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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C86027 it is the complementary color #379FD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C86027. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C86027 shade: #CD6022, #DE7235, #EF8448, #FF965B and #FFA86E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C86027. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C86027 shade: #C86027, #B74E14, #A63C01, #952A00 and #841800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C86027 shade: #C86027, #C83527 and #C82727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C86027 shade: #C86027, #C88B27, #C8B727, #ADC827 and #82C827

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C86027 shade matches the following richer shades: #C86027, #DB5A14 and #EE5500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C86027 shade: #C86027, #B4663A, #A16B4E, #8D7161 and #7A7775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C86027 shade: #C82744, #C83427, #C85F27, #C88A27 and #C8B527

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C86027 shade: #833F19, #A54F20, #C86027, #D9763F and #E08E62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C86027 shade: #C86027, #6FC827 and #272FC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C86027 shade: #C86027, #27C85F and #5F27C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C86027 shade: #C86027, #6FC827, #278FC8 and #7F27C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C86027 shade: #C86027, #3FC827, #278FC8 and #B027C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 81 / 22

HEX #C86027

RGB 200 96 39

HSL 21.24, 0.67%, 0.47%

LAB 52.72, 37.94, 49.66

 

Complementary color

CMYK 75 / 26 / 0 / 15

HEX #379FD8

RGB 55 159 216

HSL 201.24, 0.67%, 0.53%

LAB 62.14, -10.71, -37.46

 

CMYK 0 / 53 / 83 / 20

HEX #CD6022

RGB 205 96 34

HSL 21.75, 0.72%, 0.47%

LAB 53.45, 39.75, 52.74

 

CMYK 0 / 49 / 76 / 13

HEX #DE7235

RGB 222 114 53

HSL 21.66, 0.72%, 0.54%

LAB 59.73, 37.96, 51.22

 

CMYK 0 / 45 / 70 / 6

HEX #EF8448

RGB 239 132 72

HSL 21.56, 0.84%, 0.61%

LAB 66, 36.31, 49.44

 

CMYK 0 / 41 / 64 / 0

HEX #FF965B

RGB 255 150 91

HSL 21.59, 1%, 0.68%

LAB 72.11, 34.41, 47.47

 

CMYK 0 / 34 / 57 / 0

HEX #FFA86E

RGB 255 168 110

HSL 24, 1%, 0.72%

LAB 76.31, 26.36, 42.84

 

CMYK 0 / 52 / 81 / 22

HEX #C86027

RGB 200 96 39

HSL 21.24, 0.67%, 0.47%

LAB 52.72, 37.94, 49.66

 

CMYK 0 / 57 / 89 / 28

HEX #B74E14

RGB 183 78 20

HSL 21.35, 0.8%, 0.4%

LAB 46.4, 39.78, 50.84

 

CMYK 0 / 64 / 99 / 35

HEX #A63C01

RGB 166 60 1

HSL 21.45, 0.99%, 0.33%

LAB 40.15, 41.6, 51.06

 

CMYK 0 / 72 / 100 / 42

HEX #952A00

RGB 149 42 0

HSL 16.91, 1%, 0.29%

LAB 34.08, 43.22, 46.51

 

CMYK 0 / 82 / 100 / 48

HEX #841800

RGB 132 24 0

HSL 10.91, 1%, 0.26%

LAB 28.27, 43.97, 40.82

 

CMYK 0 / 52 / 81 / 22

HEX #C86027

RGB 200 96 39

HSL 21.24, 0.67%, 0.47%

LAB 52.72, 37.94, 49.66

 

CMYK 0 / 74 / 81 / 22

HEX #C83527

RGB 200 53 39

HSL 5.22, 0.67%, 0.47%

LAB 45.6, 56.81, 42.81

 

CMYK 0 / 81 / 81 / 22

HEX #C82727

RGB 200 39 39

HSL 0, 0.67%, 0.47%

LAB 44.06, 61.12, 41.28

 

CMYK 0 / 52 / 81 / 22

HEX #C86027

RGB 200 96 39

HSL 21.24, 0.67%, 0.47%

LAB 52.72, 37.94, 49.66

 

CMYK 0 / 31 / 81 / 22

HEX #C88B27

RGB 200 139 39

HSL 37.27, 0.67%, 0.47%

LAB 62.42, 14.9, 58.58

 

CMYK 0 / 9 / 81 / 22

HEX #C8B727

RGB 200 183 39

HSL 53.66, 0.67%, 0.47%

LAB 73.74, -8.63, 68.61

 

CMYK 14 / 0 / 81 / 22

HEX #ADC827

RGB 173 200 39

HSL 70.06, 0.67%, 0.47%

LAB 76.28, -28.58, 70.02

 

CMYK 35 / 0 / 81 / 22

HEX #82C827

RGB 130 200 39

HSL 86.09, 0.67%, 0.47%

LAB 73.68, -45.25, 66.71

 

CMYK 0 / 52 / 81 / 22

HEX #C86027

RGB 200 96 39

HSL 21.24, 0.67%, 0.47%

LAB 52.72, 37.94, 49.66

 

CMYK 0 / 59 / 91 / 14

HEX #DB5A14

RGB 219 90 20

HSL 21.11, 0.83%, 0.47%

LAB 54.47, 47.64, 59.46

 

CMYK 0 / 64 / 100 / 7

HEX #EE5500

RGB 238 85 0

HSL 21.43, 1%, 0.47%

LAB 56.76, 56.37, 66.88

 

CMYK 0 / 52 / 81 / 22

HEX #C86027

RGB 200 96 39

HSL 21.24, 0.67%, 0.47%

LAB 52.72, 37.94, 49.66

 

