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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C88224 it is the complementary color #377DDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C88224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C88224 shade: #CD821F, #DE9432, #EFA645, #FFB858 and #FFCA6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C88224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C88224 shade: #C88224, #B77011, #A65E00, #954C00 and #843A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C88224 shade: #C68124, #C65524, #C62924 and #C62424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C88224 shade: #C68124, #C6AC24, #B4C624, #88C624 and #5CC624

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C88224 shade matches the following richer shades: #C68124 and #D98311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C88224 shade: #C68124, #B37E37, #A07B4A, #8D785D and #7A7670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C88224 shade: #C62924, #C65424, #C68024, #C6AB24 and #B6C624

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C88224 shade: #805317, #A36A1D, #C68124, #DA9539 and #E1A85C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C88224 shade: #C88224, #4AC624 and #3F24C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C88224 shade: #C88224, #24C680 and #8024C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C88224 shade: #C88224, #4AC624, #246AC6 and #A024C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C88224 shade: #C88224, #24C62F, #246AC6 and #C624BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 82 / 22

HEX #C88224

RGB 200 130 36

HSL 34.39, 0.69%, 0.46%

LAB 60.22, 19.72, 57.7

 

Complementary color

CMYK 75 / 43 / 0 / 14

HEX #377DDB

RGB 55 125 219

HSL 214.39, 0.69%, 0.54%

LAB 52.5, 10.3, -54.38

 

CMYK 0 / 37 / 85 / 20

HEX #CD821F

RGB 205 130 31

HSL 34.14, 0.74%, 0.46%

LAB 60.82, 21.74, 60.16

 

CMYK 0 / 33 / 77 / 13

HEX #DE9432

RGB 222 148 50

HSL 34.19, 0.72%, 0.53%

LAB 67.23, 19.92, 59.84

 

CMYK 0 / 31 / 71 / 6

HEX #EFA645

RGB 239 166 69

HSL 34.24, 0.84%, 0.6%

LAB 73.58, 18.33, 58.91

 

CMYK 0 / 28 / 65 / 0

HEX #FFB858

RGB 255 184 88

HSL 34.49, 1%, 0.67%

LAB 79.75, 16.53, 57.57

 

CMYK 0 / 21 / 58 / 0

HEX #FFCA6B

RGB 255 202 107

HSL 38.51, 1%, 0.71%

LAB 84.26, 8.4, 53.84

 

CMYK 0 / 35 / 82 / 22

HEX #C88224

RGB 200 130 36

HSL 34.39, 0.69%, 0.46%

LAB 60.22, 19.72, 57.7

 

CMYK 0 / 39 / 91 / 28

HEX #B77011

RGB 183 112 17

HSL 34.34, 0.83%, 0.39%

LAB 53.7, 21.72, 57.33

 

CMYK 0 / 43 / 100 / 35

HEX #A65E00

RGB 166 94 0

HSL 33.98, 1%, 0.33%

LAB 47.12, 23.97, 55.45

 

CMYK 0 / 49 / 100 / 42

HEX #954C00

RGB 149 76 0

HSL 30.6, 1%, 0.29%

LAB 40.51, 26.52, 50.11

 

CMYK 0 / 56 / 100 / 48

HEX #843A00

RGB 132 58 0

HSL 26.36, 1%, 0.26%

LAB 33.84, 29.05, 44.76

 

CMYK 0 / 35 / 82 / 22

HEX #C68124

RGB 198 129 36

HSL 34.44, 0.69%, 0.46%

LAB 59.74, 19.4, 57.18

 

CMYK 0 / 57 / 82 / 22

HEX #C65524

RGB 198 85 36

HSL 18.15, 0.69%, 0.46%

LAB 50.25, 42.53, 48.59

 

CMYK 0 / 79 / 82 / 22

HEX #C62924

RGB 198 41 36

HSL 1.85, 0.69%, 0.46%

LAB 43.83, 59.9, 42.54

 

CMYK 0 / 82 / 82 / 22

HEX #C62424

RGB 198 36 36

HSL 0, 0.69%, 0.46%

LAB 43.35, 61.24, 42.08

 

CMYK 0 / 35 / 82 / 22

HEX #C68124

RGB 198 129 36

HSL 34.44, 0.69%, 0.46%

LAB 59.74, 19.4, 57.18

 

CMYK 0 / 13 / 82 / 22

HEX #C6AC24

RGB 198 172 36

HSL 50.37, 0.69%, 0.46%

LAB 70.62, -3.86, 66.7

 

CMYK 9 / 0 / 82 / 22

HEX #B4C624

RGB 180 198 36

HSL 66.67, 0.69%, 0.46%

LAB 76.2, -24.82, 70.93

 

CMYK 31 / 0 / 82 / 22

HEX #88C624

RGB 136 198 36

HSL 82.96, 0.69%, 0.46%

LAB 73.38, -42.34, 67.37

 

CMYK 54 / 0 / 82 / 22

HEX #5CC624

RGB 92 198 36

HSL 99.26, 0.69%, 0.46%

LAB 71.41, -56.74, 64.85

 

CMYK 0 / 35 / 82 / 22

HEX #C68124

RGB 198 129 36

HSL 34.44, 0.69%, 0.46%

LAB 59.74, 19.4, 57.18

 

CMYK 0 / 40 / 92 / 15

HEX #D98311

RGB 217 131 17

HSL 34.2, 0.85%, 0.46%

LAB 62.53, 26.05, 65.85

 

