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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C896BC it is the complementary color #376943. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C896BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C896BC shade: #CD96B7, #DEA8CA, #EFBADD, #FFCCF0 and #FFDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C896BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C896BC shade: #C896BC, #B784A9, #A67296, #956083 and #844E70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C896BC shade: #C897BC, #C897AF, #C897A2 and #C89797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C896BC shade: #C897BC, #C797C8, #B997C8, #AC97C8 and #9F97C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C896BC shade matches the following richer shades: #C897BC, #D58AC3, #E27DC9, #EE71D0 and #FB64D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C896BC shade: #C897BC, #BBA4B6, #AEB1AF, #A2BDA8 and #95CAA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C896BC shade: #B997C8, #C697C8, #C897BD, #C897AF and #C897A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C896BC shade: #AB619A, #BA7CAB, #C897BC, #D6B2CD and #E4CDDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C896BC shade: #C896BC, #C8AC97 and #97C8C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C896BC shade: #C896BC, #BDC897 and #97BDC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C896BC shade: #C896BC, #C8AC97, #97C8A2 and #97B3C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C896BC shade: #C896BC, #C8BB97, #97C8A2 and #97A4C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 6 / 22

HEX #C896BC

RGB 200 150 188

HSL 314.4, 0.31%, 0.69%

LAB 67.82, 24.94, -12.37

 

Complementary color

CMYK 48 / 0 / 36 / 59

HEX #376943

RGB 55 105 67

HSL 134.4, 0.31%, 0.31%

LAB 40.12, -26.09, 16.28

 

CMYK 0 / 27 / 11 / 20

HEX #CD96B7

RGB 205 150 183

HSL 324, 0.35%, 0.7%

LAB 68.18, 25.8, -8.99

 

CMYK 0 / 24 / 9 / 13

HEX #DEA8CA

RGB 222 168 202

HSL 322.22, 0.45%, 0.76%

LAB 74.7, 25.18, -9.59

 

CMYK 0 / 22 / 8 / 6

HEX #EFBADD

RGB 239 186 221

HSL 320.38, 0.62%, 0.83%

LAB 81.12, 24.6, -10.15

 

CMYK 0 / 20 / 6 / 0

HEX #FFCCF0

RGB 255 204 240

HSL 317.65, 1%, 0.9%

LAB 87.36, 23.73, -10.84

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 25 / 6 / 22

HEX #C896BC

RGB 200 150 188

HSL 314.4, 0.31%, 0.69%

LAB 67.82, 24.94, -12.37

 

CMYK 0 / 28 / 8 / 28

HEX #B784A9

RGB 183 132 169

HSL 316.47, 0.26%, 0.62%

LAB 61.16, 25.58, -11.82

 

CMYK 0 / 31 / 10 / 35

HEX #A67296

RGB 166 114 150

HSL 318.46, 0.23%, 0.55%

LAB 54.39, 26.28, -11.24

 

CMYK 0 / 36 / 12 / 42

HEX #956083

RGB 149 96 131

HSL 320.38, 0.22%, 0.48%

LAB 47.49, 27.05, -10.59

 

CMYK 0 / 41 / 15 / 48

HEX #844E70

RGB 132 78 112

HSL 322.22, 0.26%, 0.41%

LAB 40.45, 27.87, -9.85

 

CMYK 0 / 25 / 6 / 22

HEX #C897BC

RGB 200 151 188

HSL 314.69, 0.31%, 0.69%

LAB 68.05, 24.39, -12.01

 

CMYK 0 / 25 / 13 / 22

HEX #C897AF

RGB 200 151 175

HSL 330.61, 0.31%, 0.69%

LAB 67.66, 22.13, -5.35

 

CMYK 0 / 25 / 19 / 22

HEX #C897A2

RGB 200 151 162

HSL 346.53, 0.31%, 0.69%

LAB 67.29, 20.02, 1.4

 

CMYK 0 / 25 / 25 / 22

HEX #C89797

RGB 200 151 151

HSL 0, 0.31%, 0.69%

LAB 67.01, 18.35, 7.15

 

