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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C85B55 it is the complementary color #37A4AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C85B55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C85B55 shade: #CD5B50, #DE6D63, #EF7F76, #FF9189 and #FFA39C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C85B55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C85B55 shade: #C85B55, #B74942, #A6372F, #95251C and #841309

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C85B55 shade: #C85B55 and #C85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C85B55 shade: #C85B55, #C87A55, #C89955, #C8B855 and #B9C855

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C85B55 shade matches the following richer shades: #C85B55, #DA4B43, #EC3B31 and #FE2A1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C85B55 shade: #C85B55, #B56B67, #A37C79, #918C8C and #7F9C9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C85B55 shade: #C8558C, #C8556E, #C85B55, #C87955 and #C89855

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C85B55 shade: #993731, #B8423B, #C85B55, #D27974 and #DC9793

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C85B55 shade: #C85B55, #ABC855 and #557DC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C85B55 shade: #C85B55, #55C85B and #5B55C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C85B55 shade: #C85B55, #ABC855, #55C2C8 and #7255C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C85B55 shade: #C85B55, #89C855, #55C2C8 and #9455C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

Complementary color

CMYK 68 / 4 / 0 / 33

HEX #37A4AA

RGB 55 164 170

HSL 183.13, 0.51%, 0.44%

LAB 61.88, -28.21, -12.12

 

CMYK 0 / 56 / 61 / 20

HEX #CD5B50

RGB 205 91 80

HSL 5.28, 0.56%, 0.56%

LAB 52.99, 44.42, 28.57

 

CMYK 0 / 51 / 55 / 13

HEX #DE6D63

RGB 222 109 99

HSL 4.88, 0.65%, 0.63%

LAB 59.31, 43.22, 26.35

 

CMYK 0 / 47 / 51 / 6

HEX #EF7F76

RGB 239 127 118

HSL 4.46, 0.79%, 0.7%

LAB 65.62, 42.04, 24.42

 

CMYK 0 / 43 / 46 / 0

HEX #FF9189

RGB 255 145 137

HSL 4.07, 1%, 0.77%

LAB 71.77, 40.55, 22.53

 

CMYK 0 / 36 / 39 / 0

HEX #FFA39C

RGB 255 163 156

HSL 4.24, 1%, 0.81%

LAB 75.98, 33.26, 17.9

 

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

CMYK 0 / 60 / 64 / 28

HEX #B74942

RGB 183 73 66

HSL 3.59, 0.47%, 0.49%

LAB 45.94, 44.11, 27.11

 

CMYK 0 / 67 / 72 / 35

HEX #A6372F

RGB 166 55 47

HSL 4.03, 0.56%, 0.42%

LAB 39.66, 45.12, 30.07

 

CMYK 0 / 75 / 81 / 42

HEX #95251C

RGB 149 37 28

HSL 4.46, 0.68%, 0.35%

LAB 33.56, 45.76, 33.53

 

CMYK 0 / 86 / 93 / 48

HEX #841309

RGB 132 19 9

HSL 4.88, 0.87%, 0.28%

LAB 27.82, 45.56, 36.77

 

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

CMYK 0 / 58 / 58 / 22

HEX #C85555

RGB 200 85 85

HSL 0, 0.51%, 0.56%

LAB 51.19, 45.86, 23.17

 

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

CMYK 0 / 39 / 58 / 22

HEX #C87A55

RGB 200 122 85

HSL 19.3, 0.51%, 0.56%

LAB 58.84, 26.76, 32.96

 

CMYK 0 / 24 / 58 / 22

HEX #C89955

RGB 200 153 85

HSL 35.48, 0.51%, 0.56%

LAB 66.3, 9.83, 42.06

 

CMYK 0 / 8 / 58 / 22

HEX #C8B855

RGB 200 184 85

HSL 51.65, 0.51%, 0.56%

LAB 74.33, -6.7, 51.39

 

CMYK 8 / 0 / 58 / 22

HEX #B9C855

RGB 185 200 85

HSL 67.83, 0.51%, 0.56%

LAB 77.45, -21.04, 54.58

 

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

CMYK 0 / 66 / 69 / 15

HEX #DA4B43

RGB 218 75 67

HSL 3.18, 0.67%, 0.56%

LAB 52.22, 55.37, 35.54

 

CMYK 0 / 75 / 79 / 7

HEX #EC3B31

RGB 236 59 49

HSL 3.21, 0.83%, 0.56%

LAB 53.15, 66.07, 47.32

 

CMYK 0 / 83 / 88 / 0

HEX #FE2A1F

RGB 254 42 31

HSL 2.96, 0.99%, 0.56%

LAB 54.89, 75.11, 58.69

 

