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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C79E13 it is the complementary color #3861EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C79E13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C79E13 shade: #CC9E0E, #DDB021, #EEC234, #FFD447 and #FFE65A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C79E13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C79E13 shade: #C79E13, #B68C00, #A57A00, #946800 and #835600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C79E13 shade: #C89F12, #C86E12, #C83D12 and #C81212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C79E13 shade: #C89F12, #C1C812, #8FC812, #5EC812 and #2DC812

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C79E13 shade matches the following richer shades: #C89F12 and #DAA800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C79E13 shade: #C89F12, #B69524, #A58B36, #938247 and #817859

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C79E13 shade: #C83D12, #C86D12, #C89E12, #C2C812 and #92C812

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C79E13 shade: #7D630B, #A2810F, #C89F12, #E9BA1A and #EDC540

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C79E13 shade: #C79E13, #18C812 and #5512C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C79E13 shade: #C79E13, #12C89E and #9E12C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C79E13 shade: #C79E13, #18C812, #123DC8 and #C212C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C79E13 shade: #C79E13, #12C843, #123DC8 and #C81298

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 90 / 22

HEX #C79E13

RGB 199 158 19

HSL 46.33, 0.83%, 0.43%

LAB 67.01, 3.63, 67.88

 

Complementary color

CMYK 76 / 59 / 0 / 7

HEX #3861EC

RGB 56 97 236

HSL 226.33, 0.83%, 0.57%

LAB 46.24, 34.22, -74.08

 

CMYK 0 / 23 / 93 / 20

HEX #CC9E0E

RGB 204 158 14

HSL 45.47, 0.87%, 0.43%

LAB 67.52, 5.77, 69.36

 

CMYK 0 / 20 / 85 / 13

HEX #DDB021

RGB 221 176 33

HSL 45.64, 0.74%, 0.5%

LAB 73.89, 4.02, 71.16

 

CMYK 0 / 18 / 78 / 7

HEX #EEC234

RGB 238 194 52

HSL 45.81, 0.85%, 0.57%

LAB 80.18, 2.5, 71.72

 

CMYK 0 / 17 / 72 / 0

HEX #FFD447

RGB 255 212 71

HSL 45.98, 1%, 0.64%

LAB 86.41, 1.18, 71.54

 

CMYK 0 / 10 / 65 / 0

HEX #FFE65A

RGB 255 230 90

HSL 50.91, 1%, 0.68%

LAB 91.05, -6.93, 68.87

 

CMYK 0 / 21 / 90 / 22

HEX #C79E13

RGB 199 158 19

HSL 46.33, 0.83%, 0.43%

LAB 67.01, 3.63, 67.88

 

CMYK 0 / 23 / 100 / 29

HEX #B68C00

RGB 182 140 0

HSL 46.15, 1%, 0.36%

LAB 60.52, 5.51, 65.28

 

CMYK 0 / 26 / 100 / 35

HEX #A57A00

RGB 165 122 0

HSL 44.36, 1%, 0.32%

LAB 53.94, 7.73, 59.87

 

CMYK 0 / 30 / 100 / 42

HEX #946800

RGB 148 104 0

HSL 42.16, 1%, 0.29%

LAB 47.23, 10.06, 54.37

 

CMYK 0 / 34 / 100 / 49

HEX #835600

RGB 131 86 0

HSL 39.39, 1%, 0.26%

LAB 40.38, 12.52, 48.76

 

CMYK 0 / 21 / 91 / 22

HEX #C89F12

RGB 200 159 18

HSL 46.48, 0.83%, 0.43%

LAB 67.37, 3.52, 68.39

 

CMYK 0 / 45 / 91 / 22

HEX #C86E12

RGB 200 110 18

HSL 30.33, 0.83%, 0.43%

LAB 55.56, 30.11, 59.49

 

CMYK 0 / 70 / 91 / 22

HEX #C83D12

RGB 200 61 18

HSL 14.18, 0.83%, 0.43%

LAB 46.53, 53.38, 52.95

 

CMYK 0 / 91 / 91 / 22

HEX #C81212

RGB 200 18 18

HSL 0, 0.83%, 0.43%

LAB 42.39, 64.97, 50.09

 

CMYK 0 / 21 / 91 / 22

HEX #C89F12

RGB 200 159 18

HSL 46.48, 0.83%, 0.43%

LAB 67.37, 3.52, 68.39

 

CMYK 4 / 0 / 91 / 22

HEX #C1C812

RGB 193 200 18

HSL 62.31, 0.83%, 0.43%

LAB 77.69, -20.73, 76.1

 

CMYK 29 / 0 / 91 / 22

HEX #8FC812

RGB 143 200 18

HSL 78.79, 0.83%, 0.43%

LAB 74.31, -41.11, 71.98

 

CMYK 53 / 0 / 91 / 22

HEX #5EC812

RGB 94 200 18

HSL 94.95, 0.83%, 0.43%

LAB 72.05, -57.55, 69.19

 

CMYK 78 / 0 / 91 / 22

HEX #2DC812

RGB 45 200 18

HSL 111.1, 0.83%, 0.43%

LAB 70.81, -67.9, 67.65

 

CMYK 0 / 21 / 91 / 22

HEX #C89F12

RGB 200 159 18

HSL 46.48, 0.83%, 0.43%

LAB 67.37, 3.52, 68.39

 

CMYK 0 / 23 / 100 / 15

HEX #DAA800

RGB 218 168 0

HSL 46.24, 1%, 0.43%

LAB 71.49, 6.46, 74.66

 

CMYK 0 / 21 / 91 / 22

HEX #C89F12

RGB 200 159 18

HSL 46.48, 0.83%, 0.43%

LAB 67.37, 3.52, 68.39

 

