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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8417B it is the complementary color #37BE84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8417B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8417B shade: #CD4176, #DE5389, #EF659C, #FF77AF and #FF89C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8417B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8417B shade: #C8417B, #B72F68, #A61D55, #950B42 and #84002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8417B shade: #C7417B, #C74156 and #C74141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8417B shade: #C7417B, #C7419F, #C741C3, #A741C7 and #8341C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8417B shade matches the following richer shades: #C7417B, #DB2D78 and #EF1975

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8417B shade: #C7417B, #B4557D, #A06880, #8C7C83 and #789086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8417B shade: #C741C3, #C7419F, #C7417B, #C74157 and #C74E41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8417B shade: #8D2954, #AD3267, #C7417B, #D16191 and #DA81A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8417B shade: #C8417B, #C7A841 and #41B1C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8417B shade: #C8417B, #7BC741 and #417BC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8417B shade: #C8417B, #C7A841, #41C78D and #4160C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8417B shade: #C8417B, #BEC741, #41C78D and #4A41C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 39 / 22

HEX #C8417B

RGB 200 65 123

HSL 334.22, 0.55%, 0.52%

LAB 48.87, 58.09, -2.91

 

Complementary color

CMYK 71 / 0 / 31 / 25

HEX #37BE84

RGB 55 190 132

HSL 154.22, 0.55%, 0.48%

LAB 68.97, -49.55, 19.1

 

CMYK 0 / 68 / 42 / 20

HEX #CD4176

RGB 205 65 118

HSL 337.29, 0.58%, 0.53%

LAB 49.58, 59.04, 1.25

 

CMYK 0 / 63 / 38 / 13

HEX #DE5389

RGB 222 83 137

HSL 336.69, 0.68%, 0.6%

LAB 55.61, 58.83, -0.97

 

CMYK 0 / 58 / 35 / 6

HEX #EF659C

RGB 239 101 156

HSL 336.09, 0.81%, 0.67%

LAB 61.7, 58.34, -2.79

 

CMYK 0 / 53 / 31 / 0

HEX #FF77AF

RGB 255 119 175

HSL 335.29, 1%, 0.73%

LAB 67.69, 57.38, -4.55

 

CMYK 0 / 46 / 24 / 0

HEX #FF89C2

RGB 255 137 194

HSL 331.02, 1%, 0.77%

LAB 71.59, 51.21, -9.41

 

CMYK 0 / 68 / 39 / 22

HEX #C8417B

RGB 200 65 123

HSL 334.22, 0.55%, 0.52%

LAB 48.87, 58.09, -2.91

 

CMYK 0 / 74 / 43 / 28

HEX #B72F68

RGB 183 47 104

HSL 334.85, 0.59%, 0.45%

LAB 42.91, 57.84, -0.35

 

CMYK 0 / 83 / 49 / 35

HEX #A61D55

RGB 166 29 85

HSL 335.47, 0.7%, 0.38%

LAB 37.19, 56.82, 2.95

 

CMYK 0 / 93 / 56 / 42

HEX #950B42

RGB 149 11 66

HSL 336.09, 0.86%, 0.31%

LAB 31.86, 54.58, 7.27

 

CMYK 0 / 100 / 64 / 48

HEX #84002F

RGB 132 0 47

HSL 338.64, 1%, 0.26%

LAB 27.05, 50.72, 12.84

 

CMYK 0 / 67 / 38 / 22

HEX #C7417B

RGB 199 65 123

HSL 334.03, 0.54%, 0.52%

LAB 48.7, 57.79, -3.18

 

CMYK 0 / 67 / 57 / 22

HEX #C74156

RGB 199 65 86

HSL 350.6, 0.54%, 0.52%

LAB 47.75, 54.42, 17.97

 

CMYK 0 / 67 / 67 / 22

HEX #C74141

RGB 199 65 65

HSL 0, 0.54%, 0.52%

LAB 47.37, 53.07, 30.08

 

CMYK 0 / 67 / 38 / 22

HEX #C7417B

RGB 199 65 123

HSL 334.03, 0.54%, 0.52%

LAB 48.7, 57.79, -3.18

 

CMYK 0 / 67 / 20 / 22

HEX #C7419F

RGB 199 65 159

HSL 317.91, 0.54%, 0.52%

LAB 50.01, 62.23, -22.79

 

CMYK 0 / 67 / 2 / 22

HEX #C741C3

RGB 199 65 195

HSL 301.79, 0.54%, 0.52%

LAB 51.68, 67.65, -41.23

 

CMYK 16 / 67 / 0 / 22

HEX #A741C7

RGB 167 65 199

HSL 285.67, 0.54%, 0.52%

LAB 47.13, 61.11, -51.07

 

CMYK 34 / 67 / 0 / 22

HEX #8341C7

RGB 131 65 199

HSL 269.55, 0.54%, 0.52%

LAB 42.35, 53.41, -59.01

 

CMYK 0 / 67 / 38 / 22

HEX #C7417B

RGB 199 65 123

HSL 334.03, 0.54%, 0.52%

LAB 48.7, 57.79, -3.18

 

CMYK 0 / 79 / 45 / 14

HEX #DB2D78

RGB 219 45 120

HSL 334.14, 0.71%, 0.52%

LAB 49.85, 69.5, 0.74

 

CMYK 0 / 90 / 51 / 6

HEX #EF1975

RGB 239 25 117

HSL 334.21, 0.87%, 0.52%

LAB 52.21, 78.03, 6.45

 

CMYK 0 / 67 / 38 / 22

HEX #C7417B

RGB 199 65 123

HSL 334.03, 0.54%, 0.52%

LAB 48.7, 57.79, -3.18

 

