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Color name
HEX #C86E8C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C86E8C it is the complementary color #379173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C86E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C86E8C shade: #CD6E87, #DE809A, #EF92AD, #FFA4C0 and #FFB6D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C86E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C86E8C shade: #C86E8C, #B75C79, #A64A66, #953853 and #842640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C86E8C shade: #C86E8C, #C86E74 and #C86E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C86E8C shade: #C86E8C, #C86EA4, #C86EBC, #BB6EC8 and #A36EC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C86E8C shade matches the following richer shades: #C86E8C, #D85E87, #E84E81 and #F83E7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C86E8C shade: #C86E8C, #B87E91, #A88E97, #989F9C and #87AFA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C86E8C shade: #C86EBC, #C86EA4, #C86E8C, #C86E74 and #C8806E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C86E8C shade: #A53E61, #BC5074, #C86E8C, #D38CA4 and #DEAABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C86E8C shade: #C86E8C, #C8BC6E and #6EB0C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C86E8C shade: #C86E8C, #8CC86E and #6E8CC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C86E8C shade: #C86E8C, #C8BC6E, #6EC8AA and #6E7AC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C86E8C shade: #C86E8C, #B9C86E, #6EC8AA and #7D6EC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

Complementary color

CMYK 62 / 0 / 21 / 43

HEX #379173

RGB 55 145 115

HSL 160, 0.45%, 0.39%

LAB 54.34, -34.24, 8.08

 

CMYK 0 / 46 / 34 / 20

HEX #CD6E87

RGB 205 110 135

HSL 344.21, 0.49%, 0.62%

LAB 57.92, 40.18, 3.27

 

CMYK 0 / 42 / 31 / 13

HEX #DE809A

RGB 222 128 154

HSL 343.4, 0.59%, 0.69%

LAB 64.4, 39.27, 2.02

 

CMYK 0 / 39 / 28 / 6

HEX #EF92AD

RGB 239 146 173

HSL 342.58, 0.74%, 0.75%

LAB 70.82, 38.4, 0.92

 

CMYK 0 / 36 / 25 / 0

HEX #FFA4C0

RGB 255 164 192

HSL 341.54, 1%, 0.82%

LAB 77.05, 37.23, -0.24

 

CMYK 0 / 29 / 17 / 0

HEX #FFB6D3

RGB 255 182 211

HSL 336.16, 1%, 0.86%

LAB 81.52, 30.59, -4

 

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

CMYK 0 / 50 / 34 / 28

HEX #B75C79

RGB 183 92 121

HSL 340.88, 0.39%, 0.54%

LAB 50.81, 39.94, 0.81

 

CMYK 0 / 55 / 39 / 35

HEX #A64A66

RGB 166 74 102

HSL 341.74, 0.38%, 0.47%

LAB 44.18, 40.81, 2.38

 

CMYK 0 / 62 / 44 / 42

HEX #953853

RGB 149 56 83

HSL 342.58, 0.45%, 0.4%

LAB 37.56, 41.55, 4.35

 

CMYK 0 / 71 / 52 / 48

HEX #842640

RGB 132 38 64

HSL 343.4, 0.55%, 0.33%

LAB 31.02, 41.96, 6.92

 

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

CMYK 0 / 45 / 42 / 22

HEX #C86E74

RGB 200 110 116

HSL 356, 0.45%, 0.61%

LAB 56.77, 36.13, 12.6

 

CMYK 0 / 45 / 45 / 22

HEX #C86E6E

RGB 200 110 110

HSL 0, 0.45%, 0.61%

LAB 56.64, 35.49, 15.9

 

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

CMYK 0 / 45 / 18 / 22

HEX #C86EA4

RGB 200 110 164

HSL 324, 0.45%, 0.61%

LAB 58.14, 42.5, -13.3

 

CMYK 0 / 45 / 6 / 22

HEX #C86EBC

RGB 200 110 188

HSL 308, 0.45%, 0.61%

LAB 59.03, 46.45, -25.73

 

CMYK 7 / 45 / 0 / 22

HEX #BB6EC8

RGB 187 110 200

HSL 291.33, 0.45%, 0.61%

LAB 57.93, 44.75, -34.4

 

CMYK 19 / 45 / 0 / 22

HEX #A36EC8

RGB 163 110 200

HSL 275.33, 0.45%, 0.61%

LAB 55.18, 37.74, -38.89

 

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

CMYK 0 / 56 / 38 / 15

HEX #D85E87

RGB 216 94 135

HSL 339.84, 0.61%, 0.61%

LAB 56.44, 51.83, 1.31

 

CMYK 0 / 66 / 44 / 9

HEX #E84E81

RGB 232 78 129

HSL 340.13, 0.77%, 0.61%

LAB 56.28, 63.05, 4.93

 

