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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C88346 it is the complementary color #377CB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C88346. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C88346 shade: #CD8341, #DE9554, #EFA767, #FFB97A and #FFCB8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C88346. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C88346 shade: #C88346, #B77133, #A65F20, #954D0D and #843B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C88346 shade: #C78346, #C76046 and #C74646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C88346 shade: #C78346, #C7A646, #C6C746, #A3C746 and #80C746

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C88346 shade matches the following richer shades: #C78346, #DB8133 and #EE801F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C88346 shade: #C78346, #B48459, #A1856D, #8D8680 and #7A8793

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C88346 shade: #C7464F, #C76046, #C78246, #C7A546 and #C7C746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C88346 shade: #905A2B, #B06E34, #C78346, #D19866 and #DAAD85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C88346 shade: #C88346, #71C746 and #4F46C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C88346 shade: #C88346, #46C782 and #8246C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C88346 shade: #C88346, #71C746, #468BC7 and #9C46C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C88346 shade: #C88346, #4AC746, #468BC7 and #C346C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 65 / 22

HEX #C88346

RGB 200 131 70

HSL 28.15, 0.54%, 0.53%

LAB 60.74, 20.79, 43.17

 

Complementary color

CMYK 70 / 33 / 0 / 27

HEX #377CB9

RGB 55 124 185

HSL 208.15, 0.54%, 0.47%

LAB 50.37, -1.41, -38.4

 

CMYK 0 / 36 / 68 / 20

HEX #CD8341

RGB 205 131 65

HSL 28.29, 0.58%, 0.53%

LAB 61.3, 22.6, 46.46

 

CMYK 0 / 33 / 62 / 13

HEX #DE9554

RGB 222 149 84

HSL 28.26, 0.68%, 0.6%

LAB 67.77, 21.17, 44.91

 

CMYK 0 / 30 / 57 / 6

HEX #EFA767

RGB 239 167 103

HSL 28.24, 0.81%, 0.67%

LAB 74.17, 19.92, 43.38

 

CMYK 0 / 27 / 52 / 0

HEX #FFB97A

RGB 255 185 122

HSL 28.42, 1%, 0.74%

LAB 80.38, 18.42, 41.76

 

CMYK 0 / 20 / 45 / 0

HEX #FFCB8D

RGB 255 203 141

HSL 32.63, 1%, 0.78%

LAB 84.94, 10.78, 37.87

 

CMYK 0 / 35 / 65 / 22

HEX #C88346

RGB 200 131 70

HSL 28.15, 0.54%, 0.53%

LAB 60.74, 20.79, 43.17

 

CMYK 0 / 38 / 72 / 28

HEX #B77133

RGB 183 113 51

HSL 28.18, 0.56%, 0.46%

LAB 54.15, 22.33, 44.72

 

CMYK 0 / 43 / 81 / 35

HEX #A65F20

RGB 166 95 32

HSL 28.21, 0.68%, 0.39%

LAB 47.49, 24.12, 46.04

 

CMYK 0 / 48 / 91 / 42

HEX #954D0D

RGB 149 77 13

HSL 28.24, 0.84%, 0.32%

LAB 40.78, 26.19, 46.5

 

CMYK 0 / 55 / 100 / 48

HEX #843B00

RGB 132 59 0

HSL 26.82, 1%, 0.26%

LAB 34.05, 28.51, 44.88

 

CMYK 0 / 34 / 65 / 22

HEX #C78346

RGB 199 131 70

HSL 28.37, 0.54%, 0.53%

LAB 60.62, 20.36, 43

 

CMYK 0 / 52 / 65 / 22

HEX #C76046

RGB 199 96 70

HSL 12.09, 0.54%, 0.53%

LAB 52.89, 39.03, 33.92

 

CMYK 0 / 65 / 65 / 22

HEX #C74646

RGB 199 70 70

HSL 0, 0.54%, 0.53%

LAB 48.22, 51.28, 28.18

 

CMYK 0 / 34 / 65 / 22

HEX #C78346

RGB 199 131 70

HSL 28.37, 0.54%, 0.53%

LAB 60.62, 20.36, 43

 

CMYK 0 / 17 / 65 / 22

HEX #C7A646

RGB 199 166 70

HSL 44.65, 0.54%, 0.53%

LAB 69.37, 1.33, 52.73

 

CMYK 1 / 0 / 65 / 22

HEX #C6C746

RGB 198 199 70

HSL 60.47, 0.54%, 0.53%

LAB 78.05, -16.21, 61.89

 

CMYK 18 / 0 / 65 / 22

HEX #A3C746

RGB 163 199 70

HSL 76.74, 0.54%, 0.53%

LAB 75.5, -30.52, 58.43

 

CMYK 36 / 0 / 65 / 22

HEX #80C746

RGB 128 199 70

HSL 93.02, 0.54%, 0.53%

LAB 73.47, -43.58, 55.65

 

CMYK 0 / 34 / 65 / 22

HEX #C78346

RGB 199 131 70

HSL 28.37, 0.54%, 0.53%

LAB 60.62, 20.36, 43

 

CMYK 0 / 41 / 77 / 14

HEX #DB8133

RGB 219 129 51

HSL 27.86, 0.7%, 0.53%

LAB 62.51, 28.85, 54.74

 

CMYK 0 / 46 / 87 / 7

HEX #EE801F

RGB 238 128 31

HSL 28.12, 0.86%, 0.53%

LAB 64.74, 36.51, 65.15

 

CMYK 0 / 34 / 65 / 22

HEX #C78346

RGB 199 131 70

HSL 28.37, 0.54%, 0.53%

LAB 60.62, 20.36, 43

 

