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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8177A it is the complementary color #37E885. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8177A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8177A shade: #CD1775, #DE2988, #EF3B9B, #FF4DAE and #FF5FC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8177A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8177A shade: #C8177A, #B70567, #A60054, #950041 and #84002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8177A shade: #C8177A, #C8174A, #C8171B and #C81717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8177A shade: #C8177A, #C817AA, #B717C8, #8717C8 and #5717C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8177A shade matches the following richer shades: #C8177A and #DA057C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8177A shade: #C8177A, #B62978, #A43B76, #924E74 and #806072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8177A shade: #B717C8, #C817AB, #C8177C, #C8174C and #C8171D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8177A shade: #7E0E4D, #A31364, #C8177A, #E52490 and #E949A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8177A shade: #C8177A, #C88717 and #17C2C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8177A shade: #C8177A, #7CC817 and #177CC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8177A shade: #C8177A, #C88717, #17C864 and #1758C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8177A shade: #C8177A, #C8BD17, #17C864 and #1723C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 39 / 22

HEX #C8177A

RGB 200 23 122

HSL 326.44, 0.79%, 0.44%

LAB 44.66, 69.81, -8.57

 

Complementary color

CMYK 76 / 0 / 43 / 9

HEX #37E885

RGB 55 232 133

HSL 146.44, 0.79%, 0.56%

LAB 81.96, -64.99, 35.94

 

CMYK 0 / 89 / 43 / 20

HEX #CD1775

RGB 205 23 117

HSL 329.01, 0.8%, 0.45%

LAB 45.46, 70.49, -4.18

 

CMYK 0 / 82 / 39 / 13

HEX #DE2988

RGB 222 41 136

HSL 328.51, 0.73%, 0.52%

LAB 50.56, 72.71, -7.83

 

CMYK 0 / 75 / 35 / 6

HEX #EF3B9B

RGB 239 59 155

HSL 328, 0.85%, 0.58%

LAB 55.93, 74.01, -10.78

 

CMYK 0 / 70 / 32 / 0

HEX #FF4DAE

RGB 255 77 174

HSL 327.3, 1%, 0.65%

LAB 61.33, 74.4, -13.46

 

CMYK 0 / 63 / 24 / 0

HEX #FF5FC1

RGB 255 95 193

HSL 323.25, 1%, 0.69%

LAB 64.4, 70, -19.67

 

CMYK 0 / 89 / 39 / 22

HEX #C8177A

RGB 200 23 122

HSL 326.44, 0.79%, 0.44%

LAB 44.66, 69.81, -8.57

 

CMYK 0 / 97 / 44 / 28

HEX #B70567

RGB 183 5 103

HSL 326.97, 0.95%, 0.37%

LAB 39.84, 66.45, -4.24

 

CMYK 0 / 100 / 49 / 35

HEX #A60054

RGB 166 0 84

HSL 329.64, 1%, 0.33%

LAB 35.49, 61.55, 1.14

 

CMYK 0 / 100 / 56 / 42

HEX #950041

RGB 149 0 65

HSL 333.83, 1%, 0.29%

LAB 31.28, 56.1, 7.12

 

CMYK 0 / 100 / 65 / 48

HEX #84002E

RGB 132 0 46

HSL 339.09, 1%, 0.26%

LAB 27.03, 50.66, 13.49

 

CMYK 0 / 89 / 39 / 22

HEX #C8177A

RGB 200 23 122

HSL 326.44, 0.79%, 0.44%

LAB 44.66, 69.81, -8.57

 

CMYK 0 / 89 / 63 / 22

HEX #C8174A

RGB 200 23 74

HSL 342.71, 0.79%, 0.44%

LAB 43.34, 66.12, 19.51

 

CMYK 0 / 89 / 87 / 22

HEX #C8171B

RGB 200 23 27

HSL 358.64, 0.79%, 0.44%

LAB 42.72, 64.34, 46.29

 

CMYK 0 / 89 / 89 / 22

HEX #C81717

RGB 200 23 23

HSL 0, 0.79%, 0.44%

LAB 42.69, 64.26, 48.15

 

CMYK 0 / 89 / 39 / 22

HEX #C8177A

RGB 200 23 122

HSL 326.44, 0.79%, 0.44%

LAB 44.66, 69.81, -8.57

 

CMYK 0 / 89 / 15 / 22

HEX #C817AA

RGB 200 23 170

HSL 310.17, 0.79%, 0.44%

LAB 46.7, 75.31, -34.44

 

CMYK 9 / 89 / 0 / 22

HEX #B717C8

RGB 183 23 200

HSL 294.24, 0.79%, 0.44%

LAB 45.43, 76.64, -54.25

 

CMYK 33 / 89 / 0 / 22

HEX #8717C8

RGB 135 23 200

HSL 277.97, 0.79%, 0.44%

LAB 37.72, 69.37, -67.11

 

CMYK 57 / 89 / 0 / 22

HEX #5717C8

RGB 87 23 200

HSL 261.69, 0.79%, 0.44%

LAB 31.37, 63.98, -77.79

 

CMYK 0 / 89 / 39 / 22

HEX #C8177A

RGB 200 23 122

HSL 326.44, 0.79%, 0.44%

LAB 44.66, 69.81, -8.57

 

CMYK 0 / 98 / 43 / 15

HEX #DA057C

RGB 218 5 124

HSL 326.48, 0.96%, 0.44%

LAB 47.58, 75.95, -5.06

 

CMYK 0 / 89 / 39 / 22

HEX #C8177A

RGB 200 23 122

HSL 326.44, 0.79%, 0.44%

LAB 44.66, 69.81, -8.57

 

