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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C87AEA it is the complementary color #378515. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C87AEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C87AEA shade: #CD7AE5, #DE8CF8, #EF9EFF, #FFB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C87AEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C87AEA shade: #C87AEA, #B768D7, #A656C4, #9544B1 and #84329E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C87AEA shade: #C87AEA, #E67AEA, #EA7AD0, #EA7AB1 and #EA7A93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C87AEA shade: #C87AEA, #AA7AEA, #8C7AEA and #7A7AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C87AEA shade matches the following richer shades: #C87AEA and #CD6EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C87AEA shade: #C87AEA, #C387DD, #BE93D1, #B99FC5 and #B4ACB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C87AEA shade: #8B7AEA, #A97AEA, #C67AEA, #E47AEA and #EA7AD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C87AEA shade: #AB33DF, #B956E4, #C87AEA, #D79EEF and #E5C2F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C87AEA shade: #C87AEA, #EA7A87 and #7AEA9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C87AEA shade: #C87AEA, #EAC67A and #7AEAC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C87AEA shade: #C87AEA, #EA7A87, #9EEA7A and #7AEADD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C87AEA shade: #C87AEA, #EA8F7A, #9EEA7A and #7AD5EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 48 / 0 / 8

HEX #C87AEA

RGB 200 122 234

HSL 281.79, 0.73%, 0.7%

LAB 63.46, 49.02, -44.7

 

Complementary color

CMYK 59 / 0 / 84 / 48

HEX #378515

RGB 55 133 21

HSL 101.79, 0.73%, 0.3%

LAB 49.06, -43.61, 48.08

 

CMYK 10 / 47 / 0 / 10

HEX #CD7AE5

RGB 205 122 229

HSL 286.54, 0.67%, 0.69%

LAB 63.8, 49.39, -41.35

 

CMYK 10 / 44 / 0 / 3

HEX #DE8CF8

RGB 222 140 248

HSL 285.56, 0.89%, 0.76%

LAB 70.22, 48.64, -41.62

 

CMYK 6 / 38 / 0 / 0

HEX #EF9EFF

RGB 239 158 255

HSL 290.1, 1%, 0.81%

LAB 76.08, 45.57, -36.15

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 15 / 48 / 0 / 8

HEX #C87AEA

RGB 200 122 234

HSL 281.79, 0.73%, 0.7%

LAB 63.46, 49.02, -44.7

 

CMYK 15 / 52 / 0 / 16

HEX #B768D7

RGB 183 104 215

HSL 282.7, 0.58%, 0.63%

LAB 56.95, 49.79, -44.46

 

CMYK 15 / 56 / 0 / 23

HEX #A656C4

RGB 166 86 196

HSL 283.64, 0.48%, 0.55%

LAB 50.39, 50.51, -44.15

 

CMYK 16 / 62 / 0 / 31

HEX #9544B1

RGB 149 68 177

HSL 284.59, 0.44%, 0.48%

LAB 43.8, 51.09, -43.7

 

CMYK 16 / 68 / 0 / 38

HEX #84329E

RGB 132 50 158

HSL 285.56, 0.52%, 0.41%

LAB 37.22, 51.38, -43.03

 

CMYK 15 / 48 / 0 / 8

HEX #C87AEA

RGB 200 122 234

HSL 281.79, 0.73%, 0.7%

LAB 63.46, 49.02, -44.7

 

CMYK 2 / 48 / 0 / 8

HEX #E67AEA

RGB 230 122 234

HSL 297.86, 0.73%, 0.7%

LAB 67.04, 57.32, -38.83

 

CMYK 0 / 48 / 11 / 8

HEX #EA7AD0

RGB 234 122 208

HSL 313.93, 0.73%, 0.7%

LAB 66.49, 54.09, -25.18

 

CMYK 0 / 48 / 24 / 8

HEX #EA7AB1

RGB 234 122 177

HSL 330.54, 0.73%, 0.7%

LAB 65.42, 49.48, -9.35

 

CMYK 0 / 48 / 37 / 8

HEX #EA7A93

RGB 234 122 147

HSL 346.61, 0.73%, 0.7%

LAB 64.58, 45.69, 6.46

 

CMYK 15 / 48 / 0 / 8

HEX #C87AEA

RGB 200 122 234

HSL 281.79, 0.73%, 0.7%

LAB 63.46, 49.02, -44.7

 

CMYK 27 / 48 / 0 / 8

HEX #AA7AEA

RGB 170 122 234

HSL 265.71, 0.73%, 0.7%

LAB 60.25, 40.91, -49.97

 

CMYK 40 / 48 / 0 / 8

HEX #8C7AEA

RGB 140 122 234

HSL 249.64, 0.73%, 0.7%

LAB 57.5, 33.29, -54.52

 

CMYK 48 / 48 / 0 / 8

HEX #7A7AEA

RGB 122 122 234

HSL 240, 0.73%, 0.7%

LAB 56.08, 29.1, -56.86

 

CMYK 15 / 48 / 0 / 8

HEX #C87AEA

RGB 200 122 234

HSL 281.79, 0.73%, 0.7%

LAB 63.46, 49.02, -44.7

 

CMYK 17 / 55 / 0 / 4

HEX #CD6EF6

RGB 205 110 246

HSL 281.91, 0.88%, 0.7%

LAB 62.33, 58.86, -53.09

 

CMYK 15 / 48 / 0 / 8

HEX #C87AEA

RGB 200 122 234

HSL 281.79, 0.73%, 0.7%

LAB 63.46, 49.02, -44.7

 

