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Color name
HEX #C82264

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C82264 it is the complementary color #37DD9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C82264. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C82264 shade: #CD225F, #DE3472, #EF4685, #FF5898 and #FF6AAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C82264. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C82264 shade: #C82264, #B71051, #A6003E, #95002B and #840018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C82264 shade: #C82264, #C82237 and #C82222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C82264 shade: #C82264, #C82291, #C822BE, #A622C8 and #7922C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C82264 shade matches the following richer shades: #C82264 and #DB0F60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C82264 shade: #C82264, #B53468, #A2476C, #8F5A6F and #7C6D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C82264 shade: #C822BD, #C82291, #C82264, #C82238 and #C83822

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C82264 shade: #821640, #A51C52, #C82264, #DD3678 and #E35A90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C82264 shade: #C82264, #C8A722 and #22A7C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C82264 shade: #C82264, #64C822 and #2264C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C82264 shade: #C82264, #C8A722, #22C885 and #2243C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C82264 shade: #C82264, #B7C822, #22C885 and #3222C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 50 / 22

HEX #C82264

RGB 200 34 100

HSL 336.14, 0.71%, 0.46%

LAB 44.72, 65.7, 5.16

 

Complementary color

CMYK 75 / 0 / 30 / 13

HEX #37DD9B

RGB 55 221 155

HSL 156.14, 0.71%, 0.54%

LAB 78.98, -56.74, 20.7

 

CMYK 0 / 83 / 54 / 20

HEX #CD225F

RGB 205 34 95

HSL 338.6, 0.72%, 0.47%

LAB 45.56, 66.59, 9.61

 

CMYK 0 / 77 / 49 / 13

HEX #DE3472

RGB 222 52 114

HSL 338.12, 0.72%, 0.54%

LAB 50.92, 67.83, 6

 

CMYK 0 / 71 / 44 / 6

HEX #EF4685

RGB 239 70 133

HSL 337.63, 0.84%, 0.61%

LAB 56.51, 68.36, 3.06

 

CMYK 0 / 65 / 40 / 0

HEX #FF5898

RGB 255 88 152

HSL 337.01, 1%, 0.67%

LAB 62.09, 68.1, 0.38

 

CMYK 0 / 58 / 33 / 0

HEX #FF6AAB

RGB 255 106 171

HSL 333.83, 1%, 0.71%

LAB 65.36, 62.75, -5.72

 

CMYK 0 / 83 / 50 / 22

HEX #C82264

RGB 200 34 100

HSL 336.14, 0.71%, 0.46%

LAB 44.72, 65.7, 5.16

 

CMYK 0 / 91 / 56 / 28

HEX #B71051

RGB 183 16 81

HSL 336.65, 0.84%, 0.39%

LAB 39.63, 63.42, 9.46

 

CMYK 0 / 100 / 63 / 35

HEX #A6003E

RGB 166 0 62

HSL 337.59, 1%, 0.33%

LAB 34.91, 60.01, 14.69

 

CMYK 0 / 100 / 71 / 42

HEX #95002B

RGB 149 0 43

HSL 342.68, 1%, 0.29%

LAB 30.79, 54.8, 21.11

 

CMYK 0 / 100 / 82 / 48

HEX #840018

RGB 132 0 24

HSL 349.09, 1%, 0.26%

LAB 26.65, 49.65, 27.67

 

CMYK 0 / 83 / 50 / 22

HEX #C82264

RGB 200 34 100

HSL 336.14, 0.71%, 0.46%

LAB 44.72, 65.7, 5.16

 

CMYK 0 / 83 / 73 / 22

HEX #C82237

RGB 200 34 55

HSL 352.41, 0.71%, 0.46%

LAB 43.8, 62.95, 31.78

 

CMYK 0 / 83 / 83 / 22

HEX #C82222

RGB 200 34 34

HSL 0, 0.71%, 0.46%

LAB 43.56, 62.24, 43.48

 

CMYK 0 / 83 / 50 / 22

HEX #C82264

RGB 200 34 100

HSL 336.14, 0.71%, 0.46%

LAB 44.72, 65.7, 5.16

 

CMYK 0 / 83 / 28 / 22

HEX #C82291

RGB 200 34 145

HSL 319.88, 0.71%, 0.46%

LAB 46.27, 70.14, -20.15

 

CMYK 0 / 83 / 5 / 22

HEX #C822BE

RGB 200 34 190

HSL 303.61, 0.71%, 0.46%

LAB 48.44, 76.09, -43.46

 

CMYK 17 / 83 / 0 / 22

HEX #A622C8

RGB 166 34 200

HSL 287.71, 0.71%, 0.46%

LAB 43.39, 71.56, -57.68

 

CMYK 40 / 83 / 0 / 22

HEX #7922C8

RGB 121 34 200

HSL 271.45, 0.71%, 0.46%

LAB 36.7, 64.58, -68.85

 

CMYK 0 / 83 / 50 / 22

HEX #C82264

RGB 200 34 100

HSL 336.14, 0.71%, 0.46%

LAB 44.72, 65.7, 5.16

 

CMYK 0 / 93 / 56 / 14

HEX #DB0F60

RGB 219 15 96

HSL 336.18, 0.87%, 0.46%

LAB 47.3, 73.17, 11.82

 

CMYK 0 / 83 / 50 / 22

HEX #C82264

RGB 200 34 100

HSL 336.14, 0.71%, 0.46%

LAB 44.72, 65.7, 5.16

 

