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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89D88 it is the complementary color #376277. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89D88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89D88 shade: #CD9D83, #DEAF96, #EFC1A9, #FFD3BC and #FFE5CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89D88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89D88 shade: #C89D88, #B78B75, #A67962, #95674F and #84553C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89D88 shade: #C89D88, #C88B88 and #C88888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89D88 shade: #C89D88, #C8AE88, #C8BF88, #BFC888 and #AEC888

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89D88 shade matches the following richer shades: #C89D88, #D6987A, #E4936C and #F28E5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89D88 shade: #C89D88, #BAA296, #ACA6A4, #9EABB2 and #90B0C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89D88 shade: #C88896, #C88B88, #C89C88, #C8AD88 and #C8BE88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89D88 shade: #AE6E50, #BB866B, #C89D88, #D5B4A4 and #E2CBC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89D88 shade: #C89D88, #A7C888 and #888DC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89D88 shade: #C89D88, #88C89C and #9C88C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89D88 shade: #C89D88, #A7C888, #88B4C8 and #A988C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89D88 shade: #C89D88, #93C888, #88B4C8 and #BC88C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 32 / 22

HEX #C89D88

RGB 200 157 136

HSL 19.69, 0.37%, 0.66%

LAB 68.15, 12.99, 17.09

 

Complementary color

CMYK 54 / 18 / 0 / 53

HEX #376277

RGB 55 98 119

HSL 199.69, 0.37%, 0.34%

LAB 39.38, -8.51, -16.41

 

CMYK 0 / 23 / 36 / 20

HEX #CD9D83

RGB 205 157 131

HSL 21.08, 0.43%, 0.66%

LAB 68.56, 14.34, 20.49

 

CMYK 0 / 21 / 32 / 13

HEX #DEAF96

RGB 222 175 150

HSL 20.83, 0.52%, 0.73%

LAB 75.07, 13.64, 19.35

 

CMYK 0 / 19 / 29 / 6

HEX #EFC1A9

RGB 239 193 169

HSL 20.57, 0.69%, 0.8%

LAB 81.49, 13.03, 18.3

 

CMYK 0 / 17 / 26 / 0

HEX #FFD3BC

RGB 255 211 188

HSL 20.6, 1%, 0.87%

LAB 87.72, 12.11, 17.17

 

CMYK 0 / 10 / 19 / 0

HEX #FFE5CF

RGB 255 229 207

HSL 27.5, 1%, 0.91%

LAB 92.49, 5.49, 13.96

 

CMYK 0 / 22 / 32 / 22

HEX #C89D88

RGB 200 157 136

HSL 19.69, 0.37%, 0.66%

LAB 68.15, 12.99, 17.09

 

CMYK 0 / 24 / 36 / 28

HEX #B78B75

RGB 183 139 117

HSL 20, 0.31%, 0.59%

LAB 61.5, 13.7, 18.24

 

CMYK 0 / 27 / 41 / 35

HEX #A67962

RGB 166 121 98

HSL 20.29, 0.28%, 0.52%

LAB 54.72, 14.52, 19.51

 

CMYK 0 / 31 / 47 / 42

HEX #95674F

RGB 149 103 79

HSL 20.57, 0.31%, 0.45%

LAB 47.82, 15.48, 20.93

 

CMYK 0 / 36 / 55 / 48

HEX #84553C

RGB 132 85 60

HSL 20.83, 0.38%, 0.38%

LAB 40.78, 16.64, 22.55

 

CMYK 0 / 22 / 32 / 22

HEX #C89D88

RGB 200 157 136

HSL 19.69, 0.37%, 0.66%

LAB 68.15, 12.99, 17.09

 

CMYK 0 / 31 / 32 / 22

HEX #C88B88

RGB 200 139 136

HSL 2.81, 0.37%, 0.66%

LAB 63.77, 22.86, 10.97

 

