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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C843EE it is the complementary color #37BC11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C843EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C843EE shade: #CD43E9, #DE55FC, #EF67FF, #FF79FF and #FF8BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C843EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C843EE shade: #C843EE, #B731DB, #A61FC8, #950DB5 and #8400A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C843EE shade: #C844ED, #ED44E5, #ED44B7, #ED448A and #ED445C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C843EE shade: #C844ED, #9A44ED, #6C44ED and #4444ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C843EE shade matches the following richer shades: #C844ED and #D133FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C843EE shade: #C844ED, #BE54DD, #B565CC, #AC75BC and #A386AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C843EE shade: #6B44ED, #9944ED, #C644ED, #ED44E8 and #ED44BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C843EE shade: #A312CC, #BC1EEA, #C844ED, #D36AF1 and #DE8FF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C843EE shade: #C843EE, #ED4449 and #44ED82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C843EE shade: #C843EE, #EDC644 and #44EDC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C843EE shade: #C843EE, #ED4449, #6BED44 and #44EDE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C843EE shade: #C843EE, #ED7144, #6BED44 and #44C0ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 72 / 0 / 7

HEX #C843EE

RGB 200 67 238

HSL 286.67, 0.83%, 0.6%

LAB 54.52, 74.63, -61.15

 

Complementary color

CMYK 71 / 0 / 91 / 26

HEX #37BC11

RGB 55 188 17

HSL 106.67, 0.83%, 0.4%

LAB 67.14, -62.67, 64.78

 

CMYK 12 / 71 / 0 / 9

HEX #CD43E9

RGB 205 67 233

HSL 289.88, 0.79%, 0.59%

LAB 54.95, 74.71, -57.62

 

CMYK 12 / 66 / 0 / 1

HEX #DE55FC

RGB 222 85 252

HSL 289.22, 0.97%, 0.66%

LAB 60.83, 74.99, -58.66

 

CMYK 6 / 60 / 0 / 0

HEX #EF67FF

RGB 239 103 255

HSL 293.68, 1%, 0.7%

LAB 65.96, 72.03, -52.01

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 16 / 72 / 0 / 7

HEX #C843EE

RGB 200 67 238

HSL 286.67, 0.83%, 0.6%

LAB 54.52, 74.63, -61.15

 

CMYK 16 / 78 / 0 / 14

HEX #B731DB

RGB 183 49 219

HSL 287.29, 0.7%, 0.53%

LAB 48.73, 73.86, -59.86

 

CMYK 17 / 85 / 0 / 22

HEX #A61FC8

RGB 166 31 200

HSL 287.93, 0.73%, 0.45%

LAB 43.15, 72.27, -58.07

 

CMYK 18 / 93 / 0 / 29

HEX #950DB5

RGB 149 13 181

HSL 288.57, 0.87%, 0.38%

LAB 37.87, 69.5, -55.6

 

CMYK 19 / 100 / 0 / 36

HEX #8400A2

RGB 132 0 162

HSL 288.89, 1%, 0.32%

LAB 32.95, 65.3, -52.33

 

CMYK 16 / 71 / 0 / 7

HEX #C844ED

RGB 200 68 237

HSL 286.86, 0.82%, 0.6%

LAB 54.58, 74.08, -60.49

 

CMYK 0 / 71 / 3 / 7

HEX #ED44E5

RGB 237 68 229

HSL 302.84, 0.82%, 0.6%

LAB 59.7, 80.35, -47.51

 

CMYK 0 / 71 / 23 / 7

HEX #ED44B7

RGB 237 68 183

HSL 319.17, 0.82%, 0.6%

LAB 57.61, 73.94, -24.58

 

CMYK 0 / 71 / 42 / 7

HEX #ED448A

RGB 237 68 138

HSL 335.15, 0.82%, 0.6%

LAB 56.06, 68.95, -0.6

 

CMYK 0 / 71 / 61 / 7

HEX #ED445C

RGB 237 68 92

HSL 351.48, 0.82%, 0.6%

LAB 54.98, 65.35, 25.19

 

CMYK 16 / 71 / 0 / 7

HEX #C844ED

RGB 200 68 237

HSL 286.86, 0.82%, 0.6%

LAB 54.58, 74.08, -60.49

 

CMYK 35 / 71 / 0 / 7

HEX #9A44ED

RGB 154 68 237

HSL 270.53, 0.82%, 0.6%

LAB 48.41, 65.36, -70.77

 

CMYK 54 / 71 / 0 / 7

HEX #6C44ED

RGB 108 68 237

HSL 254.2, 0.82%, 0.6%

LAB 43.41, 57.89, -79.13

 

CMYK 71 / 71 / 0 / 7

HEX #4444ED

RGB 68 68 237

HSL 240, 0.82%, 0.6%

LAB 40.37, 53.1, -84.24

 

CMYK 16 / 71 / 0 / 7

HEX #C844ED

RGB 200 68 237

HSL 286.86, 0.82%, 0.6%

LAB 54.58, 74.08, -60.49

 

CMYK 18 / 80 / 0 / 0

HEX #D133FE

RGB 209 51 254

HSL 286.7, 0.99%, 0.6%

LAB 55.15, 84.06, -68.99

 

CMYK 16 / 71 / 0 / 7

HEX #C844ED

RGB 200 68 237

HSL 286.86, 0.82%, 0.6%

LAB 54.58, 74.08, -60.49

 

CMYK 14 / 62 / 0 / 13

HEX #BE54DD

RGB 190 84 221

HSL 286.42, 0.67%, 0.6%

LAB 54.56, 62.43, -51.59

 

