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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C887F0 it is the complementary color #37780F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C887F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C887F0 shade: #CD87EB, #DE99FE, #EFABFF, #FFBDFF and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C887F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C887F0 shade: #C887F0, #B775DD, #A663CA, #9551B7 and #843FA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C887F0 shade: #C988F0, #E488F0, #F088E0, #F088C4 and #F088A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C887F0 shade: #C988F0, #AD88F0, #9188F0 and #8888F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C887F0 shade matches the following richer shades: #C988F0 and #CB7EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C887F0 shade: #C988F0, #C693E5, #C39EDA, #C1A9D0 and #BEB3C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C887F0 shade: #9188F0, #AD88F0, #C888F0, #E488F0 and #F088E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C887F0 shade: #A73FE7, #B864EB, #C988F0, #D9ADF4 and #EAD2F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C887F0 shade: #C887F0, #F0889B and #88F09F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C887F0 shade: #C887F0, #F0C888 and #88F0C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C887F0 shade: #C887F0, #F0889B, #B0F088 and #88F0DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C887F0 shade: #C887F0, #F09588, #B0F088 and #88E4F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 44 / 0 / 6

HEX #C887F0

RGB 200 135 240

HSL 277.14, 0.78%, 0.74%

LAB 66.44, 43.4, -43.32

 

Complementary color

CMYK 54 / 0 / 88 / 53

HEX #37780F

RGB 55 120 15

HSL 97.14, 0.78%, 0.26%

LAB 44.63, -38.82, 45.74

 

CMYK 13 / 43 / 0 / 8

HEX #CD87EB

RGB 205 135 235

HSL 282, 0.71%, 0.73%

LAB 66.75, 43.78, -40.04

 

CMYK 13 / 40 / 0 / 0

HEX #DE99FE

RGB 222 153 254

HSL 280.99, 0.98%, 0.8%

LAB 73.2, 43.02, -40.23

 

CMYK 6 / 33 / 0 / 0

HEX #EFABFF

RGB 239 171 255

HSL 288.57, 1%, 0.84%

LAB 78.87, 38.74, -31.86

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 17 / 44 / 0 / 6

HEX #C887F0

RGB 200 135 240

HSL 277.14, 0.78%, 0.74%

LAB 66.44, 43.4, -43.32

 

CMYK 17 / 47 / 0 / 13

HEX #B775DD

RGB 183 117 221

HSL 278.08, 0.6%, 0.66%

LAB 59.9, 44.21, -43.19

 

CMYK 18 / 51 / 0 / 21

HEX #A663CA

RGB 166 99 202

HSL 279.03, 0.49%, 0.59%

LAB 53.27, 45.03, -43.03

 

CMYK 19 / 56 / 0 / 28

HEX #9551B7

RGB 149 81 183

HSL 280, 0.41%, 0.52%

LAB 46.57, 45.82, -42.81

 

CMYK 20 / 62 / 0 / 36

HEX #843FA4

RGB 132 63 164

HSL 280.99, 0.44%, 0.45%

LAB 39.82, 46.51, -42.47

 

CMYK 16 / 43 / 0 / 6

HEX #C988F0

RGB 201 136 240

HSL 277.5, 0.78%, 0.74%

LAB 66.76, 43.15, -42.81

 

CMYK 5 / 43 / 0 / 6

HEX #E488F0

RGB 228 136 240

HSL 293.08, 0.78%, 0.74%

LAB 69.75, 50.87, -37.93

 

CMYK 0 / 43 / 7 / 6

HEX #F088E0

RGB 240 136 224

HSL 309.23, 0.78%, 0.74%

LAB 70.54, 51.57, -27.8

 

CMYK 0 / 43 / 18 / 6

HEX #F088C4

RGB 240 136 196

HSL 325.38, 0.78%, 0.74%

LAB 69.55, 47.14, -13.76

 

CMYK 0 / 43 / 30 / 6

HEX #F088A8

RGB 240 136 168

HSL 341.54, 0.78%, 0.74%

LAB 68.72, 43.25, 0.68

 

CMYK 16 / 43 / 0 / 6

HEX #C988F0

RGB 201 136 240

HSL 277.5, 0.78%, 0.74%

LAB 66.76, 43.15, -42.81

 

CMYK 28 / 43 / 0 / 6

HEX #AD88F0

RGB 173 136 240

HSL 261.35, 0.78%, 0.74%

LAB 63.99, 35.36, -47.37

 

CMYK 40 / 43 / 0 / 6

HEX #9188F0

RGB 145 136 240

HSL 245.19, 0.78%, 0.74%

LAB 61.58, 28.05, -51.33

 

CMYK 43 / 43 / 0 / 6

HEX #8888F0

RGB 136 136 240

HSL 240, 0.78%, 0.74%

LAB 60.9, 25.84, -52.46

 

CMYK 16 / 43 / 0 / 6

HEX #C988F0

RGB 201 136 240

HSL 277.5, 0.78%, 0.74%

LAB 66.76, 43.15, -42.81

 

CMYK 19 / 50 / 0 / 2

HEX #CB7EFB

RGB 203 126 251

HSL 276.96, 0.94%, 0.74%

LAB 65.42, 51.32, -50.95

 

CMYK 16 / 43 / 0 / 6

HEX #C988F0

RGB 201 136 240

HSL 277.5, 0.78%, 0.74%

LAB 66.76, 43.15, -42.81

 

