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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C831A8 it is the complementary color #37CE57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C831A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C831A8 shade: #CD31A3, #DE43B6, #EF55C9, #FF67DC and #FF79EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C831A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C831A8 shade: #C831A8, #B71F95, #A60D82, #95006F and #84005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C831A8 shade: #C930A8, #C9307F, #C93056 and #C93030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C831A8 shade: #C930A8, #C030C9, #9730C9, #6E30C9 and #4530C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C831A8 shade matches the following richer shades: #C930A8, #DD1CB4 and #F108C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C831A8 shade: #C930A8, #B4449D, #A05991, #8C6D85 and #78817A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C831A8 shade: #9630C9, #BF30C9, #C930AA, #C93082 and #C93059

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C831A8 shade: #862071, #A7288C, #C930A8, #D44EB8 and #DC70C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C831A8 shade: #C831A8, #C96D30 and #30C9AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C831A8 shade: #C831A8, #AAC930 and #30AAC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C831A8 shade: #C831A8, #C96D30, #30C94F and #308CC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C831A8 shade: #C831A8, #C99B30, #30C94F and #305EC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 16 / 22

HEX #C831A8

RGB 200 49 168

HSL 312.72, 0.61%, 0.49%

LAB 48.64, 69.16, -30.22

 

Complementary color

CMYK 73 / 0 / 58 / 19

HEX #37CE57

RGB 55 206 87

HSL 132.72, 0.61%, 0.51%

LAB 73.31, -63.05, 47.38

 

CMYK 0 / 76 / 20 / 20

HEX #CD31A3

RGB 205 49 163

HSL 316.15, 0.61%, 0.5%

LAB 49.28, 69.65, -26.2

 

CMYK 0 / 70 / 18 / 13

HEX #DE43B6

RGB 222 67 182

HSL 315.48, 0.7%, 0.57%

LAB 54.99, 70.48, -28.26

 

CMYK 0 / 64 / 16 / 6

HEX #EF55C9

RGB 239 85 201

HSL 314.81, 0.83%, 0.64%

LAB 60.84, 70.77, -29.89

 

CMYK 0 / 60 / 14 / 0

HEX #FF67DC

RGB 255 103 220

HSL 313.82, 1%, 0.7%

LAB 66.62, 70.43, -31.45

 

CMYK 0 / 53 / 6 / 0

HEX #FF79EF

RGB 255 121 239

HSL 307.16, 1%, 0.74%

LAB 70.29, 65.51, -36.27

 

CMYK 0 / 76 / 16 / 22

HEX #C831A8

RGB 200 49 168

HSL 312.72, 0.61%, 0.49%

LAB 48.64, 69.16, -30.22

 

CMYK 0 / 83 / 19 / 28

HEX #B71F95

RGB 183 31 149

HSL 313.42, 0.71%, 0.42%

LAB 43.09, 67.55, -27.75

 

CMYK 0 / 92 / 22 / 35

HEX #A60D82

RGB 166 13 130

HSL 314.12, 0.85%, 0.35%

LAB 37.85, 64.76, -24.51

 

CMYK 0 / 100 / 26 / 42

HEX #95006F

RGB 149 0 111

HSL 315.3, 1%, 0.29%

LAB 33, 60.57, -20.37

 

CMYK 0 / 100 / 30 / 48

HEX #84005C

RGB 132 0 92

HSL 318.18, 1%, 0.26%

LAB 28.59, 54.74, -15.18

 

CMYK 0 / 76 / 16 / 21

HEX #C930A8

RGB 201 48 168

HSL 312.94, 0.61%, 0.49%

LAB 48.71, 69.69, -30.1

 

CMYK 0 / 76 / 37 / 21

HEX #C9307F

RGB 201 48 127

HSL 329.02, 0.61%, 0.49%

LAB 47.06, 64.71, -8.02

 

