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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C879AE it is the complementary color #378651. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C879AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C879AE shade: #CD79A9, #DE8BBC, #EF9DCF, #FFAFE2 and #FFC1F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C879AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C879AE shade: #C879AE, #B7679B, #A65588, #954375 and #843162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C879AE shade: #C879AE, #C87998, #C87983 and #C87979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C879AE shade: #C879AE, #C879C3, #B779C8, #A279C8 and #8C79C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C879AE shade matches the following richer shades: #C879AE, #D769B3, #E65AB8 and #F64BBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C879AE shade: #C879AE, #B988A8, #A997A3, #9AA69E and #8BB699

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C879AE shade: #B779C8, #C879C4, #C879AF, #C8799A and #C87984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C879AE shade: #A94588, #BC5B9C, #C879AE, #D496BF and #E0B3D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C879AE shade: #C879AE, #C8A179 and #79C8C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C879AE shade: #C879AE, #AFC879 and #79AFC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C879AE shade: #C879AE, #C8A179, #79C892 and #799FC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C879AE shade: #C879AE, #C8B979, #79C892 and #7987C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 13 / 22

HEX #C879AE

RGB 200 121 174

HSL 319.75, 0.42%, 0.63%

LAB 60.79, 38.31, -15.05

 

Complementary color

CMYK 59 / 0 / 40 / 47

HEX #378651

RGB 55 134 81

HSL 139.75, 0.42%, 0.37%

LAB 50.05, -36.76, 21.47

 

CMYK 0 / 41 / 18 / 20

HEX #CD79A9

RGB 205 121 169

HSL 325.71, 0.46%, 0.64%

LAB 61.24, 39.19, -11.46

 

CMYK 0 / 37 / 15 / 13

HEX #DE8BBC

RGB 222 139 188

HSL 324.58, 0.56%, 0.71%

LAB 67.74, 38.4, -12.23

 

CMYK 0 / 34 / 13 / 6

HEX #EF9DCF

RGB 239 157 207

HSL 323.41, 0.72%, 0.78%

LAB 74.17, 37.65, -12.93

 

CMYK 0 / 31 / 11 / 0

HEX #FFAFE2

RGB 255 175 226

HSL 321.75, 1%, 0.84%

LAB 80.41, 36.61, -13.74

 

CMYK 0 / 24 / 4 / 0

HEX #FFC1F5

RGB 255 193 245

HSL 309.68, 1%, 0.88%

LAB 84.99, 30.37, -17.04

 

CMYK 0 / 40 / 13 / 22

HEX #C879AE

RGB 200 121 174

HSL 319.75, 0.42%, 0.63%

LAB 60.79, 38.31, -15.05

 

CMYK 0 / 44 / 15 / 28

HEX #B7679B

RGB 183 103 155

HSL 321, 0.36%, 0.56%

LAB 54.17, 39.09, -14.29

 

CMYK 0 / 49 / 18 / 35

HEX #A65588

RGB 166 85 136

HSL 322.22, 0.32%, 0.49%

LAB 47.47, 39.87, -13.39

 

CMYK 0 / 55 / 21 / 42

HEX #954375

RGB 149 67 117

HSL 323.41, 0.38%, 0.42%

LAB 40.72, 40.59, -12.3

 

CMYK 0 / 63 / 26 / 48

HEX #843162

RGB 132 49 98

HSL 324.58, 0.46%, 0.35%

LAB 33.95, 41.11, -10.88

 

CMYK 0 / 40 / 13 / 22

HEX #C879AE

RGB 200 121 174

HSL 319.75, 0.42%, 0.63%

LAB 60.79, 38.31, -15.05

 

CMYK 0 / 40 / 24 / 22

HEX #C87998

RGB 200 121 152

HSL 336.46, 0.42%, 0.63%

LAB 60.09, 34.88, -3.48

 

CMYK 0 / 40 / 35 / 22

HEX #C87983

RGB 200 121 131

HSL 352.41, 0.42%, 0.63%

LAB 59.52, 32.03, 7.79

 

