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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C86391 it is the complementary color #379C6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C86391. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C86391 shade: #CD638C, #DE759F, #EF87B2, #FF99C5 and #FFABD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C86391. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C86391 shade: #C86391, #B7517E, #A63F6B, #952D58 and #841B45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C86391 shade: #C86491, #C86476 and #C86464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C86391 shade: #C86491, #C864AD, #C864C8, #AE64C8 and #9364C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C86391 shade matches the following richer shades: #C86491, #D95390, #EA428E and #FB318D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C86391 shade: #C86491, #B77593, #A68694, #959796 and #84A798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C86391 shade: #C864C8, #C864AD, #C86493, #C86478 and #C86A64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C86391 shade: #A13868, #BD457C, #C86491, #D382A7 and #DEA1BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C86391 shade: #C86391, #C8AD64 and #64BBC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C86391 shade: #C86391, #93C864 and #6493C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C86391 shade: #C86391, #C8AD64, #64C899 and #647FC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C86391 shade: #C86391, #C5C864, #64C899 and #6764C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 28 / 22

HEX #C86391

RGB 200 99 145

HSL 332.67, 0.48%, 0.59%

LAB 55.33, 45.37, -6.46

 

Complementary color

CMYK 65 / 0 / 29 / 39

HEX #379C6E

RGB 55 156 110

HSL 152.67, 0.48%, 0.41%

LAB 57.77, -40.28, 15.7

 

CMYK 0 / 52 / 32 / 20

HEX #CD638C

RGB 205 99 140

HSL 336.79, 0.51%, 0.6%

LAB 55.88, 46.39, -2.63

 

CMYK 0 / 47 / 28 / 13

HEX #DE759F

RGB 222 117 159

HSL 336, 0.61%, 0.66%

LAB 62.3, 45.57, -3.91

 

CMYK 0 / 44 / 26 / 6

HEX #EF87B2

RGB 239 135 178

HSL 335.19, 0.76%, 0.73%

LAB 68.67, 44.74, -5.02

 

CMYK 0 / 40 / 23 / 0

HEX #FF99C5

RGB 255 153 197

HSL 334.12, 1%, 0.8%

LAB 74.87, 43.59, -6.19

 

CMYK 0 / 33 / 15 / 0

HEX #FFABD8

RGB 255 171 216

HSL 327.86, 1%, 0.84%

LAB 79.24, 37.11, -10.08

 

CMYK 0 / 51 / 28 / 22

HEX #C86391

RGB 200 99 145

HSL 332.67, 0.48%, 0.59%

LAB 55.33, 45.37, -6.46

 

CMYK 0 / 56 / 31 / 28

HEX #B7517E

RGB 183 81 126

HSL 333.53, 0.41%, 0.52%

LAB 48.83, 46.11, -5.09

 

CMYK 0 / 62 / 36 / 35

HEX #A63F6B

RGB 166 63 107

HSL 334.37, 0.45%, 0.45%

LAB 42.34, 46.69, -3.39

 

CMYK 0 / 70 / 41 / 42

HEX #952D58

RGB 149 45 88

HSL 335.19, 0.54%, 0.38%

LAB 35.93, 46.94, -1.21

 

CMYK 0 / 80 / 48 / 48

HEX #841B45

RGB 132 27 69

HSL 336, 0.66%, 0.31%

LAB 29.71, 46.5, 1.73

 

CMYK 0 / 50 / 28 / 22

HEX #C86491

RGB 200 100 145

HSL 333, 0.48%, 0.59%

LAB 55.52, 44.86, -6.17

 

CMYK 0 / 50 / 41 / 22

HEX #C86476

RGB 200 100 118

HSL 349.2, 0.48%, 0.59%

LAB 54.76, 41.53, 8.6

 

CMYK 0 / 50 / 50 / 22

HEX #C86464

RGB 200 100 100

HSL 0, 0.48%, 0.59%

LAB 54.36, 39.7, 18.6

 

CMYK 0 / 50 / 28 / 22

HEX #C86491

RGB 200 100 145

HSL 333, 0.48%, 0.59%

LAB 55.52, 44.86, -6.17

 

CMYK 0 / 50 / 14 / 22

HEX #C864AD

RGB 200 100 173

HSL 316.2, 0.48%, 0.59%

LAB 56.5, 49.01, -21

 

CMYK 0 / 50 / 0 / 22

HEX #C864C8

RGB 200 100 200

HSL 300, 0.48%, 0.59%

LAB 57.62, 53.58, -34.76

 

CMYK 13 / 50 / 0 / 22

HEX #AE64C8

RGB 174 100 200

HSL 284.4, 0.48%, 0.59%

LAB 54.33, 46.29, -40.16

 

CMYK 27 / 50 / 0 / 22

HEX #9364C8

RGB 147 100 200

HSL 268.2, 0.48%, 0.59%

LAB 51.25, 38.86, -45.22

 

CMYK 0 / 50 / 28 / 22

HEX #C86491

RGB 200 100 145

HSL 333, 0.48%, 0.59%

LAB 55.52, 44.86, -6.17

 

CMYK 0 / 62 / 34 / 15

HEX #D95390

RGB 217 83 144

HSL 332.69, 0.64%, 0.59%

LAB 55.02, 58.1, -6.05

 

CMYK 0 / 72 / 39 / 8

HEX #EA428E

RGB 234 66 142

HSL 332.86, 0.8%, 0.59%

LAB 55.42, 69.2, -3.96

 

CMYK 0 / 80 / 44 / 2

HEX #FB318D

RGB 251 49 141

HSL 332.67, 0.96%, 0.59%

LAB 56.71, 78.26, -1.12

 