CMYK 0 / 76 / 57 / 21

HEX #C93056

RGB 201 48 86

HSL 345.1, 0.61%, 0.49%

LAB 45.91, 61.11, 15.54

 

CMYK 0 / 76 / 76 / 21

HEX #C93030

RGB 201 48 48

HSL 0, 0.61%, 0.49%

LAB 45.28, 59.08, 37.61

 

CMYK 0 / 76 / 16 / 21

HEX #C930A8

RGB 201 48 168

HSL 312.94, 0.61%, 0.49%

LAB 48.71, 69.69, -30.1

 

CMYK 4 / 76 / 0 / 21

HEX #C030C9

RGB 192 48 201

HSL 296.47, 0.61%, 0.49%

LAB 48.93, 72.75, -49.13

 

CMYK 25 / 76 / 0 / 21

HEX #9730C9

RGB 151 48 201

HSL 280.39, 0.61%, 0.49%

LAB 42.63, 64.91, -59.6

 

CMYK 45 / 76 / 0 / 21

HEX #6E30C9

RGB 110 48 201

HSL 264.31, 0.61%, 0.49%

LAB 37.2, 57.98, -68.68

 

CMYK 66 / 76 / 0 / 21

HEX #4530C9

RGB 69 48 201

HSL 248.24, 0.61%, 0.49%

LAB 33.13, 52.64, -75.52

 

CMYK 0 / 76 / 16 / 21

HEX #C930A8

RGB 201 48 168

HSL 312.94, 0.61%, 0.49%

LAB 48.71, 69.69, -30.1

 

CMYK 0 / 87 / 19 / 13

HEX #DD1CB4

RGB 221 28 180

HSL 312.75, 0.78%, 0.49%

LAB 51.26, 79.93, -32.91

 

CMYK 0 / 97 / 20 / 5

HEX #F108C0

RGB 241 8 192

HSL 312.62, 0.94%, 0.49%

LAB 54.74, 87.29, -34.19

 

CMYK 0 / 76 / 16 / 21

HEX #C930A8

RGB 201 48 168

HSL 312.94, 0.61%, 0.49%

LAB 48.71, 69.69, -30.1

 

CMYK 0 / 62 / 13 / 29

HEX #B4449D

RGB 180 68 157

HSL 312.32, 0.45%, 0.49%

LAB 47.33, 55.61, -25.99

 

CMYK 0 / 44 / 9 / 37

HEX #A05991

RGB 160 89 145

HSL 312.68, 0.29%, 0.49%

LAB 47.83, 37.25, -18.3

 

CMYK 0 / 22 / 5 / 45

HEX #8C6D85

RGB 140 109 133

HSL 313.55, 0.12%, 0.49%

LAB 49.75, 16.55, -8.5

 

CMYK 7 / 0 / 5 / 49

HEX #78817A

RGB 120 129 122

HSL 133.33, 0.04%, 0.49%

LAB 53.06, -4.75, 2.64

 

CMYK 25 / 76 / 0 / 21

HEX #9630C9

RGB 150 48 201

HSL 280, 0.61%, 0.49%

LAB 42.48, 64.72, -59.84

 

CMYK 5 / 76 / 0 / 21

HEX #BF30C9

RGB 191 48 201

HSL 296.08, 0.61%, 0.49%

LAB 48.77, 72.55, -49.4

 

CMYK 0 / 76 / 15 / 21

HEX #C930AA

RGB 201 48 170

HSL 312.16, 0.61%, 0.49%

LAB 48.8, 69.96, -31.14

 

CMYK 0 / 76 / 35 / 21

HEX #C93082

RGB 201 48 130

HSL 327.84, 0.61%, 0.49%

LAB 47.16, 65.03, -9.69

 

CMYK 0 / 76 / 56 / 21

HEX #C93059

RGB 201 48 89

HSL 343.92, 0.61%, 0.49%

LAB 45.98, 61.32, 13.78

 

