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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C898D1 it is the complementary color #37672E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C898D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C898D1 shade: #CD98CC, #DEAADF, #EFBCF2, #FFCEFF and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C898D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C898D1 shade: #C898D1, #B786BE, #A674AB, #956298 and #845085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C898D1 shade: #C898D1, #D198CA, #D198BB, #D198AC and #D1989D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C898D1 shade: #C898D1, #B998D1, #A998D1, #9A98D1 and #9898D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C898D1 shade matches the following richer shades: #C898D1, #D08CDD, #D881E9 and #E075F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C898D1 shade: #C898D1, #C0A4C5, #B7B0B9, #AFBCAD and #A7C8A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C898D1 shade: #A998D1, #B898D1, #C798D1, #D198CB and #D198BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C898D1 shade: #A960B7, #B97CC4, #C898D1, #D7B5DD and #E6D1EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C898D1 shade: #C898D1, #D19A98 and #98D1B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C898D1 shade: #C898D1, #D1C798 and #98D1C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C898D1 shade: #C898D1, #D19A98, #A2D198 and #98CFD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C898D1 shade: #C898D1, #D1AB98, #A2D198 and #98BED1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

Complementary color

CMYK 47 / 0 / 55 / 60

HEX #37672E

RGB 55 103 46

HSL 110.53, 0.38%, 0.29%

LAB 39.09, -28.68, 26.94

 

CMYK 0 / 26 / 0 / 20

HEX #CD98CC

RGB 205 152 204

HSL 301.13, 0.35%, 0.7%

LAB 69.32, 28.47, -18.94

 

CMYK 0 / 24 / 0 / 13

HEX #DEAADF

RGB 222 170 223

HSL 298.87, 0.45%, 0.77%

LAB 75.83, 27.85, -19.35

 

CMYK 1 / 22 / 0 / 5

HEX #EFBCF2

RGB 239 188 242

HSL 296.67, 0.68%, 0.84%

LAB 82.23, 27.27, -19.75

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

CMYK 4 / 29 / 0 / 25

HEX #B786BE

RGB 183 134 190

HSL 292.5, 0.3%, 0.64%

LAB 62.37, 28.43, -21.91

 

CMYK 3 / 32 / 0 / 33

HEX #A674AB

RGB 166 116 171

HSL 294.55, 0.25%, 0.56%

LAB 55.62, 29.13, -21.55

 

CMYK 2 / 36 / 0 / 40

HEX #956298

RGB 149 98 152

HSL 296.67, 0.22%, 0.49%

LAB 48.75, 29.89, -21.17

 

CMYK 1 / 40 / 0 / 48

HEX #845085

RGB 132 80 133

HSL 298.87, 0.25%, 0.42%

LAB 41.75, 30.68, -20.74

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

CMYK 0 / 27 / 3 / 18

HEX #D198CA

RGB 209 152 202

HSL 307.37, 0.38%, 0.71%

LAB 69.67, 29.43, -17.28

 

CMYK 0 / 27 / 11 / 18

HEX #D198BB

RGB 209 152 187

HSL 323.16, 0.38%, 0.71%

LAB 69.18, 26.79, -9.67

 

CMYK 0 / 27 / 18 / 18

HEX #D198AC

RGB 209 152 172

HSL 338.95, 0.38%, 0.71%

LAB 68.74, 24.33, -1.96

 

CMYK 0 / 27 / 25 / 18

HEX #D1989D

RGB 209 152 157

HSL 354.74, 0.38%, 0.71%

LAB 68.35, 22.07, 5.84

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

CMYK 11 / 27 / 0 / 18

HEX #B998D1

RGB 185 152 209

HSL 274.74, 0.38%, 0.71%

LAB 67.56, 22.92, -24.58

 

CMYK 19 / 27 / 0 / 18

HEX #A998D1

RGB 169 152 209

HSL 257.89, 0.38%, 0.71%

LAB 66.13, 17.84, -26.89

 

CMYK 26 / 27 / 0 / 18

HEX #9A98D1

RGB 154 152 209

HSL 242.11, 0.38%, 0.71%

LAB 64.91, 13.24, -28.88

 

CMYK 27 / 27 / 0 / 18

HEX #9898D1

RGB 152 152 209

HSL 240, 0.38%, 0.71%

LAB 64.75, 12.64, -29.13

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

CMYK 6 / 37 / 0 / 13

HEX #D08CDD

RGB 208 140 221

HSL 290.37, 0.54%, 0.71%

LAB 67.57, 39.19, -31.02

 

CMYK 7 / 45 / 0 / 9

HEX #D881E9

RGB 216 129 233

HSL 290.19, 0.7%, 0.71%

LAB 66.66, 49.68, -39

 

