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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C812AB it is the complementary color #37ED54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C812AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C812AB shade: #CD12A6, #DE24B9, #EF36CC, #FF48DF and #FF5AF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C812AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C812AB shade: #C812AB, #B70098, #A60085, #950072 and #84005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C812AB shade: #C812AB, #C8127A, #C81249, #C81218 and #C81212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C812AB shade: #C812AB, #B412C8, #8312C8, #5212C8 and #2112C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C812AB shade matches the following richer shades: #C812AB and #DA00B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C812AB shade: #C812AB, #B6249F, #A53693, #934787 and #81597B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C812AB shade: #8212C8, #B312C8, #C812AD, #C8127C and #C8124C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C812AB shade: #7D0B6B, #A20F8B, #C812AB, #E91AC8 and #ED40D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C812AB shade: #C812AB, #C85212 and #12C89B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C812AB shade: #C812AB, #ADC812 and #12ADC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C812AB shade: #C812AB, #C85212, #12C82D and #1288C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C812AB shade: #C812AB, #C88812, #12C82D and #1252C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 15 / 22

HEX #C812AB

RGB 200 18 171

HSL 309.56, 0.83%, 0.43%

LAB 46.51, 76.14, -35.33

 

Complementary color

CMYK 77 / 0 / 65 / 7

HEX #37ED54

RGB 55 237 84

HSL 129.56, 0.83%, 0.57%

LAB 82.92, -73.35, 59.6

 

CMYK 0 / 91 / 19 / 20

HEX #CD12A6

RGB 205 18 166

HSL 312.51, 0.84%, 0.44%

LAB 47.19, 76.46, -31.24

 

CMYK 0 / 84 / 17 / 13

HEX #DE24B9

RGB 222 36 185

HSL 311.94, 0.74%, 0.51%

LAB 52.17, 79.34, -34.4

 

CMYK 0 / 77 / 15 / 6

HEX #EF36CC

RGB 239 54 204

HSL 311.35, 0.85%, 0.57%

LAB 57.41, 81.22, -36.94

 

CMYK 0 / 72 / 13 / 0

HEX #FF48DF

RGB 255 72 223

HSL 310.49, 1%, 0.64%

LAB 62.69, 82.14, -39.24

 

CMYK 0 / 65 / 5 / 0

HEX #FF5AF2

RGB 255 90 242

HSL 304.73, 1%, 0.68%

LAB 65.74, 78.8, -45.05

 

CMYK 0 / 91 / 15 / 22

HEX #C812AB

RGB 200 18 171

HSL 309.56, 0.83%, 0.43%

LAB 46.51, 76.14, -35.33

 

CMYK 0 / 100 / 17 / 28

HEX #B70098

RGB 183 0 152

HSL 310.16, 1%, 0.36%

LAB 41.74, 72.3, -31.67

 

CMYK 0 / 100 / 20 / 35

HEX #A60085

RGB 166 0 133

HSL 311.93, 1%, 0.33%

LAB 37.48, 66.67, -26.95

 

CMYK 0 / 100 / 23 / 42

HEX #950072

RGB 149 0 114

HSL 314.09, 1%, 0.29%

LAB 33.15, 60.94, -22.05

 

CMYK 0 / 100 / 28 / 48

HEX #84005F

RGB 132 0 95

HSL 316.82, 1%, 0.26%

LAB 28.73, 55.1, -16.94

 

CMYK 0 / 91 / 15 / 22

HEX #C812AB

RGB 200 18 171

HSL 309.56, 0.83%, 0.43%

LAB 46.51, 76.14, -35.33

 

CMYK 0 / 91 / 39 / 22

HEX #C8127A

RGB 200 18 122

HSL 325.71, 0.83%, 0.43%

LAB 44.4, 70.55, -8.95

 

CMYK 0 / 91 / 64 / 22

HEX #C81249

RGB 200 18 73

HSL 341.87, 0.83%, 0.43%

LAB 43.05, 66.84, 19.76

 

CMYK 0 / 91 / 88 / 22

HEX #C81218

RGB 200 18 24

HSL 358.02, 0.83%, 0.43%

LAB 42.43, 65.07, 47.49

 

CMYK 0 / 91 / 91 / 22

HEX #C81212

RGB 200 18 18

HSL 0, 0.83%, 0.43%

LAB 42.39, 64.97, 50.09

 

CMYK 0 / 91 / 15 / 22

HEX #C812AB

RGB 200 18 171

HSL 309.56, 0.83%, 0.43%

LAB 46.51, 76.14, -35.33

 

CMYK 10 / 91 / 0 / 22

HEX #B412C8

RGB 180 18 200

HSL 293.41, 0.83%, 0.43%

LAB 44.67, 76.89, -55.5

 

CMYK 35 / 91 / 0 / 22

HEX #8312C8

RGB 131 18 200

HSL 277.25, 0.83%, 0.43%

LAB 36.8, 69.84, -68.65

 

CMYK 59 / 91 / 0 / 22

HEX #5212C8

RGB 82 18 200

HSL 261.1, 0.83%, 0.43%

LAB 30.39, 64.85, -79.42

 

CMYK 84 / 91 / 0 / 22

HEX #2112C8

RGB 33 18 200

HSL 244.95, 0.83%, 0.43%

LAB 26.52, 62.34, -85.97

 

CMYK 0 / 91 / 15 / 22

HEX #C812AB

RGB 200 18 171

HSL 309.56, 0.83%, 0.43%

LAB 46.51, 76.14, -35.33

 

CMYK 0 / 100 / 16 / 15

HEX #DA00B7

RGB 218 0 183

HSL 309.63, 1%, 0.43%

LAB 49.89, 82.6, -36.87

 

