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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C83D65 it is the complementary color #37C29A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C83D65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C83D65 shade: #CD3D60, #DE4F73, #EF6186, #FF7399 and #FF85AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C83D65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C83D65 shade: #C83D65, #B72B52, #A6193F, #95072C and #840019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C83D65 shade: #C83C64, #C83C3E and #C83C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C83D65 shade: #C83C64, #C83C8A, #C83CAF, #BA3CC8 and #943CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C83D65 shade matches the following richer shades: #C83C64, #DC275B and #F01353

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C83D65 shade: #C83C64, #B3506C, #9F6475, #8B787E and #778C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C83D65 shade: #C83CB0, #C83C8B, #C83C66, #C83C40 and #C85C3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C83D65 shade: #8A2743, #AA3053, #C83C64, #D15C7D and #DA7C97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C83D65 shade: #C83D65, #C8BA3C and #3C9EC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C83D65 shade: #C83D65, #66C83C and #3C66C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C83D65 shade: #C83D65, #C8BA3C, #3CC89E and #3C4AC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C83D65 shade: #C83D65, #ACC83C, #3CC89E and #583CC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 50 / 22

HEX #C83D65

RGB 200 61 101

HSL 342.73, 0.56%, 0.51%

LAB 47.7, 57.49, 8.78

 

Complementary color

CMYK 72 / 0 / 21 / 24

HEX #37C29A

RGB 55 194 154

HSL 162.73, 0.56%, 0.49%

LAB 70.68, -46.17, 9.61

 

CMYK 0 / 70 / 53 / 20

HEX #CD3D60

RGB 205 61 96

HSL 345.42, 0.59%, 0.52%

LAB 48.46, 58.58, 13.03

 

CMYK 0 / 64 / 48 / 13

HEX #DE4F73

RGB 222 79 115

HSL 344.9, 0.68%, 0.59%

LAB 54.41, 58.34, 10.34

 

CMYK 0 / 59 / 44 / 6

HEX #EF6186

RGB 239 97 134

HSL 344.37, 0.82%, 0.66%

LAB 60.45, 57.79, 8.12

 

CMYK 0 / 55 / 40 / 0

HEX #FF7399

RGB 255 115 153

HSL 343.71, 1%, 0.73%

LAB 66.38, 56.76, 6.02

 

CMYK 0 / 48 / 33 / 0

HEX #FF85AC

RGB 255 133 172

HSL 340.82, 1%, 0.76%

LAB 70.19, 50.34, 0.8

 

CMYK 0 / 70 / 50 / 22

HEX #C83D65

RGB 200 61 101

HSL 342.73, 0.56%, 0.51%

LAB 47.7, 57.49, 8.78

 

CMYK 0 / 77 / 55 / 28

HEX #B72B52

RGB 183 43 82

HSL 343.29, 0.62%, 0.44%

LAB 41.85, 57.24, 11.91

 

CMYK 0 / 85 / 62 / 35

HEX #A6193F

RGB 166 25 63

HSL 343.83, 0.74%, 0.37%

LAB 36.29, 56.15, 15.89

 

CMYK 0 / 95 / 70 / 42

HEX #95072C

RGB 149 7 44

HSL 344.37, 0.91%, 0.31%

LAB 31.17, 53.81, 20.92

 

CMYK 0 / 100 / 81 / 48

HEX #840019

RGB 132 0 25

HSL 348.64, 1%, 0.26%

LAB 26.67, 49.68, 27.05

 

CMYK 0 / 70 / 50 / 22

HEX #C83C64

RGB 200 60 100

HSL 342.86, 0.56%, 0.51%

LAB 47.54, 57.78, 9.16

 

CMYK 0 / 70 / 69 / 22

HEX #C83C3E

RGB 200 60 62

HSL 359.14, 0.56%, 0.51%

LAB 46.79, 55.2, 31.18

 

CMYK 0 / 70 / 70 / 22

HEX #C83C3C

RGB 200 60 60

HSL 0, 0.56%, 0.51%

LAB 46.76, 55.1, 32.32

 

CMYK 0 / 70 / 50 / 22

HEX #C83C64

RGB 200 60 100

HSL 342.86, 0.56%, 0.51%

LAB 47.54, 57.78, 9.16

 

CMYK 0 / 70 / 31 / 22

HEX #C83C8A

RGB 200 60 138

HSL 326.57, 0.56%, 0.51%

LAB 48.69, 61.67, -12.24

 

CMYK 0 / 70 / 13 / 22

HEX #C83CAF

RGB 200 60 175

HSL 310.71, 0.56%, 0.51%

LAB 50.22, 66.59, -31.87

 

CMYK 7 / 70 / 0 / 22

HEX #BA3CC8

RGB 186 60 200

HSL 294, 0.56%, 0.51%

LAB 49.3, 67.41, -48.02

 

CMYK 26 / 70 / 0 / 22

HEX #943CC8

RGB 148 60 200

HSL 277.71, 0.56%, 0.51%

LAB 43.8, 59.4, -57.15

 

CMYK 0 / 70 / 50 / 22

HEX #C83C64

RGB 200 60 100

HSL 342.86, 0.56%, 0.51%

LAB 47.54, 57.78, 9.16

 

CMYK 0 / 82 / 59 / 14

HEX #DC275B

RGB 220 39 91

HSL 342.76, 0.72%, 0.51%

LAB 48.79, 69.05, 16.98

 

CMYK 0 / 92 / 65 / 6

HEX #F01353

RGB 240 19 83

HSL 342.62, 0.88%, 0.51%

LAB 51.4, 76.95, 26.03

 

