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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C855B1 it is the complementary color #37AA4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C855B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C855B1 shade: #CD55AC, #DE67BF, #EF79D2, #FF8BE5 and #FF9DF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C855B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C855B1 shade: #C855B1, #B7439E, #A6318B, #951F78 and #840D65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C855B1 shade: #C855B1, #C85592, #C85573 and #C85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C855B1 shade: #C855B1, #C055C8, #A155C8, #8255C8 and #6355C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C855B1 shade matches the following richer shades: #C855B1, #DA43BC, #EC31C6 and #FE1FD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C855B1 shade: #C855B1, #B567A6, #A3799B, #918C90 and #7F9E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C855B1 shade: #A155C8, #C055C8, #C855B1, #C85592 and #C85574

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C855B1 shade: #993184, #B83B9F, #C855B1, #D274BF and #DC93CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C855B1 shade: #C855B1, #C88355 and #55C8B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C855B1 shade: #C855B1, #B1C855 and #55B1C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C855B1 shade: #C855B1, #C88355, #55C86C and #559AC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C855B1 shade: #C855B1, #C8A555, #55C86C and #5577C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

Complementary color

CMYK 68 / 0 / 54 / 33

HEX #37AA4E

RGB 55 170 78

HSL 132, 0.51%, 0.44%

LAB 61.75, -51.63, 37.88

 

CMYK 0 / 59 / 16 / 20

HEX #CD55AC

RGB 205 85 172

HSL 316.5, 0.55%, 0.57%

LAB 54.51, 57.43, -23.41

 

CMYK 0 / 54 / 14 / 13

HEX #DE67BF

RGB 222 103 191

HSL 315.63, 0.64%, 0.64%

LAB 60.77, 56.97, -24.51

 

CMYK 0 / 49 / 12 / 6

HEX #EF79D2

RGB 239 121 210

HSL 314.75, 0.79%, 0.71%

LAB 67.04, 56.38, -25.41

 

CMYK 0 / 45 / 10 / 0

HEX #FF8BE5

RGB 255 139 229

HSL 313.45, 1%, 0.77%

LAB 73.14, 55.41, -26.39

 

CMYK 0 / 38 / 3 / 0

HEX #FF9DF8

RGB 255 157 248

HSL 304.29, 1%, 0.81%

LAB 77.37, 49.59, -30.24

 

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

CMYK 0 / 63 / 14 / 28

HEX #B7439E

RGB 183 67 158

HSL 312.93, 0.46%, 0.49%

LAB 47.69, 57.01, -25.99

 

CMYK 0 / 70 / 16 / 35

HEX #A6318B

RGB 166 49 139

HSL 313.85, 0.54%, 0.42%

LAB 41.48, 56.81, -24.4

 

CMYK 0 / 79 / 19 / 42

HEX #951F78

RGB 149 31 120

HSL 314.75, 0.66%, 0.35%

LAB 35.45, 55.88, -22.26

 

CMYK 0 / 90 / 23 / 48

HEX #840D65

RGB 132 13 101

HSL 315.63, 0.82%, 0.28%

LAB 29.75, 53.71, -19.26

 

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

CMYK 0 / 58 / 27 / 22

HEX #C85592

RGB 200 85 146

HSL 328.17, 0.51%, 0.56%

LAB 52.79, 52.27, -10.84

 

CMYK 0 / 58 / 43 / 22

HEX #C85573

RGB 200 85 115

HSL 344.35, 0.51%, 0.56%

LAB 51.85, 48.57, 6.23

 

CMYK 0 / 58 / 58 / 22

HEX #C85555

RGB 200 85 85

HSL 0, 0.51%, 0.56%

LAB 51.19, 45.86, 23.17

 

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

CMYK 4 / 58 / 0 / 22

HEX #C055C8

RGB 192 85 200

HSL 295.83, 0.51%, 0.56%

LAB 53.89, 58.52, -40.68

 

CMYK 20 / 58 / 0 / 22

HEX #A155C8

RGB 161 85 200

HSL 279.65, 0.51%, 0.56%

LAB 49.79, 50.58, -47.44

 

CMYK 35 / 58 / 0 / 22

HEX #8255C8

RGB 130 85 200

HSL 263.48, 0.51%, 0.56%

LAB 46.19, 42.95, -53.4

 

CMYK 51 / 58 / 0 / 22

HEX #6355C8

RGB 99 85 200

HSL 247.3, 0.51%, 0.56%

LAB 43.24, 36.07, -58.31

 

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

CMYK 0 / 69 / 14 / 15

HEX #DA43BC

RGB 218 67 188

HSL 311.92, 0.67%, 0.56%

LAB 54.61, 70.35, -32.38

 

CMYK 0 / 79 / 16 / 7

HEX #EC31C6

RGB 236 49 198

HSL 312.19, 0.83%, 0.56%

LAB 56.19, 81.05, -35.44

 

