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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C84169 it is the complementary color #37BE96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C84169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C84169 shade: #CD4164, #DE5377, #EF658A, #FF779D and #FF89B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C84169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C84169 shade: #C84169, #B72F56, #A61D43, #950B30 and #84001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C84169 shade: #C74169, #C74144 and #C74141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C84169 shade: #C74169, #C7418D, #C741B1, #B941C7 and #9541C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C84169 shade matches the following richer shades: #C74169, #DB2D61 and #EF1959

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C84169 shade: #C74169, #B45571, #A06879, #8C7C81 and #789089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C84169 shade: #C741B1, #C7418D, #C74169, #C74145 and #C76041

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C84169 shade: #8D2946, #AD3256, #C74169, #D16182 and #DA819B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C84169 shade: #C84169, #C7BA41 and #419FC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C84169 shade: #C84169, #69C741 and #4169C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C84169 shade: #C84169, #C7BA41, #41C79F and #414EC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C84169 shade: #C84169, #ACC741, #41C79F and #5C41C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 48 / 22

HEX #C84169

RGB 200 65 105

HSL 342.22, 0.55%, 0.52%

LAB 48.36, 56.3, 7.28

 

Complementary color

CMYK 71 / 0 / 21 / 25

HEX #37BE96

RGB 55 190 150

HSL 162.22, 0.55%, 0.48%

LAB 69.36, -45.46, 9.9

 

CMYK 0 / 68 / 51 / 20

HEX #CD4164

RGB 205 65 100

HSL 345, 0.58%, 0.53%

LAB 49.11, 57.4, 11.49

 

CMYK 0 / 63 / 46 / 13

HEX #DE5377

RGB 222 83 119

HSL 344.46, 0.68%, 0.6%

LAB 55.12, 57.03, 8.98

 

CMYK 0 / 58 / 42 / 6

HEX #EF658A

RGB 239 101 138

HSL 343.91, 0.81%, 0.67%

LAB 61.21, 56.41, 6.9

 

CMYK 0 / 53 / 38 / 0

HEX #FF779D

RGB 255 119 157

HSL 343.24, 1%, 0.73%

LAB 67.19, 55.33, 4.91

 

CMYK 0 / 46 / 31 / 0

HEX #FF89B0

RGB 255 137 176

HSL 340.17, 1%, 0.77%

LAB 71.07, 48.86, -0.15

 

CMYK 0 / 68 / 48 / 22

HEX #C84169

RGB 200 65 105

HSL 342.22, 0.55%, 0.52%

LAB 48.36, 56.3, 7.28

 

CMYK 0 / 74 / 53 / 28

HEX #B72F56

RGB 183 47 86

HSL 342.79, 0.59%, 0.45%

LAB 42.42, 56.23, 10.19

 

CMYK 0 / 83 / 60 / 35

HEX #A61D43

RGB 166 29 67

HSL 343.36, 0.7%, 0.38%

LAB 36.73, 55.43, 13.89

 

CMYK 0 / 93 / 68 / 42

HEX #950B30

RGB 149 11 48

HSL 343.91, 0.86%, 0.31%

LAB 31.45, 53.42, 18.64

 

CMYK 0 / 100 / 78 / 48

HEX #84001D

RGB 132 0 29

HSL 346.82, 1%, 0.26%

LAB 26.72, 49.83, 24.53

 

CMYK 0 / 67 / 47 / 22

HEX #C74169

RGB 199 65 105

HSL 342.09, 0.54%, 0.52%

LAB 48.19, 56, 7.01

 

CMYK 0 / 67 / 66 / 22

HEX #C74144

RGB 199 65 68

HSL 358.66, 0.54%, 0.52%

LAB 47.42, 53.24, 28.36

 

CMYK 0 / 67 / 67 / 22

HEX #C74141

RGB 199 65 65

HSL 0, 0.54%, 0.52%

LAB 47.37, 53.07, 30.08

 

CMYK 0 / 67 / 47 / 22

HEX #C74169

RGB 199 65 105

HSL 342.09, 0.54%, 0.52%

LAB 48.19, 56, 7.01

 

CMYK 0 / 67 / 29 / 22

HEX #C7418D

RGB 199 65 141

HSL 325.97, 0.54%, 0.52%

LAB 49.31, 59.88, -13.13

 

CMYK 0 / 67 / 11 / 22

HEX #C741B1

RGB 199 65 177

HSL 309.85, 0.54%, 0.52%

LAB 50.8, 64.83, -32.15

 

CMYK 7 / 67 / 0 / 22

HEX #B941C7

RGB 185 65 199

HSL 293.73, 0.54%, 0.52%

LAB 49.76, 65.13, -46.72

 

CMYK 25 / 67 / 0 / 22

HEX #9541C7

RGB 149 65 199

HSL 277.61, 0.54%, 0.52%

LAB 44.65, 57.19, -55.19

 

CMYK 0 / 67 / 47 / 22

HEX #C74169

RGB 199 65 105

HSL 342.09, 0.54%, 0.52%

LAB 48.19, 56, 7.01

 

CMYK 0 / 79 / 56 / 14

HEX #DB2D61

RGB 219 45 97

HSL 342.07, 0.71%, 0.52%

LAB 49.25, 67.69, 13.92

 

CMYK 0 / 90 / 63 / 6

HEX #EF1959

RGB 239 25 89

HSL 342.06, 0.87%, 0.52%

LAB 51.57, 76.26, 22.58

 

CMYK 0 / 67 / 47 / 22

HEX #C74169

RGB 199 65 105

HSL 342.09, 0.54%, 0.52%

LAB 48.19, 56, 7.01

 