CMYK 0 / 40 / 40 / 22

HEX #C87979

RGB 200 121 121

HSL 0, 0.42%, 0.63%

LAB 59.28, 30.82, 13.21

 

CMYK 0 / 40 / 13 / 22

HEX #C879AE

RGB 200 121 174

HSL 319.75, 0.42%, 0.63%

LAB 60.79, 38.31, -15.05

 

CMYK 0 / 40 / 3 / 22

HEX #C879C3

RGB 200 121 195

HSL 303.8, 0.42%, 0.63%

LAB 61.56, 41.95, -25.81

 

CMYK 9 / 40 / 0 / 22

HEX #B779C8

RGB 183 121 200

HSL 287.09, 0.42%, 0.63%

LAB 59.81, 37.63, -31.51

 

CMYK 19 / 40 / 0 / 22

HEX #A279C8

RGB 162 121 200

HSL 271.14, 0.42%, 0.63%

LAB 57.58, 31.25, -35.14

 

CMYK 30 / 40 / 0 / 22

HEX #8C79C8

RGB 140 121 200

HSL 254.43, 0.42%, 0.63%

LAB 55.5, 24.8, -38.55

 

CMYK 0 / 40 / 13 / 22

HEX #C879AE

RGB 200 121 174

HSL 319.75, 0.42%, 0.63%

LAB 60.79, 38.31, -15.05

 

CMYK 0 / 51 / 17 / 16

HEX #D769B3

RGB 215 105 179

HSL 319.64, 0.58%, 0.63%

LAB 59.71, 52.1, -19.36

 

CMYK 0 / 61 / 20 / 10

HEX #E65AB8

RGB 230 90 184

HSL 319.71, 0.74%, 0.63%

LAB 59.52, 64, -22.33

 

CMYK 0 / 70 / 23 / 4

HEX #F64BBD

RGB 246 75 189

HSL 320, 0.9%, 0.63%

LAB 60.16, 74.57, -24

 

CMYK 0 / 40 / 13 / 22

HEX #C879AE

RGB 200 121 174

HSL 319.75, 0.42%, 0.63%

LAB 60.79, 38.31, -15.05

 

CMYK 0 / 26 / 9 / 27

HEX #B988A8

RGB 185 136 168

HSL 320.82, 0.26%, 0.63%

LAB 62.3, 23.88, -9.54

 

CMYK 0 / 11 / 4 / 34

HEX #A997A3

RGB 169 151 163

HSL 320, 0.09%, 0.63%

LAB 64.33, 8.81, -3.85

 

CMYK 7 / 0 / 5 / 35

HEX #9AA69E

RGB 154 166 158

HSL 140, 0.06%, 0.63%

LAB 66.98, -5.79, 2.68

 

CMYK 24 / 0 / 16 / 29

HEX #8BB699

RGB 139 182 153

HSL 139.53, 0.23%, 0.63%

LAB 70.35, -20.32, 10.13

 

CMYK 9 / 40 / 0 / 22

HEX #B779C8

RGB 183 121 200

HSL 287.09, 0.42%, 0.63%

LAB 59.81, 37.63, -31.51

 

CMYK 0 / 40 / 2 / 22

HEX #C879C4

RGB 200 121 196

HSL 303.04, 0.42%, 0.63%

LAB 61.6, 42.13, -26.31

 

CMYK 0 / 40 / 13 / 22

HEX #C879AF

RGB 200 121 175

HSL 318.99, 0.42%, 0.63%

LAB 60.83, 38.47, -15.56

 

CMYK 0 / 40 / 23 / 22

HEX #C8799A

RGB 200 121 154

HSL 334.94, 0.42%, 0.63%

LAB 60.15, 35.17, -4.54

 

CMYK 0 / 40 / 34 / 22

HEX #C87984

RGB 200 121 132

HSL 351.65, 0.42%, 0.63%

LAB 59.54, 32.15, 7.25

 

