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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C84DAF it is the complementary color #37B250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C84DAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C84DAF shade: #CD4DAA, #DE5FBD, #EF71D0, #FF83E3 and #FF95F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C84DAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C84DAF shade: #C84DAF, #B73B9C, #A62989, #951776 and #840563

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C84DAF shade: #C74BAE, #C74B8D, #C74B6B and #C74B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C84DAF shade: #C74BAE, #BF4BC7, #9E4BC7, #7C4BC7 and #5B4BC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C84DAF shade matches the following richer shades: #C74BAE, #DA38B9 and #ED25C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C84DAF shade: #C74BAE, #B45EA3, #A17198, #8E848C and #7B9781

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C84DAF shade: #9E4BC7, #BF4BC7, #C74BAF, #C74B8D and #C74B6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C84DAF shade: #932D7E, #B33799, #C74BAE, #D16BBC and #DB8ACA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C84DAF shade: #C84DAF, #C77D4B and #4BC7AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C84DAF shade: #C84DAF, #AFC74B and #4BAFC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C84DAF shade: #C84DAF, #C77D4B, #4BC764 and #4B96C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C84DAF shade: #C84DAF, #C7A24B, #4BC764 and #4B70C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 13 / 22

HEX #C84DAF

RGB 200 77 175

HSL 312.2, 0.53%, 0.54%

LAB 52.6, 59.98, -28.17

 

Complementary color

CMYK 69 / 0 / 55 / 30

HEX #37B250

RGB 55 178 80

HSL 132.2, 0.53%, 0.46%

LAB 64.35, -54.26, 40.04

 

CMYK 0 / 62 / 17 / 20

HEX #CD4DAA

RGB 205 77 170

HSL 316.41, 0.56%, 0.55%

LAB 53.16, 60.59, -24.33

 

CMYK 0 / 57 / 15 / 13

HEX #DE5FBD

RGB 222 95 189

HSL 315.59, 0.66%, 0.62%

LAB 59.33, 60.32, -25.58

 

CMYK 0 / 53 / 13 / 6

HEX #EF71D0

RGB 239 113 208

HSL 314.76, 0.8%, 0.69%

LAB 65.53, 59.84, -26.61

 

CMYK 0 / 49 / 11 / 0

HEX #FF83E3

RGB 255 131 227

HSL 313.55, 1%, 0.76%

LAB 71.58, 58.96, -27.68

 

CMYK 0 / 42 / 4 / 0

HEX #FF95F6

RGB 255 149 246

HSL 305.09, 1%, 0.79%

LAB 75.7, 53.27, -31.72

 

CMYK 0 / 62 / 13 / 22

HEX #C84DAF

RGB 200 77 175

HSL 312.2, 0.53%, 0.54%

LAB 52.6, 59.98, -28.17

 

CMYK 0 / 68 / 15 / 28

HEX #B73B9C

RGB 183 59 156

HSL 313.06, 0.51%, 0.47%

LAB 46.44, 59.93, -26.74

 

CMYK 0 / 75 / 17 / 35

HEX #A62989

RGB 166 41 137

HSL 313.92, 0.6%, 0.41%

LAB 40.41, 59.3, -24.85

 

CMYK 0 / 85 / 21 / 42

HEX #951776

RGB 149 23 118

HSL 314.76, 0.73%, 0.34%

LAB 34.62, 57.72, -22.29

 

CMYK 0 / 96 / 25 / 48

HEX #840563

RGB 132 5 99

HSL 315.59, 0.93%, 0.27%

LAB 29.2, 54.77, -18.82

 

CMYK 0 / 62 / 13 / 22

HEX #C74BAE

RGB 199 75 174

HSL 312.1, 0.53%, 0.54%

LAB 52.1, 60.4, -28.38

 

CMYK 0 / 62 / 29 / 22

HEX #C74B8D

RGB 199 75 141

HSL 328.06, 0.53%, 0.54%

LAB 50.8, 55.78, -10.88

 