CMYK 0 / 43 / 68 / 29

HEX #B4663A

RGB 180 102 58

HSL 21.64, 0.51%, 0.47%

LAB 51.28, 27.5, 37.89

 

CMYK 0 / 34 / 52 / 37

HEX #A16B4E

RGB 161 107 78

HSL 20.96, 0.35%, 0.47%

LAB 50.27, 18.22, 24.98

 

CMYK 0 / 20 / 31 / 45

HEX #8D7161

RGB 141 113 97

HSL 21.82, 0.18%, 0.47%

LAB 49.9, 8.54, 13.05

 

CMYK 0 / 2 / 4 / 52

HEX #7A7775

RGB 122 119 117

HSL 24, 0.02%, 0.47%

LAB 50.23, 0.75, 1.5

 

CMYK 0 / 81 / 66 / 22

HEX #C82744

RGB 200 39 68

HSL 349.19, 0.67%, 0.47%

LAB 44.44, 62.32, 24.67

 

CMYK 0 / 74 / 81 / 22

HEX #C83427

RGB 200 52 39

HSL 4.84, 0.67%, 0.47%

LAB 45.47, 57.15, 42.68

 

CMYK 0 / 53 / 81 / 22

HEX #C85F27

RGB 200 95 39

HSL 20.87, 0.67%, 0.47%

LAB 52.52, 38.44, 49.47

 

CMYK 0 / 31 / 81 / 22

HEX #C88A27

RGB 200 138 39

HSL 36.89, 0.67%, 0.47%

LAB 62.17, 15.45, 58.36

 

CMYK 0 / 10 / 81 / 22

HEX #C8B527

RGB 200 181 39

HSL 52.92, 0.67%, 0.47%

LAB 73.2, -7.6, 68.15

 

CMYK 0 / 52 / 81 / 49

HEX #833F19

RGB 131 63 25

HSL 21.51, 0.68%, 0.31%

LAB 34.9, 26.54, 35.4

 

CMYK 0 / 52 / 81 / 35

HEX #A54F20

RGB 165 79 32

HSL 21.2, 0.68%, 0.39%

LAB 43.79, 32.42, 42.48

 

CMYK 0 / 52 / 81 / 22

HEX #C86027

RGB 200 96 39

HSL 21.24, 0.67%, 0.47%

LAB 52.72, 37.94, 49.66

 

CMYK 0 / 46 / 71 / 15

HEX #D9763F

RGB 217 118 63

HSL 21.43, 0.67%, 0.55%

LAB 59.95, 34.36, 46.41

 

CMYK 0 / 37 / 56 / 12

HEX #E08E62

RGB 224 142 98

HSL 20.95, 0.67%, 0.63%

LAB 66.58, 26.76, 36.24

 

CMYK 0 / 52 / 81 / 22

HEX #C86027

RGB 200 96 39

HSL 21.24, 0.67%, 0.47%

LAB 52.72, 37.94, 49.66

 

CMYK 45 / 0 / 81 / 22

HEX #6FC827

RGB 111 200 39

HSL 93.17, 0.67%, 0.47%

LAB 72.78, -51.68, 65.57

 

CMYK 81 / 77 / 0 / 22

HEX #272FC8

RGB 39 47 200

HSL 237.02, 0.67%, 0.47%

LAB 30.96, 50.35, -78.58

 

CMYK 0 / 52 / 81 / 22

HEX #C86027

RGB 200 96 39

HSL 21.24, 0.67%, 0.47%

LAB 52.72, 37.94, 49.66

 

CMYK 81 / 0 / 53 / 22

HEX #27C85F

RGB 39 200 95

HSL 140.87, 0.67%, 0.47%

LAB 71.26, -62.05, 41.09

 

CMYK 53 / 81 / 0 / 22

HEX #5F27C8

RGB 95 39 200

HSL 260.87, 0.67%, 0.47%

LAB 34.1, 59.4, -73.26

 

CMYK 0 / 52 / 81 / 22

HEX #C86027

RGB 200 96 39

HSL 21.24, 0.67%, 0.47%

LAB 52.72, 37.94, 49.66

 

CMYK 45 / 0 / 81 / 22

HEX #6FC827

RGB 111 200 39

HSL 93.17, 0.67%, 0.47%

LAB 72.78, -51.68, 65.57

 

CMYK 81 / 29 / 0 / 22

HEX #278FC8

RGB 39 143 200

HSL 201.24, 0.67%, 0.47%

LAB 56.33, -9.11, -37.61

 

CMYK 37 / 81 / 0 / 22

HEX #7F27C8

RGB 127 39 200

HSL 272.8, 0.67%, 0.47%

LAB 38.08, 63.81, -66.57

 

CMYK 0 / 52 / 81 / 22

HEX #C86027

RGB 200 96 39

HSL 21.24, 0.67%, 0.47%

LAB 52.72, 37.94, 49.66

 

CMYK 69 / 0 / 81 / 22

HEX #3FC827

RGB 63 200 39

HSL 111.06, 0.67%, 0.47%

LAB 71.22, -64.06, 63.56

 

CMYK 81 / 29 / 0 / 22

HEX #278FC8

RGB 39 143 200

HSL 201.24, 0.67%, 0.47%

LAB 56.33, -9.11, -37.61

 

CMYK 12 / 81 / 0 / 22

HEX #B027C8

RGB 176 39 200

HSL 291.06, 0.67%, 0.47%

LAB 45.43, 72.04, -54.31

 

Description

Color code: HEX #C86027 | qconv.com Color code: HEX #C86027 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 96 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 96 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 81 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 81% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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