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Color name
HEX #C89A4F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89A4F it is the complementary color #3765B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89A4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89A4F shade: #CD9A4A, #DEAC5D, #EFBE70, #FFD083 and #FFE296

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89A4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89A4F shade: #C89A4F, #B7883C, #A67629, #956416 and #845203

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89A4F shade: #C79A50, #C77A50, #C75A50 and #C75050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89A4F shade: #C79A50, #C7BA50, #B4C750, #94C750 and #74C750

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89A4F shade matches the following richer shades: #C79A50, #DA9F3E and #EDA32B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89A4F shade: #C79A50, #B59663, #A29175, #908D88 and #7D889A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89A4F shade: #C75A50, #C77A50, #C79A50, #C7B950 and #B6C750

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89A4F shade: #966F2F, #B58639, #C79A50, #D1AC6F and #DBBE8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89A4F shade: #C89A4F, #66C750 and #6A50C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89A4F shade: #C89A4F, #50C79A and #9A50C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89A4F shade: #C89A4F, #66C750, #507EC7 and #B250C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89A4F shade: #C89A4F, #50C75E, #507EC7 and #C750B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 61 / 22

HEX #C89A4F

RGB 200 154 79

HSL 37.19, 0.52%, 0.55%

LAB 66.49, 8.84, 45.28

 

Complementary color

CMYK 69 / 43 / 0 / 31

HEX #3765B0

RGB 55 101 176

HSL 217.19, 0.52%, 0.45%

LAB 43.14, 9.54, -44.64

 

CMYK 0 / 25 / 64 / 20

HEX #CD9A4A

RGB 205 154 74

HSL 36.64, 0.57%, 0.55%

LAB 66.96, 10.64, 48.4

 

CMYK 0 / 23 / 58 / 13

HEX #DEAC5D

RGB 222 172 93

HSL 36.74, 0.66%, 0.62%

LAB 73.43, 9.49, 47.07

 

CMYK 0 / 21 / 53 / 6

HEX #EFBE70

RGB 239 190 112

HSL 36.85, 0.8%, 0.69%

LAB 79.81, 8.51, 45.73

 

CMYK 0 / 18 / 49 / 0

HEX #FFD083

RGB 255 208 131

HSL 37.26, 1%, 0.76%

LAB 86.01, 7.25, 44.28

 

CMYK 0 / 11 / 41 / 0

HEX #FFE296

RGB 255 226 150

HSL 43.43, 1%, 0.79%

LAB 90.71, -0.12, 40.77

 

CMYK 0 / 23 / 61 / 22

HEX #C89A4F

RGB 200 154 79

HSL 37.19, 0.52%, 0.55%

LAB 66.49, 8.84, 45.28

 

CMYK 0 / 26 / 67 / 28

HEX #B7883C

RGB 183 136 60

HSL 37.07, 0.51%, 0.48%

LAB 59.89, 10.07, 46.58

 

CMYK 0 / 29 / 75 / 35

HEX #A67629

RGB 166 118 41

HSL 36.96, 0.6%, 0.41%

LAB 53.19, 11.53, 47.67

 

CMYK 0 / 33 / 85 / 42

HEX #956416

RGB 149 100 22

HSL 36.85, 0.74%, 0.34%

LAB 46.39, 13.3, 48.11

 

CMYK 0 / 38 / 98 / 48

HEX #845203

RGB 132 82 3

HSL 36.74, 0.96%, 0.26%

LAB 39.49, 15.42, 47.33

 

CMYK 0 / 23 / 60 / 22

HEX #C79A50

RGB 199 154 80

HSL 37.31, 0.52%, 0.55%

LAB 66.39, 8.48, 44.65

 

CMYK 0 / 39 / 60 / 22

HEX #C77A50

RGB 199 122 80

HSL 21.18, 0.52%, 0.55%

LAB 58.64, 25.97, 35.41

 