CMYK 0 / 62 / 46 / 22

HEX #C74B6B

RGB 199 75 107

HSL 344.52, 0.53%, 0.54%

LAB 49.78, 51.99, 8.06

 

CMYK 0 / 62 / 62 / 22

HEX #C74B4B

RGB 199 75 75

HSL 0, 0.53%, 0.54%

LAB 49.11, 49.42, 26.35

 

CMYK 0 / 62 / 13 / 22

HEX #C74BAE

RGB 199 75 174

HSL 312.1, 0.53%, 0.54%

LAB 52.1, 60.4, -28.38

 

CMYK 4 / 62 / 0 / 22

HEX #BF4BC7

RGB 191 75 199

HSL 296.13, 0.53%, 0.54%

LAB 52.1, 62.49, -42.95

 

CMYK 21 / 62 / 0 / 22

HEX #9E4BC7

RGB 158 75 199

HSL 280.16, 0.53%, 0.54%

LAB 47.53, 54.56, -50.51

 

CMYK 38 / 62 / 0 / 22

HEX #7C4BC7

RGB 124 75 199

HSL 263.71, 0.53%, 0.54%

LAB 43.42, 46.81, -57.33

 

CMYK 54 / 62 / 0 / 22

HEX #5B4BC7

RGB 91 75 199

HSL 247.74, 0.53%, 0.54%

LAB 40.21, 40.18, -62.68

 

CMYK 0 / 62 / 13 / 22

HEX #C74BAE

RGB 199 75 174

HSL 312.1, 0.53%, 0.54%

LAB 52.1, 60.4, -28.38

 

CMYK 0 / 74 / 15 / 15

HEX #DA38B9

RGB 218 56 185

HSL 312.22, 0.69%, 0.54%

LAB 53.21, 73.51, -32.83

 

CMYK 0 / 84 / 17 / 7

HEX #ED25C5

RGB 237 37 197

HSL 312, 0.85%, 0.54%

LAB 55.44, 83.68, -36.04

 

CMYK 0 / 62 / 13 / 22

HEX #C74BAE

RGB 199 75 174

HSL 312.1, 0.53%, 0.54%

LAB 52.1, 60.4, -28.38

 

CMYK 0 / 48 / 9 / 29

HEX #B45EA3

RGB 180 94 163

HSL 311.86, 0.36%, 0.54%

LAB 52.23, 44.17, -21.95

 

CMYK 0 / 30 / 6 / 37

HEX #A17198

RGB 161 113 152

HSL 311.25, 0.2%, 0.54%

LAB 53.66, 25.45, -13.56

 

CMYK 0 / 7 / 1 / 44

HEX #8E848C

RGB 142 132 140

HSL 312, 0.04%, 0.54%

LAB 56.23, 5.29, -2.94

 

CMYK 19 / 0 / 15 / 41

HEX #7B9781

RGB 123 151 129

HSL 132.86, 0.12%, 0.54%

LAB 59.82, -14.36, 8.37

 

CMYK 21 / 62 / 0 / 22

HEX #9E4BC7

RGB 158 75 199

HSL 280.16, 0.53%, 0.54%

LAB 47.53, 54.56, -50.51

 

CMYK 4 / 62 / 0 / 22

HEX #BF4BC7

RGB 191 75 199

HSL 296.13, 0.53%, 0.54%

LAB 52.1, 62.49, -42.95

 

CMYK 0 / 62 / 12 / 22

HEX #C74BAF

RGB 199 75 175

HSL 311.61, 0.53%, 0.54%

LAB 52.14, 60.55, -28.9

 

CMYK 0 / 62 / 29 / 22

HEX #C74B8D

RGB 199 75 141

HSL 328.06, 0.53%, 0.54%

LAB 50.8, 55.78, -10.88

 

CMYK 0 / 62 / 46 / 22

HEX #C74B6C

RGB 199 75 108

HSL 344.03, 0.53%, 0.54%

LAB 49.81, 52.09, 7.49

 