CMYK 0 / 25 / 6 / 22

HEX #C897BC

RGB 200 151 188

HSL 314.69, 0.31%, 0.69%

LAB 68.05, 24.39, -12.01

 

CMYK 0 / 25 / 0 / 22

HEX #C797C8

RGB 199 151 200

HSL 298.78, 0.31%, 0.69%

LAB 68.35, 26.26, -18.26

 

CMYK 8 / 25 / 0 / 22

HEX #B997C8

RGB 185 151 200

HSL 281.63, 0.31%, 0.69%

LAB 66.99, 21.61, -20.45

 

CMYK 14 / 25 / 0 / 22

HEX #AC97C8

RGB 172 151 200

HSL 265.71, 0.31%, 0.69%

LAB 65.81, 17.35, -22.36

 

CMYK 21 / 25 / 0 / 22

HEX #9F97C8

RGB 159 151 200

HSL 249.8, 0.31%, 0.69%

LAB 64.7, 13.2, -24.15

 

CMYK 0 / 25 / 6 / 22

HEX #C897BC

RGB 200 151 188

HSL 314.69, 0.31%, 0.69%

LAB 68.05, 24.39, -12.01

 

CMYK 0 / 35 / 8 / 16

HEX #D58AC3

RGB 213 138 195

HSL 314.4, 0.47%, 0.69%

LAB 66.72, 37.09, -17.8

 

CMYK 0 / 45 / 11 / 11

HEX #E27DC9

RGB 226 125 201

HSL 314.85, 0.64%, 0.69%

LAB 65.79, 49.03, -22.43

 

CMYK 0 / 53 / 13 / 7

HEX #EE71D0

RGB 238 113 208

HSL 314.4, 0.79%, 0.69%

LAB 65.39, 59.56, -26.83

 

CMYK 0 / 60 / 14 / 2

HEX #FB64D7

RGB 251 100 215

HSL 314.3, 0.95%, 0.69%

LAB 65.38, 69.89, -30.62

 

CMYK 0 / 25 / 6 / 22

HEX #C897BC

RGB 200 151 188

HSL 314.69, 0.31%, 0.69%

LAB 68.05, 24.39, -12.01

 

CMYK 0 / 12 / 3 / 27

HEX #BBA4B6

RGB 187 164 182

HSL 313.04, 0.14%, 0.69%

LAB 69.82, 11.57, -6.18

 

CMYK 2 / 0 / 1 / 31

HEX #AEB1AF

RGB 174 177 175

HSL 140, 0.02%, 0.69%

LAB 71.92, -1.43, 0.64

 

CMYK 14 / 0 / 11 / 26

HEX #A2BDA8

RGB 162 189 168

HSL 133.33, 0.17%, 0.69%

LAB 74.13, -13.27, 7.55

 

CMYK 26 / 0 / 20 / 21

HEX #95CAA2

RGB 149 202 162

HSL 134.72, 0.33%, 0.69%

LAB 76.82, -25.29, 14.5

 

CMYK 8 / 25 / 0 / 22

HEX #B997C8

RGB 185 151 200

HSL 281.63, 0.31%, 0.69%

LAB 66.99, 21.61, -20.45

 

CMYK 1 / 25 / 0 / 22

HEX #C697C8

RGB 198 151 200

HSL 297.55, 0.31%, 0.69%

LAB 68.25, 25.93, -18.42

 

CMYK 0 / 25 / 5 / 22

HEX #C897BD

RGB 200 151 189

HSL 313.47, 0.31%, 0.69%

LAB 68.08, 24.57, -12.52

 

CMYK 0 / 25 / 13 / 22

HEX #C897AF

RGB 200 151 175

HSL 330.61, 0.31%, 0.69%

LAB 67.66, 22.13, -5.35

 

CMYK 0 / 25 / 19 / 22

HEX #C897A2

RGB 200 151 162

HSL 346.53, 0.31%, 0.69%

LAB 67.29, 20.02, 1.4

 

