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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89F88 it is the complementary color #376077. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89F88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89F88 shade: #CD9F83, #DEB196, #EFC3A9, #FFD5BC and #FFE7CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89F88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89F88 shade: #C89F88, #B78D75, #A67B62, #95694F and #84573C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89F88 shade: #C89F88, #C88D88 and #C88888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89F88 shade: #C89F88, #C8B088, #C8C188, #BDC888 and #ACC888

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89F88 shade matches the following richer shades: #C89F88, #D69B7A, #E4976C and #F2935E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89F88 shade: #C89F88, #BAA396, #ACA7A4, #9EABB2 and #90AFC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89F88 shade: #C88893, #C88D88, #C89E88, #C8AF88 and #C8C088

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89F88 shade: #AE7150, #BB886B, #C89F88, #D5B6A4 and #E2CCC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89F88 shade: #C89F88, #A5C888 and #888BC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89F88 shade: #C89F88, #88C89E and #9E88C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89F88 shade: #C89F88, #A5C888, #88B1C8 and #AB88C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89F88 shade: #C89F88, #91C888, #88B1C8 and #BE88C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 32 / 22

HEX #C89F88

RGB 200 159 136

HSL 21.56, 0.37%, 0.66%

LAB 68.64, 11.9, 17.78

 

Complementary color

CMYK 54 / 19 / 0 / 53

HEX #376077

RGB 55 96 119

HSL 201.56, 0.37%, 0.34%

LAB 38.74, -7.32, -17.38

 

CMYK 0 / 22 / 36 / 20

HEX #CD9F83

RGB 205 159 131

HSL 22.7, 0.43%, 0.66%

LAB 69.05, 13.25, 21.17

 

CMYK 0 / 20 / 32 / 13

HEX #DEB196

RGB 222 177 150

HSL 22.5, 0.52%, 0.73%

LAB 75.56, 12.57, 20.03

 

CMYK 0 / 18 / 29 / 6

HEX #EFC3A9

RGB 239 195 169

HSL 22.29, 0.69%, 0.8%

LAB 81.97, 11.98, 18.97

 

CMYK 0 / 16 / 26 / 0

HEX #FFD5BC

RGB 255 213 188

HSL 22.39, 1%, 0.87%

LAB 88.2, 11.07, 17.84

 

CMYK 0 / 9 / 19 / 0

HEX #FFE7CF

RGB 255 231 207

HSL 30, 1%, 0.91%

LAB 92.98, 4.46, 14.65

 

CMYK 0 / 21 / 32 / 22

HEX #C89F88

RGB 200 159 136

HSL 21.56, 0.37%, 0.66%

LAB 68.64, 11.9, 17.78

 

CMYK 0 / 23 / 36 / 28

HEX #B78D75

RGB 183 141 117

HSL 21.82, 0.31%, 0.59%

LAB 62, 12.59, 18.93

 

CMYK 0 / 26 / 41 / 35

HEX #A67B62

RGB 166 123 98

HSL 22.06, 0.28%, 0.52%

LAB 55.23, 13.38, 20.2

 

CMYK 0 / 30 / 47 / 42

HEX #95694F

RGB 149 105 79

HSL 22.29, 0.31%, 0.45%

LAB 48.33, 14.33, 21.61

 

CMYK 0 / 34 / 55 / 48

HEX #84573C

RGB 132 87 60

HSL 22.5, 0.38%, 0.38%

LAB 41.29, 15.46, 23.2

 

CMYK 0 / 21 / 32 / 22

HEX #C89F88

RGB 200 159 136

HSL 21.56, 0.37%, 0.66%

LAB 68.64, 11.9, 17.78

 

CMYK 0 / 30 / 32 / 22

HEX #C88D88

RGB 200 141 136

HSL 4.69, 0.37%, 0.66%

LAB 64.25, 21.76, 11.64

 

