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C79B80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C79B80 shade: #CC9B7B, #DDAD8E, #EEBFA1, #FFD1B4 and #FFE3C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C79B80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C79B80 shade: #C79B80, #B6896D, #A5775A, #946547 and #835334

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C79B80 shade: #C79A7F, #C7877F and #C77F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C79B80 shade: #C79A7F, #C7AD7F, #C7C17F, #B9C77F and #A6C77F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C79B80 shade matches the following richer shades: #C79A7F, #D59770, #E49361 and #F38F52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C79B80 shade: #C79A7F, #B89E8E, #A9A19D, #9AA5AB and #8BA8BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C79B80 shade: #C77F8B, #C7867F, #C7997F, #C7AC7F and #C7BF7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C79B80 shade: #A96E4A, #BA8462, #C79A7F, #D3B19C and #E0C7B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C79B80 shade: #C79B80, #9EC77F and #7F81C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C79B80 shade: #C79B80, #7FC799 and #997FC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C79B80 shade: #C79B80, #9EC77F, #7FACC7 and #A77FC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C79B80 shade: #C79B80, #88C77F, #7FACC7 and #BD7FC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 36 / 22

HEX #C79B80

RGB 199 155 128

HSL 22.82, 0.39%, 0.64%

LAB 67.38, 12.67, 20.44

 

Complementary color

CMYK 56 / 21 / 0 / 50

HEX #38647F

RGB 56 100 127

HSL 202.82, 0.39%, 0.36%

LAB 40.39, -6.87, -19.72

 

CMYK 0 / 24 / 40 / 20

HEX #CC9B7B

RGB 204 155 123

HSL 23.7, 0.44%, 0.64%

LAB 67.81, 14.08, 23.85

 

CMYK 0 / 22 / 36 / 13

HEX #DDAD8E

RGB 221 173 142

HSL 23.54, 0.54%, 0.71%

LAB 74.33, 13.34, 22.64

 

CMYK 0 / 20 / 32 / 7

HEX #EEBFA1

RGB 238 191 161

HSL 23.38, 0.69%, 0.78%

LAB 80.75, 12.68, 21.52

 

CMYK 0 / 18 / 29 / 0

HEX #FFD1B4

RGB 255 209 180

HSL 23.2, 1%, 0.85%

LAB 87.07, 12.1, 20.47

 

CMYK 0 / 11 / 22 / 0

HEX #FFE3C7

RGB 255 227 199

HSL 30, 1%, 0.89%

LAB 91.83, 5.37, 17.19

 

CMYK 0 / 22 / 36 / 22

HEX #C79B80

RGB 199 155 128

HSL 22.82, 0.39%, 0.64%

LAB 67.38, 12.67, 20.44

 

CMYK 0 / 25 / 40 / 29

HEX #B6896D

RGB 182 137 109

HSL 23.01, 0.33%, 0.57%

LAB 60.73, 13.44, 21.68

 

CMYK 0 / 28 / 45 / 35

HEX #A5775A

RGB 165 119 90

HSL 23.2, 0.29%, 0.5%

LAB 53.95, 14.33, 23.04

 

CMYK 0 / 32 / 52 / 42

HEX #946547

RGB 148 101 71

HSL 23.38, 0.35%, 0.43%

LAB 47.05, 15.38, 24.55

 

CMYK 0 / 37 / 60 / 49

HEX #835334

RGB 131 83 52

HSL 23.54, 0.43%, 0.36%

LAB 40.01, 16.66, 26.25

 

CMYK 0 / 23 / 36 / 22

HEX #C79A7F

RGB 199 154 127

HSL 22.5, 0.39%, 0.64%

LAB 67.12, 13.1, 20.63

 

CMYK 0 / 32 / 36 / 22

HEX #C7877F

RGB 199 135 127

HSL 6.67, 0.39%, 0.64%

LAB 62.51, 23.52, 14.28

 

