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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89293 it is the complementary color #376D6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89293 shade: #CD928E, #DEA4A1, #EFB6B4, #FFC8C7 and #FFDADA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89293 shade: #C89293, #B78080, #A66E6D, #955C5A and #844A47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89293 shade: #C89293 and #C89292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89293 shade: #C89293, #C892A1, #C892B0, #C892BF and #C392C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89293 shade matches the following richer shades: #C89293, #D58586, #E2787A, #EF6A6D and #FD5D60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89293 shade: #C89293, #BB9FA0, #ADACAC, #A0BAB9 and #93C7C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89293 shade: #C892B0, #C892A2, #C89294, #C89F92 and #C8AD92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89293 shade: #AC5B5D, #BA7778, #C89293, #D6ADAE and #E3C9C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89293 shade: #C89293, #BFC892 and #92A9C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89293 shade: #C89293, #94C892 and #9294C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89293 shade: #C89293, #BFC892, #92C8C6 and #9B92C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89293 shade: #C89293, #AFC892, #92C8C6 and #AB92C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 27 / 22

HEX #C89293

RGB 200 146 147

HSL 358.89, 0.33%, 0.68%

LAB 65.7, 20.52, 7.52

 

Complementary color

CMYK 50 / 0 / 1 / 57

HEX #376D6C

RGB 55 109 108

HSL 178.89, 0.33%, 0.32%

LAB 42.51, -18.13, -4.99

 

CMYK 0 / 29 / 31 / 20

HEX #CD928E

RGB 205 146 142

HSL 3.81, 0.39%, 0.68%

LAB 66.13, 21.75, 11

 

CMYK 0 / 26 / 27 / 13

HEX #DEA4A1

RGB 222 164 161

HSL 2.95, 0.48%, 0.75%

LAB 72.66, 21.01, 9.97

 

CMYK 0 / 24 / 25 / 6

HEX #EFB6B4

RGB 239 182 180

HSL 2.03, 0.65%, 0.82%

LAB 79.1, 20.34, 9.03

 

CMYK 0 / 22 / 22 / 0

HEX #FFC8C7

RGB 255 200 199

HSL 1.07, 1%, 0.89%

LAB 85.35, 19.38, 7.99

 

CMYK 0 / 15 / 15 / 0

HEX #FFDADA

RGB 255 218 218

HSL 0, 1%, 0.93%

LAB 90.07, 12.82, 4.76

 

CMYK 0 / 27 / 27 / 22

HEX #C89293

RGB 200 146 147

HSL 358.89, 0.33%, 0.68%

LAB 65.7, 20.52, 7.52

 

CMYK 0 / 30 / 30 / 28

HEX #B78080

RGB 183 128 128

HSL 0, 0.28%, 0.61%

LAB 59.03, 21.28, 8.55

 

CMYK 0 / 34 / 34 / 35

HEX #A66E6D

RGB 166 110 109

HSL 1.05, 0.24%, 0.54%

LAB 52.25, 22.14, 9.7

 

CMYK 0 / 38 / 40 / 42

HEX #955C5A

RGB 149 92 90

HSL 2.03, 0.25%, 0.47%

LAB 45.33, 23.12, 11.01

 

CMYK 0 / 44 / 46 / 48

HEX #844A47

RGB 132 74 71

HSL 2.95, 0.3%, 0.4%

LAB 38.3, 24.23, 12.56

 

CMYK 0 / 27 / 27 / 22

HEX #C89293

RGB 200 146 147

HSL 358.89, 0.33%, 0.68%

LAB 65.7, 20.52, 7.52

 

CMYK 0 / 27 / 27 / 22

HEX #C89292

RGB 200 146 146

HSL 0, 0.33%, 0.68%

LAB 65.68, 20.38, 8.05

 

CMYK 0 / 27 / 27 / 22

HEX #C89293

RGB 200 146 147

HSL 358.89, 0.33%, 0.68%

LAB 65.7, 20.52, 7.52

 

CMYK 0 / 27 / 20 / 22

HEX #C892A1

RGB 200 146 161

HSL 343.33, 0.33%, 0.68%

LAB 66.07, 22.61, 0.17

 

CMYK 0 / 27 / 12 / 22

HEX #C892B0

RGB 200 146 176

HSL 326.67, 0.33%, 0.68%

LAB 66.5, 25.04, -7.62

 

CMYK 0 / 27 / 5 / 22

HEX #C892BF

RGB 200 146 191

HSL 310, 0.33%, 0.68%

LAB 66.97, 27.68, -15.31

 

CMYK 3 / 27 / 0 / 22

HEX #C392C8

RGB 195 146 200

HSL 294.44, 0.33%, 0.68%

LAB 66.77, 27.69, -20.69

 

CMYK 0 / 27 / 27 / 22

HEX #C89293

RGB 200 146 147

HSL 358.89, 0.33%, 0.68%

LAB 65.7, 20.52, 7.52

 

CMYK 0 / 38 / 37 / 16

HEX #D58586

RGB 213 133 134

HSL 359.25, 0.49%, 0.68%

LAB 63.87, 30.83, 12.46

 

CMYK 0 / 47 / 46 / 11

HEX #E2787A

RGB 226 120 122

HSL 358.87, 0.65%, 0.68%

LAB 62.51, 41.19, 17.65

 

CMYK 0 / 56 / 54 / 6

HEX #EF6A6D

RGB 239 106 109

HSL 358.65, 0.81%, 0.68%

LAB 61.45, 51.52, 23.93

 

CMYK 0 / 63 / 62 / 1

HEX #FD5D60

RGB 253 93 96

HSL 358.88, 0.98%, 0.68%

LAB 61.27, 61.02, 31.52

 