CMYK 14 / 36 / 0 / 10

HEX #C693E5

RGB 198 147 229

HSL 277.32, 0.61%, 0.74%

LAB 68.41, 33.96, -34.21

 

CMYK 11 / 28 / 0 / 15

HEX #C39EDA

RGB 195 158 218

HSL 277, 0.45%, 0.74%

LAB 70.26, 24.67, -25.33

 

CMYK 7 / 19 / 0 / 18

HEX #C1A9D0

RGB 193 169 208

HSL 276.92, 0.29%, 0.74%

LAB 72.41, 15.9, -16.59

 

CMYK 4 / 9 / 0 / 23

HEX #BEB3C5

RGB 190 179 197

HSL 276.67, 0.13%, 0.74%

LAB 74.33, 7.25, -7.71

 

CMYK 40 / 43 / 0 / 6

HEX #9188F0

RGB 145 136 240

HSL 245.19, 0.78%, 0.74%

LAB 61.58, 28.05, -51.33

 

CMYK 28 / 43 / 0 / 6

HEX #AD88F0

RGB 173 136 240

HSL 261.35, 0.78%, 0.74%

LAB 63.99, 35.36, -47.37

 

CMYK 17 / 43 / 0 / 6

HEX #C888F0

RGB 200 136 240

HSL 276.92, 0.78%, 0.74%

LAB 66.66, 42.86, -42.99

 

CMYK 5 / 43 / 0 / 6

HEX #E488F0

RGB 228 136 240

HSL 293.08, 0.78%, 0.74%

LAB 69.75, 50.87, -37.93

 

CMYK 0 / 43 / 7 / 6

HEX #F088E0

RGB 240 136 224

HSL 309.23, 0.78%, 0.74%

LAB 70.54, 51.57, -27.8

 

CMYK 28 / 73 / 0 / 9

HEX #A73FE7

RGB 167 63 231

HSL 277.14, 0.78%, 0.58%

LAB 48.93, 68.45, -66.46

 

CMYK 22 / 57 / 0 / 8

HEX #B864EB

RGB 184 100 235

HSL 277.33, 0.77%, 0.66%

LAB 57.37, 56.31, -55.03

 

CMYK 16 / 43 / 0 / 6

HEX #C988F0

RGB 201 136 240

HSL 277.5, 0.78%, 0.74%

LAB 66.76, 43.15, -42.81

 

CMYK 11 / 29 / 0 / 4

HEX #D9ADF4

RGB 217 173 244

HSL 277.18, 0.76%, 0.82%

LAB 76.78, 28.73, -29.32

 

CMYK 6 / 16 / 0 / 2

HEX #EAD2F9

RGB 234 210 249

HSL 276.92, 0.76%, 0.9%

LAB 87.2, 15.29, -16.02

 

CMYK 17 / 44 / 0 / 6

HEX #C887F0

RGB 200 135 240

HSL 277.14, 0.78%, 0.74%

LAB 66.44, 43.4, -43.32

 

CMYK 0 / 43 / 35 / 6

HEX #F0889B

RGB 240 136 155

HSL 349.04, 0.78%, 0.74%

LAB 68.39, 41.64, 7.49

 

CMYK 43 / 0 / 34 / 6

HEX #88F09F

RGB 136 240 159

HSL 133.27, 0.78%, 0.74%

LAB 87.03, -47.09, 29.97

 

CMYK 17 / 44 / 0 / 6

HEX #C887F0

RGB 200 135 240

HSL 277.14, 0.78%, 0.74%

LAB 66.44, 43.4, -43.32

 

CMYK 0 / 17 / 43 / 6

HEX #F0C888

RGB 240 200 136

HSL 36.92, 0.78%, 0.74%

LAB 82.71, 5.91, 37.26

 

CMYK 43 / 0 / 17 / 6

HEX #88F0C8

RGB 136 240 200

HSL 156.92, 0.78%, 0.74%

LAB 87.84, -39.32, 9.97

 

CMYK 17 / 44 / 0 / 6

HEX #C887F0

RGB 200 135 240

HSL 277.14, 0.78%, 0.74%

LAB 66.44, 43.4, -43.32

 

CMYK 0 / 43 / 35 / 6

HEX #F0889B

RGB 240 136 155

HSL 349.04, 0.78%, 0.74%

LAB 68.39, 41.64, 7.49

 

CMYK 27 / 0 / 43 / 6

HEX #B0F088

RGB 176 240 136

HSL 96.92, 0.78%, 0.74%

LAB 88.6, -38.02, 43.84

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 17 / 44 / 0 / 6

HEX #C887F0

RGB 200 135 240

HSL 277.14, 0.78%, 0.74%

LAB 66.44, 43.4, -43.32

 

CMYK 0 / 38 / 43 / 6

HEX #F09588

RGB 240 149 136

HSL 7.5, 0.78%, 0.74%

LAB 70.73, 32.79, 21.35

 

CMYK 27 / 0 / 43 / 6

HEX #B0F088

RGB 176 240 136

HSL 96.92, 0.78%, 0.74%

LAB 88.6, -38.02, 43.84

 

CMYK 43 / 5 / 0 / 6

HEX #88E4F0

RGB 136 228 240

HSL 186.92, 0.78%, 0.74%

LAB 85.51, -24.39, -14.43

 

Description

Color code: HEX #C887F0 | qconv.com Color code: HEX #C887F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 135 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 135 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 44 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 44% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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