CMYK 0 / 36 / 36 / 22

HEX #C77F7F

RGB 199 127 127

HSL 0, 0.39%, 0.64%

LAB 60.65, 27.9, 11.67

 

CMYK 0 / 23 / 36 / 22

HEX #C79A7F

RGB 199 154 127

HSL 22.5, 0.39%, 0.64%

LAB 67.12, 13.1, 20.63

 

CMYK 0 / 13 / 36 / 22

HEX #C7AD7F

RGB 199 173 127

HSL 38.33, 0.39%, 0.64%

LAB 71.93, 2.8, 27.13

 

CMYK 0 / 3 / 36 / 22

HEX #C7C17F

RGB 199 193 127

HSL 55, 0.39%, 0.64%

LAB 77.17, -7.74, 34.01

 

CMYK 7 / 0 / 36 / 22

HEX #B9C77F

RGB 185 199 127

HSL 71.67, 0.39%, 0.64%

LAB 77.69, -16.3, 34.48

 

CMYK 17 / 0 / 36 / 22

HEX #A6C77F

RGB 166 199 127

HSL 87.5, 0.39%, 0.64%

LAB 76.37, -23.5, 32.5

 

CMYK 0 / 23 / 36 / 22

HEX #C79A7F

RGB 199 154 127

HSL 22.5, 0.39%, 0.64%

LAB 67.12, 13.1, 20.63

 

CMYK 0 / 29 / 47 / 16

HEX #D59770

RGB 213 151 112

HSL 23.17, 0.55%, 0.64%

LAB 67.61, 18.71, 29.77

 

CMYK 0 / 36 / 57 / 11

HEX #E49361

RGB 228 147 97

HSL 22.9, 0.71%, 0.64%

LAB 68.19, 25.63, 38.87

 

CMYK 0 / 41 / 66 / 5

HEX #F38F52

RGB 243 143 82

HSL 22.73, 0.87%, 0.64%

LAB 68.97, 32.75, 47.96

 

CMYK 0 / 23 / 36 / 22

HEX #C79A7F

RGB 199 154 127

HSL 22.5, 0.39%, 0.64%

LAB 67.12, 13.1, 20.63

 

CMYK 0 / 14 / 23 / 28

HEX #B89E8E

RGB 184 158 142

HSL 22.86, 0.23%, 0.64%

LAB 66.97, 7.03, 11.9

 

CMYK 0 / 5 / 7 / 34

HEX #A9A19D

RGB 169 161 157

HSL 20, 0.07%, 0.64%

LAB 66.79, 2.17, 3.1

 

CMYK 10 / 4 / 0 / 33

HEX #9AA5AB

RGB 154 165 171

HSL 201.18, 0.09%, 0.64%

LAB 67.07, -2.65, -4.44

 

CMYK 25 / 10 / 0 / 27

HEX #8BA8BA

RGB 139 168 186

HSL 202.98, 0.25%, 0.64%

LAB 67.31, -5.85, -12.54

 

CMYK 0 / 36 / 30 / 22

HEX #C77F8B

RGB 199 127 139

HSL 350, 0.39%, 0.64%

LAB 60.94, 29.44, 5.22

 

CMYK 0 / 33 / 36 / 22

HEX #C7867F

RGB 199 134 127

HSL 5.83, 0.39%, 0.64%

LAB 62.27, 24.07, 13.95

 

CMYK 0 / 23 / 36 / 22

HEX #C7997F

RGB 199 153 127

HSL 21.67, 0.39%, 0.64%

LAB 66.87, 13.64, 20.29

 

CMYK 0 / 14 / 36 / 22

HEX #C7AC7F

RGB 199 172 127

HSL 37.5, 0.39%, 0.64%

LAB 71.68, 3.33, 26.78

 

CMYK 0 / 4 / 36 / 22

HEX #C7BF7F

RGB 199 191 127

HSL 53.33, 0.39%, 0.64%

LAB 76.64, -6.71, 33.33

 

