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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C88056 it is the complementary color #377FA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C88056. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C88056 shade: #CD8051, #DE9264, #EFA477, #FFB68A and #FFC89D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C88056. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C88056 shade: #C88056, #B76E43, #A65C30, #954A1D and #84380A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C88056 shade: #C87F55, #C86055 and #C85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C88056 shade: #C87F55, #C89E55, #C8BD55, #B3C855 and #94C855

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C88056 shade matches the following richer shades: #C87F55, #DA7A43, #EC7631 and #FE711F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C88056 shade: #C87F55, #B58467, #A38979, #918E8C and #7F929E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C88056 shade: #C85568, #C86155, #C87F55, #C89E55 and #C8BC55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C88056 shade: #995731, #B8693B, #C87F55, #D29774 and #DCAE93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C88056 shade: #C88056, #87C855 and #5559C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C88056 shade: #C88056, #55C87F and #7F55C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C88056 shade: #C88056, #87C855, #559EC8 and #9655C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C88056 shade: #C88056, #64C855, #559EC8 and #B855C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 57 / 22

HEX #C88056

RGB 200 128 86

HSL 22.11, 0.51%, 0.56%

LAB 60.24, 23.58, 34.16

 

Complementary color

CMYK 67 / 25 / 0 / 34

HEX #377FA9

RGB 55 127 169

HSL 202.11, 0.51%, 0.44%

LAB 50.52, -8.77, -28.93

 

CMYK 0 / 38 / 60 / 20

HEX #CD8051

RGB 205 128 81

HSL 22.74, 0.55%, 0.56%

LAB 60.79, 25.26, 37.66

 

CMYK 0 / 34 / 55 / 13

HEX #DE9264

RGB 222 146 100

HSL 22.62, 0.65%, 0.63%

LAB 67.28, 23.98, 36

 

CMYK 0 / 31 / 50 / 6

HEX #EFA477

RGB 239 164 119

HSL 22.5, 0.79%, 0.7%

LAB 73.7, 22.84, 34.47

 

CMYK 0 / 29 / 46 / 0

HEX #FFB68A

RGB 255 182 138

HSL 22.56, 1%, 0.77%

LAB 79.93, 21.45, 32.89

 

CMYK 0 / 22 / 38 / 0

HEX #FFC89D

RGB 255 200 157

HSL 26.33, 1%, 0.81%

LAB 84.49, 14.02, 28.99

 

CMYK 0 / 36 / 57 / 22

HEX #C88056

RGB 200 128 86

HSL 22.11, 0.51%, 0.56%

LAB 60.24, 23.58, 34.16

 

CMYK 0 / 40 / 63 / 28

HEX #B76E43

RGB 183 110 67

HSL 22.24, 0.46%, 0.49%

LAB 53.63, 24.95, 35.9

 

CMYK 0 / 45 / 71 / 35

HEX #A65C30

RGB 166 92 48

HSL 22.37, 0.55%, 0.42%

LAB 46.94, 26.52, 37.76

 

CMYK 0 / 50 / 81 / 42

HEX #954A1D

RGB 149 74 29

HSL 22.5, 0.67%, 0.35%

LAB 40.21, 28.32, 39.58

 

CMYK 0 / 58 / 92 / 48

HEX #84380A

RGB 132 56 10

HSL 22.62, 0.86%, 0.28%

LAB 33.47, 30.32, 40.72

 

CMYK 0 / 37 / 58 / 22

HEX #C87F55

RGB 200 127 85

HSL 21.91, 0.51%, 0.56%

LAB 59.99, 24.04, 34.39

 

CMYK 0 / 52 / 58 / 22

HEX #C86055

RGB 200 96 85

HSL 5.74, 0.51%, 0.56%

LAB 53.28, 40.46, 25.89

 

CMYK 0 / 58 / 58 / 22

HEX #C85555

RGB 200 85 85

HSL 0, 0.51%, 0.56%

LAB 51.19, 45.86, 23.17

 

CMYK 0 / 37 / 58 / 22

HEX #C87F55

RGB 200 127 85

HSL 21.91, 0.51%, 0.56%

LAB 59.99, 24.04, 34.39

 

CMYK 0 / 21 / 58 / 22

HEX #C89E55

RGB 200 158 85

HSL 38.09, 0.51%, 0.56%

LAB 67.57, 7.12, 43.56

 

CMYK 0 / 5 / 58 / 22

HEX #C8BD55

RGB 200 189 85

HSL 54.26, 0.51%, 0.56%

LAB 75.66, -9.29, 52.9

 

CMYK 11 / 0 / 58 / 22

HEX #B3C855

RGB 179 200 85

HSL 70.96, 0.51%, 0.56%

LAB 77.01, -23.47, 53.97

 

CMYK 26 / 0 / 58 / 22

HEX #94C855

RGB 148 200 85

HSL 87.13, 0.51%, 0.56%

LAB 74.99, -35.5, 51.14

 

CMYK 0 / 37 / 58 / 22

HEX #C87F55

RGB 200 127 85

HSL 21.91, 0.51%, 0.56%

LAB 59.99, 24.04, 34.39

 

CMYK 0 / 44 / 69 / 15

HEX #DA7A43

RGB 218 122 67

HSL 21.85, 0.67%, 0.56%

LAB 60.98, 32.88, 45.58

 

CMYK 0 / 50 / 79 / 7

HEX #EC7631

RGB 236 118 49

HSL 22.14, 0.83%, 0.56%

LAB 62.52, 41.26, 56.42

 

CMYK 0 / 56 / 88 / 0

HEX #FE711F

RGB 254 113 31

HSL 22.06, 0.99%, 0.56%

LAB 64.14, 50.01, 65.69

 

