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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C79D1A it is the complementary color #3862E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C79D1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C79D1A shade: #CC9D15, #DDAF28, #EEC13B, #FFD34E and #FFE561

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C79D1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C79D1A shade: #C79D1A, #B68B07, #A57900, #946700 and #835500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C79D1A shade: #C69C19, #C66E19, #C63F19 and #C61919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C79D1A shade: #C69C19, #C1C619, #93C619, #64C619 and #36C619

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C79D1A shade matches the following richer shades: #C69C19 and #D8A507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C79D1A shade: #C69C19, #B4932B, #A2893E, #908050 and #7D7762

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C79D1A shade: #C63F19, #C66D19, #C69B19, #C3C619 and #95C619

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C79D1A shade: #7D6310, #A27F15, #C69C19, #E2B526 and #E7C14B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C79D1A shade: #C79D1A, #22C619 and #5619C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C79D1A shade: #C79D1A, #19C69B and #9B19C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C79D1A shade: #C79D1A, #22C619, #1945C6 and #BD19C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C79D1A shade: #C79D1A, #19C645, #1945C6 and #C6199B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 87 / 22

HEX #C79D1A

RGB 199 157 26

HSL 45.43, 0.77%, 0.44%

LAB 66.77, 4.31, 66.17

 

Complementary color

CMYK 76 / 57 / 0 / 10

HEX #3862E5

RGB 56 98 229

HSL 225.43, 0.77%, 0.56%

LAB 45.95, 31.06, -70.6

 

CMYK 0 / 23 / 90 / 20

HEX #CC9D15

RGB 204 157 21

HSL 44.59, 0.81%, 0.44%

LAB 67.28, 6.42, 67.92

 

CMYK 0 / 21 / 82 / 13

HEX #DDAF28

RGB 221 175 40

HSL 44.75, 0.73%, 0.51%

LAB 73.67, 4.74, 69.04

 

CMYK 0 / 19 / 75 / 7

HEX #EEC13B

RGB 238 193 59

HSL 44.92, 0.84%, 0.58%

LAB 79.97, 3.28, 69.15

 

CMYK 0 / 17 / 69 / 0

HEX #FFD34E

RGB 255 211 78

HSL 45.08, 1%, 0.65%

LAB 86.21, 2.02, 68.66

 

CMYK 0 / 10 / 62 / 0

HEX #FFE561

RGB 255 229 97

HSL 50.13, 1%, 0.69%

LAB 90.85, -6.02, 65.76

 

CMYK 0 / 21 / 87 / 22

HEX #C79D1A

RGB 199 157 26

HSL 45.43, 0.77%, 0.44%

LAB 66.77, 4.31, 66.17

 

CMYK 0 / 24 / 96 / 29

HEX #B68B07

RGB 182 139 7

HSL 45.26, 0.93%, 0.37%

LAB 60.27, 6.15, 64.02

 

CMYK 0 / 27 / 100 / 35

HEX #A57900

RGB 165 121 0

HSL 44, 1%, 0.32%

LAB 53.68, 8.29, 59.69

 

CMYK 0 / 30 / 100 / 42

HEX #946700

RGB 148 103 0

HSL 41.76, 1%, 0.29%

LAB 46.97, 10.64, 54.19

 

CMYK 0 / 35 / 100 / 49

HEX #835500

RGB 131 85 0

HSL 38.93, 1%, 0.26%

LAB 40.12, 13.12, 48.59

 

CMYK 0 / 21 / 87 / 22

HEX #C69C19

RGB 198 156 25

HSL 45.43, 0.78%, 0.44%

LAB 66.41, 4.38, 66.07

 

CMYK 0 / 44 / 87 / 22

HEX #C66E19

RGB 198 110 25

HSL 29.48, 0.78%, 0.44%

LAB 55.31, 29.41, 57.17

 

CMYK 0 / 68 / 87 / 22

HEX #C63F19

RGB 198 63 25

HSL 13.18, 0.78%, 0.44%

LAB 46.49, 52.05, 50.1

 

CMYK 0 / 87 / 87 / 22

HEX #C61919

RGB 198 25 25

HSL 0, 0.78%, 0.44%

LAB 42.42, 63.41, 46.83

 

CMYK 0 / 21 / 87 / 22

HEX #C69C19

RGB 198 156 25

HSL 45.43, 0.78%, 0.44%

LAB 66.41, 4.38, 66.07

 

CMYK 3 / 0 / 87 / 22

HEX #C1C619

RGB 193 198 25

HSL 61.73, 0.78%, 0.44%

LAB 77.16, -19.62, 74.53

 

CMYK 26 / 0 / 87 / 22

HEX #93C619

RGB 147 198 25

HSL 77.69, 0.78%, 0.44%

LAB 73.97, -38.53, 70.6

 

CMYK 49 / 0 / 87 / 22

HEX #64C619

RGB 100 198 25

HSL 93.99, 0.78%, 0.44%

LAB 71.67, -54.87, 67.73

 

CMYK 73 / 0 / 87 / 22

HEX #36C619

RGB 54 198 25

HSL 109.94, 0.78%, 0.44%

LAB 70.35, -65.69, 66.07

 

CMYK 0 / 21 / 87 / 22

HEX #C69C19

RGB 198 156 25

HSL 45.43, 0.78%, 0.44%

LAB 66.41, 4.38, 66.07

 

CMYK 0 / 24 / 97 / 15

HEX #D8A507

RGB 216 165 7

HSL 45.36, 0.94%, 0.44%

LAB 70.54, 7.24, 73.05

 

CMYK 0 / 21 / 87 / 22

HEX #C69C19

RGB 198 156 25

HSL 45.43, 0.78%, 0.44%

LAB 66.41, 4.38, 66.07

 