CMYK 0 / 75 / 50 / 3

HEX #F83E7C

RGB 248 62 124

HSL 340, 0.93%, 0.61%

LAB 56.94, 72.62, 9.21

 

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

CMYK 0 / 32 / 21 / 28

HEX #B87E91

RGB 184 126 145

HSL 340.34, 0.29%, 0.61%

LAB 59.12, 25.27, -1.1

 

CMYK 0 / 15 / 10 / 34

HEX #A88E97

RGB 168 142 151

HSL 339.23, 0.13%, 0.61%

LAB 61.57, 11.31, -1.13

 

CMYK 4 / 0 / 2 / 38

HEX #989F9C

RGB 152 159 156

HSL 154.29, 0.04%, 0.61%

LAB 64.86, -3.08, 0.69

 

CMYK 23 / 0 / 7 / 31

HEX #87AFA2

RGB 135 175 162

HSL 160.5, 0.2%, 0.61%

LAB 68.33, -16.22, 2.25

 

CMYK 0 / 45 / 6 / 22

HEX #C86EBC

RGB 200 110 188

HSL 308, 0.45%, 0.61%

LAB 59.03, 46.45, -25.73

 

CMYK 0 / 45 / 18 / 22

HEX #C86EA4

RGB 200 110 164

HSL 324, 0.45%, 0.61%

LAB 58.14, 42.5, -13.3

 

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

CMYK 0 / 45 / 42 / 22

HEX #C86E74

RGB 200 110 116

HSL 356, 0.45%, 0.61%

LAB 56.77, 36.13, 12.6

 

CMYK 0 / 36 / 45 / 22

HEX #C8806E

RGB 200 128 110

HSL 12, 0.45%, 0.61%

LAB 60.64, 25.8, 21.35

 

CMYK 0 / 62 / 41 / 35

HEX #A53E61

RGB 165 62 97

HSL 339.61, 0.45%, 0.45%

LAB 41.7, 45.67, 1.86

 

CMYK 0 / 57 / 38 / 26

HEX #BC5074

RGB 188 80 116

HSL 340, 0.45%, 0.53%

LAB 49.12, 47.03, 1.44

 

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

CMYK 0 / 34 / 22 / 17

HEX #D38CA4

RGB 211 140 164

HSL 339.72, 0.45%, 0.69%

LAB 65.97, 30.35, -1.52

 

CMYK 0 / 23 / 15 / 13

HEX #DEAABC

RGB 222 170 188

HSL 339.23, 0.44%, 0.77%

LAB 74.77, 21.79, -1.81

 

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

CMYK 0 / 6 / 45 / 22

HEX #C8BC6E

RGB 200 188 110

HSL 52, 0.45%, 0.61%

LAB 75.68, -6.59, 40.84

 

CMYK 45 / 12 / 0 / 22

HEX #6EB0C8

RGB 110 176 200

HSL 196, 0.45%, 0.61%

LAB 68.41, -14.64, -18.77

 

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

CMYK 30 / 0 / 45 / 22

HEX #8CC86E

RGB 140 200 110

HSL 100, 0.45%, 0.61%

LAB 74.83, -35.59, 38.87

 

CMYK 45 / 30 / 0 / 22

HEX #6E8CC8

RGB 110 140 200

HSL 220, 0.45%, 0.61%

LAB 58.27, 5.44, -34.39

 

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

CMYK 0 / 6 / 45 / 22

HEX #C8BC6E

RGB 200 188 110

HSL 52, 0.45%, 0.61%

LAB 75.68, -6.59, 40.84

 

CMYK 45 / 0 / 15 / 22

HEX #6EC8AA

RGB 110 200 170

HSL 160, 0.45%, 0.61%

LAB 74.52, -34.08, 6.67

 

CMYK 45 / 39 / 0 / 22

HEX #6E7AC8

RGB 110 122 200

HSL 232, 0.45%, 0.61%

LAB 53.39, 16.13, -42.04

 

CMYK 0 / 45 / 30 / 22

HEX #C86E8C

RGB 200 110 140

HSL 340, 0.45%, 0.61%

LAB 57.39, 39.05, -0.5

 

CMYK 8 / 0 / 45 / 22

HEX #B9C86E

RGB 185 200 110

HSL 70, 0.45%, 0.61%

LAB 77.73, -18.74, 43.11

 

CMYK 45 / 0 / 15 / 22

HEX #6EC8AA

RGB 110 200 170

HSL 160, 0.45%, 0.61%

LAB 74.52, -34.08, 6.67

 

CMYK 38 / 45 / 0 / 22

HEX #7D6EC8

RGB 125 110 200

HSL 250, 0.45%, 0.61%

LAB 51.48, 27.19, -45

 

Description

Color code: HEX #C86E8C | qconv.com Color code: HEX #C86E8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 110 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 110 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 30 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 30% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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