CMYK 0 / 32 / 32 / 22

HEX #C88888

RGB 200 136 136

HSL 0, 0.37%, 0.66%

LAB 63.07, 24.51, 9.97

 

CMYK 0 / 22 / 32 / 22

HEX #C89D88

RGB 200 157 136

HSL 19.69, 0.37%, 0.66%

LAB 68.15, 12.99, 17.09

 

CMYK 0 / 13 / 32 / 22

HEX #C8AE88

RGB 200 174 136

HSL 35.63, 0.37%, 0.66%

LAB 72.45, 3.78, 22.99

 

CMYK 0 / 5 / 32 / 22

HEX #C8BF88

RGB 200 191 136

HSL 51.56, 0.37%, 0.66%

LAB 76.87, -5.22, 28.94

 

CMYK 5 / 0 / 32 / 22

HEX #BFC888

RGB 191 200 136

HSL 68.44, 0.37%, 0.66%

LAB 78.56, -13.35, 31.04

 

CMYK 13 / 0 / 32 / 22

HEX #AEC888

RGB 174 200 136

HSL 84.38, 0.37%, 0.66%

LAB 77.33, -19.79, 29.2

 

CMYK 0 / 22 / 32 / 22

HEX #C89D88

RGB 200 157 136

HSL 19.69, 0.37%, 0.66%

LAB 68.15, 12.99, 17.09

 

CMYK 0 / 29 / 43 / 16

HEX #D6987A

RGB 214 152 122

HSL 19.57, 0.53%, 0.66%

LAB 68.14, 19.6, 25.03

 

CMYK 0 / 36 / 53 / 11

HEX #E4936C

RGB 228 147 108

HSL 19.5, 0.69%, 0.66%

LAB 68.35, 26.53, 33.22

 

CMYK 0 / 41 / 61 / 5

HEX #F28E5E

RGB 242 142 94

HSL 19.46, 0.85%, 0.66%

LAB 68.77, 33.63, 41.56

 

CMYK 0 / 22 / 32 / 22

HEX #C89D88

RGB 200 157 136

HSL 19.69, 0.37%, 0.66%

LAB 68.15, 12.99, 17.09

 

CMYK 0 / 13 / 19 / 27

HEX #BAA296

RGB 186 162 150

HSL 20, 0.21%, 0.66%

LAB 68.37, 6.83, 9.46

 

CMYK 0 / 3 / 5 / 33

HEX #ACA6A4

RGB 172 166 164

HSL 15, 0.05%, 0.66%

LAB 68.55, 1.79, 1.79

 

CMYK 11 / 4 / 0 / 30

HEX #9EABB2

RGB 158 171 178

HSL 201, 0.11%, 0.66%

LAB 69.19, -3.11, -5.16

 

CMYK 25 / 8 / 0 / 25

HEX #90B0C0

RGB 144 176 192

HSL 200, 0.28%, 0.66%

LAB 70.03, -7.23, -11.74

 

CMYK 0 / 32 / 25 / 22

HEX #C88896

RGB 200 136 150

HSL 346.88, 0.37%, 0.66%

LAB 63.42, 26.44, 2.53

 

CMYK 0 / 31 / 32 / 22

HEX #C88B88

RGB 200 139 136

HSL 2.81, 0.37%, 0.66%

LAB 63.77, 22.86, 10.97

 

CMYK 0 / 22 / 32 / 22

HEX #C89C88

RGB 200 156 136

HSL 18.75, 0.37%, 0.66%

LAB 67.9, 13.54, 16.75

 

CMYK 0 / 14 / 32 / 22

HEX #C8AD88

RGB 200 173 136

HSL 34.69, 0.37%, 0.66%

LAB 72.19, 4.32, 22.64

 

CMYK 0 / 5 / 32 / 22

HEX #C8BE88

RGB 200 190 136

HSL 50.63, 0.37%, 0.66%

LAB 76.61, -4.7, 28.59

 