CMYK 0 / 32 / 32 / 22

HEX #C88888

RGB 200 136 136

HSL 0, 0.37%, 0.66%

LAB 63.07, 24.51, 9.97

 

CMYK 0 / 21 / 32 / 22

HEX #C89F88

RGB 200 159 136

HSL 21.56, 0.37%, 0.66%

LAB 68.64, 11.9, 17.78

 

CMYK 0 / 12 / 32 / 22

HEX #C8B088

RGB 200 176 136

HSL 37.5, 0.37%, 0.66%

LAB 72.96, 2.71, 23.69

 

CMYK 0 / 4 / 32 / 22

HEX #C8C188

RGB 200 193 136

HSL 53.44, 0.37%, 0.66%

LAB 77.4, -6.26, 29.64

 

CMYK 5 / 0 / 32 / 22

HEX #BDC888

RGB 189 200 136

HSL 70.31, 0.37%, 0.66%

LAB 78.41, -14.12, 30.82

 

CMYK 14 / 0 / 32 / 22

HEX #ACC888

RGB 172 200 136

HSL 86.25, 0.37%, 0.66%

LAB 77.2, -20.53, 28.99

 

CMYK 0 / 21 / 32 / 22

HEX #C89F88

RGB 200 159 136

HSL 21.56, 0.37%, 0.66%

LAB 68.64, 11.9, 17.78

 

CMYK 0 / 28 / 43 / 16

HEX #D69B7A

RGB 214 155 122

HSL 21.52, 0.53%, 0.66%

LAB 68.86, 17.98, 25.99

 

CMYK 0 / 34 / 53 / 11

HEX #E4976C

RGB 228 151 108

HSL 21.5, 0.69%, 0.66%

LAB 69.26, 24.39, 34.39

 

CMYK 0 / 39 / 61 / 5

HEX #F2935E

RGB 242 147 94

HSL 21.49, 0.85%, 0.66%

LAB 69.86, 31.02, 42.87

 

CMYK 0 / 21 / 32 / 22

HEX #C89F88

RGB 200 159 136

HSL 21.56, 0.37%, 0.66%

LAB 68.64, 11.9, 17.78

 

CMYK 0 / 12 / 19 / 27

HEX #BAA396

RGB 186 163 150

HSL 21.67, 0.21%, 0.66%

LAB 68.63, 6.28, 9.83

 

CMYK 0 / 3 / 5 / 33

HEX #ACA7A4

RGB 172 167 164

HSL 22.5, 0.05%, 0.66%

LAB 68.82, 1.24, 2.18

 

CMYK 11 / 4 / 0 / 30

HEX #9EABB2

RGB 158 171 178

HSL 201, 0.11%, 0.66%

LAB 69.19, -3.11, -5.16

 

CMYK 25 / 9 / 0 / 25

HEX #90AFC0

RGB 144 175 192

HSL 201.25, 0.28%, 0.66%

LAB 69.75, -6.69, -12.16

 

CMYK 0 / 32 / 27 / 22

HEX #C88893

RGB 200 136 147

HSL 349.69, 0.37%, 0.66%

LAB 63.34, 26.01, 4.12

 

CMYK 0 / 30 / 32 / 22

HEX #C88D88

RGB 200 141 136

HSL 4.69, 0.37%, 0.66%

LAB 64.25, 21.76, 11.64

 

CMYK 0 / 21 / 32 / 22

HEX #C89E88

RGB 200 158 136

HSL 20.63, 0.37%, 0.66%

LAB 68.4, 12.45, 17.44

 

CMYK 0 / 13 / 32 / 22

HEX #C8AF88

RGB 200 175 136

HSL 36.56, 0.37%, 0.66%

LAB 72.71, 3.24, 23.34

 

CMYK 0 / 4 / 32 / 22

HEX #C8C088

RGB 200 192 136

HSL 52.5, 0.37%, 0.66%

LAB 77.13, -5.74, 29.29

 