CMYK 0 / 71 / 43 / 29

HEX #B53468

RGB 181 52 104

HSL 335.81, 0.55%, 0.46%

LAB 43.18, 55.5, -0

 

CMYK 0 / 56 / 33 / 36

HEX #A2476C

RGB 162 71 108

HSL 335.6, 0.39%, 0.46%

LAB 43.17, 41.67, -2.87

 

CMYK 0 / 37 / 22 / 44

HEX #8F5A6F

RGB 143 90 111

HSL 336.23, 0.23%, 0.46%

LAB 44.66, 24.88, -2.81

 

CMYK 0 / 12 / 7 / 51

HEX #7C6D73

RGB 124 109 115

HSL 336, 0.06%, 0.46%

LAB 47.57, 7, -1.18

 

CMYK 0 / 83 / 5 / 22

HEX #C822BD

RGB 200 34 189

HSL 303.98, 0.71%, 0.46%

LAB 48.38, 75.95, -42.96

 

CMYK 0 / 83 / 28 / 22

HEX #C82291

RGB 200 34 145

HSL 319.88, 0.71%, 0.46%

LAB 46.27, 70.14, -20.15

 

CMYK 0 / 83 / 50 / 22

HEX #C82264

RGB 200 34 100

HSL 336.14, 0.71%, 0.46%

LAB 44.72, 65.7, 5.16

 

CMYK 0 / 83 / 72 / 22

HEX #C82238

RGB 200 34 56

HSL 352.05, 0.71%, 0.46%

LAB 43.81, 63, 31.2

 

CMYK 0 / 72 / 83 / 22

HEX #C83822

RGB 200 56 34

HSL 7.95, 0.71%, 0.46%

LAB 45.94, 55.6, 45.68

 

CMYK 0 / 83 / 51 / 49

HEX #821640

RGB 130 22 64

HSL 336.67, 0.71%, 0.3%

LAB 28.62, 46.98, 3.44

 

CMYK 0 / 83 / 50 / 35

HEX #A51C52

RGB 165 28 82

HSL 336.35, 0.71%, 0.38%

LAB 36.82, 56.55, 4.32

 

CMYK 0 / 83 / 50 / 22

HEX #C82264

RGB 200 34 100

HSL 336.14, 0.71%, 0.46%

LAB 44.72, 65.7, 5.16

 

CMYK 0 / 76 / 46 / 13

HEX #DD3678

RGB 221 54 120

HSL 336.29, 0.71%, 0.54%

LAB 51.11, 67.48, 2.62

 

CMYK 0 / 60 / 37 / 11

HEX #E35A90

RGB 227 90 144

HSL 336.35, 0.71%, 0.62%

LAB 57.71, 58.13, -1.9

 

CMYK 0 / 83 / 50 / 22

HEX #C82264

RGB 200 34 100

HSL 336.14, 0.71%, 0.46%

LAB 44.72, 65.7, 5.16

 

CMYK 0 / 17 / 83 / 22

HEX #C8A722

RGB 200 167 34

HSL 48.07, 0.71%, 0.46%

LAB 69.49, -0.4, 66.37

 

CMYK 83 / 17 / 0 / 22

HEX #22A7C8

RGB 34 167 200

HSL 191.93, 0.71%, 0.46%

LAB 63.46, -22.57, -26.54

 

CMYK 0 / 83 / 50 / 22

HEX #C82264

RGB 200 34 100

HSL 336.14, 0.71%, 0.46%

LAB 44.72, 65.7, 5.16

 

CMYK 50 / 0 / 83 / 22

HEX #64C822

RGB 100 200 34

HSL 96.14, 0.71%, 0.46%

LAB 72.32, -55.28, 66.29

 

CMYK 83 / 50 / 0 / 22

HEX #2264C8

RGB 34 100 200

HSL 216.14, 0.71%, 0.46%

LAB 43.69, 16.72, -57.75

 

CMYK 0 / 83 / 50 / 22

HEX #C82264

RGB 200 34 100

HSL 336.14, 0.71%, 0.46%

LAB 44.72, 65.7, 5.16

 

CMYK 0 / 17 / 83 / 22

HEX #C8A722

RGB 200 167 34

HSL 48.07, 0.71%, 0.46%

LAB 69.49, -0.4, 66.37

 

CMYK 83 / 0 / 34 / 22

HEX #22C885

RGB 34 200 133

HSL 155.78, 0.71%, 0.46%

LAB 71.79, -55.71, 22.37

 

CMYK 83 / 67 / 0 / 22

HEX #2243C8

RGB 34 67 200

HSL 228.07, 0.71%, 0.46%

LAB 35.05, 38.17, -71.84

 

CMYK 0 / 83 / 50 / 22

HEX #C82264

RGB 200 34 100

HSL 336.14, 0.71%, 0.46%

LAB 44.72, 65.7, 5.16

 

CMYK 9 / 0 / 83 / 22

HEX #B7C822

RGB 183 200 34

HSL 66.14, 0.71%, 0.46%

LAB 76.98, -24.6, 72.16

 

CMYK 83 / 0 / 34 / 22

HEX #22C885

RGB 34 200 133

HSL 155.78, 0.71%, 0.46%

LAB 71.79, -55.71, 22.37

 

CMYK 75 / 83 / 0 / 22

HEX #3222C8

RGB 50 34 200

HSL 245.78, 0.71%, 0.46%

LAB 29.39, 57.33, -81.16

 

Description

Color code: HEX #C82264 | qconv.com Color code: HEX #C82264 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 34 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 34 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 50 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 50% 22% C M Y K

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Provide designers and agencies with accurate color values.

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