CMYK 0 / 76 / 16 / 47

HEX #862071

RGB 134 32 113

HSL 312.35, 0.61%, 0.33%

LAB 32.47, 50.86, -22.69

 

CMYK 0 / 76 / 16 / 35

HEX #A7288C

RGB 167 40 140

HSL 312.76, 0.61%, 0.41%

LAB 40.62, 60.28, -26.35

 

CMYK 0 / 76 / 16 / 21

HEX #C930A8

RGB 201 48 168

HSL 312.94, 0.61%, 0.49%

LAB 48.71, 69.69, -30.1

 

CMYK 0 / 63 / 13 / 17

HEX #D44EB8

RGB 212 78 184

HSL 312.54, 0.61%, 0.57%

LAB 54.98, 64.11, -29.57

 

CMYK 0 / 49 / 10 / 14

HEX #DC70C5

RGB 220 112 197

HSL 312.78, 0.61%, 0.65%

LAB 62.37, 53.02, -25.49

 

CMYK 0 / 76 / 16 / 22

HEX #C831A8

RGB 200 49 168

HSL 312.72, 0.61%, 0.49%

LAB 48.64, 69.16, -30.22

 

CMYK 0 / 46 / 76 / 21

HEX #C96D30

RGB 201 109 48

HSL 23.92, 0.61%, 0.49%

LAB 55.65, 31.92, 48.46

 

CMYK 76 / 0 / 15 / 21

HEX #30C9AA

RGB 48 201 170

HSL 167.84, 0.61%, 0.49%

LAB 73.09, -46.02, 4.38

 

CMYK 0 / 76 / 16 / 22

HEX #C831A8

RGB 200 49 168

HSL 312.72, 0.61%, 0.49%

LAB 48.64, 69.16, -30.22

 

CMYK 15 / 0 / 76 / 21

HEX #AAC930

RGB 170 201 48

HSL 72.16, 0.61%, 0.49%

LAB 76.4, -29.92, 67.45

 

CMYK 76 / 15 / 0 / 21

HEX #30AAC9

RGB 48 170 201

HSL 192.16, 0.61%, 0.49%

LAB 64.64, -22.44, -25.27

 

CMYK 0 / 76 / 16 / 22

HEX #C831A8

RGB 200 49 168

HSL 312.72, 0.61%, 0.49%

LAB 48.64, 69.16, -30.22

 

CMYK 0 / 46 / 76 / 21

HEX #C96D30

RGB 201 109 48

HSL 23.92, 0.61%, 0.49%

LAB 55.65, 31.92, 48.46

 

CMYK 76 / 0 / 61 / 21

HEX #30C94F

RGB 48 201 79

HSL 132.16, 0.61%, 0.49%

LAB 71.53, -63.4, 48.9

 

CMYK 76 / 30 / 0 / 21

HEX #308CC9

RGB 48 140 201

HSL 203.92, 0.61%, 0.49%

LAB 55.69, -6.05, -39.18

 

CMYK 0 / 76 / 16 / 22

HEX #C831A8

RGB 200 49 168

HSL 312.72, 0.61%, 0.49%

LAB 48.64, 69.16, -30.22

 

CMYK 0 / 23 / 76 / 21

HEX #C99B30

RGB 201 155 48

HSL 41.96, 0.61%, 0.49%

LAB 66.58, 6.97, 59.15

 

CMYK 76 / 0 / 61 / 21

HEX #30C94F

RGB 48 201 79

HSL 132.16, 0.61%, 0.49%

LAB 71.53, -63.4, 48.9

 

CMYK 76 / 53 / 0 / 21

HEX #305EC9

RGB 48 94 201

HSL 221.96, 0.61%, 0.49%

LAB 42.54, 22.4, -60.18

 

Description

Color code: HEX #C831A8 | qconv.com Color code: HEX #C831A8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 49 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 49 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 16 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 16% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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