CMYK 0 / 35 / 54 / 32

HEX #AE7150

RGB 174 113 80

HSL 21.06, 0.37%, 0.5%

LAB 53.37, 20.52, 28.15

 

CMYK 0 / 27 / 43 / 27

HEX #BB886B

RGB 187 136 107

HSL 21.75, 0.37%, 0.58%

LAB 60.99, 15.81, 23.24

 

CMYK 0 / 21 / 32 / 22

HEX #C89F88

RGB 200 159 136

HSL 21.56, 0.37%, 0.66%

LAB 68.64, 11.9, 17.78

 

CMYK 0 / 15 / 23 / 16

HEX #D5B6A4

RGB 213 182 164

HSL 22.04, 0.37%, 0.74%

LAB 76.24, 8.36, 13.28

 

CMYK 0 / 10 / 15 / 11

HEX #E2CCC0

RGB 226 204 192

HSL 21.18, 0.37%, 0.82%

LAB 83.53, 5.73, 8.76

 

CMYK 0 / 21 / 32 / 22

HEX #C89F88

RGB 200 159 136

HSL 21.56, 0.37%, 0.66%

LAB 68.64, 11.9, 17.78

 

CMYK 18 / 0 / 32 / 22

HEX #A5C888

RGB 165 200 136

HSL 92.81, 0.37%, 0.66%

LAB 76.73, -23.1, 28.29

 

CMYK 32 / 31 / 0 / 22

HEX #888BC8

RGB 136 139 200

HSL 237.19, 0.37%, 0.66%

LAB 59.77, 13.12, -31.91

 

CMYK 0 / 21 / 32 / 22

HEX #C89F88

RGB 200 159 136

HSL 21.56, 0.37%, 0.66%

LAB 68.64, 11.9, 17.78

 

CMYK 32 / 0 / 21 / 22

HEX #88C89E

RGB 136 200 158

HSL 140.63, 0.37%, 0.66%

LAB 75.46, -29.2, 14.62

 

CMYK 21 / 32 / 0 / 22

HEX #9E88C8

RGB 158 136 200

HSL 260.63, 0.37%, 0.66%

LAB 60.82, 21.45, -30.13

 

CMYK 0 / 21 / 32 / 22

HEX #C89F88

RGB 200 159 136

HSL 21.56, 0.37%, 0.66%

LAB 68.64, 11.9, 17.78

 

CMYK 18 / 0 / 32 / 22

HEX #A5C888

RGB 165 200 136

HSL 92.81, 0.37%, 0.66%

LAB 76.73, -23.1, 28.29

 

CMYK 32 / 12 / 0 / 22

HEX #88B1C8

RGB 136 177 200

HSL 201.56, 0.37%, 0.66%

LAB 70.07, -8.22, -16.13

 

CMYK 15 / 32 / 0 / 22

HEX #AB88C8

RGB 171 136 200

HSL 272.81, 0.37%, 0.66%

LAB 62.03, 25.51, -28.17

 

CMYK 0 / 21 / 32 / 22

HEX #C89F88

RGB 200 159 136

HSL 21.56, 0.37%, 0.66%

LAB 68.64, 11.9, 17.78

 

CMYK 28 / 0 / 32 / 22

HEX #91C888

RGB 145 200 136

HSL 111.56, 0.37%, 0.66%

LAB 75.52, -30.13, 26.45

 

CMYK 32 / 12 / 0 / 22

HEX #88B1C8

RGB 136 177 200

HSL 201.56, 0.37%, 0.66%

LAB 70.07, -8.22, -16.13

 

CMYK 5 / 32 / 0 / 22

HEX #BE88C8

RGB 190 136 200

HSL 290.63, 0.37%, 0.66%

LAB 63.94, 31.58, -25.07

 

Description

Color code: HEX #C89F88 | qconv.com Color code: HEX #C89F88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 159 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 159 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 32 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 32% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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