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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C819FB it is the complementary color #37E604. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C819FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C819FB shade: #CD19F6, #DE2BFF, #EF3DFF, #FF4FFF and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C819FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C819FB shade: #C819FB, #B707E8, #A600D5, #9500C2 and #8400AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C819FB shade: #C817FB, #FB17F1, #FB17B4, #FB1776 and #FB1739

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C819FB shade: #C817FB, #8A17FB, #4D17FB and #1717FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C819FB shade matches the following richer shades: #C817FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C819FB shade: #C817FB, #BD2AE8, #B33DD5, #A850C2 and #9E63AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C819FB shade: #4D17FB, #8917FB, #C617FB, #FB17F3 and #FB17B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C819FB shade: #9302BD, #B303E6, #C817FB, #D140FC and #DB69FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C819FB shade: #C819FB, #FB171F and #17FB6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C819FB shade: #C819FB, #FBC617 and #17FBC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C819FB shade: #C819FB, #FB171F, #4DFB17 and #17FBF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C819FB shade: #C819FB, #FB5417, #4DFB17 and #17BEFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 90 / 0 / 2

HEX #C819FB

RGB 200 25 251

HSL 286.46, 0.97%, 0.54%

LAB 51.77, 87.46, -72.87

 

Complementary color

CMYK 76 / 0 / 98 / 10

HEX #37E604

RGB 55 230 4

HSL 106.46, 0.97%, 0.46%

LAB 80.41, -75.54, 77.15

 

CMYK 17 / 90 / 0 / 4

HEX #CD19F6

RGB 205 25 246

HSL 288.87, 0.92%, 0.53%

LAB 52.21, 87.33, -69.33

 

CMYK 13 / 83 / 0 / 0

HEX #DE2BFF

RGB 222 43 255

HSL 290.66, 1%, 0.58%

LAB 56.56, 88.25, -67.17

 

CMYK 6 / 76 / 0 / 0

HEX #EF3DFF

RGB 239 61 255

HSL 295.05, 1%, 0.62%

LAB 60.7, 86.85, -60.38

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 20 / 90 / 0 / 2

HEX #C819FB

RGB 200 25 251

HSL 286.46, 0.97%, 0.54%

LAB 51.77, 87.46, -72.87

 

CMYK 21 / 97 / 0 / 9

HEX #B707E8

RGB 183 7 232

HSL 286.93, 0.94%, 0.47%

LAB 47.03, 83.83, -70

 

CMYK 22 / 100 / 0 / 16

HEX #A600D5

RGB 166 0 213

HSL 286.76, 1%, 0.42%

LAB 42.63, 78.93, -66.43

 

CMYK 23 / 100 / 0 / 24

HEX #9500C2

RGB 149 0 194

HSL 286.08, 1%, 0.38%

LAB 38.35, 73.35, -62.48

 

CMYK 25 / 100 / 0 / 31

HEX #8400AF

RGB 132 0 175

HSL 285.26, 1%, 0.34%

LAB 33.98, 67.66, -58.47

 

CMYK 20 / 91 / 0 / 2

HEX #C817FB

RGB 200 23 251

HSL 286.58, 0.97%, 0.54%

LAB 51.68, 87.73, -73.02

 

CMYK 0 / 91 / 4 / 2

HEX #FB17F1

RGB 251 23 241

HSL 302.63, 0.97%, 0.54%

LAB 59.41, 94.04, -54.55

 

CMYK 0 / 91 / 28 / 2

HEX #FB17B4

RGB 251 23 180

HSL 318.68, 0.97%, 0.54%

LAB 56.5, 86.56, -24.35

 

CMYK 0 / 91 / 53 / 2

HEX #FB1776

RGB 251 23 118

HSL 335, 0.97%, 0.54%

LAB 54.48, 81.11, 9.4

 

CMYK 0 / 91 / 77 / 2

HEX #FB1739

RGB 251 23 57

HSL 351.05, 0.97%, 0.54%

LAB 53.4, 78.11, 44.18

 

CMYK 20 / 91 / 0 / 2

HEX #C817FB

RGB 200 23 251

HSL 286.58, 0.97%, 0.54%

LAB 51.68, 87.73, -73.02

 

CMYK 45 / 91 / 0 / 2

HEX #8A17FB

RGB 138 23 251

HSL 270.26, 0.97%, 0.54%

LAB 42.73, 80.32, -88.01

 

CMYK 69 / 91 / 0 / 2

HEX #4D17FB

RGB 77 23 251

HSL 254.21, 0.97%, 0.54%

LAB 36.28, 75.86, -98.89

 

CMYK 91 / 91 / 0 / 2

HEX #1717FB

RGB 23 23 251

HSL 240, 0.97%, 0.54%

LAB 33.48, 74.25, -103.64

 

CMYK 20 / 91 / 0 / 2

HEX #C817FB

RGB 200 23 251

HSL 286.58, 0.97%, 0.54%

LAB 51.68, 87.73, -73.02

 

CMYK 20 / 91 / 0 / 2

HEX #C817FB

RGB 200 23 251

HSL 286.58, 0.97%, 0.54%

LAB 51.68, 87.73, -73.02

 

CMYK 19 / 82 / 0 / 9

HEX #BD2AE8

RGB 189 42 232

HSL 286.42, 0.81%, 0.54%

LAB 49.86, 79.16, -65.37

 