CMYK 0 / 55 / 60 / 22

HEX #C75A50

RGB 199 90 80

HSL 5.04, 0.52%, 0.55%

LAB 51.88, 42.71, 26.95

 

CMYK 0 / 60 / 60 / 22

HEX #C75050

RGB 199 80 80

HSL 0, 0.52%, 0.55%

LAB 50.05, 47.49, 24.6

 

CMYK 0 / 23 / 60 / 22

HEX #C79A50

RGB 199 154 80

HSL 37.31, 0.52%, 0.55%

LAB 66.39, 8.48, 44.65

 

CMYK 0 / 7 / 60 / 22

HEX #C7BA50

RGB 199 186 80

HSL 53.45, 0.52%, 0.55%

LAB 74.72, -8.53, 54.1

 

CMYK 10 / 0 / 60 / 22

HEX #B4C750

RGB 180 199 80

HSL 69.58, 0.52%, 0.55%

LAB 76.76, -22.97, 55.92

 

CMYK 26 / 0 / 60 / 22

HEX #94C750

RGB 148 199 80

HSL 85.71, 0.52%, 0.55%

LAB 74.65, -35.5, 52.99

 

CMYK 42 / 0 / 60 / 22

HEX #74C750

RGB 116 199 80

HSL 101.85, 0.52%, 0.55%

LAB 72.98, -46.66, 50.66

 

CMYK 0 / 23 / 60 / 22

HEX #C79A50

RGB 199 154 80

HSL 37.31, 0.52%, 0.55%

LAB 66.39, 8.48, 44.65

 

CMYK 0 / 27 / 72 / 15

HEX #DA9F3E

RGB 218 159 62

HSL 37.31, 0.68%, 0.55%

LAB 69.5, 12.83, 56.99

 

CMYK 0 / 31 / 82 / 7

HEX #EDA32B

RGB 237 163 43

HSL 37.11, 0.84%, 0.55%

LAB 72.48, 18.07, 67.76

 

CMYK 0 / 23 / 60 / 22

HEX #C79A50

RGB 199 154 80

HSL 37.31, 0.52%, 0.55%

LAB 66.39, 8.48, 44.65

 

CMYK 0 / 17 / 45 / 29

HEX #B59663

RGB 181 150 99

HSL 37.32, 0.36%, 0.55%

LAB 63.78, 4.71, 31.18

 

CMYK 0 / 10 / 28 / 36

HEX #A29175

RGB 162 145 117

HSL 37.33, 0.19%, 0.55%

LAB 60.97, 1.85, 17.19

 

CMYK 0 / 2 / 6 / 44

HEX #908D88

RGB 144 141 136

HSL 37.5, 0.03%, 0.55%

LAB 58.75, 0.16, 3.05

 

CMYK 19 / 12 / 0 / 40

HEX #7D889A

RGB 125 136 154

HSL 217.24, 0.13%, 0.55%

LAB 56.39, -0.02, -10.94

 

CMYK 0 / 55 / 60 / 22

HEX #C75A50

RGB 199 90 80

HSL 5.04, 0.52%, 0.55%

LAB 51.88, 42.71, 26.95

 

CMYK 0 / 39 / 60 / 22

HEX #C77A50

RGB 199 122 80

HSL 21.18, 0.52%, 0.55%

LAB 58.64, 25.97, 35.41

 

CMYK 0 / 23 / 60 / 22

HEX #C79A50

RGB 199 154 80

HSL 37.31, 0.52%, 0.55%

LAB 66.39, 8.48, 44.65

 

CMYK 0 / 7 / 60 / 22

HEX #C7B950

RGB 199 185 80

HSL 52.94, 0.52%, 0.55%

LAB 74.46, -8.01, 53.8

 

CMYK 9 / 0 / 60 / 22

HEX #B6C750

RGB 182 199 80

HSL 68.57, 0.52%, 0.55%

LAB 76.9, -22.15, 56.12

 