CMYK 0 / 18 / 80 / 29

HEX #B69524

RGB 182 149 36

HSL 46.44, 0.67%, 0.43%

LAB 62.98, 1.33, 59.39

 

CMYK 0 / 16 / 67 / 35

HEX #A58B36

RGB 165 139 54

HSL 45.95, 0.51%, 0.43%

LAB 58.72, 0.04, 47.55

 

CMYK 0 / 12 / 52 / 42

HEX #938247

RGB 147 130 71

HSL 46.58, 0.35%, 0.43%

LAB 54.68, -1.66, 34.06

 

CMYK 0 / 7 / 31 / 49

HEX #817859

RGB 129 120 89

HSL 46.5, 0.18%, 0.43%

LAB 50.48, -1.7, 18.31

 

CMYK 0 / 70 / 91 / 22

HEX #C83D12

RGB 200 61 18

HSL 14.18, 0.83%, 0.43%

LAB 46.53, 53.38, 52.95

 

CMYK 0 / 46 / 91 / 22

HEX #C86D12

RGB 200 109 18

HSL 30, 0.83%, 0.43%

LAB 55.34, 30.64, 59.33

 

CMYK 0 / 21 / 91 / 22

HEX #C89E12

RGB 200 158 18

HSL 46.15, 0.83%, 0.43%

LAB 67.11, 4.05, 68.19

 

CMYK 3 / 0 / 91 / 22

HEX #C2C812

RGB 194 200 18

HSL 61.98, 0.83%, 0.43%

LAB 77.77, -20.31, 76.19

 

CMYK 27 / 0 / 91 / 22

HEX #92C812

RGB 146 200 18

HSL 77.8, 0.83%, 0.43%

LAB 74.49, -39.96, 72.19

 

CMYK 0 / 21 / 91 / 51

HEX #7D630B

RGB 125 99 11

HSL 46.32, 0.84%, 0.27%

LAB 43.22, 2.21, 47.63

 

CMYK 0 / 20 / 91 / 36

HEX #A2810F

RGB 162 129 15

HSL 46.53, 0.83%, 0.35%

LAB 55.5, 2.66, 58.1

 

CMYK 0 / 21 / 91 / 22

HEX #C89F12

RGB 200 159 18

HSL 46.48, 0.83%, 0.43%

LAB 67.37, 3.52, 68.39

 

CMYK 0 / 20 / 89 / 9

HEX #E9BA1A

RGB 233 186 26

HSL 46.38, 0.82%, 0.51%

LAB 77.59, 3.83, 76.19

 

CMYK 0 / 17 / 73 / 7

HEX #EDC540

RGB 237 197 64

HSL 46.13, 0.83%, 0.59%

LAB 80.91, 1, 68.19

 

CMYK 0 / 21 / 90 / 22

HEX #C79E13

RGB 199 158 19

HSL 46.33, 0.83%, 0.43%

LAB 67.01, 3.63, 67.88

 

CMYK 88 / 0 / 91 / 22

HEX #18C812

RGB 24 200 18

HSL 118.02, 0.83%, 0.43%

LAB 70.56, -70.15, 67.33

 

CMYK 58 / 91 / 0 / 22

HEX #5512C8

RGB 85 18 200

HSL 262.09, 0.83%, 0.43%

LAB 30.72, 65.09, -78.87

 

CMYK 0 / 21 / 90 / 22

HEX #C79E13

RGB 199 158 19

HSL 46.33, 0.83%, 0.43%

LAB 67.01, 3.63, 67.88

 

CMYK 91 / 0 / 21 / 22

HEX #12C89E

RGB 18 200 158

HSL 166.15, 0.83%, 0.43%

LAB 72.17, -51.03, 9.5

 

CMYK 21 / 91 / 0 / 22

HEX #9E12C8

RGB 158 18 200

HSL 286.15, 0.83%, 0.43%

LAB 41.01, 73.51, -61.59

 

CMYK 0 / 21 / 90 / 22

HEX #C79E13

RGB 199 158 19

HSL 46.33, 0.83%, 0.43%

LAB 67.01, 3.63, 67.88

 

CMYK 88 / 0 / 91 / 22

HEX #18C812

RGB 24 200 18

HSL 118.02, 0.83%, 0.43%

LAB 70.56, -70.15, 67.33

 

CMYK 91 / 70 / 0 / 22

HEX #123DC8

RGB 18 61 200

HSL 225.82, 0.83%, 0.43%

LAB 33.21, 41.08, -74.88

 

CMYK 3 / 91 / 0 / 22

HEX #C212C8

RGB 194 18 200

HSL 298.02, 0.83%, 0.43%

LAB 47.07, 79.18, -51.51

 

CMYK 0 / 21 / 90 / 22

HEX #C79E13

RGB 199 158 19

HSL 46.33, 0.83%, 0.43%

LAB 67.01, 3.63, 67.88

 

CMYK 91 / 0 / 67 / 22

HEX #12C843

RGB 18 200 67

HSL 136.15, 0.83%, 0.43%

LAB 70.76, -67.37, 53.09

 

CMYK 91 / 70 / 0 / 22

HEX #123DC8

RGB 18 61 200

HSL 225.82, 0.83%, 0.43%

LAB 33.21, 41.08, -74.88

 

CMYK 0 / 91 / 24 / 22

HEX #C81298

RGB 200 18 152

HSL 315.82, 0.83%, 0.43%

LAB 45.61, 73.77, -25.4

 

Description

Color code: HEX #C79E13 | qconv.com Color code: HEX #C79E13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 158 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 158 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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