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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C85D55 it is the complementary color #37A2AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C85D55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C85D55 shade: #CD5D50, #DE6F63, #EF8176, #FF9389 and #FFA59C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C85D55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C85D55 shade: #C85D55, #B74B42, #A6392F, #95271C and #841509

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C85D55 shade: #C85D55 and #C85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C85D55 shade: #C85D55, #C87C55, #C89B55, #C8BA55 and #B7C855

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C85D55 shade matches the following richer shades: #C85D55, #DA4D43, #EC3E31 and #FE2E1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C85D55 shade: #C85D55, #B56D67, #A37C79, #918C8C and #7F9C9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C85D55 shade: #C8558A, #C8556C, #C85D55, #C87B55 and #C89A55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C85D55 shade: #993831, #B8443B, #C85D55, #D27B74 and #DC9893

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C85D55 shade: #C85D55, #A9C855 and #557BC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C85D55 shade: #C85D55, #55C85D and #5D55C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C85D55 shade: #C85D55, #A9C855, #55C0C8 and #7455C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C85D55 shade: #C85D55, #87C855, #55C0C8 and #9655C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

Complementary color

CMYK 68 / 5 / 0 / 33

HEX #37A2AA

RGB 55 162 170

HSL 184.17, 0.51%, 0.44%

LAB 61.27, -27.22, -13.04

 

CMYK 0 / 55 / 61 / 20

HEX #CD5D50

RGB 205 93 80

HSL 6.24, 0.56%, 0.56%

LAB 53.37, 43.45, 29.05

 

CMYK 0 / 50 / 55 / 13

HEX #DE6F63

RGB 222 111 99

HSL 5.85, 0.65%, 0.63%

LAB 59.71, 42.22, 26.86

 

CMYK 0 / 46 / 51 / 6

HEX #EF8176

RGB 239 129 118

HSL 5.45, 0.79%, 0.7%

LAB 66.03, 41.03, 24.96

 

CMYK 0 / 42 / 46 / 0

HEX #FF9389

RGB 255 147 137

HSL 5.08, 1%, 0.77%

LAB 72.18, 39.53, 23.09

 

CMYK 0 / 35 / 39 / 0

HEX #FFA59C

RGB 255 165 156

HSL 5.45, 1%, 0.81%

LAB 76.42, 32.22, 18.51

 

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

CMYK 0 / 59 / 64 / 28

HEX #B74B42

RGB 183 75 66

HSL 4.62, 0.47%, 0.49%

LAB 46.3, 43.16, 27.56

 

CMYK 0 / 66 / 72 / 35

HEX #A6392F

RGB 166 57 47

HSL 5.04, 0.56%, 0.42%

LAB 39.98, 44.25, 30.45

 

CMYK 0 / 74 / 81 / 42

HEX #95271C

RGB 149 39 28

HSL 5.45, 0.68%, 0.35%

LAB 33.83, 45.01, 33.8

 

CMYK 0 / 84 / 93 / 48

HEX #841509

RGB 132 21 9

HSL 5.85, 0.87%, 0.28%

LAB 28.01, 45.02, 36.93

 

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

CMYK 0 / 58 / 58 / 22

HEX #C85555

RGB 200 85 85

HSL 0, 0.51%, 0.56%

LAB 51.19, 45.86, 23.17

 

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

CMYK 0 / 38 / 58 / 22

HEX #C87C55

RGB 200 124 85

HSL 20.35, 0.51%, 0.56%

LAB 59.3, 25.68, 33.53

 

CMYK 0 / 23 / 58 / 22

HEX #C89B55

RGB 200 155 85

HSL 36.52, 0.51%, 0.56%

LAB 66.81, 8.75, 42.66

 

CMYK 0 / 7 / 58 / 22

HEX #C8BA55

RGB 200 186 85

HSL 52.7, 0.51%, 0.56%

LAB 74.86, -7.74, 51.99

 

CMYK 9 / 0 / 58 / 22

HEX #B7C855

RGB 183 200 85

HSL 68.87, 0.51%, 0.56%

LAB 77.3, -21.85, 54.38

 

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

CMYK 0 / 65 / 69 / 15

HEX #DA4D43

RGB 218 77 67

HSL 3.97, 0.67%, 0.56%

LAB 52.53, 54.54, 35.91

 

CMYK 0 / 74 / 79 / 7

HEX #EC3E31

RGB 236 62 49

HSL 4.17, 0.83%, 0.56%

LAB 53.49, 65.12, 47.66

 

CMYK 0 / 82 / 88 / 0

HEX #FE2E1F

RGB 254 46 31

HSL 4.04, 0.99%, 0.56%

LAB 55.2, 74.24, 58.92

 

