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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C86989 it is the complementary color #379676. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C86989. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C86989 shade: #CD6984, #DE7B97, #EF8DAA, #FF9FBD and #FFB1D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C86989. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C86989 shade: #C86989, #B75776, #A64563, #953350 and #84213D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C86989 shade: #C76A89, #C76A70 and #C76A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C86989 shade: #C76A89, #C76AA2, #C76ABC, #BA6AC7 and #A06AC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C86989 shade matches the following richer shades: #C76A89, #D85984, #E8497E and #F93879

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C86989 shade: #C76A89, #B77A8F, #A68B94, #969B99 and #85AC9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C86989 shade: #C76ABC, #C76AA3, #C76A8A, #C76A71 and #C77B6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C86989 shade: #A33C5E, #BC4B71, #C76A89, #D388A1 and #DEA6B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C86989 shade: #C86989, #C7B96A and #6AB0C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C86989 shade: #C86989, #8AC76A and #6A8AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C86989 shade: #C86989, #C7B96A, #6AC7A7 and #6A78C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C86989 shade: #C86989, #B9C76A, #6AC7A7 and #786AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 32 / 22

HEX #C86989

RGB 200 105 137

HSL 339.79, 0.46%, 0.6%

LAB 56.28, 41.25, -0.38

 

Complementary color

CMYK 63 / 0 / 21 / 41

HEX #379676

RGB 55 150 118

HSL 159.79, 0.46%, 0.4%

LAB 56.02, -35.79, 8.75

 

CMYK 0 / 49 / 36 / 20

HEX #CD6984

RGB 205 105 132

HSL 343.8, 0.5%, 0.61%

LAB 56.83, 42.38, 3.44

 

CMYK 0 / 45 / 32 / 13

HEX #DE7B97

RGB 222 123 151

HSL 343.03, 0.6%, 0.68%

LAB 63.28, 41.47, 2.1

 

CMYK 0 / 41 / 29 / 6

HEX #EF8DAA

RGB 239 141 170

HSL 342.24, 0.75%, 0.75%

LAB 69.68, 40.59, 0.94

 

CMYK 0 / 38 / 26 / 0

HEX #FF9FBD

RGB 255 159 189

HSL 341.25, 1%, 0.81%

LAB 75.9, 39.41, -0.28

 

CMYK 0 / 31 / 18 / 0

HEX #FFB1D0

RGB 255 177 208

HSL 336.15, 1%, 0.85%

LAB 80.32, 32.76, -4.14

 

CMYK 0 / 48 / 32 / 22

HEX #C86989

RGB 200 105 137

HSL 339.79, 0.46%, 0.6%

LAB 56.28, 41.25, -0.38

 

CMYK 0 / 52 / 36 / 28

HEX #B75776

RGB 183 87 118

HSL 340.63, 0.4%, 0.53%

LAB 49.73, 42.12, 1.04

 

CMYK 0 / 58 / 40 / 35

HEX #A64563

RGB 166 69 99

HSL 341.44, 0.41%, 0.46%

LAB 43.16, 42.93, 2.75

 

CMYK 0 / 66 / 46 / 42

HEX #953350

RGB 149 51 80

HSL 342.24, 0.49%, 0.39%

LAB 36.62, 43.53, 4.92

 

CMYK 0 / 75 / 54 / 48

HEX #84213D

RGB 132 33 61

HSL 343.03, 0.6%, 0.32%

LAB 30.23, 43.67, 7.79

 

CMYK 0 / 47 / 31 / 22

HEX #C76A89

RGB 199 106 137

HSL 340, 0.45%, 0.6%

LAB 56.34, 40.38, -0.29

 

CMYK 0 / 47 / 44 / 22

HEX #C76A70

RGB 199 106 112

HSL 356.13, 0.45%, 0.6%

LAB 55.71, 37.42, 13.42

 