CMYK 9 / 52 / 0 / 4

HEX #E075F5

RGB 224 117 245

HSL 290.16, 0.86%, 0.71%

LAB 65.87, 60.14, -46.78

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

CMYK 3 / 17 / 0 / 23

HEX #C0A4C5

RGB 192 164 197

HSL 290.91, 0.22%, 0.71%

LAB 70.72, 16.15, -13.08

 

CMYK 1 / 5 / 0 / 27

HEX #B7B0B9

RGB 183 176 185

HSL 286.67, 0.06%, 0.71%

LAB 72.64, 4.16, -3.7

 

CMYK 7 / 0 / 8 / 26

HEX #AFBCAD

RGB 175 188 173

HSL 112, 0.1%, 0.71%

LAB 74.89, -7.31, 6.04

 

CMYK 17 / 0 / 20 / 22

HEX #A7C8A1

RGB 167 200 161

HSL 110.77, 0.26%, 0.71%

LAB 77.34, -18.42, 15.91

 

CMYK 19 / 27 / 0 / 18

HEX #A998D1

RGB 169 152 209

HSL 257.89, 0.38%, 0.71%

LAB 66.13, 17.84, -26.89

 

CMYK 12 / 27 / 0 / 18

HEX #B898D1

RGB 184 152 209

HSL 273.68, 0.38%, 0.71%

LAB 67.46, 22.6, -24.73

 

CMYK 5 / 27 / 0 / 18

HEX #C798D1

RGB 199 152 209

HSL 289.47, 0.38%, 0.71%

LAB 68.9, 27.45, -22.41

 

CMYK 0 / 27 / 3 / 18

HEX #D198CB

RGB 209 152 203

HSL 306.32, 0.38%, 0.71%

LAB 69.7, 29.61, -17.78

 

CMYK 0 / 27 / 10 / 18

HEX #D198BC

RGB 209 152 188

HSL 322.11, 0.38%, 0.71%

LAB 69.21, 26.96, -10.18

 

CMYK 8 / 48 / 0 / 28

HEX #A960B7

RGB 169 96 183

HSL 290.34, 0.38%, 0.55%

LAB 52.08, 43.5, -33.94

 

CMYK 6 / 37 / 0 / 23

HEX #B97CC4

RGB 185 124 196

HSL 290.83, 0.38%, 0.63%

LAB 60.53, 35.8, -28.11

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

CMYK 3 / 18 / 0 / 13

HEX #D7B5DD

RGB 215 181 221

HSL 291, 0.37%, 0.79%

LAB 77.71, 19.21, -15.49

 

CMYK 2 / 11 / 0 / 8

HEX #E6D1EA

RGB 230 209 234

HSL 290.4, 0.37%, 0.87%

LAB 86.19, 11.68, -9.64

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

CMYK 0 / 26 / 27 / 18

HEX #D19A98

RGB 209 154 152

HSL 2.11, 0.38%, 0.71%

LAB 68.7, 20.27, 9.13

 

CMYK 27 / 0 / 15 / 18

HEX #98D1B1

RGB 152 209 177

HSL 146.32, 0.38%, 0.71%

LAB 79.3, -24.91, 10.01

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

CMYK 0 / 5 / 27 / 18

HEX #D1C798

RGB 209 199 152

HSL 49.47, 0.38%, 0.71%

LAB 79.99, -3.82, 24.84

 

CMYK 27 / 0 / 5 / 18

HEX #98D1C7

RGB 152 209 199

HSL 169.47, 0.38%, 0.71%

LAB 79.84, -20.38, -0.96

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

CMYK 0 / 26 / 27 / 18

HEX #D19A98

RGB 209 154 152

HSL 2.11, 0.38%, 0.71%

LAB 68.7, 20.27, 9.13

 

CMYK 22 / 0 / 27 / 18

HEX #A2D198

RGB 162 209 152

HSL 109.47, 0.38%, 0.71%

LAB 79.36, -26.09, 23.42

 

CMYK 27 / 1 / 0 / 18

HEX #98CFD1

RGB 152 207 209

HSL 182.11, 0.38%, 0.71%

LAB 79.56, -17.15, -6.74

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

CMYK 0 / 18 / 27 / 18

HEX #D1AB98

RGB 209 171 152

HSL 20, 0.38%, 0.71%

LAB 72.86, 11.04, 15

 

CMYK 22 / 0 / 27 / 18

HEX #A2D198

RGB 162 209 152

HSL 109.47, 0.38%, 0.71%

LAB 79.36, -26.09, 23.42

 

CMYK 27 / 9 / 0 / 18

HEX #98BED1

RGB 152 190 209

HSL 200, 0.38%, 0.71%

LAB 74.89, -8.32, -13.7

 

Description

Color code: HEX #C898D1 | qconv.com Color code: HEX #C898D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 152 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 152 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 27 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 27% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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