CMYK 0 / 27 / 27 / 22

HEX #C89293

RGB 200 146 147

HSL 358.89, 0.33%, 0.68%

LAB 65.7, 20.52, 7.52

 

CMYK 0 / 15 / 14 / 27

HEX #BB9FA0

RGB 187 159 160

HSL 357.86, 0.17%, 0.68%

LAB 67.95, 10.46, 3.3

 

CMYK 0 / 1 / 1 / 32

HEX #ADACAC

RGB 173 172 172

HSL 0, 0.01%, 0.68%

LAB 70.43, 0.36, 0.12

 

CMYK 14 / 0 / 1 / 27

HEX #A0BAB9

RGB 160 186 185

HSL 177.69, 0.16%, 0.68%

LAB 73.61, -9.02, -2.48

 

CMYK 26 / 0 / 1 / 22

HEX #93C7C6

RGB 147 199 198

HSL 178.85, 0.32%, 0.68%

LAB 76.76, -17.02, -4.99

 

CMYK 0 / 27 / 12 / 22

HEX #C892B0

RGB 200 146 176

HSL 326.67, 0.33%, 0.68%

LAB 66.5, 25.04, -7.62

 

CMYK 0 / 27 / 19 / 22

HEX #C892A2

RGB 200 146 162

HSL 342.22, 0.33%, 0.68%

LAB 66.09, 22.77, -0.35

 

CMYK 0 / 27 / 26 / 22

HEX #C89294

RGB 200 146 148

HSL 357.78, 0.33%, 0.68%

LAB 65.73, 20.67, 6.99

 

CMYK 0 / 21 / 27 / 22

HEX #C89F92

RGB 200 159 146

HSL 14.44, 0.33%, 0.68%

LAB 68.86, 13.26, 12.56

 

CMYK 0 / 14 / 27 / 22

HEX #C8AD92

RGB 200 173 146

HSL 30, 0.33%, 0.68%

LAB 72.39, 5.66, 17.49

 

CMYK 0 / 47 / 46 / 33

HEX #AC5B5D

RGB 172 91 93

HSL 358.52, 0.33%, 0.52%

LAB 48.31, 33.14, 13.82

 

CMYK 0 / 36 / 35 / 27

HEX #BA7778

RGB 186 119 120

HSL 359.1, 0.33%, 0.6%

LAB 57.06, 26.39, 10.42

 

CMYK 0 / 27 / 27 / 22

HEX #C89293

RGB 200 146 147

HSL 358.89, 0.33%, 0.68%

LAB 65.7, 20.52, 7.52

 

CMYK 0 / 19 / 19 / 16

HEX #D6ADAE

RGB 214 173 174

HSL 358.54, 0.33%, 0.76%

LAB 74.34, 15.07, 5.14

 

CMYK 0 / 11 / 11 / 11

HEX #E3C9C9

RGB 227 201 201

HSL 0, 0.32%, 0.84%

LAB 83.08, 9.11, 3.33

 

CMYK 0 / 27 / 27 / 22

HEX #C89293

RGB 200 146 147

HSL 358.89, 0.33%, 0.68%

LAB 65.7, 20.52, 7.52

 

CMYK 5 / 0 / 27 / 22

HEX #BFC892

RGB 191 200 146

HSL 70, 0.33%, 0.68%

LAB 78.73, -12.01, 26.05

 

CMYK 27 / 16 / 0 / 22

HEX #92A9C8

RGB 146 169 200

HSL 214.44, 0.33%, 0.68%

LAB 68.5, -0.91, -18.44

 

CMYK 0 / 27 / 27 / 22

HEX #C89293

RGB 200 146 147

HSL 358.89, 0.33%, 0.68%

LAB 65.7, 20.52, 7.52

 

CMYK 26 / 0 / 27 / 22

HEX #94C892

RGB 148 200 146

HSL 117.78, 0.33%, 0.68%

LAB 75.87, -27.48, 21.69

 

CMYK 27 / 26 / 0 / 22

HEX #9294C8

RGB 146 148 200

HSL 237.78, 0.33%, 0.68%

LAB 62.89, 10.89, -27.01

 

CMYK 0 / 27 / 27 / 22

HEX #C89293

RGB 200 146 147

HSL 358.89, 0.33%, 0.68%

LAB 65.7, 20.52, 7.52

 

CMYK 5 / 0 / 27 / 22

HEX #BFC892

RGB 191 200 146

HSL 70, 0.33%, 0.68%

LAB 78.73, -12.01, 26.05

 

CMYK 27 / 0 / 1 / 22

HEX #92C8C6

RGB 146 200 198

HSL 177.78, 0.33%, 0.68%

LAB 76.98, -17.83, -4.67

 

CMYK 23 / 27 / 0 / 22

HEX #9B92C8

RGB 155 146 200

HSL 250, 0.33%, 0.68%

LAB 63.09, 14.8, -26.65

 

CMYK 0 / 27 / 27 / 22

HEX #C89293

RGB 200 146 147

HSL 358.89, 0.33%, 0.68%

LAB 65.7, 20.52, 7.52

 

CMYK 13 / 0 / 27 / 22

HEX #AFC892

RGB 175 200 146

HSL 87.78, 0.33%, 0.68%

LAB 77.58, -17.97, 24.29

 

CMYK 27 / 0 / 1 / 22

HEX #92C8C6

RGB 146 200 198

HSL 177.78, 0.33%, 0.68%

LAB 76.98, -17.83, -4.67

 

CMYK 15 / 27 / 0 / 22

HEX #AB92C8

RGB 171 146 200

HSL 267.78, 0.33%, 0.68%

LAB 64.47, 19.85, -24.41

 

Description

Color code: HEX #C89293 | qconv.com Color code: HEX #C89293 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 146 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 146 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 27 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 27% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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