CMYK 11 / 50 / 0 / 20

HEX #B565CC

RGB 181 101 204

HSL 286.6, 0.5%, 0.6%

LAB 55.57, 48.53, -40.42

 

CMYK 9 / 38 / 0 / 26

HEX #AC75BC

RGB 172 117 188

HSL 286.48, 0.35%, 0.6%

LAB 57.2, 33.96, -28.83

 

CMYK 5 / 22 / 0 / 33

HEX #A386AB

RGB 163 134 171

HSL 287.03, 0.18%, 0.6%

LAB 59.69, 17.86, -15.39

 

CMYK 55 / 71 / 0 / 7

HEX #6B44ED

RGB 107 68 237

HSL 253.85, 0.82%, 0.6%

LAB 43.32, 57.75, -79.29

 

CMYK 35 / 71 / 0 / 7

HEX #9944ED

RGB 153 68 237

HSL 270.18, 0.82%, 0.6%

LAB 48.29, 65.18, -70.97

 

CMYK 16 / 71 / 0 / 7

HEX #C644ED

RGB 198 68 237

HSL 286.15, 0.82%, 0.6%

LAB 54.3, 73.69, -60.96

 

CMYK 0 / 71 / 2 / 7

HEX #ED44E8

RGB 237 68 232

HSL 301.78, 0.82%, 0.6%

LAB 59.86, 80.81, -48.95

 

CMYK 0 / 71 / 22 / 7

HEX #ED44BA

RGB 237 68 186

HSL 318.11, 0.82%, 0.6%

LAB 57.74, 74.32, -26.13

 

CMYK 20 / 91 / 0 / 20

HEX #A312CC

RGB 163 18 204

HSL 286.77, 0.84%, 0.44%

LAB 42.12, 74.96, -62.08

 

CMYK 20 / 87 / 0 / 8

HEX #BC1EEA

RGB 188 30 234

HSL 286.47, 0.83%, 0.52%

LAB 48.96, 81.95, -67.97

 

CMYK 16 / 71 / 0 / 7

HEX #C844ED

RGB 200 68 237

HSL 286.86, 0.82%, 0.6%

LAB 54.58, 74.08, -60.49

 

CMYK 12 / 56 / 0 / 5

HEX #D36AF1

RGB 211 106 241

HSL 286.67, 0.83%, 0.68%

LAB 62.09, 61.29, -50.65

 

CMYK 9 / 41 / 0 / 4

HEX #DE8FF4

RGB 222 143 244

HSL 286.93, 0.82%, 0.76%

LAB 70.67, 46.29, -38.74

 

CMYK 16 / 72 / 0 / 7

HEX #C843EE

RGB 200 67 238

HSL 286.67, 0.83%, 0.6%

LAB 54.52, 74.63, -61.15

 

CMYK 0 / 71 / 69 / 7

HEX #ED4449

RGB 237 68 73

HSL 358.22, 0.82%, 0.6%

LAB 54.68, 64.32, 35.86

 

CMYK 71 / 0 / 45 / 7

HEX #44ED82

RGB 68 237 130

HSL 142.01, 0.82%, 0.6%

LAB 83.66, -65.47, 39.65

 

CMYK 16 / 72 / 0 / 7

HEX #C843EE

RGB 200 67 238

HSL 286.67, 0.83%, 0.6%

LAB 54.52, 74.63, -61.15

 

CMYK 0 / 16 / 71 / 7

HEX #EDC644

RGB 237 198 68

HSL 46.15, 0.82%, 0.6%

LAB 81.19, 0.66, 66.96

 

CMYK 71 / 0 / 16 / 7

HEX #44EDC6

RGB 68 237 198

HSL 166.15, 0.82%, 0.6%

LAB 84.93, -51.63, 6.59

 

CMYK 16 / 72 / 0 / 7

HEX #C843EE

RGB 200 67 238

HSL 286.67, 0.83%, 0.6%

LAB 54.52, 74.63, -61.15

 

CMYK 0 / 71 / 69 / 7

HEX #ED4449

RGB 237 68 73

HSL 358.22, 0.82%, 0.6%

LAB 54.68, 64.32, 35.86

 

CMYK 55 / 0 / 71 / 7

HEX #6BED44

RGB 107 237 68

HSL 106.15, 0.82%, 0.6%

LAB 84.02, -64.77, 67.2

 

CMYK 71 / 0 / 2 / 7

HEX #44EDE8

RGB 68 237 232

HSL 178.22, 0.82%, 0.6%

LAB 85.82, -42.83, -9.97

 

CMYK 16 / 72 / 0 / 7

HEX #C843EE

RGB 200 67 238

HSL 286.67, 0.83%, 0.6%

LAB 54.52, 74.63, -61.15

 

CMYK 0 / 52 / 71 / 7

HEX #ED7144

RGB 237 113 68

HSL 15.98, 0.82%, 0.6%

LAB 61.85, 44.88, 46.8

 

CMYK 55 / 0 / 71 / 7

HEX #6BED44

RGB 107 237 68

HSL 106.15, 0.82%, 0.6%

LAB 84.02, -64.77, 67.2

 

CMYK 71 / 19 / 0 / 7

HEX #44C0ED

RGB 68 192 237

HSL 195.98, 0.82%, 0.6%

LAB 72.92, -19.78, -32.2

 

Description

Color code: HEX #C843EE | qconv.com Color code: HEX #C843EE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 67 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 67 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 72 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 72% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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