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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8A7AE it is the complementary color #375851. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8A7AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8A7AE shade: #CDA7A9, #DEB9BC, #EFCBCF, #FFDDE2 and #FFEFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8A7AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8A7AE shade: #C8A7AE, #B7959B, #A68388, #957175 and #845F62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8A7AE shade: #C8A7AE and #C8A7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8A7AE shade: #C8A7AE, #C8A7B7, #C8A7BF, #C7A7C8 and #BEA7C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8A7AE shade matches the following richer shades: #C8A7AE, #D39BA7, #DF90A0, #EA849A and #F67893

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8A7AE shade: #C8A7AE, #BCB2B4, #B0BEBB, #A5C9C2 and #99D5C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8A7AE shade: #C8A7BF, #C8A7B7, #C8A7AE, #C8A8A7 and #C8B1A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8A7AE shade: #A8747F, #B88D96, #C8A7AE, #D7C0C5 and #E7D9DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8A7AE shade: #C8A7AE, #C8C7A7 and #A7BBC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8A7AE shade: #C8A7AE, #AEC8A7 and #A7AEC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8A7AE shade: #C8A7AE, #C8C7A7, #A7C8C0 and #A7A7C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8A7AE shade: #C8A7AE, #BEC8A7, #A7C8C0 and #B0A7C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

Complementary color

CMYK 38 / 0 / 8 / 65

HEX #375851

RGB 55 88 81

HSL 167.27, 0.23%, 0.28%

LAB 34.77, -13.85, 0.23

 

CMYK 0 / 19 / 18 / 20

HEX #CDA7A9

RGB 205 167 169

HSL 356.84, 0.28%, 0.73%

LAB 71.88, 14.21, 4.22

 

CMYK 0 / 17 / 15 / 13

HEX #DEB9BC

RGB 222 185 188

HSL 355.14, 0.36%, 0.8%

LAB 78.38, 13.73, 3.45

 

CMYK 0 / 15 / 13 / 6

HEX #EFCBCF

RGB 239 203 207

HSL 353.33, 0.53%, 0.87%

LAB 84.78, 13.29, 2.72

 

CMYK 0 / 13 / 11 / 0

HEX #FFDDE2

RGB 255 221 226

HSL 351.18, 1%, 0.93%

LAB 90.99, 12.53, 1.89

 

CMYK 0 / 6 / 4 / 0

HEX #FFEFF5

RGB 255 239 245

HSL 337.5, 1%, 0.97%

LAB 95.82, 6.4, -0.96

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 0 / 19 / 15 / 28

HEX #B7959B

RGB 183 149 155

HSL 349.41, 0.19%, 0.65%

LAB 64.91, 13.67, 1.64

 

CMYK 0 / 21 / 18 / 35

HEX #A68388

RGB 166 131 136

HSL 351.43, 0.16%, 0.58%

LAB 58.15, 14.22, 2.44

 

CMYK 0 / 24 / 21 / 42

HEX #957175

RGB 149 113 117

HSL 353.33, 0.15%, 0.51%

LAB 51.25, 14.83, 3.3

 

CMYK 0 / 28 / 26 / 48

HEX #845F62

RGB 132 95 98

HSL 355.14, 0.16%, 0.45%

LAB 44.19, 15.54, 4.25

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 0 / 17 / 17 / 22

HEX #C8A7A7

RGB 200 167 167

HSL 0, 0.23%, 0.72%

LAB 71.36, 12.05, 4.51

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 0 / 17 / 9 / 22

HEX #C8A7B7

RGB 200 167 183

HSL 330.91, 0.23%, 0.72%

LAB 71.78, 14.72, -3.7

 

CMYK 0 / 17 / 5 / 22

HEX #C8A7BF

RGB 200 167 191

HSL 316.36, 0.23%, 0.72%

LAB 72.01, 16.14, -7.77

 

CMYK 0 / 17 / 0 / 22

HEX #C7A7C8

RGB 199 167 200

HSL 298.18, 0.23%, 0.72%

LAB 72.19, 17.46, -12.46

 