CMYK 0 / 35 / 82 / 22

HEX #C68124

RGB 198 129 36

HSL 34.44, 0.69%, 0.46%

LAB 59.74, 19.4, 57.18

 

CMYK 0 / 30 / 69 / 30

HEX #B37E37

RGB 179 126 55

HSL 34.35, 0.53%, 0.46%

LAB 56.86, 13.57, 45.55

 

CMYK 0 / 23 / 54 / 37

HEX #A07B4A

RGB 160 123 74

HSL 34.19, 0.37%, 0.46%

LAB 54.17, 8.29, 32.13

 

CMYK 0 / 15 / 34 / 45

HEX #8D785D

RGB 141 120 93

HSL 33.75, 0.21%, 0.46%

LAB 51.71, 3.94, 17.86

 

CMYK 0 / 3 / 8 / 52

HEX #7A7670

RGB 122 118 112

HSL 36, 0.04%, 0.46%

LAB 49.82, 0.38, 3.84

 

CMYK 0 / 79 / 82 / 22

HEX #C62924

RGB 198 41 36

HSL 1.85, 0.69%, 0.46%

LAB 43.83, 59.9, 42.54

 

CMYK 0 / 58 / 82 / 22

HEX #C65424

RGB 198 84 36

HSL 17.78, 0.69%, 0.46%

LAB 50.07, 43.01, 48.41

 

CMYK 0 / 35 / 82 / 22

HEX #C68024

RGB 198 128 36

HSL 34.07, 0.69%, 0.46%

LAB 59.5, 19.95, 56.96

 

CMYK 0 / 14 / 82 / 22

HEX #C6AB24

RGB 198 171 36

HSL 50, 0.69%, 0.46%

LAB 70.36, -3.34, 66.47

 

CMYK 8 / 0 / 82 / 22

HEX #B6C624

RGB 182 198 36

HSL 65.93, 0.69%, 0.46%

LAB 76.35, -23.98, 71.11

 

CMYK 0 / 35 / 82 / 50

HEX #805317

RGB 128 83 23

HSL 34.29, 0.7%, 0.3%

LAB 39.31, 13.49, 40.37

 

CMYK 0 / 35 / 82 / 36

HEX #A36A1D

RGB 163 106 29

HSL 34.48, 0.7%, 0.38%

LAB 49.72, 16.49, 49.16

 

CMYK 0 / 35 / 82 / 22

HEX #C68124

RGB 198 129 36

HSL 34.44, 0.69%, 0.46%

LAB 59.74, 19.4, 57.18

 

CMYK 0 / 32 / 74 / 15

HEX #DA9539

RGB 218 149 57

HSL 34.29, 0.69%, 0.54%

LAB 67.05, 17.97, 56.63

 

CMYK 0 / 25 / 59 / 12

HEX #E1A85C

RGB 225 168 92

HSL 34.29, 0.69%, 0.62%

LAB 72.75, 12.8, 46.84

 

CMYK 0 / 35 / 82 / 22

HEX #C88224

RGB 200 130 36

HSL 34.39, 0.69%, 0.46%

LAB 60.22, 19.72, 57.7

 

CMYK 63 / 0 / 82 / 22

HEX #4AC624

RGB 74 198 36

HSL 105.93, 0.69%, 0.46%

LAB 70.85, -61.27, 64.13

 

CMYK 68 / 82 / 0 / 22

HEX #3F24C6

RGB 63 36 198

HSL 250, 0.69%, 0.46%

LAB 30.39, 56.82, -78.31

 

CMYK 0 / 35 / 82 / 22

HEX #C88224

RGB 200 130 36

HSL 34.39, 0.69%, 0.46%

LAB 60.22, 19.72, 57.7

 

CMYK 82 / 0 / 35 / 22

HEX #24C680

RGB 36 198 128

HSL 154.07, 0.69%, 0.46%

LAB 71.09, -55.82, 24.07

 

CMYK 35 / 82 / 0 / 22

HEX #8024C6

RGB 128 36 198

HSL 274.07, 0.69%, 0.46%

LAB 37.71, 64.51, -66

 

CMYK 0 / 35 / 82 / 22

HEX #C88224

RGB 200 130 36

HSL 34.39, 0.69%, 0.46%

LAB 60.22, 19.72, 57.7

 

CMYK 63 / 0 / 82 / 22

HEX #4AC624

RGB 74 198 36

HSL 105.93, 0.69%, 0.46%

LAB 70.85, -61.27, 64.13

 

CMYK 82 / 46 / 0 / 22

HEX #246AC6

RGB 36 106 198

HSL 214.07, 0.69%, 0.46%

LAB 45.3, 12.26, -54

 

CMYK 19 / 82 / 0 / 22

HEX #A024C6

RGB 160 36 198

HSL 285.93, 0.69%, 0.46%

LAB 42.48, 69.66, -58.03

 

CMYK 0 / 35 / 82 / 22

HEX #C88224

RGB 200 130 36

HSL 34.39, 0.69%, 0.46%

LAB 60.22, 19.72, 57.7

 

CMYK 82 / 0 / 76 / 22

HEX #24C62F

RGB 36 198 47

HSL 124.07, 0.69%, 0.46%

LAB 70.15, -67.01, 59.94

 

CMYK 82 / 46 / 0 / 22

HEX #246AC6

RGB 36 106 198

HSL 214.07, 0.69%, 0.46%

LAB 45.3, 12.26, -54

 

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

Description

Color code: HEX #C88224 | qconv.com Color code: HEX #C88224 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 130 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 130 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 82 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 82% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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