CMYK 0 / 88 / 18 / 0

HEX #FE1FD1

RGB 254 31 209

HSL 312.11, 0.99%, 0.56%

LAB 58.65, 89.43, -37.66

 

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

CMYK 0 / 43 / 8 / 29

HEX #B567A6

RGB 181 103 166

HSL 311.54, 0.35%, 0.56%

LAB 54.32, 40.29, -20.49

 

CMYK 0 / 26 / 5 / 36

HEX #A3799B

RGB 163 121 155

HSL 311.43, 0.19%, 0.56%

LAB 55.92, 22.15, -11.88

 

CMYK 0 / 3 / 1 / 43

HEX #918C90

RGB 145 140 144

HSL 312, 0.02%, 0.56%

LAB 58.78, 2.62, -1.47

 

CMYK 20 / 0 / 16 / 38

HEX #7F9E85

RGB 127 158 133

HSL 131.61, 0.14%, 0.56%

LAB 62.22, -15.88, 9.55

 

CMYK 20 / 58 / 0 / 22

HEX #A155C8

RGB 161 85 200

HSL 279.65, 0.51%, 0.56%

LAB 49.79, 50.58, -47.44

 

CMYK 4 / 58 / 0 / 22

HEX #C055C8

RGB 192 85 200

HSL 295.83, 0.51%, 0.56%

LAB 53.89, 58.52, -40.68

 

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

CMYK 0 / 58 / 27 / 22

HEX #C85592

RGB 200 85 146

HSL 328.17, 0.51%, 0.56%

LAB 52.79, 52.27, -10.84

 

CMYK 0 / 58 / 42 / 22

HEX #C85574

RGB 200 85 116

HSL 343.83, 0.51%, 0.56%

LAB 51.88, 48.68, 5.67

 

CMYK 0 / 68 / 14 / 40

HEX #993184

RGB 153 49 132

HSL 312.12, 0.51%, 0.4%

LAB 38.96, 52.35, -24.2

 

CMYK 0 / 68 / 14 / 28

HEX #B83B9F

RGB 184 59 159

HSL 312, 0.51%, 0.48%

LAB 46.74, 60.63, -28.05

 

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

CMYK 0 / 45 / 9 / 18

HEX #D274BF

RGB 210 116 191

HSL 312.13, 0.51%, 0.64%

LAB 61.61, 46.98, -23.36

 

CMYK 0 / 33 / 7 / 14

HEX #DC93CD

RGB 220 147 205

HSL 312.33, 0.51%, 0.72%

LAB 69.82, 36.31, -18.6

 

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

CMYK 0 / 35 / 58 / 22

HEX #C88355

RGB 200 131 85

HSL 24, 0.51%, 0.56%

LAB 60.93, 21.86, 35.55

 

CMYK 58 / 0 / 12 / 22

HEX #55C8B1

RGB 85 200 177

HSL 168, 0.51%, 0.56%

LAB 73.81, -38.08, 1.74

 

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

CMYK 12 / 0 / 58 / 22

HEX #B1C855

RGB 177 200 85

HSL 72, 0.51%, 0.56%

LAB 76.87, -24.27, 53.77

 

CMYK 58 / 12 / 0 / 22

HEX #55B1C8

RGB 85 177 200

HSL 192, 0.51%, 0.56%

LAB 67.68, -20.68, -19.97

 

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

CMYK 0 / 35 / 58 / 22

HEX #C88355

RGB 200 131 85

HSL 24, 0.51%, 0.56%

LAB 60.93, 21.86, 35.55

 

CMYK 58 / 0 / 46 / 22

HEX #55C86C

RGB 85 200 108

HSL 132, 0.51%, 0.56%

LAB 72.44, -52.1, 36.36

 

CMYK 58 / 23 / 0 / 22

HEX #559AC8

RGB 85 154 200

HSL 204, 0.51%, 0.56%

LAB 60.97, -8.33, -30.28

 

CMYK 0 / 58 / 12 / 22

HEX #C855B1

RGB 200 85 177

HSL 312, 0.51%, 0.56%

LAB 53.97, 56.78, -27.2

 

CMYK 0 / 18 / 58 / 22

HEX #C8A555

RGB 200 165 85

HSL 41.74, 0.51%, 0.56%

LAB 69.36, 3.34, 45.67

 

CMYK 58 / 0 / 46 / 22

HEX #55C86C

RGB 85 200 108

HSL 132, 0.51%, 0.56%

LAB 72.44, -52.1, 36.36

 

CMYK 58 / 41 / 0 / 22

HEX #5577C8

RGB 85 119 200

HSL 222.26, 0.51%, 0.56%

LAB 51.03, 12.23, -45.88

 

Description

Color code: HEX #C855B1 | qconv.com Color code: HEX #C855B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 85 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 85 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 12 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 12% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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