CMYK 0 / 37 / 58 / 22

HEX #C87F55

RGB 200 127 85

HSL 21.91, 0.51%, 0.56%

LAB 59.99, 24.04, 34.39

 

CMYK 0 / 27 / 43 / 29

HEX #B58467

RGB 181 132 103

HSL 22.31, 0.35%, 0.56%

LAB 59.26, 15.13, 23.05

 

CMYK 0 / 16 / 26 / 36

HEX #A38979

RGB 163 137 121

HSL 22.86, 0.19%, 0.56%

LAB 59.03, 7.31, 12.24

 

CMYK 0 / 2 / 3 / 43

HEX #918E8C

RGB 145 142 140

HSL 24, 0.02%, 0.56%

LAB 59.21, 0.73, 1.45

 

CMYK 20 / 8 / 0 / 38

HEX #7F929E

RGB 127 146 158

HSL 203.23, 0.14%, 0.56%

LAB 59.47, -4.08, -8.6

 

CMYK 0 / 58 / 48 / 22

HEX #C85568

RGB 200 85 104

HSL 350.09, 0.51%, 0.56%

LAB 51.58, 47.48, 12.42

 

CMYK 0 / 52 / 58 / 22

HEX #C86155

RGB 200 97 85

HSL 6.26, 0.51%, 0.56%

LAB 53.48, 39.96, 26.15

 

CMYK 0 / 37 / 58 / 22

HEX #C87F55

RGB 200 127 85

HSL 21.91, 0.51%, 0.56%

LAB 59.99, 24.04, 34.39

 

CMYK 0 / 21 / 58 / 22

HEX #C89E55

RGB 200 158 85

HSL 38.09, 0.51%, 0.56%

LAB 67.57, 7.12, 43.56

 

CMYK 0 / 6 / 58 / 22

HEX #C8BC55

RGB 200 188 85

HSL 53.74, 0.51%, 0.56%

LAB 75.39, -8.77, 52.6

 

CMYK 0 / 43 / 68 / 40

HEX #995731

RGB 153 87 49

HSL 21.92, 0.51%, 0.4%

LAB 43.96, 23.81, 33.37

 

CMYK 0 / 43 / 68 / 28

HEX #B8693B

RGB 184 105 59

HSL 22.08, 0.51%, 0.48%

LAB 52.52, 27.59, 38.92

 

CMYK 0 / 37 / 58 / 22

HEX #C87F55

RGB 200 127 85

HSL 21.91, 0.51%, 0.56%

LAB 59.99, 24.04, 34.39

 

CMYK 0 / 28 / 45 / 18

HEX #D29774

RGB 210 151 116

HSL 22.34, 0.51%, 0.64%

LAB 67.35, 17.91, 27.18

 

CMYK 0 / 21 / 33 / 14

HEX #DCAE93

RGB 220 174 147

HSL 22.19, 0.51%, 0.72%

LAB 74.57, 13.02, 20.25

 

CMYK 0 / 36 / 57 / 22

HEX #C88056

RGB 200 128 86

HSL 22.11, 0.51%, 0.56%

LAB 60.24, 23.58, 34.16

 

CMYK 33 / 0 / 58 / 22

HEX #87C855

RGB 135 200 85

HSL 93.91, 0.51%, 0.56%

LAB 74.26, -40.2, 50.12

 

CMYK 58 / 56 / 0 / 22

HEX #5559C8

RGB 85 89 200

HSL 237.91, 0.51%, 0.56%

LAB 43.13, 30.89, -58.54

 

CMYK 0 / 36 / 57 / 22

HEX #C88056

RGB 200 128 86

HSL 22.11, 0.51%, 0.56%

LAB 60.24, 23.58, 34.16

 

CMYK 58 / 0 / 37 / 22

HEX #55C87F

RGB 85 200 127

HSL 141.91, 0.51%, 0.56%

LAB 72.74, -48.9, 26.99

 

CMYK 37 / 58 / 0 / 22

HEX #7F55C8

RGB 127 85 200

HSL 261.91, 0.51%, 0.56%

LAB 45.88, 42.25, -53.93

 

CMYK 0 / 36 / 57 / 22

HEX #C88056

RGB 200 128 86

HSL 22.11, 0.51%, 0.56%

LAB 60.24, 23.58, 34.16

 

CMYK 33 / 0 / 58 / 22

HEX #87C855

RGB 135 200 85

HSL 93.91, 0.51%, 0.56%

LAB 74.26, -40.2, 50.12

 

CMYK 58 / 21 / 0 / 22

HEX #559EC8

RGB 85 158 200

HSL 201.91, 0.51%, 0.56%

LAB 62.13, -10.54, -28.48

 

CMYK 25 / 58 / 0 / 22

HEX #9655C8

RGB 150 85 200

HSL 273.91, 0.51%, 0.56%

LAB 48.45, 47.82, -49.66

 

CMYK 0 / 36 / 57 / 22

HEX #C88056

RGB 200 128 86

HSL 22.11, 0.51%, 0.56%

LAB 60.24, 23.58, 34.16

 

CMYK 50 / 0 / 58 / 22

HEX #64C855

RGB 100 200 85

HSL 112.17, 0.51%, 0.56%

LAB 72.68, -51.33, 47.87

 

CMYK 58 / 21 / 0 / 22

HEX #559EC8

RGB 85 158 200

HSL 201.91, 0.51%, 0.56%

LAB 62.13, -10.54, -28.48

 

CMYK 8 / 58 / 0 / 22

HEX #B855C8

RGB 184 85 200

HSL 291.65, 0.51%, 0.56%

LAB 52.79, 56.46, -42.49

 

Description

Color code: HEX #C88056 | qconv.com Color code: HEX #C88056 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 128 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 128 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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