CMYK 0 / 35 / 56 / 34

HEX #A96E4A

RGB 169 110 74

HSL 22.74, 0.39%, 0.48%

LAB 51.93, 19.56, 29.57

 

CMYK 0 / 29 / 47 / 27

HEX #BA8462

RGB 186 132 98

HSL 23.18, 0.39%, 0.56%

LAB 59.73, 16.66, 26.57

 

CMYK 0 / 23 / 36 / 22

HEX #C79A7F

RGB 199 154 127

HSL 22.5, 0.39%, 0.64%

LAB 67.12, 13.1, 20.63

 

CMYK 0 / 16 / 26 / 17

HEX #D3B19C

RGB 211 177 156

HSL 22.91, 0.38%, 0.72%

LAB 74.63, 9.14, 15.33

 

CMYK 0 / 11 / 18 / 12

HEX #E0C7B8

RGB 224 199 184

HSL 22.5, 0.39%, 0.8%

LAB 81.92, 6.4, 10.71

 

CMYK 0 / 22 / 36 / 22

HEX #C79B80

RGB 199 155 128

HSL 22.82, 0.39%, 0.64%

LAB 67.38, 12.67, 20.44

 

CMYK 21 / 0 / 36 / 22

HEX #9EC77F

RGB 158 199 127

HSL 94.17, 0.39%, 0.64%

LAB 75.85, -26.43, 31.73

 

CMYK 36 / 35 / 0 / 22

HEX #7F81C7

RGB 127 129 199

HSL 238.33, 0.39%, 0.64%

LAB 56.42, 16.16, -36.62

 

CMYK 0 / 22 / 36 / 22

HEX #C79B80

RGB 199 155 128

HSL 22.82, 0.39%, 0.64%

LAB 67.38, 12.67, 20.44

 

CMYK 36 / 0 / 23 / 22

HEX #7FC799

RGB 127 199 153

HSL 141.67, 0.39%, 0.64%

LAB 74.61, -32.43, 16.04

 

CMYK 23 / 36 / 0 / 22

HEX #997FC7

RGB 153 127 199

HSL 261.67, 0.39%, 0.64%

LAB 58.11, 24.87, -33.82

 

CMYK 0 / 22 / 36 / 22

HEX #C79B80

RGB 199 155 128

HSL 22.82, 0.39%, 0.64%

LAB 67.38, 12.67, 20.44

 

CMYK 21 / 0 / 36 / 22

HEX #9EC77F

RGB 158 199 127

HSL 94.17, 0.39%, 0.64%

LAB 75.85, -26.43, 31.73

 

CMYK 36 / 14 / 0 / 22

HEX #7FACC7

RGB 127 172 199

HSL 202.5, 0.39%, 0.64%

LAB 68.12, -8.32, -18.57

 

CMYK 16 / 36 / 0 / 22

HEX #A77FC7

RGB 167 127 199

HSL 273.33, 0.39%, 0.64%

LAB 59.45, 29.14, -31.63

 

CMYK 0 / 22 / 36 / 22

HEX #C79B80

RGB 199 155 128

HSL 22.82, 0.39%, 0.64%

LAB 67.38, 12.67, 20.44

 

CMYK 32 / 0 / 36 / 22

HEX #88C77F

RGB 136 199 127

HSL 112.5, 0.39%, 0.64%

LAB 74.58, -34.08, 29.82

 

CMYK 36 / 14 / 0 / 22

HEX #7FACC7

RGB 127 172 199

HSL 202.5, 0.39%, 0.64%

LAB 68.12, -8.32, -18.57

 

CMYK 5 / 36 / 0 / 22

HEX #BD7FC7

RGB 189 127 199

HSL 291.67, 0.39%, 0.64%

LAB 61.76, 36.01, -27.87

 

Description

Color code: HEX #C79B80 | qconv.com Color code: HEX #C79B80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 155 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 155 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 36 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 36% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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