CMYK 0 / 70 / 50 / 22

HEX #C83C64

RGB 200 60 100

HSL 342.86, 0.56%, 0.51%

LAB 47.54, 57.78, 9.16

 

CMYK 0 / 55 / 40 / 30

HEX #B3506C

RGB 179 80 108

HSL 343.03, 0.39%, 0.51%

LAB 47.5, 43.05, 3.77

 

CMYK 0 / 37 / 26 / 38

HEX #9F6475

RGB 159 100 117

HSL 342.71, 0.24%, 0.51%

LAB 49.22, 26.2, 0.49

 

CMYK 0 / 14 / 9 / 45

HEX #8B787E

RGB 139 120 126

HSL 341.05, 0.08%, 0.51%

LAB 52.32, 8.42, -0.57

 

CMYK 15 / 0 / 4 / 45

HEX #778C86

RGB 119 140 134

HSL 162.86, 0.08%, 0.51%

LAB 56.49, -8.79, 0.67

 

CMYK 0 / 70 / 12 / 22

HEX #C83CB0

RGB 200 60 176

HSL 310.29, 0.56%, 0.51%

LAB 50.27, 66.74, -32.38

 

CMYK 0 / 70 / 31 / 22

HEX #C83C8B

RGB 200 60 139

HSL 326.14, 0.56%, 0.51%

LAB 48.73, 61.79, -12.78

 

CMYK 0 / 70 / 49 / 22

HEX #C83C66

RGB 200 60 102

HSL 342, 0.56%, 0.51%

LAB 47.59, 57.96, 8.01

 

CMYK 0 / 70 / 68 / 22

HEX #C83C40

RGB 200 60 64

HSL 358.29, 0.56%, 0.51%

LAB 46.82, 55.3, 30.04

 

CMYK 0 / 54 / 70 / 22

HEX #C85C3C

RGB 200 92 60

HSL 13.71, 0.56%, 0.51%

LAB 52.13, 40.85, 38.56

 

CMYK 0 / 72 / 51 / 46

HEX #8A2743

RGB 138 39 67

HSL 343.03, 0.56%, 0.35%

LAB 32.39, 43.78, 7.04

 

CMYK 0 / 72 / 51 / 33

HEX #AA3053

RGB 170 48 83

HSL 342.79, 0.56%, 0.43%

LAB 40.06, 51.74, 8.41

 

CMYK 0 / 70 / 50 / 22

HEX #C83C64

RGB 200 60 100

HSL 342.86, 0.56%, 0.51%

LAB 47.54, 57.78, 9.16

 

CMYK 0 / 56 / 40 / 18

HEX #D15C7D

RGB 209 92 125

HSL 343.08, 0.56%, 0.59%

LAB 54.75, 49.36, 4.63

 

CMYK 0 / 43 / 31 / 15

HEX #DA7C97

RGB 218 124 151

HSL 342.77, 0.56%, 0.67%

LAB 62.97, 39.55, 1.59

 

CMYK 0 / 70 / 50 / 22

HEX #C83D65

RGB 200 61 101

HSL 342.73, 0.56%, 0.51%

LAB 47.7, 57.49, 8.78

 

CMYK 0 / 7 / 70 / 22

HEX #C8BA3C

RGB 200 186 60

HSL 54, 0.56%, 0.51%

LAB 74.65, -9.31, 62.41

 

CMYK 70 / 21 / 0 / 22

HEX #3C9EC8

RGB 60 158 200

HSL 198, 0.56%, 0.51%

LAB 61.29, -14.89, -29.84

 

CMYK 0 / 70 / 50 / 22

HEX #C83D65

RGB 200 61 101

HSL 342.73, 0.56%, 0.51%

LAB 47.7, 57.49, 8.78

 

CMYK 49 / 0 / 70 / 22

HEX #66C83C

RGB 102 200 60

HSL 102, 0.56%, 0.51%

LAB 72.53, -53.14, 58.28

 

CMYK 70 / 49 / 0 / 22

HEX #3C66C8

RGB 60 102 200

HSL 222, 0.56%, 0.51%

LAB 45.13, 18.45, -55.39

 

CMYK 0 / 70 / 50 / 22

HEX #C83D65

RGB 200 61 101

HSL 342.73, 0.56%, 0.51%

LAB 47.7, 57.49, 8.78

 

CMYK 0 / 7 / 70 / 22

HEX #C8BA3C

RGB 200 186 60

HSL 54, 0.56%, 0.51%

LAB 74.65, -9.31, 62.41

 

CMYK 70 / 0 / 21 / 22

HEX #3CC89E

RGB 60 200 158

HSL 162, 0.56%, 0.51%

LAB 72.72, -47.01, 10.36

 

CMYK 70 / 63 / 0 / 22

HEX #3C4AC8

RGB 60 74 200

HSL 234, 0.56%, 0.51%

LAB 37.89, 36.32, -67.13

 

CMYK 0 / 70 / 50 / 22

HEX #C83D65

RGB 200 61 101

HSL 342.73, 0.56%, 0.51%

LAB 47.7, 57.49, 8.78

 

CMYK 14 / 0 / 70 / 22

HEX #ACC83C

RGB 172 200 60

HSL 72, 0.56%, 0.51%

LAB 76.32, -28.02, 63.34

 

CMYK 70 / 0 / 21 / 22

HEX #3CC89E

RGB 60 200 158

HSL 162, 0.56%, 0.51%

LAB 72.72, -47.01, 10.36

 

CMYK 56 / 70 / 0 / 22

HEX #583CC8

RGB 88 60 200

HSL 252, 0.56%, 0.51%

LAB 36.89, 48.5, -68.7

 

Description

Color code: HEX #C83D65 | qconv.com Color code: HEX #C83D65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 61 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 61 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 50 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 50% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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