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

CMYK 0 / 40 / 43 / 29

HEX #B56D67

RGB 181 109 103

HSL 4.62, 0.35%, 0.56%

LAB 53.75, 27.93, 15.59

 

CMYK 0 / 24 / 26 / 36

HEX #A37C79

RGB 163 124 121

HSL 4.29, 0.19%, 0.56%

LAB 55.67, 14.68, 7.49

 

CMYK 0 / 3 / 3 / 43

HEX #918C8C

RGB 145 140 140

HSL 0, 0.02%, 0.56%

LAB 58.67, 1.85, 0.65

 

CMYK 20 / 1 / 0 / 38

HEX #7F9C9E

RGB 127 156 158

HSL 183.87, 0.14%, 0.56%

LAB 62.3, -9.59, -4.4

 

CMYK 0 / 58 / 31 / 22

HEX #C8558A

RGB 200 85 138

HSL 332.35, 0.51%, 0.56%

LAB 52.52, 51.23, -6.5

 

CMYK 0 / 58 / 46 / 22

HEX #C8556C

RGB 200 85 108

HSL 348, 0.51%, 0.56%

LAB 51.68, 47.86, 10.16

 

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

CMYK 0 / 39 / 58 / 22

HEX #C87B55

RGB 200 123 85

HSL 19.83, 0.51%, 0.56%

LAB 59.07, 26.22, 33.25

 

CMYK 0 / 23 / 58 / 22

HEX #C89A55

RGB 200 154 85

HSL 36, 0.51%, 0.56%

LAB 66.56, 9.29, 42.36

 

CMYK 0 / 63 / 68 / 40

HEX #993831

RGB 153 56 49

HSL 4.04, 0.51%, 0.4%

LAB 37.52, 40.14, 25.76

 

CMYK 0 / 63 / 68 / 28

HEX #B8443B

RGB 184 68 59

HSL 4.32, 0.51%, 0.48%

LAB 45.14, 46.34, 30.28

 

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

CMYK 0 / 41 / 45 / 18

HEX #D27B74

RGB 210 123 116

HSL 4.47, 0.51%, 0.64%

LAB 60.89, 33.03, 18.5

 

CMYK 0 / 31 / 33 / 14

HEX #DC9893

RGB 220 152 147

HSL 4.11, 0.51%, 0.72%

LAB 69.31, 24.87, 12.94

 

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

CMYK 16 / 0 / 58 / 22

HEX #A9C855

RGB 169 200 85

HSL 76.17, 0.51%, 0.56%

LAB 76.31, -27.45, 53

 

CMYK 58 / 39 / 0 / 22

HEX #557BC8

RGB 85 123 200

HSL 220.17, 0.51%, 0.56%

LAB 52.14, 9.79, -44.12

 

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

CMYK 58 / 0 / 54 / 22

HEX #55C85D

RGB 85 200 93

HSL 124.17, 0.51%, 0.56%

LAB 72.25, -54.25, 43.49

 

CMYK 54 / 58 / 0 / 22

HEX #5D55C8

RGB 93 85 200

HSL 244.17, 0.51%, 0.56%

LAB 42.75, 34.88, -59.12

 

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

CMYK 16 / 0 / 58 / 22

HEX #A9C855

RGB 169 200 85

HSL 76.17, 0.51%, 0.56%

LAB 76.31, -27.45, 53

 

CMYK 58 / 4 / 0 / 22

HEX #55C0C8

RGB 85 192 200

HSL 184.17, 0.51%, 0.56%

LAB 72.1, -28.22, -13.31

 

CMYK 42 / 58 / 0 / 22

HEX #7455C8

RGB 116 85 200

HSL 256.17, 0.51%, 0.56%

LAB 44.77, 39.72, -55.76

 

CMYK 0 / 54 / 58 / 22

HEX #C85D55

RGB 200 93 85

HSL 4.17, 0.51%, 0.56%

LAB 52.69, 41.97, 25.13

 

CMYK 33 / 0 / 58 / 22

HEX #87C855

RGB 135 200 85

HSL 93.91, 0.51%, 0.56%

LAB 74.26, -40.2, 50.12

 

CMYK 58 / 4 / 0 / 22

HEX #55C0C8

RGB 85 192 200

HSL 184.17, 0.51%, 0.56%

LAB 72.1, -28.22, -13.31

 

CMYK 25 / 58 / 0 / 22

HEX #9655C8

RGB 150 85 200

HSL 273.91, 0.51%, 0.56%

LAB 48.45, 47.82, -49.66

 

Description

Color code: HEX #C85D55 | qconv.com Color code: HEX #C85D55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 93 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 93 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 58 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 58% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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