CMYK 0 / 53 / 31 / 29

HEX #B4557D

RGB 180 85 125

HSL 334.74, 0.39%, 0.52%

LAB 49.11, 42.99, -4.13

 

CMYK 0 / 35 / 20 / 37

HEX #A06880

RGB 160 104 128

HSL 334.29, 0.23%, 0.52%

LAB 50.61, 26.02, -4

 

CMYK 0 / 11 / 6 / 45

HEX #8C7C83

RGB 140 124 131

HSL 333.75, 0.07%, 0.52%

LAB 53.63, 7.41, -1.56

 

CMYK 17 / 0 / 7 / 44

HEX #789086

RGB 120 144 134

HSL 155, 0.1%, 0.52%

LAB 57.71, -10.63, 2.46

 

CMYK 0 / 67 / 2 / 22

HEX #C741C3

RGB 199 65 195

HSL 301.79, 0.54%, 0.52%

LAB 51.68, 67.65, -41.23

 

CMYK 0 / 67 / 20 / 22

HEX #C7419F

RGB 199 65 159

HSL 317.91, 0.54%, 0.52%

LAB 50.01, 62.23, -22.79

 

CMYK 0 / 67 / 38 / 22

HEX #C7417B

RGB 199 65 123

HSL 334.03, 0.54%, 0.52%

LAB 48.7, 57.79, -3.18

 

CMYK 0 / 67 / 56 / 22

HEX #C74157

RGB 199 65 87

HSL 350.15, 0.54%, 0.52%

LAB 47.77, 54.49, 17.39

 

CMYK 0 / 61 / 67 / 22

HEX #C74E41

RGB 199 78 65

HSL 5.82, 0.54%, 0.52%

LAB 49.46, 47.45, 32.61

 

CMYK 0 / 71 / 40 / 45

HEX #8D2954

RGB 141 41 84

HSL 334.2, 0.55%, 0.36%

LAB 33.75, 45.65, -2

 

CMYK 0 / 71 / 40 / 32

HEX #AD3267

RGB 173 50 103

HSL 334.15, 0.55%, 0.44%

LAB 41.45, 53.81, -2.09

 

CMYK 0 / 67 / 38 / 22

HEX #C7417B

RGB 199 65 123

HSL 334.03, 0.54%, 0.52%

LAB 48.7, 57.79, -3.18

 

CMYK 0 / 54 / 31 / 18

HEX #D16191

RGB 209 97 145

HSL 334.29, 0.55%, 0.6%

LAB 56.24, 49.32, -4.97

 

CMYK 0 / 41 / 23 / 15

HEX #DA81A7

RGB 218 129 167

HSL 334.38, 0.55%, 0.68%

LAB 64.48, 39.12, -5.31

 

CMYK 0 / 68 / 39 / 22

HEX #C8417B

RGB 200 65 123

HSL 334.22, 0.55%, 0.52%

LAB 48.87, 58.09, -2.91

 

CMYK 0 / 16 / 67 / 22

HEX #C7A841

RGB 199 168 65

HSL 46.12, 0.54%, 0.52%

LAB 69.84, -0.04, 55.44

 

CMYK 67 / 11 / 0 / 22

HEX #41B1C7

RGB 65 177 199

HSL 189.85, 0.54%, 0.52%

LAB 67.05, -24.43, -20.45

 

CMYK 0 / 68 / 39 / 22

HEX #C8417B

RGB 200 65 123

HSL 334.22, 0.55%, 0.52%

LAB 48.87, 58.09, -2.91

 

CMYK 38 / 0 / 67 / 22

HEX #7BC741

RGB 123 199 65

HSL 94.03, 0.54%, 0.52%

LAB 73.18, -45.69, 57.3

 

CMYK 67 / 38 / 0 / 22

HEX #417BC7

RGB 65 123 199

HSL 214.03, 0.54%, 0.52%

LAB 51.17, 5.74, -45.15

 

CMYK 0 / 68 / 39 / 22

HEX #C8417B

RGB 200 65 123

HSL 334.22, 0.55%, 0.52%

LAB 48.87, 58.09, -2.91

 

CMYK 0 / 16 / 67 / 22

HEX #C7A841

RGB 199 168 65

HSL 46.12, 0.54%, 0.52%

LAB 69.84, -0.04, 55.44

 

CMYK 67 / 0 / 29 / 22

HEX #41C78D

RGB 65 199 141

HSL 154.03, 0.54%, 0.52%

LAB 72.16, -49.65, 18.71

 

CMYK 67 / 52 / 0 / 22

HEX #4160C7

RGB 65 96 199

HSL 226.12, 0.54%, 0.52%

LAB 43.67, 22.68, -57.15

 

CMYK 0 / 68 / 39 / 22

HEX #C8417B

RGB 200 65 123

HSL 334.22, 0.55%, 0.52%

LAB 48.87, 58.09, -2.91

 

CMYK 5 / 0 / 67 / 22

HEX #BEC741

RGB 190 199 65

HSL 64.03, 0.54%, 0.52%

LAB 77.39, -19.84, 62.97

 

CMYK 67 / 0 / 29 / 22

HEX #41C78D

RGB 65 199 141

HSL 154.03, 0.54%, 0.52%

LAB 72.16, -49.65, 18.71

 

CMYK 63 / 67 / 0 / 22

HEX #4A41C7

RGB 74 65 199

HSL 244.03, 0.54%, 0.52%

LAB 36.67, 43.32, -68.52

 

Description

Color code: HEX #C8417B | qconv.com Color code: HEX #C8417B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 65 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 65 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 39% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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