CMYK 0 / 77 / 34 / 29

HEX #B62978

RGB 182 41 120

HSL 326.38, 0.63%, 0.44%

LAB 42.59, 61.15, -10.78

 

CMYK 0 / 64 / 28 / 36

HEX #A43B76

RGB 164 59 118

HSL 326.29, 0.47%, 0.44%

LAB 41.73, 49.26, -11.15

 

CMYK 0 / 47 / 21 / 43

HEX #924E74

RGB 146 78 116

HSL 326.47, 0.3%, 0.44%

LAB 42.49, 33.57, -9.05

 

CMYK 0 / 25 / 11 / 50

HEX #806072

RGB 128 96 114

HSL 326.25, 0.14%, 0.44%

LAB 44.48, 16.11, -5.1

 

CMYK 9 / 89 / 0 / 22

HEX #B717C8

RGB 183 23 200

HSL 294.24, 0.79%, 0.44%

LAB 45.43, 76.64, -54.25

 

CMYK 0 / 89 / 15 / 22

HEX #C817AB

RGB 200 23 171

HSL 309.83, 0.79%, 0.44%

LAB 46.75, 75.44, -34.95

 

CMYK 0 / 89 / 38 / 22

HEX #C8177C

RGB 200 23 124

HSL 325.76, 0.79%, 0.44%

LAB 44.73, 70, -9.69

 

CMYK 0 / 89 / 62 / 22

HEX #C8174C

RGB 200 23 76

HSL 342.03, 0.79%, 0.44%

LAB 43.38, 66.24, 18.31

 

CMYK 0 / 89 / 86 / 22

HEX #C8171D

RGB 200 23 29

HSL 357.97, 0.79%, 0.44%

LAB 42.73, 64.38, 45.31

 

CMYK 0 / 89 / 39 / 51

HEX #7E0E4D

RGB 126 14 77

HSL 326.25, 0.8%, 0.27%

LAB 27.53, 49.19, -6.96

 

CMYK 0 / 88 / 39 / 36

HEX #A31364

RGB 163 19 100

HSL 326.25, 0.79%, 0.36%

LAB 36.31, 59.7, -8.03

 

CMYK 0 / 89 / 39 / 22

HEX #C8177A

RGB 200 23 122

HSL 326.44, 0.79%, 0.44%

LAB 44.66, 69.81, -8.57

 

CMYK 0 / 84 / 37 / 10

HEX #E52490

RGB 229 36 144

HSL 326.42, 0.79%, 0.52%

LAB 51.76, 76.19, -10.7

 

CMYK 0 / 69 / 30 / 9

HEX #E949A2

RGB 233 73 162

HSL 326.63, 0.78%, 0.6%

LAB 56.78, 68.66, -13.72

 

CMYK 0 / 89 / 39 / 22

HEX #C8177A

RGB 200 23 122

HSL 326.44, 0.79%, 0.44%

LAB 44.66, 69.81, -8.57

 

CMYK 0 / 33 / 89 / 22

HEX #C88717

RGB 200 135 23

HSL 37.97, 0.79%, 0.44%

LAB 61.37, 16.65, 62.66

 

CMYK 89 / 3 / 0 / 22

HEX #17C2C8

RGB 23 194 200

HSL 182.03, 0.79%, 0.44%

LAB 71.51, -36.51, -14.3

 

CMYK 0 / 89 / 39 / 22

HEX #C8177A

RGB 200 23 122

HSL 326.44, 0.79%, 0.44%

LAB 44.66, 69.81, -8.57

 

CMYK 38 / 0 / 89 / 22

HEX #7CC817

RGB 124 200 23

HSL 85.76, 0.79%, 0.44%

LAB 73.32, -47.93, 69.93

 

CMYK 89 / 38 / 0 / 22

HEX #177CC8

RGB 23 124 200

HSL 205.76, 0.79%, 0.44%

LAB 50.41, 0.79, -46.98

 

CMYK 0 / 89 / 39 / 22

HEX #C8177A

RGB 200 23 122

HSL 326.44, 0.79%, 0.44%

LAB 44.66, 69.81, -8.57

 

CMYK 0 / 33 / 89 / 22

HEX #C88717

RGB 200 135 23

HSL 37.97, 0.79%, 0.44%

LAB 61.37, 16.65, 62.66

 

CMYK 89 / 0 / 50 / 22

HEX #17C864

RGB 23 200 100

HSL 146.1, 0.79%, 0.44%

LAB 71.15, -62.7, 38.47

 

CMYK 89 / 56 / 0 / 22

HEX #1758C8

RGB 23 88 200

HSL 217.97, 0.79%, 0.44%

LAB 40.13, 23.78, -63.53

 

CMYK 0 / 89 / 39 / 22

HEX #C8177A

RGB 200 23 122

HSL 326.44, 0.79%, 0.44%

LAB 44.66, 69.81, -8.57

 

CMYK 0 / 5 / 89 / 22

HEX #C8BD17

RGB 200 189 23

HSL 56.27, 0.79%, 0.44%

LAB 75.29, -12.12, 73.64

 

CMYK 89 / 0 / 50 / 22

HEX #17C864

RGB 23 200 100

HSL 146.1, 0.79%, 0.44%

LAB 71.15, -62.7, 38.47

 

CMYK 89 / 83 / 0 / 22

HEX #1723C8

RGB 23 35 200

HSL 235.93, 0.79%, 0.44%

LAB 28.26, 55.66, -83.08

 

Description

Color code: HEX #C8177A | qconv.com Color code: HEX #C8177A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 23 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 23 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 39% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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