CMYK 0 / 59 / 20 / 34

HEX #A94588

RGB 169 69 136

HSL 319.8, 0.42%, 0.47%

LAB 44.9, 48.79, -17.27

 

CMYK 0 / 52 / 17 / 26

HEX #BC5B9C

RGB 188 91 156

HSL 319.79, 0.42%, 0.55%

LAB 52.48, 47.07, -17.37

 

CMYK 0 / 40 / 13 / 22

HEX #C879AE

RGB 200 121 174

HSL 319.75, 0.42%, 0.63%

LAB 60.79, 38.31, -15.05

 

CMYK 0 / 29 / 10 / 17

HEX #D496BF

RGB 212 150 191

HSL 320.32, 0.42%, 0.71%

LAB 69.16, 29.6, -11.89

 

CMYK 0 / 20 / 7 / 12

HEX #E0B3D1

RGB 224 179 209

HSL 320, 0.42%, 0.79%

LAB 77.69, 21.15, -8.92

 

CMYK 0 / 40 / 13 / 22

HEX #C879AE

RGB 200 121 174

HSL 319.75, 0.42%, 0.63%

LAB 60.79, 38.31, -15.05

 

CMYK 0 / 20 / 40 / 22

HEX #C8A179

RGB 200 161 121

HSL 30.38, 0.42%, 0.63%

LAB 68.86, 8.97, 26.28

 

CMYK 40 / 0 / 4 / 22

HEX #79C8C1

RGB 121 200 193

HSL 174.68, 0.42%, 0.63%

LAB 75.59, -25.91, -4.16

 

CMYK 0 / 40 / 13 / 22

HEX #C879AE

RGB 200 121 174

HSL 319.75, 0.42%, 0.63%

LAB 60.79, 38.31, -15.05

 

CMYK 13 / 0 / 40 / 22

HEX #AFC879

RGB 175 200 121

HSL 78.99, 0.42%, 0.63%

LAB 77.16, -21.38, 36.73

 

CMYK 40 / 13 / 0 / 22

HEX #79AFC8

RGB 121 175 200

HSL 198.99, 0.42%, 0.63%

LAB 68.68, -11.3, -18.32

 

CMYK 0 / 40 / 13 / 22

HEX #C879AE

RGB 200 121 174

HSL 319.75, 0.42%, 0.63%

LAB 60.79, 38.31, -15.05

 

CMYK 0 / 20 / 40 / 22

HEX #C8A179

RGB 200 161 121

HSL 30.38, 0.42%, 0.63%

LAB 68.86, 8.97, 26.28

 

CMYK 40 / 0 / 27 / 22

HEX #79C892

RGB 121 200 146

HSL 138.99, 0.42%, 0.63%

LAB 74.48, -36, 19.55

 

CMYK 40 / 21 / 0 / 22

HEX #799FC8

RGB 121 159 200

HSL 211.14, 0.42%, 0.63%

LAB 64.19, -2.54, -25.17

 

CMYK 0 / 40 / 13 / 22

HEX #C879AE

RGB 200 121 174

HSL 319.75, 0.42%, 0.63%

LAB 60.79, 38.31, -15.05

 

CMYK 0 / 8 / 40 / 22

HEX #C8B979

RGB 200 185 121

HSL 48.61, 0.42%, 0.63%

LAB 75.05, -3.86, 34.4

 

CMYK 40 / 0 / 27 / 22

HEX #79C892

RGB 121 200 146

HSL 138.99, 0.42%, 0.63%

LAB 74.48, -36, 19.55

 

CMYK 40 / 33 / 0 / 22

HEX #7987C8

RGB 121 135 200

HSL 229.37, 0.42%, 0.63%

LAB 57.62, 11.25, -35.34

 

Description

Color code: HEX #C879AE | qconv.com Color code: HEX #C879AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 121 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 121 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 13 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 13% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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