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Color name
HEX #C88B4F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C88B4F it is the complementary color #3774B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C88B4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C88B4F shade: #CD8B4A, #DE9D5D, #EFAF70, #FFC183 and #FFD396

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C88B4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C88B4F shade: #C88B4F, #B7793C, #A66729, #955516 and #844303

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C88B4F shade: #C78B50, #C76B50 and #C75050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C88B4F shade: #C78B50, #C7AB50, #C3C750, #A3C750 and #83C750

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C88B4F shade matches the following richer shades: #C78B50, #DA8B3E and #ED8B2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C88B4F shade: #C78B50, #B58B63, #A28C75, #908C88 and #7D8C9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C88B4F shade: #C75056, #C76A50, #C78A50, #C7AA50 and #C5C750

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C88B4F shade: #96622F, #B57739, #C78B50, #D1A06F and #DBB58F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C88B4F shade: #C88B4F, #76C750 and #5A50C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C88B4F shade: #C88B4F, #50C78A and #8A50C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C88B4F shade: #C88B4F, #76C750, #508EC7 and #A250C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C88B4F shade: #C88B4F, #52C750, #508EC7 and #C550C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 61 / 22

HEX #C88B4F

RGB 200 139 79

HSL 29.75, 0.52%, 0.55%

LAB 62.77, 17.03, 40.93

 

Complementary color

CMYK 69 / 34 / 0 / 31

HEX #3774B0

RGB 55 116 176

HSL 209.75, 0.52%, 0.45%

LAB 47.54, 0.2, -37.66

 

CMYK 0 / 32 / 64 / 20

HEX #CD8B4A

RGB 205 139 74

HSL 29.77, 0.57%, 0.55%

LAB 63.29, 18.8, 44.23

 

CMYK 0 / 29 / 58 / 13

HEX #DE9D5D

RGB 222 157 93

HSL 29.77, 0.66%, 0.62%

LAB 69.78, 17.52, 42.72

 

CMYK 0 / 27 / 53 / 6

HEX #EFAF70

RGB 239 175 112

HSL 29.76, 0.8%, 0.69%

LAB 76.18, 16.41, 41.26

 

CMYK 0 / 24 / 49 / 0

HEX #FFC183

RGB 255 193 131

HSL 30, 1%, 0.76%

LAB 82.4, 15.04, 39.72

 

CMYK 0 / 17 / 41 / 0

HEX #FFD396

RGB 255 211 150

HSL 34.86, 1%, 0.79%

LAB 87.02, 7.56, 35.97

 

CMYK 0 / 31 / 61 / 22

HEX #C88B4F

RGB 200 139 79

HSL 29.75, 0.52%, 0.55%

LAB 62.77, 17.03, 40.93

 

CMYK 0 / 34 / 67 / 28

HEX #B7793C

RGB 183 121 60

HSL 29.76, 0.51%, 0.48%

LAB 56.16, 18.4, 42.47

 

CMYK 0 / 38 / 75 / 35

HEX #A66729

RGB 166 103 41

HSL 29.76, 0.6%, 0.41%

LAB 49.46, 20.02, 43.91

 

CMYK 0 / 43 / 85 / 42

HEX #955516

RGB 149 85 22

HSL 29.76, 0.74%, 0.34%

LAB 42.68, 21.92, 44.9

 

CMYK 0 / 49 / 98 / 48

HEX #844303

RGB 132 67 3

HSL 29.77, 0.96%, 0.26%

LAB 35.84, 24.12, 44.86

 

CMYK 0 / 30 / 60 / 22

HEX #C78B50

RGB 199 139 80

HSL 29.75, 0.52%, 0.55%

LAB 62.66, 16.68, 40.26

 

CMYK 0 / 46 / 60 / 22

HEX #C76B50

RGB 199 107 80

HSL 13.61, 0.52%, 0.55%

LAB 55.32, 34.02, 31.3

 

CMYK 0 / 60 / 60 / 22

HEX #C75050

RGB 199 80 80

HSL 0, 0.52%, 0.55%

LAB 50.05, 47.49, 24.6

 

CMYK 0 / 30 / 60 / 22

HEX #C78B50

RGB 199 139 80

HSL 29.75, 0.52%, 0.55%

LAB 62.66, 16.68, 40.26

 

CMYK 0 / 14 / 60 / 22

HEX #C7AB50

RGB 199 171 80

HSL 45.88, 0.52%, 0.55%

LAB 70.77, -0.66, 49.67

 

CMYK 2 / 0 / 60 / 22

HEX #C3C750

RGB 195 199 80

HSL 62.02, 0.52%, 0.55%

LAB 77.89, -16.81, 57.48

 

CMYK 18 / 0 / 60 / 22

HEX #A3C750

RGB 163 199 80

HSL 78.15, 0.52%, 0.55%

LAB 75.58, -29.75, 54.29

 

CMYK 34 / 0 / 60 / 22

HEX #83C750

RGB 131 199 80

HSL 94.29, 0.52%, 0.55%

LAB 73.71, -41.65, 51.67

 

CMYK 0 / 30 / 60 / 22

HEX #C78B50

RGB 199 139 80

HSL 29.75, 0.52%, 0.55%

LAB 62.66, 16.68, 40.26

 

CMYK 0 / 36 / 72 / 15

HEX #DA8B3E

RGB 218 139 62

HSL 29.62, 0.68%, 0.55%

LAB 64.74, 23.58, 52.05

 

CMYK 0 / 41 / 82 / 7

HEX #ED8B2B

RGB 237 139 43

HSL 29.69, 0.84%, 0.55%

LAB 67.01, 30.72, 62.97

 

CMYK 0 / 30 / 60 / 22

HEX #C78B50

RGB 199 139 80

HSL 29.75, 0.52%, 0.55%

LAB 62.66, 16.68, 40.26

 