CMYK 0 / 50 / 28 / 22

HEX #C86491

RGB 200 100 145

HSL 333, 0.48%, 0.59%

LAB 55.52, 44.86, -6.17

 

CMYK 0 / 36 / 20 / 28

HEX #B77593

RGB 183 117 147

HSL 332.73, 0.31%, 0.59%

LAB 56.97, 30.21, -5.42

 

CMYK 0 / 19 / 11 / 35

HEX #A68694

RGB 166 134 148

HSL 333.75, 0.15%, 0.59%

LAB 59.25, 14.56, -2.86

 

CMYK 1 / 0 / 1 / 41

HEX #959796

RGB 149 151 150

HSL 150, 0.01%, 0.59%

LAB 62.27, -0.91, 0.26

 

CMYK 21 / 0 / 9 / 35

HEX #84A798

RGB 132 167 152

HSL 154.29, 0.17%, 0.59%

LAB 65.6, -15.11, 3.82

 

CMYK 0 / 50 / 0 / 22

HEX #C864C8

RGB 200 100 200

HSL 300, 0.48%, 0.59%

LAB 57.62, 53.58, -34.76

 

CMYK 0 / 50 / 14 / 22

HEX #C864AD

RGB 200 100 173

HSL 316.2, 0.48%, 0.59%

LAB 56.5, 49.01, -21

 

CMYK 0 / 50 / 27 / 22

HEX #C86493

RGB 200 100 147

HSL 331.8, 0.48%, 0.59%

LAB 55.58, 45.14, -7.25

 

CMYK 0 / 50 / 40 / 22

HEX #C86478

RGB 200 100 120

HSL 348, 0.48%, 0.59%

LAB 54.81, 41.76, 7.49

 

CMYK 0 / 47 / 50 / 22

HEX #C86A64

RGB 200 106 100

HSL 3.6, 0.48%, 0.59%

LAB 55.59, 36.6, 20.26

 

CMYK 0 / 65 / 35 / 37

HEX #A13868

RGB 161 56 104

HSL 332.57, 0.48%, 0.43%

LAB 40.25, 47.87, -4.71

 

CMYK 0 / 63 / 34 / 26

HEX #BD457C

RGB 189 69 124

HSL 332.5, 0.48%, 0.51%

LAB 47.66, 53.27, -5.51

 

CMYK 0 / 50 / 28 / 22

HEX #C86491

RGB 200 100 145

HSL 333, 0.48%, 0.59%

LAB 55.52, 44.86, -6.17

 

CMYK 0 / 38 / 21 / 17

HEX #D382A7

RGB 211 130 167

HSL 332.59, 0.48%, 0.67%

LAB 63.84, 36.16, -6.36

 

CMYK 0 / 27 / 15 / 13

HEX #DEA1BD

RGB 222 161 189

HSL 332.46, 0.48%, 0.75%

LAB 72.69, 26.8, -5.42

 

CMYK 0 / 51 / 28 / 22

HEX #C86391

RGB 200 99 145

HSL 332.67, 0.48%, 0.59%

LAB 55.33, 45.37, -6.46

 

CMYK 0 / 14 / 50 / 22

HEX #C8AD64

RGB 200 173 100

HSL 43.8, 0.48%, 0.59%

LAB 71.61, 0.34, 40.87

 

CMYK 50 / 7 / 0 / 22

HEX #64BBC8

RGB 100 187 200

HSL 187.8, 0.48%, 0.59%

LAB 71.16, -22.67, -14.66

 

CMYK 0 / 51 / 28 / 22

HEX #C86391

RGB 200 99 145

HSL 332.67, 0.48%, 0.59%

LAB 55.33, 45.37, -6.46

 

CMYK 27 / 0 / 50 / 22

HEX #93C864

RGB 147 200 100

HSL 91.8, 0.48%, 0.59%

LAB 75.1, -34.32, 44.21

 

CMYK 50 / 27 / 0 / 22

HEX #6493C8

RGB 100 147 200

HSL 211.8, 0.48%, 0.59%

LAB 59.66, -1.07, -32.26

 

CMYK 0 / 51 / 28 / 22

HEX #C86391

RGB 200 99 145

HSL 332.67, 0.48%, 0.59%

LAB 55.33, 45.37, -6.46

 

CMYK 0 / 14 / 50 / 22

HEX #C8AD64

RGB 200 173 100

HSL 43.8, 0.48%, 0.59%

LAB 71.61, 0.34, 40.87

 

CMYK 50 / 0 / 24 / 22

HEX #64C899

RGB 100 200 153

HSL 151.8, 0.48%, 0.59%

LAB 73.75, -40.26, 14.67

 

CMYK 50 / 37 / 0 / 22

HEX #647FC8

RGB 100 127 200

HSL 223.8, 0.48%, 0.59%

LAB 54.09, 10.69, -40.98

 

CMYK 0 / 51 / 28 / 22

HEX #C86391

RGB 200 99 145

HSL 332.67, 0.48%, 0.59%

LAB 55.33, 45.37, -6.46

 

CMYK 1 / 0 / 50 / 22

HEX #C5C864

RGB 197 200 100

HSL 61.8, 0.48%, 0.59%

LAB 78.52, -14.9, 49.13

 

CMYK 50 / 0 / 24 / 22

HEX #64C899

RGB 100 200 153

HSL 151.8, 0.48%, 0.59%

LAB 73.75, -40.26, 14.67

 

CMYK 49 / 50 / 0 / 22

HEX #6764C8

RGB 103 100 200

HSL 241.8, 0.48%, 0.59%

LAB 47.19, 27.83, -51.93

 

Description

Color code: HEX #C86391 | qconv.com Color code: HEX #C86391 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 99 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 99 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 28 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 28% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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