CMYK 0 / 26 / 69 / 41

HEX #966F2F

RGB 150 111 47

HSL 37.28, 0.52%, 0.39%

LAB 49.57, 8.58, 40.55

 

CMYK 0 / 26 / 69 / 29

HEX #B58639

RGB 181 134 57

HSL 37.26, 0.52%, 0.47%

LAB 59.13, 10.11, 47.11

 

CMYK 0 / 23 / 60 / 22

HEX #C79A50

RGB 199 154 80

HSL 37.31, 0.52%, 0.55%

LAB 66.39, 8.48, 44.65

 

CMYK 0 / 18 / 47 / 18

HEX #D1AC6F

RGB 209 172 111

HSL 37.35, 0.52%, 0.63%

LAB 72.37, 5.65, 36.33

 

CMYK 0 / 13 / 35 / 14

HEX #DBBE8F

RGB 219 190 143

HSL 37.11, 0.51%, 0.71%

LAB 78.39, 3.63, 27.56

 

CMYK 0 / 23 / 61 / 22

HEX #C89A4F

RGB 200 154 79

HSL 37.19, 0.52%, 0.55%

LAB 66.49, 8.84, 45.28

 

CMYK 49 / 0 / 60 / 22

HEX #66C750

RGB 102 199 80

HSL 108.91, 0.52%, 0.55%

LAB 72.4, -50.91, 49.83

 

CMYK 47 / 60 / 0 / 22

HEX #6A50C7

RGB 106 80 199

HSL 253.11, 0.52%, 0.55%

LAB 42.65, 40.17, -58.66

 

CMYK 0 / 23 / 61 / 22

HEX #C89A4F

RGB 200 154 79

HSL 37.19, 0.52%, 0.55%

LAB 66.49, 8.84, 45.28

 

CMYK 60 / 0 / 23 / 22

HEX #50C79A

RGB 80 199 154

HSL 157.31, 0.52%, 0.55%

LAB 72.82, -44.05, 12.72

 

CMYK 23 / 60 / 0 / 22

HEX #9A50C7

RGB 154 80 199

HSL 277.31, 0.52%, 0.55%

LAB 47.92, 51.14, -49.91

 

CMYK 0 / 23 / 61 / 22

HEX #C89A4F

RGB 200 154 79

HSL 37.19, 0.52%, 0.55%

LAB 66.49, 8.84, 45.28

 

CMYK 49 / 0 / 60 / 22

HEX #66C750

RGB 102 199 80

HSL 108.91, 0.52%, 0.55%

LAB 72.4, -50.91, 49.83

 

CMYK 60 / 37 / 0 / 22

HEX #507EC7

RGB 80 126 199

HSL 216.81, 0.52%, 0.55%

LAB 52.68, 6.63, -42.71

 

CMYK 11 / 60 / 0 / 22

HEX #B250C7

RGB 178 80 199

HSL 289.41, 0.52%, 0.55%

LAB 51.07, 57.07, -44.71

 

CMYK 0 / 23 / 61 / 22

HEX #C89A4F

RGB 200 154 79

HSL 37.19, 0.52%, 0.55%

LAB 66.49, 8.84, 45.28

 

CMYK 60 / 0 / 53 / 22

HEX #50C75E

RGB 80 199 94

HSL 127.06, 0.52%, 0.55%

LAB 71.8, -54.9, 42.43

 

CMYK 60 / 37 / 0 / 22

HEX #507EC7

RGB 80 126 199

HSL 216.81, 0.52%, 0.55%

LAB 52.68, 6.63, -42.71

 

CMYK 0 / 60 / 7 / 22

HEX #C750B9

RGB 199 80 185

HSL 307.06, 0.52%, 0.55%

LAB 53.37, 60, -32.8

 

Description

Color code: HEX #C89A4F | qconv.com Color code: HEX #C89A4F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 154 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 154 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 61 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 61% 22% C M Y K

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Provide designers and agencies with accurate color values.

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