CMYK 0 / 91 / 15 / 22

HEX #C812AB

RGB 200 18 171

HSL 309.56, 0.83%, 0.43%

LAB 46.51, 76.14, -35.33

 

CMYK 0 / 80 / 13 / 29

HEX #B6249F

RGB 182 36 159

HSL 309.45, 0.67%, 0.43%

LAB 43.81, 67.5, -32.65

 

CMYK 0 / 67 / 11 / 35

HEX #A53693

RGB 165 54 147

HSL 309.73, 0.51%, 0.43%

LAB 42.38, 55.85, -27.88

 

CMYK 0 / 52 / 8 / 42

HEX #934787

RGB 147 71 135

HSL 309.47, 0.35%, 0.43%

LAB 41.94, 40.87, -21.5

 

CMYK 0 / 31 / 5 / 49

HEX #81597B

RGB 129 89 123

HSL 309, 0.18%, 0.43%

LAB 43.13, 22.38, -12.58

 

CMYK 35 / 91 / 0 / 22

HEX #8212C8

RGB 130 18 200

HSL 276.92, 0.83%, 0.43%

LAB 36.65, 69.71, -68.9

 

CMYK 11 / 91 / 0 / 22

HEX #B312C8

RGB 179 18 200

HSL 293.08, 0.83%, 0.43%

LAB 44.5, 76.73, -55.78

 

CMYK 0 / 91 / 14 / 22

HEX #C812AD

RGB 200 18 173

HSL 308.9, 0.83%, 0.43%

LAB 46.62, 76.4, -36.35

 

CMYK 0 / 91 / 38 / 22

HEX #C8127C

RGB 200 18 124

HSL 325.05, 0.83%, 0.43%

LAB 44.47, 70.74, -10.08

 

CMYK 0 / 91 / 62 / 22

HEX #C8124C

RGB 200 18 76

HSL 340.88, 0.83%, 0.43%

LAB 43.11, 67.01, 17.96

 

CMYK 0 / 91 / 14 / 51

HEX #7D0B6B

RGB 125 11 107

HSL 309.47, 0.84%, 0.27%

LAB 28.54, 53.37, -25.13

 

CMYK 0 / 91 / 14 / 36

HEX #A20F8B

RGB 162 15 139

HSL 309.39, 0.83%, 0.35%

LAB 37.64, 64.85, -30.47

 

CMYK 0 / 91 / 15 / 22

HEX #C812AB

RGB 200 18 171

HSL 309.56, 0.83%, 0.43%

LAB 46.51, 76.14, -35.33

 

CMYK 0 / 89 / 14 / 9

HEX #E91AC8

RGB 233 26 200

HSL 309.57, 0.82%, 0.51%

LAB 54.27, 85.05, -39.65

 

CMYK 0 / 73 / 12 / 7

HEX #ED40D1

RGB 237 64 209

HSL 309.71, 0.83%, 0.59%

LAB 58.3, 78.66, -38.43

 

CMYK 0 / 91 / 15 / 22

HEX #C812AB

RGB 200 18 171

HSL 309.56, 0.83%, 0.43%

LAB 46.51, 76.14, -35.33

 

CMYK 0 / 59 / 91 / 22

HEX #C85212

RGB 200 82 18

HSL 21.1, 0.83%, 0.43%

LAB 49.93, 44.3, 55.38

 

CMYK 91 / 0 / 23 / 22

HEX #12C89B

RGB 18 200 155

HSL 165.16, 0.83%, 0.43%

LAB 72.1, -51.78, 11.02

 

CMYK 0 / 91 / 15 / 22

HEX #C812AB

RGB 200 18 171

HSL 309.56, 0.83%, 0.43%

LAB 46.51, 76.14, -35.33

 

CMYK 14 / 0 / 91 / 22

HEX #ADC812

RGB 173 200 18

HSL 68.9, 0.83%, 0.43%

LAB 76.21, -29.14, 74.3

 

CMYK 91 / 14 / 0 / 22

HEX #12ADC8

RGB 18 173 200

HSL 188.9, 0.83%, 0.43%

LAB 65.11, -26.63, -24.03

 

CMYK 0 / 91 / 15 / 22

HEX #C812AB

RGB 200 18 171

HSL 309.56, 0.83%, 0.43%

LAB 46.51, 76.14, -35.33

 

CMYK 0 / 59 / 91 / 22

HEX #C85212

RGB 200 82 18

HSL 21.1, 0.83%, 0.43%

LAB 49.93, 44.3, 55.38

 

CMYK 91 / 0 / 78 / 22

HEX #12C82D

RGB 18 200 45

HSL 128.9, 0.83%, 0.43%

LAB 70.61, -69.26, 60.97

 

CMYK 91 / 32 / 0 / 22

HEX #1288C8

RGB 18 136 200

HSL 201.1, 0.83%, 0.43%

LAB 53.93, -6.63, -41.42

 

CMYK 0 / 91 / 15 / 22

HEX #C812AB

RGB 200 18 171

HSL 309.56, 0.83%, 0.43%

LAB 46.51, 76.14, -35.33

 

CMYK 0 / 32 / 91 / 22

HEX #C88812

RGB 200 136 18

HSL 38.9, 0.83%, 0.43%

LAB 61.59, 16.01, 64

 

CMYK 91 / 0 / 78 / 22

HEX #12C82D

RGB 18 200 45

HSL 128.9, 0.83%, 0.43%

LAB 70.61, -69.26, 60.97

 

CMYK 91 / 59 / 0 / 22

HEX #1252C8

RGB 18 82 200

HSL 218.9, 0.83%, 0.43%

LAB 38.43, 27.48, -66.31

 

Description

Color code: HEX #C812AB | qconv.com Color code: HEX #C812AB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 18 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 18 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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