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

CMYK 0 / 41 / 43 / 29

HEX #B56B67

RGB 181 107 103

HSL 3.08, 0.35%, 0.56%

LAB 53.3, 29.02, 14.97

 

CMYK 0 / 24 / 26 / 36

HEX #A37C79

RGB 163 124 121

HSL 4.29, 0.19%, 0.56%

LAB 55.67, 14.68, 7.49

 

CMYK 0 / 3 / 3 / 43

HEX #918C8C

RGB 145 140 140

HSL 0, 0.02%, 0.56%

LAB 58.67, 1.85, 0.65

 

CMYK 20 / 1 / 0 / 38

HEX #7F9C9E

RGB 127 156 158

HSL 183.87, 0.14%, 0.56%

LAB 62.3, -9.59, -4.4

 

CMYK 0 / 58 / 30 / 22

HEX #C8558C

RGB 200 85 140

HSL 331.3, 0.51%, 0.56%

LAB 52.59, 51.48, -7.59

 

CMYK 0 / 58 / 45 / 22

HEX #C8556E

RGB 200 85 110

HSL 346.96, 0.51%, 0.56%

LAB 51.73, 48.06, 9.04

 

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

CMYK 0 / 40 / 58 / 22

HEX #C87955

RGB 200 121 85

HSL 18.78, 0.51%, 0.56%

LAB 58.61, 27.3, 32.68

 

CMYK 0 / 24 / 58 / 22

HEX #C89855

RGB 200 152 85

HSL 34.96, 0.51%, 0.56%

LAB 66.05, 10.38, 41.76

 

CMYK 0 / 64 / 68 / 40

HEX #993731

RGB 153 55 49

HSL 3.46, 0.51%, 0.4%

LAB 37.35, 40.6, 25.55

 

CMYK 0 / 64 / 68 / 28

HEX #B8423B

RGB 184 66 59

HSL 3.36, 0.51%, 0.48%

LAB 44.8, 47.24, 29.88

 

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

CMYK 0 / 42 / 45 / 18

HEX #D27974

RGB 210 121 116

HSL 3.19, 0.51%, 0.64%

LAB 60.46, 34.09, 17.91

 

CMYK 0 / 31 / 33 / 14

HEX #DC9793

RGB 220 151 147

HSL 3.29, 0.51%, 0.72%

LAB 69.08, 25.41, 12.61

 

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

CMYK 15 / 0 / 58 / 22

HEX #ABC855

RGB 171 200 85

HSL 75.13, 0.51%, 0.56%

LAB 76.45, -26.66, 53.19

 

CMYK 58 / 38 / 0 / 22

HEX #557DC8

RGB 85 125 200

HSL 219.13, 0.51%, 0.56%

LAB 52.7, 8.58, -43.24

 

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

CMYK 58 / 0 / 55 / 22

HEX #55C85B

RGB 85 200 91

HSL 123.13, 0.51%, 0.56%

LAB 72.23, -54.51, 44.41

 

CMYK 55 / 58 / 0 / 22

HEX #5B55C8

RGB 91 85 200

HSL 243.13, 0.51%, 0.56%

LAB 42.6, 34.49, -59.38

 

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

CMYK 15 / 0 / 58 / 22

HEX #ABC855

RGB 171 200 85

HSL 75.13, 0.51%, 0.56%

LAB 76.45, -26.66, 53.19

 

CMYK 58 / 3 / 0 / 22

HEX #55C2C8

RGB 85 194 200

HSL 183.13, 0.51%, 0.56%

LAB 72.68, -29.2, -12.42

 

CMYK 43 / 58 / 0 / 22

HEX #7255C8

RGB 114 85 200

HSL 255.13, 0.51%, 0.56%

LAB 44.58, 39.28, -56.08

 

CMYK 0 / 55 / 58 / 22

HEX #C85B55

RGB 200 91 85

HSL 3.13, 0.51%, 0.56%

LAB 52.31, 42.96, 24.63

 

CMYK 32 / 0 / 58 / 22

HEX #89C855

RGB 137 200 85

HSL 92.87, 0.51%, 0.56%

LAB 74.37, -39.49, 50.27

 

CMYK 58 / 3 / 0 / 22

HEX #55C2C8

RGB 85 194 200

HSL 183.13, 0.51%, 0.56%

LAB 72.68, -29.2, -12.42

 

CMYK 26 / 58 / 0 / 22

HEX #9455C8

RGB 148 85 200

HSL 272.87, 0.51%, 0.56%

LAB 48.21, 47.32, -50.05

 

Description

Color code: HEX #C85B55 | qconv.com Color code: HEX #C85B55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 91 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 91 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 58 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 58% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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