CMYK 0 / 69 / 14 / 42

HEX #932D7E

RGB 147 45 126

HSL 312.35, 0.53%, 0.38%

LAB 37.09, 51.42, -23.48

 

CMYK 0 / 69 / 15 / 30

HEX #B33799

RGB 179 55 153

HSL 312.58, 0.53%, 0.46%

LAB 45.1, 59.97, -27.07

 

CMYK 0 / 62 / 13 / 22

HEX #C74BAE

RGB 199 75 174

HSL 312.1, 0.53%, 0.54%

LAB 52.1, 60.4, -28.38

 

CMYK 0 / 49 / 10 / 18

HEX #D16BBC

RGB 209 107 188

HSL 312.35, 0.53%, 0.62%

LAB 59.62, 50.71, -24.72

 

CMYK 0 / 37 / 8 / 14

HEX #DB8ACA

RGB 219 138 202

HSL 312.59, 0.53%, 0.7%

LAB 67.65, 40.25, -20.23

 

CMYK 0 / 62 / 13 / 22

HEX #C84DAF

RGB 200 77 175

HSL 312.2, 0.53%, 0.54%

LAB 52.6, 59.98, -28.17

 

CMYK 0 / 37 / 62 / 22

HEX #C77D4B

RGB 199 125 75

HSL 24.19, 0.53%, 0.54%

LAB 59.27, 23.98, 38.84

 

CMYK 62 / 0 / 12 / 22

HEX #4BC7AF

RGB 75 199 175

HSL 168.39, 0.53%, 0.54%

LAB 73.18, -39.99, 1.87

 

CMYK 0 / 62 / 13 / 22

HEX #C84DAF

RGB 200 77 175

HSL 312.2, 0.53%, 0.54%

LAB 52.6, 59.98, -28.17

 

CMYK 12 / 0 / 62 / 22

HEX #AFC74B

RGB 175 199 75

HSL 71.61, 0.53%, 0.54%

LAB 76.36, -25.36, 57.52

 

CMYK 62 / 12 / 0 / 22

HEX #4BAFC7

RGB 75 175 199

HSL 191.61, 0.53%, 0.54%

LAB 66.73, -21.79, -20.9

 

CMYK 0 / 62 / 13 / 22

HEX #C84DAF

RGB 200 77 175

HSL 312.2, 0.53%, 0.54%

LAB 52.6, 59.98, -28.17

 

CMYK 0 / 37 / 62 / 22

HEX #C77D4B

RGB 199 125 75

HSL 24.19, 0.53%, 0.54%

LAB 59.27, 23.98, 38.84

 

CMYK 62 / 0 / 50 / 22

HEX #4BC764

RGB 75 199 100

HSL 132.1, 0.53%, 0.54%

LAB 71.73, -55.15, 39.39

 

CMYK 62 / 25 / 0 / 22

HEX #4B96C7

RGB 75 150 199

HSL 203.71, 0.53%, 0.54%

LAB 59.37, -8.34, -32.23

 

CMYK 0 / 62 / 13 / 22

HEX #C84DAF

RGB 200 77 175

HSL 312.2, 0.53%, 0.54%

LAB 52.6, 59.98, -28.17

 

CMYK 0 / 19 / 62 / 22

HEX #C7A24B

RGB 199 162 75

HSL 42.1, 0.53%, 0.54%

LAB 68.38, 3.8, 49.34

 

CMYK 62 / 0 / 50 / 22

HEX #4BC764

RGB 75 199 100

HSL 132.1, 0.53%, 0.54%

LAB 71.73, -55.15, 39.39

 

CMYK 62 / 44 / 0 / 22

HEX #4B70C7

RGB 75 112 199

HSL 222.1, 0.53%, 0.54%

LAB 48.52, 14.27, -49.33

 

Description

Color code: HEX #C84DAF | qconv.com Color code: HEX #C84DAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 77 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 77 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 13 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 13% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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