CMYK 0 / 43 / 10 / 33

HEX #AB619A

RGB 171 97 154

HSL 313.78, 0.31%, 0.53%

LAB 51.31, 38.14, -18.18

 

CMYK 0 / 33 / 8 / 27

HEX #BA7CAB

RGB 186 124 171

HSL 314.52, 0.31%, 0.61%

LAB 59.7, 31.42, -15.13

 

CMYK 0 / 25 / 6 / 22

HEX #C897BC

RGB 200 151 188

HSL 314.69, 0.31%, 0.69%

LAB 68.05, 24.39, -12.01

 

CMYK 0 / 17 / 4 / 16

HEX #D6B2CD

RGB 214 178 205

HSL 315, 0.31%, 0.77%

LAB 76.4, 17.54, -8.77

 

CMYK 0 / 10 / 2 / 11

HEX #E4CDDF

RGB 228 205 223

HSL 313.04, 0.3%, 0.85%

LAB 84.73, 11.12, -5.97

 

CMYK 0 / 25 / 6 / 22

HEX #C896BC

RGB 200 150 188

HSL 314.4, 0.31%, 0.69%

LAB 67.82, 24.94, -12.37

 

CMYK 0 / 14 / 25 / 22

HEX #C8AC97

RGB 200 172 151

HSL 25.71, 0.31%, 0.69%

LAB 72.24, 6.9, 14.55

 

CMYK 25 / 0 / 4 / 22

HEX #97C8C0

RGB 151 200 192

HSL 170.2, 0.31%, 0.69%

LAB 77.1, -17.65, -1.23

 

CMYK 0 / 25 / 6 / 22

HEX #C896BC

RGB 200 150 188

HSL 314.4, 0.31%, 0.69%

LAB 67.82, 24.94, -12.37

 

CMYK 5 / 0 / 25 / 22

HEX #BDC897

RGB 189 200 151

HSL 73.47, 0.31%, 0.69%

LAB 78.67, -12.05, 23.31

 

CMYK 25 / 5 / 0 / 22

HEX #97BDC8

RGB 151 189 200

HSL 193.47, 0.31%, 0.69%

LAB 74.28, -10.18, -9.72

 

CMYK 0 / 25 / 6 / 22

HEX #C896BC

RGB 200 150 188

HSL 314.4, 0.31%, 0.69%

LAB 67.82, 24.94, -12.37

 

CMYK 0 / 14 / 25 / 22

HEX #C8AC97

RGB 200 172 151

HSL 25.71, 0.31%, 0.69%

LAB 72.24, 6.9, 14.55

 

CMYK 25 / 0 / 19 / 22

HEX #97C8A2

RGB 151 200 162

HSL 133.47, 0.31%, 0.69%

LAB 76.37, -23.66, 13.88

 

CMYK 25 / 11 / 0 / 22

HEX #97B3C8

RGB 151 179 200

HSL 205.71, 0.31%, 0.69%

LAB 71.55, -4.84, -13.81

 

CMYK 0 / 25 / 6 / 22

HEX #C896BC

RGB 200 150 188

HSL 314.4, 0.31%, 0.69%

LAB 67.82, 24.94, -12.37

 

CMYK 0 / 7 / 25 / 22

HEX #C8BB97

RGB 200 187 151

HSL 44.08, 0.31%, 0.69%

LAB 76.1, -1.11, 19.92

 

CMYK 25 / 0 / 19 / 22

HEX #97C8A2

RGB 151 200 162

HSL 133.47, 0.31%, 0.69%

LAB 76.37, -23.66, 13.88

 

CMYK 25 / 18 / 0 / 22

HEX #97A4C8

RGB 151 164 200

HSL 224.08, 0.31%, 0.69%

LAB 67.5, 3.39, -19.93

 

Description

Color code: HEX #C896BC | qconv.com Color code: HEX #C896BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 150 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 150 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 6 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 6% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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