CMYK 0 / 18 / 76 / 29

HEX #B4932B

RGB 180 147 43

HSL 45.55, 0.61%, 0.44%

LAB 62.29, 1.8, 56.2

 

CMYK 0 / 15 / 62 / 36

HEX #A2893E

RGB 162 137 62

HSL 45, 0.45%, 0.44%

LAB 57.96, 0.34, 42.86

 

CMYK 0 / 11 / 44 / 44

HEX #908050

RGB 144 128 80

HSL 45, 0.29%, 0.44%

LAB 53.97, -0.92, 28.24

 

CMYK 0 / 5 / 22 / 51

HEX #7D7762

RGB 125 119 98

HSL 46.67, 0.12%, 0.44%

LAB 50.02, -1.43, 12.39

 

CMYK 0 / 68 / 87 / 22

HEX #C63F19

RGB 198 63 25

HSL 13.18, 0.78%, 0.44%

LAB 46.49, 52.05, 50.1

 

CMYK 0 / 45 / 87 / 22

HEX #C66D19

RGB 198 109 25

HSL 29.13, 0.78%, 0.44%

LAB 55.09, 29.94, 56.99

 

CMYK 0 / 22 / 87 / 22

HEX #C69B19

RGB 198 155 25

HSL 45.09, 0.78%, 0.44%

LAB 66.15, 4.92, 65.87

 

CMYK 2 / 0 / 87 / 22

HEX #C3C619

RGB 195 198 25

HSL 61.04, 0.78%, 0.44%

LAB 77.32, -18.76, 74.72

 

CMYK 25 / 0 / 87 / 22

HEX #95C619

RGB 149 198 25

HSL 76.99, 0.78%, 0.44%

LAB 74.09, -37.75, 70.75

 

CMYK 0 / 21 / 87 / 51

HEX #7D6310

RGB 125 99 16

HSL 45.69, 0.77%, 0.28%

LAB 43.24, 2.34, 46.26

 

CMYK 0 / 22 / 87 / 36

HEX #A27F15

RGB 162 127 21

HSL 45.11, 0.77%, 0.36%

LAB 54.98, 3.91, 56.23

 

CMYK 0 / 21 / 87 / 22

HEX #C69C19

RGB 198 156 25

HSL 45.43, 0.78%, 0.44%

LAB 66.41, 4.38, 66.07

 

CMYK 0 / 20 / 83 / 11

HEX #E2B526

RGB 226 181 38

HSL 45.64, 0.76%, 0.52%

LAB 75.67, 3.69, 71.53

 

CMYK 0 / 16 / 68 / 9

HEX #E7C14B

RGB 231 193 75

HSL 45.38, 0.76%, 0.6%

LAB 79.41, 1.07, 62.16

 

CMYK 0 / 21 / 87 / 22

HEX #C79D1A

RGB 199 157 26

HSL 45.43, 0.77%, 0.44%

LAB 66.77, 4.31, 66.17

 

CMYK 83 / 0 / 87 / 22

HEX #22C619

RGB 34 198 25

HSL 116.88, 0.78%, 0.44%

LAB 70.03, -68.43, 65.68

 

CMYK 57 / 87 / 0 / 22

HEX #5619C6

RGB 86 25 198

HSL 261.16, 0.78%, 0.44%

LAB 31.23, 62.83, -76.85

 

CMYK 0 / 21 / 87 / 22

HEX #C79D1A

RGB 199 157 26

HSL 45.43, 0.77%, 0.44%

LAB 66.77, 4.31, 66.17

 

CMYK 87 / 0 / 22 / 22

HEX #19C69B

RGB 25 198 155

HSL 165.09, 0.78%, 0.44%

LAB 71.53, -50.59, 10.22

 

CMYK 22 / 87 / 0 / 22

HEX #9B19C6

RGB 155 25 198

HSL 285.09, 0.78%, 0.44%

LAB 40.8, 71.45, -60.79

 

CMYK 0 / 21 / 87 / 22

HEX #C79D1A

RGB 199 157 26

HSL 45.43, 0.77%, 0.44%

LAB 66.77, 4.31, 66.17

 

CMYK 83 / 0 / 87 / 22

HEX #22C619

RGB 34 198 25

HSL 116.88, 0.78%, 0.44%

LAB 70.03, -68.43, 65.68

 

CMYK 87 / 65 / 0 / 22

HEX #1945C6

RGB 25 69 198

HSL 224.74, 0.78%, 0.44%

LAB 35.08, 35.58, -70.63

 

CMYK 5 / 87 / 0 / 22

HEX #BD19C6

RGB 189 25 198

HSL 296.88, 0.78%, 0.44%

LAB 46.43, 77, -51.42

 

CMYK 0 / 21 / 87 / 22

HEX #C79D1A

RGB 199 157 26

HSL 45.43, 0.77%, 0.44%

LAB 66.77, 4.31, 66.17

 

CMYK 87 / 0 / 65 / 22

HEX #19C645

RGB 25 198 69

HSL 135.26, 0.78%, 0.44%

LAB 70.19, -66.07, 51.65

 

CMYK 87 / 65 / 0 / 22

HEX #1945C6

RGB 25 69 198

HSL 224.74, 0.78%, 0.44%

LAB 35.08, 35.58, -70.63

 

CMYK 0 / 87 / 22 / 22

HEX #C6199B

RGB 198 25 155

HSL 314.91, 0.78%, 0.44%

LAB 45.73, 72.67, -27.04

 

Description

Color code: HEX #C79D1A | qconv.com Color code: HEX #C79D1A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 157 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 157 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 87 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 87% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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