CMYK 0 / 53 / 37 / 29

HEX #B45571

RGB 180 85 113

HSL 342.32, 0.39%, 0.52%

LAB 48.75, 41.48, 2.57

 

CMYK 0 / 35 / 24 / 37

HEX #A06879

RGB 160 104 121

HSL 341.79, 0.23%, 0.52%

LAB 50.4, 24.92, -0.15

 

CMYK 0 / 11 / 8 / 45

HEX #8C7C81

RGB 140 124 129

HSL 341.25, 0.07%, 0.52%

LAB 53.57, 7.04, -0.48

 

CMYK 17 / 0 / 5 / 44

HEX #789089

RGB 120 144 137

HSL 162.5, 0.1%, 0.52%

LAB 57.79, -10, 0.87

 

CMYK 0 / 67 / 11 / 22

HEX #C741B1

RGB 199 65 177

HSL 309.85, 0.54%, 0.52%

LAB 50.8, 64.83, -32.15

 

CMYK 0 / 67 / 29 / 22

HEX #C7418D

RGB 199 65 141

HSL 325.97, 0.54%, 0.52%

LAB 49.31, 59.88, -13.13

 

CMYK 0 / 67 / 47 / 22

HEX #C74169

RGB 199 65 105

HSL 342.09, 0.54%, 0.52%

LAB 48.19, 56, 7.01

 

CMYK 0 / 67 / 65 / 22

HEX #C74145

RGB 199 65 69

HSL 358.21, 0.54%, 0.52%

LAB 47.43, 53.29, 27.79

 

CMYK 0 / 52 / 67 / 22

HEX #C76041

RGB 199 96 65

HSL 13.88, 0.54%, 0.52%

LAB 52.83, 38.73, 36.61

 

CMYK 0 / 71 / 50 / 45

HEX #8D2946

RGB 141 41 70

HSL 342.6, 0.55%, 0.36%

LAB 33.33, 44.21, 6.49

 

CMYK 0 / 71 / 50 / 32

HEX #AD3256

RGB 173 50 86

HSL 342.44, 0.55%, 0.44%

LAB 40.96, 52.16, 7.87

 

CMYK 0 / 67 / 47 / 22

HEX #C74169

RGB 199 65 105

HSL 342.09, 0.54%, 0.52%

LAB 48.19, 56, 7.01

 

CMYK 0 / 54 / 38 / 18

HEX #D16182

RGB 209 97 130

HSL 342.32, 0.55%, 0.6%

LAB 55.8, 47.51, 3.2

 

CMYK 0 / 41 / 29 / 15

HEX #DA819B

RGB 218 129 155

HSL 342.47, 0.55%, 0.68%

LAB 64.14, 37.46, 1

 

CMYK 0 / 68 / 48 / 22

HEX #C84169

RGB 200 65 105

HSL 342.22, 0.55%, 0.52%

LAB 48.36, 56.3, 7.28

 

CMYK 0 / 7 / 67 / 22

HEX #C7BA41

RGB 199 186 65

HSL 54.18, 0.54%, 0.52%

LAB 74.6, -9.47, 60.37

 

CMYK 67 / 20 / 0 / 22

HEX #419FC7

RGB 65 159 199

HSL 197.91, 0.54%, 0.52%

LAB 61.69, -15, -28.66

 

CMYK 0 / 68 / 48 / 22

HEX #C84169

RGB 200 65 105

HSL 342.22, 0.55%, 0.52%

LAB 48.36, 56.3, 7.28

 

CMYK 47 / 0 / 67 / 22

HEX #69C741

RGB 105 199 65

HSL 102.09, 0.54%, 0.52%

LAB 72.38, -51.46, 56.22

 

CMYK 67 / 47 / 0 / 22

HEX #4169C7

RGB 65 105 199

HSL 222.09, 0.54%, 0.52%

LAB 46.11, 16.95, -53.22

 

CMYK 0 / 68 / 48 / 22

HEX #C84169

RGB 200 65 105

HSL 342.22, 0.55%, 0.52%

LAB 48.36, 56.3, 7.28

 

CMYK 0 / 7 / 67 / 22

HEX #C7BA41

RGB 199 186 65

HSL 54.18, 0.54%, 0.52%

LAB 74.6, -9.47, 60.37

 

CMYK 67 / 0 / 20 / 22

HEX #41C79F

RGB 65 199 159

HSL 162.09, 0.54%, 0.52%

LAB 72.54, -45.59, 9.59

 

CMYK 67 / 61 / 0 / 22

HEX #414EC7

RGB 65 78 199

HSL 234.18, 0.54%, 0.52%

LAB 39.06, 34.13, -64.63

 

CMYK 0 / 68 / 48 / 22

HEX #C84169

RGB 200 65 105

HSL 342.22, 0.55%, 0.52%

LAB 48.36, 56.3, 7.28

 

CMYK 14 / 0 / 67 / 22

HEX #ACC741

RGB 172 199 65

HSL 72.09, 0.54%, 0.52%

LAB 76.07, -27.25, 61.2

 

CMYK 67 / 0 / 20 / 22

HEX #41C79F

RGB 65 199 159

HSL 162.09, 0.54%, 0.52%

LAB 72.54, -45.59, 9.59

 

CMYK 54 / 67 / 0 / 22

HEX #5C41C7

RGB 92 65 199

HSL 252.09, 0.54%, 0.52%

LAB 38.16, 46.1, -66.02

 

Description

Color code: HEX #C84169 | qconv.com Color code: HEX #C84169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 65 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 65 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 48 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 48% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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