CMYK 0 / 27 / 51 / 29

HEX #B48459

RGB 180 132 89

HSL 28.35, 0.38%, 0.53%

LAB 58.91, 13.26, 30.35

 

CMYK 0 / 17 / 32 / 37

HEX #A1856D

RGB 161 133 109

HSL 27.69, 0.22%, 0.53%

LAB 57.52, 7.05, 16.95

 

CMYK 0 / 5 / 9 / 45

HEX #8D8680

RGB 141 134 128

HSL 27.69, 0.05%, 0.53%

LAB 56.36, 1.51, 4.16

 

CMYK 17 / 8 / 0 / 42

HEX #7A8793

RGB 122 135 147

HSL 208.8, 0.1%, 0.53%

LAB 55.66, -2.07, -8.02

 

CMYK 0 / 65 / 60 / 22

HEX #C7464F

RGB 199 70 79

HSL 355.81, 0.54%, 0.53%

LAB 48.37, 51.86, 23.02

 

CMYK 0 / 52 / 65 / 22

HEX #C76046

RGB 199 96 70

HSL 12.09, 0.54%, 0.53%

LAB 52.89, 39.03, 33.92

 

CMYK 0 / 35 / 65 / 22

HEX #C78246

RGB 199 130 70

HSL 27.91, 0.54%, 0.53%

LAB 60.38, 20.91, 42.73

 

CMYK 0 / 17 / 65 / 22

HEX #C7A546

RGB 199 165 70

HSL 44.19, 0.54%, 0.53%

LAB 69.11, 1.86, 52.45

 

CMYK 0 / 0 / 65 / 22

HEX #C7C746

RGB 199 199 70

HSL 60, 0.54%, 0.53%

LAB 78.13, -15.79, 62

 

CMYK 0 / 38 / 70 / 44

HEX #905A2B

RGB 144 90 43

HSL 27.92, 0.54%, 0.37%

LAB 43.38, 17.76, 35.61

 

CMYK 0 / 38 / 70 / 31

HEX #B06E34

RGB 176 110 52

HSL 28.06, 0.54%, 0.45%

LAB 52.54, 21.03, 42.24

 

CMYK 0 / 34 / 65 / 22

HEX #C78346

RGB 199 131 70

HSL 28.37, 0.54%, 0.53%

LAB 60.62, 20.36, 43

 

CMYK 0 / 27 / 51 / 18

HEX #D19866

RGB 209 152 102

HSL 28.04, 0.54%, 0.61%

LAB 67.26, 15.59, 34.59

 

CMYK 0 / 21 / 39 / 15

HEX #DAAD85

RGB 218 173 133

HSL 28.24, 0.53%, 0.69%

LAB 73.86, 11.1, 26.8

 

CMYK 0 / 35 / 65 / 22

HEX #C88346

RGB 200 131 70

HSL 28.15, 0.54%, 0.53%

LAB 60.74, 20.79, 43.17

 

CMYK 43 / 0 / 65 / 22

HEX #71C746

RGB 113 199 70

HSL 100, 0.54%, 0.53%

LAB 72.76, -48.56, 54.68

 

CMYK 60 / 65 / 0 / 22

HEX #4F46C7

RGB 79 70 199

HSL 244.19, 0.54%, 0.53%

LAB 38.14, 41.12, -66.1

 

CMYK 0 / 35 / 65 / 22

HEX #C88346

RGB 200 131 70

HSL 28.15, 0.54%, 0.53%

LAB 60.74, 20.79, 43.17

 

CMYK 65 / 0 / 35 / 22

HEX #46C782

RGB 70 199 130

HSL 147.91, 0.54%, 0.53%

LAB 72.07, -51.01, 24.44

 

CMYK 35 / 65 / 0 / 22

HEX #8246C7

RGB 130 70 199

HSL 267.91, 0.54%, 0.53%

LAB 43.14, 50.72, -57.75

 

CMYK 0 / 35 / 65 / 22

HEX #C88346

RGB 200 131 70

HSL 28.15, 0.54%, 0.53%

LAB 60.74, 20.79, 43.17

 

CMYK 43 / 0 / 65 / 22

HEX #71C746

RGB 113 199 70

HSL 100, 0.54%, 0.53%

LAB 72.76, -48.56, 54.68

 

CMYK 65 / 30 / 0 / 22

HEX #468BC7

RGB 70 139 199

HSL 207.91, 0.54%, 0.53%

LAB 55.98, -2.94, -37.54

 

CMYK 22 / 65 / 0 / 22

HEX #9C46C7

RGB 156 70 199

HSL 280, 0.54%, 0.53%

LAB 46.41, 56.45, -52.31

 

CMYK 0 / 35 / 65 / 22

HEX #C88346

RGB 200 131 70

HSL 28.15, 0.54%, 0.53%

LAB 60.74, 20.79, 43.17

 

CMYK 63 / 0 / 65 / 22

HEX #4AC746

RGB 74 199 70

HSL 118.14, 0.54%, 0.53%

LAB 71.38, -59.07, 52.78

 

CMYK 65 / 30 / 0 / 22

HEX #468BC7

RGB 70 139 199

HSL 207.91, 0.54%, 0.53%

LAB 55.98, -2.94, -37.54

 

CMYK 2 / 65 / 0 / 22

HEX #C346C7

RGB 195 70 199

HSL 298.14, 0.54%, 0.53%

LAB 51.96, 65.48, -43.14

 

Description

Color code: HEX #C88346 | qconv.com Color code: HEX #C88346 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 131 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 131 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 65 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 65% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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