CMYK 12 / 39 / 0 / 13

HEX #C387DD

RGB 195 135 221

HSL 281.86, 0.56%, 0.7%

LAB 65.08, 37.94, -34.98

 

CMYK 9 / 30 / 0 / 18

HEX #BE93D1

RGB 190 147 209

HSL 281.61, 0.4%, 0.7%

LAB 66.84, 27.3, -25.64

 

CMYK 6 / 19 / 0 / 23

HEX #B99FC5

RGB 185 159 197

HSL 281.05, 0.25%, 0.7%

LAB 68.85, 16.55, -15.96

 

CMYK 2 / 7 / 0 / 28

HEX #B4ACB8

RGB 180 172 184

HSL 280, 0.08%, 0.7%

LAB 71.33, 5.1, -5.12

 

CMYK 41 / 48 / 0 / 8

HEX #8B7AEA

RGB 139 122 234

HSL 249.11, 0.73%, 0.7%

LAB 57.41, 33.05, -54.66

 

CMYK 28 / 48 / 0 / 8

HEX #A97AEA

RGB 169 122 234

HSL 265.18, 0.73%, 0.7%

LAB 60.15, 40.65, -50.14

 

CMYK 15 / 48 / 0 / 8

HEX #C67AEA

RGB 198 122 234

HSL 280.71, 0.73%, 0.7%

LAB 63.23, 48.47, -45.07

 

CMYK 3 / 48 / 0 / 8

HEX #E47AEA

RGB 228 122 234

HSL 296.79, 0.73%, 0.7%

LAB 66.79, 56.77, -39.24

 

CMYK 0 / 48 / 10 / 8

HEX #EA7AD2

RGB 234 122 210

HSL 312.86, 0.73%, 0.7%

LAB 66.57, 54.41, -26.18

 

CMYK 23 / 77 / 0 / 13

HEX #AB33DF

RGB 171 51 223

HSL 281.86, 0.73%, 0.54%

LAB 47.43, 71.85, -64.32

 

CMYK 19 / 62 / 0 / 11

HEX #B956E4

RGB 185 86 228

HSL 281.83, 0.72%, 0.62%

LAB 54.63, 61.76, -55.47

 

CMYK 15 / 48 / 0 / 8

HEX #C87AEA

RGB 200 122 234

HSL 281.79, 0.73%, 0.7%

LAB 63.46, 49.02, -44.7

 

CMYK 10 / 34 / 0 / 6

HEX #D79EEF

RGB 215 158 239

HSL 282.22, 0.72%, 0.78%

LAB 72.98, 35.21, -32.48

 

CMYK 7 / 21 / 0 / 4

HEX #E5C2F5

RGB 229 194 245

HSL 281.18, 0.72%, 0.86%

LAB 82.83, 21.41, -20.54

 

CMYK 15 / 48 / 0 / 8

HEX #C87AEA

RGB 200 122 234

HSL 281.79, 0.73%, 0.7%

LAB 63.46, 49.02, -44.7

 

CMYK 0 / 48 / 42 / 8

HEX #EA7A87

RGB 234 122 135

HSL 353.04, 0.73%, 0.7%

LAB 64.29, 44.38, 12.88

 

CMYK 48 / 0 / 34 / 8

HEX #7AEA9A

RGB 122 234 154

HSL 137.14, 0.73%, 0.7%

LAB 84.65, -49.15, 29.22

 

CMYK 15 / 48 / 0 / 8

HEX #C87AEA

RGB 200 122 234

HSL 281.79, 0.73%, 0.7%

LAB 63.46, 49.02, -44.7

 

CMYK 0 / 15 / 48 / 8

HEX #EAC67A

RGB 234 198 122

HSL 40.71, 0.73%, 0.7%

LAB 81.45, 3.18, 42.65

 

CMYK 48 / 0 / 15 / 8

HEX #7AEAC6

RGB 122 234 198

HSL 160.71, 0.73%, 0.7%

LAB 85.53, -40.47, 7.65

 

CMYK 15 / 48 / 0 / 8

HEX #C87AEA

RGB 200 122 234

HSL 281.79, 0.73%, 0.7%

LAB 63.46, 49.02, -44.7

 

CMYK 0 / 48 / 42 / 8

HEX #EA7A87

RGB 234 122 135

HSL 353.04, 0.73%, 0.7%

LAB 64.29, 44.38, 12.88

 

CMYK 32 / 0 / 48 / 8

HEX #9EEA7A

RGB 158 234 122

HSL 100.71, 0.73%, 0.7%

LAB 85.77, -43.16, 46.83

 

CMYK 48 / 0 / 6 / 8

HEX #7AEADD

RGB 122 234 221

HSL 173.04, 0.73%, 0.7%

LAB 86.11, -35.15, -3.6

 

CMYK 15 / 48 / 0 / 8

HEX #C87AEA

RGB 200 122 234

HSL 281.79, 0.73%, 0.7%

LAB 63.46, 49.02, -44.7

 

CMYK 0 / 39 / 48 / 8

HEX #EA8F7A

RGB 234 143 122

HSL 11.25, 0.73%, 0.7%

LAB 68.42, 32.26, 25.82

 

CMYK 32 / 0 / 48 / 8

HEX #9EEA7A

RGB 158 234 122

HSL 100.71, 0.73%, 0.7%

LAB 85.77, -43.16, 46.83

 

CMYK 48 / 9 / 0 / 8

HEX #7AD5EA

RGB 122 213 234

HSL 191.25, 0.73%, 0.7%

LAB 80.55, -21.71, -18.77

 

Description

Color code: HEX #C87AEA | qconv.com Color code: HEX #C87AEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 122 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 122 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 48 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 48% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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