CMYK 0 / 47 / 47 / 22

HEX #C76A6A

RGB 199 106 106

HSL 0, 0.45%, 0.6%

LAB 55.57, 36.8, 16.73

 

CMYK 0 / 47 / 31 / 22

HEX #C76A89

RGB 199 106 137

HSL 340, 0.45%, 0.6%

LAB 56.34, 40.38, -0.29

 

CMYK 0 / 47 / 19 / 22

HEX #C76AA2

RGB 199 106 162

HSL 323.87, 0.45%, 0.6%

LAB 57.13, 43.93, -13.68

 

CMYK 0 / 47 / 6 / 22

HEX #C76ABC

RGB 199 106 188

HSL 307.1, 0.45%, 0.6%

LAB 58.11, 48.19, -27.15

 

CMYK 7 / 47 / 0 / 22

HEX #BA6AC7

RGB 186 106 199

HSL 291.61, 0.45%, 0.6%

LAB 56.95, 46.36, -35.37

 

CMYK 20 / 47 / 0 / 22

HEX #A06AC7

RGB 160 106 199

HSL 274.84, 0.45%, 0.6%

LAB 53.93, 38.88, -40.33

 

CMYK 0 / 47 / 31 / 22

HEX #C76A89

RGB 199 106 137

HSL 340, 0.45%, 0.6%

LAB 56.34, 40.38, -0.29

 

CMYK 0 / 59 / 39 / 15

HEX #D85984

RGB 216 89 132

HSL 339.69, 0.62%, 0.6%

LAB 55.49, 53.8, 1.7

 

CMYK 0 / 69 / 46 / 9

HEX #E8497E

RGB 232 73 126

HSL 340, 0.78%, 0.6%

LAB 55.51, 64.67, 5.61

 

CMYK 0 / 78 / 51 / 2

HEX #F93879

RGB 249 56 121

HSL 339.79, 0.94%, 0.6%

LAB 56.44, 74.37, 10.31

 

CMYK 0 / 47 / 31 / 22

HEX #C76A89

RGB 199 106 137

HSL 340, 0.45%, 0.6%

LAB 56.34, 40.38, -0.29

 

CMYK 0 / 33 / 22 / 28

HEX #B77A8F

RGB 183 122 143

HSL 339.34, 0.3%, 0.6%

LAB 58.01, 26.82, -1.58

 

CMYK 0 / 16 / 11 / 35

HEX #A68B94

RGB 166 139 148

HSL 340, 0.13%, 0.6%

LAB 60.53, 11.73, -0.98

 

CMYK 3 / 0 / 1 / 39

HEX #969B99

RGB 150 155 153

HSL 156, 0.02%, 0.6%

LAB 63.53, -2.18, 0.41

 

CMYK 23 / 0 / 8 / 33

HEX #85AC9F

RGB 133 172 159

HSL 160, 0.19%, 0.6%

LAB 67.27, -15.94, 2.36

 

CMYK 0 / 47 / 6 / 22

HEX #C76ABC

RGB 199 106 188

HSL 307.1, 0.45%, 0.6%

LAB 58.11, 48.19, -27.15

 

CMYK 0 / 47 / 18 / 22

HEX #C76AA3

RGB 199 106 163

HSL 323.23, 0.45%, 0.6%

LAB 57.17, 44.09, -14.21

 

CMYK 0 / 47 / 31 / 22

HEX #C76A8A

RGB 199 106 138

HSL 339.35, 0.45%, 0.6%

LAB 56.37, 40.52, -0.84

 

CMYK 0 / 47 / 43 / 22

HEX #C76A71

RGB 199 106 113

HSL 355.48, 0.45%, 0.6%

LAB 55.73, 37.53, 12.86

 

CMYK 0 / 38 / 47 / 22

HEX #C77B6A

RGB 199 123 106

HSL 10.97, 0.45%, 0.6%

LAB 59.3, 27.71, 21.78

 

