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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C83868 it is the complementary color #37C797. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C83868. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C83868 shade: #CD3863, #DE4A76, #EF5C89, #FF6E9C and #FF80AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C83868. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C83868 shade: #C83868, #B72655, #A61442, #95022F and #84001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C83868 shade: #C83667, #C83640 and #C83636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C83868 shade: #C83667, #C8368E, #C836B5, #B336C8 and #8C36C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C83868 shade matches the following richer shades: #C83667, #DC2260 and #F10D59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C83868 shade: #C83667, #B34B6E, #9E6075, #8A747B and #758982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C83868 shade: #C836B4, #C8368E, #C83667, #C83640 and #C85336

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C83868 shade: #872545, #A72D56, #C83667, #D1577F and #D97798

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C83868 shade: #C83868, #C8B436 and #36A1C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C83868 shade: #C83868, #67C836 and #3667C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C83868 shade: #C83868, #C8B436, #36C897 and #364AC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C83868 shade: #C83868, #AFC836, #36C897 and #4F36C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 48 / 22

HEX #C83868

RGB 200 56 104

HSL 340, 0.57%, 0.5%

LAB 47.11, 59.58, 6.12

 

Complementary color

CMYK 72 / 0 / 24 / 22

HEX #37C797

RGB 55 199 151

HSL 160, 0.57%, 0.5%

LAB 72.16, -48.95, 13.32

 

CMYK 0 / 73 / 52 / 20

HEX #CD3863

RGB 205 56 99

HSL 342.68, 0.6%, 0.51%

LAB 47.89, 60.61, 10.4

 

CMYK 0 / 67 / 47 / 13

HEX #DE4A76

RGB 222 74 118

HSL 342.16, 0.69%, 0.58%

LAB 53.74, 60.61, 7.62

 

CMYK 0 / 62 / 43 / 6

HEX #EF5C89

RGB 239 92 137

HSL 341.63, 0.82%, 0.65%

LAB 59.72, 60.24, 5.33

 

CMYK 0 / 57 / 39 / 0

HEX #FF6E9C

RGB 255 110 156

HSL 340.97, 1%, 0.72%

LAB 65.6, 59.34, 3.18

 

CMYK 0 / 50 / 31 / 0

HEX #FF80AF

RGB 255 128 175

HSL 337.8, 1%, 0.75%

LAB 69.32, 53.13, -2.14

 

CMYK 0 / 72 / 48 / 22

HEX #C83868

RGB 200 56 104

HSL 340, 0.57%, 0.5%

LAB 47.11, 59.58, 6.12

 

CMYK 0 / 79 / 54 / 28

HEX #B72655

RGB 183 38 85

HSL 340.55, 0.66%, 0.43%

LAB 41.39, 58.98, 9.38

 

CMYK 0 / 88 / 60 / 35

HEX #A61442

RGB 166 20 66

HSL 341.1, 0.78%, 0.36%

LAB 35.99, 57.41, 13.53

 

CMYK 0 / 99 / 68 / 42

HEX #95022F

RGB 149 2 47

HSL 341.63, 0.97%, 0.3%

LAB 30.97, 54.7, 18.69

 

CMYK 0 / 100 / 79 / 48

HEX #84001C

RGB 132 0 28

HSL 347.27, 1%, 0.26%

LAB 26.7, 49.79, 25.17

 

CMYK 0 / 73 / 49 / 22

HEX #C83667

RGB 200 54 103

HSL 339.86, 0.57%, 0.5%

LAB 46.84, 60.19, 6.34

 

CMYK 0 / 73 / 68 / 22

HEX #C83640

RGB 200 54 64

HSL 355.89, 0.57%, 0.5%

LAB 46.03, 57.49, 29.07

 

CMYK 0 / 73 / 73 / 22

HEX #C83636

RGB 200 54 54

HSL 0, 0.57%, 0.5%

LAB 45.89, 57.01, 34.79

 

CMYK 0 / 73 / 49 / 22

HEX #C83667

RGB 200 54 103

HSL 339.86, 0.57%, 0.5%

LAB 46.84, 60.19, 6.34

 

CMYK 0 / 73 / 29 / 22

HEX #C8368E

RGB 200 54 142

HSL 323.84, 0.57%, 0.5%

LAB 48.1, 64.23, -15.55

 

CMYK 0 / 73 / 10 / 22

HEX #C836B5

RGB 200 54 181

HSL 307.81, 0.57%, 0.5%

LAB 49.8, 69.48, -36.04

 

CMYK 11 / 73 / 0 / 22

HEX #B336C8

RGB 179 54 200

HSL 291.37, 0.57%, 0.5%

LAB 47.48, 68.05, -50.98

 

CMYK 30 / 73 / 0 / 22

HEX #8C36C8

RGB 140 54 200

HSL 275.34, 0.57%, 0.5%

LAB 41.82, 60.35, -60.4

 

CMYK 0 / 73 / 49 / 22

HEX #C83667

RGB 200 54 103

HSL 339.86, 0.57%, 0.5%

LAB 46.84, 60.19, 6.34

 

CMYK 0 / 85 / 56 / 14

HEX #DC2260

RGB 220 34 96

HSL 340, 0.73%, 0.5%

LAB 48.52, 70.47, 13.54

 

CMYK 0 / 95 / 63 / 5

HEX #F10D59

RGB 241 13 89

HSL 340, 0.9%, 0.5%

LAB 51.51, 78.08, 22.57

 

CMYK 0 / 73 / 49 / 22

HEX #C83667

RGB 200 54 103

HSL 339.86, 0.57%, 0.5%

LAB 46.84, 60.19, 6.34

 