CMYK 0 / 23 / 45 / 29

HEX #B58B63

RGB 181 139 99

HSL 29.27, 0.36%, 0.55%

LAB 60.95, 10.79, 27.51

 

CMYK 0 / 14 / 28 / 36

HEX #A28C75

RGB 162 140 117

HSL 30.67, 0.19%, 0.55%

LAB 59.64, 4.64, 15.35

 

CMYK 0 / 3 / 6 / 44

HEX #908C88

RGB 144 140 136

HSL 30, 0.03%, 0.55%

LAB 58.47, 0.73, 2.65

 

CMYK 19 / 9 / 0 / 40

HEX #7D8C9A

RGB 125 140 154

HSL 208.97, 0.13%, 0.55%

LAB 57.51, -2.29, -9.26

 

CMYK 0 / 60 / 57 / 22

HEX #C75056

RGB 199 80 86

HSL 356.97, 0.52%, 0.55%

LAB 50.16, 47.93, 21.19

 

CMYK 0 / 47 / 60 / 22

HEX #C76A50

RGB 199 106 80

HSL 13.11, 0.52%, 0.55%

LAB 55.1, 34.54, 31.04

 

CMYK 0 / 31 / 60 / 22

HEX #C78A50

RGB 199 138 80

HSL 29.24, 0.52%, 0.55%

LAB 62.42, 17.22, 39.97

 

CMYK 0 / 15 / 60 / 22

HEX #C7AA50

RGB 199 170 80

HSL 45.38, 0.52%, 0.55%

LAB 70.5, -0.13, 49.37

 

CMYK 1 / 0 / 60 / 22

HEX #C5C750

RGB 197 199 80

HSL 61.01, 0.52%, 0.55%

LAB 78.05, -15.99, 57.7

 

CMYK 0 / 35 / 69 / 41

HEX #96622F

RGB 150 98 47

HSL 29.71, 0.52%, 0.39%

LAB 46.21, 16.07, 36.87

 

CMYK 0 / 34 / 69 / 29

HEX #B57739

RGB 181 119 57

HSL 30, 0.52%, 0.47%

LAB 55.39, 18.47, 43.05

 

CMYK 0 / 30 / 60 / 22

HEX #C78B50

RGB 199 139 80

HSL 29.75, 0.52%, 0.55%

LAB 62.66, 16.68, 40.26

 

CMYK 0 / 23 / 47 / 18

HEX #D1A06F

RGB 209 160 111

HSL 30, 0.52%, 0.63%

LAB 69.36, 12.11, 32.49

 

CMYK 0 / 17 / 35 / 14

HEX #DBB58F

RGB 219 181 143

HSL 30, 0.51%, 0.71%

LAB 76.13, 8.4, 24.52

 

CMYK 0 / 31 / 61 / 22

HEX #C88B4F

RGB 200 139 79

HSL 29.75, 0.52%, 0.55%

LAB 62.77, 17.03, 40.93

 

CMYK 41 / 0 / 60 / 22

HEX #76C750

RGB 118 199 80

HSL 100.84, 0.52%, 0.55%

LAB 73.07, -46.01, 50.78

 

CMYK 55 / 60 / 0 / 22

HEX #5A50C7

RGB 90 80 199

HSL 245.04, 0.52%, 0.55%

LAB 41.27, 37.01, -60.96

 

CMYK 0 / 31 / 61 / 22

HEX #C88B4F

RGB 200 139 79

HSL 29.75, 0.52%, 0.55%

LAB 62.77, 17.03, 40.93

 

CMYK 60 / 0 / 31 / 22

HEX #50C78A

RGB 80 199 138

HSL 149.24, 0.52%, 0.55%

LAB 72.49, -47.46, 20.82

 

CMYK 31 / 60 / 0 / 22

HEX #8A50C7

RGB 138 80 199

HSL 269.24, 0.52%, 0.55%

LAB 45.99, 47.31, -53.1

 

CMYK 0 / 31 / 61 / 22

HEX #C88B4F

RGB 200 139 79

HSL 29.75, 0.52%, 0.55%

LAB 62.77, 17.03, 40.93

 

CMYK 41 / 0 / 60 / 22

HEX #76C750

RGB 118 199 80

HSL 100.84, 0.52%, 0.55%

LAB 73.07, -46.01, 50.78

 

CMYK 60 / 29 / 0 / 22

HEX #508EC7

RGB 80 142 199

HSL 208.74, 0.52%, 0.55%

LAB 57.25, -2.83, -35.53

 

CMYK 19 / 60 / 0 / 22

HEX #A250C7

RGB 162 80 199

HSL 281.34, 0.52%, 0.55%

LAB 48.94, 53.1, -48.22

 

CMYK 0 / 31 / 61 / 22

HEX #C88B4F

RGB 200 139 79

HSL 29.75, 0.52%, 0.55%

LAB 62.77, 17.03, 40.93

 

CMYK 59 / 0 / 60 / 22

HEX #52C750

RGB 82 199 80

HSL 118.99, 0.52%, 0.55%

LAB 71.7, -56.18, 48.86

 

CMYK 60 / 29 / 0 / 22

HEX #508EC7

RGB 80 142 199

HSL 208.74, 0.52%, 0.55%

LAB 57.25, -2.83, -35.53

 

CMYK 1 / 60 / 0 / 22

HEX #C550C7

RGB 197 80 199

HSL 298.99, 0.52%, 0.55%

LAB 53.74, 61.84, -40.3

 

Description

Color code: HEX #C88B4F | qconv.com Color code: HEX #C88B4F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 139 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 139 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 61 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 61% 22% C M Y K

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Provide designers and agencies with accurate color values.

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