CMYK 16 / 71 / 0 / 16

HEX #B33DD5

RGB 179 61 213

HSL 286.58, 0.64%, 0.54%

LAB 49.16, 67.94, -55.77

 

CMYK 13 / 59 / 0 / 24

HEX #A850C2

RGB 168 80 194

HSL 286.32, 0.48%, 0.54%

LAB 49.44, 53.57, -44.48

 

CMYK 10 / 43 / 0 / 31

HEX #9E63AF

RGB 158 99 175

HSL 286.58, 0.32%, 0.54%

LAB 51.02, 36.93, -31.06

 

CMYK 69 / 91 / 0 / 2

HEX #4D17FB

RGB 77 23 251

HSL 254.21, 0.97%, 0.54%

LAB 36.28, 75.86, -98.89

 

CMYK 45 / 91 / 0 / 2

HEX #8917FB

RGB 137 23 251

HSL 270, 0.97%, 0.54%

LAB 42.61, 80.22, -88.22

 

CMYK 21 / 91 / 0 / 2

HEX #C617FB

RGB 198 23 251

HSL 286.05, 0.97%, 0.54%

LAB 51.36, 87.46, -73.54

 

CMYK 0 / 91 / 3 / 2

HEX #FB17F3

RGB 251 23 243

HSL 302.11, 0.97%, 0.54%

LAB 59.52, 94.32, -55.49

 

CMYK 0 / 91 / 27 / 2

HEX #FB17B7

RGB 251 23 183

HSL 317.89, 0.97%, 0.54%

LAB 56.63, 86.89, -25.91

 

CMYK 22 / 99 / 0 / 26

HEX #9302BD

RGB 147 2 189

HSL 286.52, 0.98%, 0.37%

LAB 37.7, 71.95, -60.62

 

CMYK 22 / 99 / 0 / 10

HEX #B303E6

RGB 179 3 230

HSL 286.52, 0.97%, 0.46%

LAB 46.13, 83.3, -70.37

 

CMYK 20 / 91 / 0 / 2

HEX #C817FB

RGB 200 23 251

HSL 286.58, 0.97%, 0.54%

LAB 51.68, 87.73, -73.02

 

CMYK 17 / 75 / 0 / 1

HEX #D140FC

RGB 209 64 252

HSL 286.28, 0.97%, 0.62%

LAB 56.34, 79.9, -65.97

 

CMYK 13 / 58 / 0 / 1

HEX #DB69FC

RGB 219 105 252

HSL 286.53, 0.96%, 0.7%

LAB 63.5, 65.83, -54.43

 

CMYK 20 / 90 / 0 / 2

HEX #C819FB

RGB 200 25 251

HSL 286.46, 0.97%, 0.54%

LAB 51.77, 87.46, -72.87

 

CMYK 0 / 91 / 88 / 2

HEX #FB171F

RGB 251 23 31

HSL 357.89, 0.97%, 0.54%

LAB 53.19, 77.51, 57.15

 

CMYK 91 / 0 / 57 / 2

HEX #17FB6B

RGB 23 251 107

HSL 142.11, 0.97%, 0.54%

LAB 87.11, -77.72, 54.52

 

CMYK 20 / 90 / 0 / 2

HEX #C819FB

RGB 200 25 251

HSL 286.46, 0.97%, 0.54%

LAB 51.77, 87.46, -72.87

 

CMYK 0 / 21 / 91 / 2

HEX #FBC617

RGB 251 198 23

HSL 46.05, 0.97%, 0.54%

LAB 82.36, 5.28, 81.16

 

CMYK 91 / 0 / 21 / 2

HEX #17FBC6

RGB 23 251 198

HSL 166.05, 0.97%, 0.54%

LAB 88.57, -60.9, 11.72

 

CMYK 20 / 90 / 0 / 2

HEX #C819FB

RGB 200 25 251

HSL 286.46, 0.97%, 0.54%

LAB 51.77, 87.46, -72.87

 

CMYK 0 / 91 / 88 / 2

HEX #FB171F

RGB 251 23 31

HSL 357.89, 0.97%, 0.54%

LAB 53.19, 77.51, 57.15

 

CMYK 69 / 0 / 91 / 2

HEX #4DFB17

RGB 77 251 23

HSL 105.79, 0.97%, 0.54%

LAB 87.31, -77.88, 81.02

 

CMYK 91 / 0 / 3 / 2

HEX #17FBF3

RGB 23 251 243

HSL 177.89, 0.97%, 0.54%

LAB 89.7, -49.21, -10.01

 

CMYK 20 / 90 / 0 / 2

HEX #C819FB

RGB 200 25 251

HSL 286.46, 0.97%, 0.54%

LAB 51.77, 87.46, -72.87

 

CMYK 0 / 67 / 91 / 2

HEX #FB5417

RGB 251 84 23

HSL 16.05, 0.97%, 0.54%

LAB 58.89, 61.35, 64.15

 

CMYK 69 / 0 / 91 / 2

HEX #4DFB17

RGB 77 251 23

HSL 105.79, 0.97%, 0.54%

LAB 87.31, -77.88, 81.02

 

CMYK 91 / 24 / 0 / 2

HEX #17BEFB

RGB 23 190 251

HSL 196.05, 0.97%, 0.54%

LAB 72.21, -17.86, -40.91

 

Description

Color code: HEX #C819FB | qconv.com Color code: HEX #C819FB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 25 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 25 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 90 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 90% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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