CMYK 0 / 58 / 39 / 30

HEX #B34B6E

RGB 179 75 110

HSL 339.81, 0.41%, 0.5%

LAB 46.63, 45.71, 1.3

 

CMYK 0 / 39 / 26 / 38

HEX #9E6075

RGB 158 96 117

HSL 339.68, 0.24%, 0.5%

LAB 48.16, 28.08, -1.07

 

CMYK 0 / 16 / 11 / 46

HEX #8A747B

RGB 138 116 123

HSL 340.91, 0.09%, 0.5%

LAB 51.06, 9.81, -0.65

 

CMYK 15 / 0 / 5 / 46

HEX #758982

RGB 117 137 130

HSL 159, 0.08%, 0.5%

LAB 55.36, -8.68, 1.33

 

CMYK 0 / 73 / 10 / 22

HEX #C836B4

RGB 200 54 180

HSL 308.22, 0.57%, 0.5%

LAB 49.75, 69.33, -35.54

 

CMYK 0 / 73 / 29 / 22

HEX #C8368E

RGB 200 54 142

HSL 323.84, 0.57%, 0.5%

LAB 48.1, 64.23, -15.55

 

CMYK 0 / 73 / 49 / 22

HEX #C83667

RGB 200 54 103

HSL 339.86, 0.57%, 0.5%

LAB 46.84, 60.19, 6.34

 

CMYK 0 / 73 / 68 / 22

HEX #C83640

RGB 200 54 64

HSL 355.89, 0.57%, 0.5%

LAB 46.03, 57.49, 29.07

 

CMYK 0 / 59 / 73 / 22

HEX #C85336

RGB 200 83 54

HSL 11.92, 0.57%, 0.5%

LAB 50.37, 44.93, 39.83

 

CMYK 0 / 73 / 49 / 47

HEX #872545

RGB 135 37 69

HSL 340.41, 0.57%, 0.34%

LAB 31.59, 43.8, 4.51

 

CMYK 0 / 73 / 49 / 35

HEX #A72D56

RGB 167 45 86

HSL 339.84, 0.58%, 0.42%

LAB 39.18, 52.2, 5.19

 

CMYK 0 / 73 / 49 / 22

HEX #C83667

RGB 200 54 103

HSL 339.86, 0.57%, 0.5%

LAB 46.84, 60.19, 6.34

 

CMYK 0 / 58 / 39 / 18

HEX #D1577F

RGB 209 87 127

HSL 340.33, 0.57%, 0.58%

LAB 53.93, 51.9, 2.25

 

CMYK 0 / 45 / 30 / 15

HEX #D97798

RGB 217 119 152

HSL 339.8, 0.56%, 0.66%

LAB 61.84, 41.92, -0.66

 

CMYK 0 / 72 / 48 / 22

HEX #C83868

RGB 200 56 104

HSL 340, 0.57%, 0.5%

LAB 47.11, 59.58, 6.12

 

CMYK 0 / 10 / 73 / 22

HEX #C8B436

RGB 200 180 54

HSL 51.78, 0.57%, 0.5%

LAB 73.02, -6.49, 63.06

 

CMYK 73 / 20 / 0 / 22

HEX #36A1C8

RGB 54 161 200

HSL 196.03, 0.57%, 0.5%

LAB 62.04, -17.32, -28.71

 

CMYK 0 / 72 / 48 / 22

HEX #C83868

RGB 200 56 104

HSL 340, 0.57%, 0.5%

LAB 47.11, 59.58, 6.12

 

CMYK 49 / 0 / 73 / 22

HEX #67C836

RGB 103 200 54

HSL 99.86, 0.57%, 0.5%

LAB 72.53, -53.28, 60.49

 

CMYK 73 / 49 / 0 / 22

HEX #3667C8

RGB 54 103 200

HSL 219.86, 0.57%, 0.5%

LAB 45.16, 16.98, -55.35

 

CMYK 0 / 72 / 48 / 22

HEX #C83868

RGB 200 56 104

HSL 340, 0.57%, 0.5%

LAB 47.11, 59.58, 6.12

 

CMYK 0 / 10 / 73 / 22

HEX #C8B436

RGB 200 180 54

HSL 51.78, 0.57%, 0.5%

LAB 73.02, -6.49, 63.06

 

CMYK 73 / 0 / 25 / 22

HEX #36C897

RGB 54 200 151

HSL 159.86, 0.57%, 0.5%

LAB 72.45, -49.49, 13.72

 

CMYK 73 / 63 / 0 / 22

HEX #364AC8

RGB 54 74 200

HSL 231.78, 0.57%, 0.5%

LAB 37.58, 35.59, -67.67

 

CMYK 0 / 72 / 48 / 22

HEX #C83868

RGB 200 56 104

HSL 340, 0.57%, 0.5%

LAB 47.11, 59.58, 6.12

 

CMYK 13 / 0 / 73 / 22

HEX #AFC836

RGB 175 200 54

HSL 70.27, 0.57%, 0.5%

LAB 76.49, -27.12, 65.7

 

CMYK 73 / 0 / 25 / 22

HEX #36C897

RGB 54 200 151

HSL 159.86, 0.57%, 0.5%

LAB 72.45, -49.49, 13.72

 

CMYK 61 / 73 / 0 / 22

HEX #4F36C8

RGB 79 54 200

HSL 250.27, 0.57%, 0.5%

LAB 34.94, 50.43, -71.92

 

Description

Color code: HEX #C83868 | qconv.com Color code: HEX #C83868 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 56 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 56 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 48 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 48% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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