CMYK 0 / 63 / 42 / 36

HEX #A33C5E

RGB 163 60 94

HSL 340.19, 0.46%, 0.44%

LAB 40.94, 45.59, 2.59

 

CMYK 0 / 60 / 40 / 26

HEX #BC4B71

RGB 188 75 113

HSL 339.82, 0.46%, 0.52%

LAB 48.15, 49.03, 1.86

 

CMYK 0 / 47 / 31 / 22

HEX #C76A89

RGB 199 106 137

HSL 340, 0.45%, 0.6%

LAB 56.34, 40.38, -0.29

 

CMYK 0 / 36 / 24 / 17

HEX #D388A1

RGB 211 136 161

HSL 340, 0.46%, 0.68%

LAB 64.99, 32.06, -1.26

 

CMYK 0 / 25 / 17 / 13

HEX #DEA6B9

RGB 222 166 185

HSL 339.64, 0.46%, 0.76%

LAB 73.74, 23.47, -1.67

 

CMYK 0 / 48 / 32 / 22

HEX #C86989

RGB 200 105 137

HSL 339.79, 0.46%, 0.6%

LAB 56.28, 41.25, -0.38

 

CMYK 0 / 7 / 47 / 22

HEX #C7B96A

RGB 199 185 106

HSL 50.97, 0.45%, 0.6%

LAB 74.75, -5.83, 41.68

 

CMYK 47 / 12 / 0 / 22

HEX #6AB0C7

RGB 106 176 199

HSL 194.84, 0.45%, 0.6%

LAB 68.2, -15.88, -18.56

 

CMYK 0 / 48 / 32 / 22

HEX #C86989

RGB 200 105 137

HSL 339.79, 0.46%, 0.6%

LAB 56.28, 41.25, -0.38

 

CMYK 31 / 0 / 47 / 22

HEX #8AC76A

RGB 138 199 106

HSL 99.35, 0.45%, 0.6%

LAB 74.38, -36.34, 40.27

 

CMYK 47 / 31 / 0 / 22

HEX #6A8AC7

RGB 106 138 199

HSL 219.35, 0.45%, 0.6%

LAB 57.43, 5.31, -35.14

 

CMYK 0 / 48 / 32 / 22

HEX #C86989

RGB 200 105 137

HSL 339.79, 0.46%, 0.6%

LAB 56.28, 41.25, -0.38

 

CMYK 0 / 7 / 47 / 22

HEX #C7B96A

RGB 199 185 106

HSL 50.97, 0.45%, 0.6%

LAB 74.75, -5.83, 41.68

 

CMYK 47 / 0 / 16 / 22

HEX #6AC7A7

RGB 106 199 167

HSL 159.35, 0.45%, 0.6%

LAB 74, -35.29, 7.51

 

CMYK 47 / 40 / 0 / 22

HEX #6A78C7

RGB 106 120 199

HSL 230.97, 0.45%, 0.6%

LAB 52.53, 16.04, -42.84

 

CMYK 0 / 48 / 32 / 22

HEX #C86989

RGB 200 105 137

HSL 339.79, 0.46%, 0.6%

LAB 56.28, 41.25, -0.38

 

CMYK 7 / 0 / 47 / 22

HEX #B9C76A

RGB 185 199 106

HSL 69.03, 0.45%, 0.6%

LAB 77.4, -18.66, 44.68

 

CMYK 47 / 0 / 16 / 22

HEX #6AC7A7

RGB 106 199 167

HSL 159.35, 0.45%, 0.6%

LAB 74, -35.29, 7.51

 

CMYK 40 / 47 / 0 / 22

HEX #786AC7

RGB 120 106 199

HSL 249.03, 0.45%, 0.6%

LAB 50.01, 28, -46.78

 

Description

Color code: HEX #C86989 | qconv.com Color code: HEX #C86989 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 105 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 105 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 32 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 32% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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