CMYK 0 / 37 / 54 / 32

HEX #AE6E50

RGB 174 110 80

HSL 19.15, 0.37%, 0.5%

LAB 52.65, 22.2, 27.24

 

CMYK 0 / 28 / 43 / 27

HEX #BB866B

RGB 187 134 107

HSL 20.25, 0.37%, 0.58%

LAB 60.5, 16.92, 22.58

 

CMYK 0 / 22 / 32 / 22

HEX #C89D88

RGB 200 157 136

HSL 19.69, 0.37%, 0.66%

LAB 68.15, 12.99, 17.09

 

CMYK 0 / 15 / 23 / 16

HEX #D5B4A4

RGB 213 180 164

HSL 19.59, 0.37%, 0.74%

LAB 75.74, 9.43, 12.58

 

CMYK 0 / 10 / 15 / 11

HEX #E2CBC0

RGB 226 203 192

HSL 19.41, 0.37%, 0.82%

LAB 83.28, 6.26, 8.4

 

CMYK 0 / 22 / 32 / 22

HEX #C89D88

RGB 200 157 136

HSL 19.69, 0.37%, 0.66%

LAB 68.15, 12.99, 17.09

 

CMYK 17 / 0 / 32 / 22

HEX #A7C888

RGB 167 200 136

HSL 90.94, 0.37%, 0.66%

LAB 76.86, -22.37, 28.49

 

CMYK 32 / 30 / 0 / 22

HEX #888DC8

RGB 136 141 200

HSL 235.31, 0.37%, 0.66%

LAB 60.3, 11.96, -31.09

 

CMYK 0 / 22 / 32 / 22

HEX #C89D88

RGB 200 157 136

HSL 19.69, 0.37%, 0.66%

LAB 68.15, 12.99, 17.09

 

CMYK 32 / 0 / 22 / 22

HEX #88C89C

RGB 136 200 156

HSL 138.75, 0.37%, 0.66%

LAB 75.42, -29.58, 15.63

 

CMYK 22 / 32 / 0 / 22

HEX #9C88C8

RGB 156 136 200

HSL 258.75, 0.37%, 0.66%

LAB 60.65, 20.84, -30.42

 

CMYK 0 / 22 / 32 / 22

HEX #C89D88

RGB 200 157 136

HSL 19.69, 0.37%, 0.66%

LAB 68.15, 12.99, 17.09

 

CMYK 17 / 0 / 32 / 22

HEX #A7C888

RGB 167 200 136

HSL 90.94, 0.37%, 0.66%

LAB 76.86, -22.37, 28.49

 

CMYK 32 / 10 / 0 / 22

HEX #88B4C8

RGB 136 180 200

HSL 198.75, 0.37%, 0.66%

LAB 70.9, -9.83, -14.87

 

CMYK 16 / 32 / 0 / 22

HEX #A988C8

RGB 169 136 200

HSL 270.94, 0.37%, 0.66%

LAB 61.84, 24.88, -28.48

 

CMYK 0 / 22 / 32 / 22

HEX #C89D88

RGB 200 157 136

HSL 19.69, 0.37%, 0.66%

LAB 68.15, 12.99, 17.09

 

CMYK 27 / 0 / 32 / 22

HEX #93C888

RGB 147 200 136

HSL 109.69, 0.37%, 0.66%

LAB 75.63, -29.45, 26.63

 

CMYK 32 / 10 / 0 / 22

HEX #88B4C8

RGB 136 180 200

HSL 198.75, 0.37%, 0.66%

LAB 70.9, -9.83, -14.87

 

CMYK 6 / 32 / 0 / 22

HEX #BC88C8

RGB 188 136 200

HSL 288.75, 0.37%, 0.66%

LAB 63.73, 30.94, -25.41

 

Description

Color code: HEX #C89D88 | qconv.com Color code: HEX #C89D88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 157 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 157 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 32 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 32% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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