CMYK 5 / 17 / 0 / 22

HEX #BEA7C8

RGB 190 167 200

HSL 281.82, 0.23%, 0.72%

LAB 71.39, 14.4, -13.75

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 0 / 27 / 21 / 17

HEX #D39BA7

RGB 211 155 167

HSL 347.14, 0.39%, 0.72%

LAB 69.53, 22.66, 2

 

CMYK 0 / 35 / 28 / 13

HEX #DF90A0

RGB 223 144 160

HSL 347.85, 0.55%, 0.72%

LAB 68.15, 31.98, 4.07

 

CMYK 0 / 44 / 34 / 8

HEX #EA849A

RGB 234 132 154

HSL 347.06, 0.71%, 0.72%

LAB 66.77, 41.45, 5.63

 

CMYK 0 / 51 / 40 / 4

HEX #F67893

RGB 246 120 147

HSL 347.14, 0.88%, 0.72%

LAB 65.85, 50.79, 8.5

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 0 / 5 / 4 / 26

HEX #BCB2B4

RGB 188 178 180

HSL 348, 0.07%, 0.72%

LAB 73.43, 3.91, 0.25

 

CMYK 7 / 0 / 2 / 25

HEX #B0BEBB

RGB 176 190 187

HSL 167.14, 0.1%, 0.72%

LAB 75.85, -5.38, -0.15

 

CMYK 18 / 0 / 3 / 21

HEX #A5C9C2

RGB 165 201 194

HSL 168.33, 0.25%, 0.72%

LAB 78.27, -13.36, -0.49

 

CMYK 28 / 0 / 6 / 16

HEX #99D5C8

RGB 153 213 200

HSL 167, 0.42%, 0.72%

LAB 81.03, -21.86, 0.25

 

CMYK 0 / 17 / 5 / 22

HEX #C8A7BF

RGB 200 167 191

HSL 316.36, 0.23%, 0.72%

LAB 72.01, 16.14, -7.77

 

CMYK 0 / 17 / 9 / 22

HEX #C8A7B7

RGB 200 167 183

HSL 330.91, 0.23%, 0.72%

LAB 71.78, 14.72, -3.7

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 0 / 16 / 17 / 22

HEX #C8A8A7

RGB 200 168 167

HSL 1.82, 0.23%, 0.72%

LAB 71.61, 11.5, 4.87

 

CMYK 0 / 12 / 17 / 22

HEX #C8B1A7

RGB 200 177 167

HSL 18.18, 0.23%, 0.72%

LAB 73.88, 6.62, 8.13

 

CMYK 0 / 31 / 24 / 34

HEX #A8747F

RGB 168 116 127

HSL 347.31, 0.23%, 0.56%

LAB 54.39, 22.08, 2.24

 

CMYK 0 / 23 / 18 / 28

HEX #B88D96

RGB 184 141 150

HSL 347.44, 0.23%, 0.64%

LAB 62.88, 17.69, 1.53

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 0 / 11 / 8 / 16

HEX #D7C0C5

RGB 215 192 197

HSL 346.96, 0.22%, 0.8%

LAB 79.71, 8.96, 0.45

 

CMYK 0 / 6 / 5 / 9

HEX #E7D9DC

RGB 231 217 220

HSL 347.14, 0.23%, 0.88%

LAB 87.86, 5.32, 0.24

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 0 / 0 / 17 / 22

HEX #C8C7A7

RGB 200 199 167

HSL 58.18, 0.23%, 0.72%

LAB 79.57, -5.04, 16.18

 

CMYK 17 / 7 / 0 / 22

HEX #A7BBC8

RGB 167 187 200

HSL 203.64, 0.23%, 0.72%

LAB 74.78, -4.11, -8.87

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 13 / 0 / 17 / 22

HEX #AEC8A7

RGB 174 200 167

HSL 107.27, 0.23%, 0.72%

LAB 77.93, -14.94, 13.61

 

CMYK 17 / 13 / 0 / 22

HEX #A7AEC8

RGB 167 174 200

HSL 227.27, 0.23%, 0.72%

LAB 71.32, 2.93, -14.04

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 0 / 0 / 17 / 22

HEX #C8C7A7

RGB 200 199 167

HSL 58.18, 0.23%, 0.72%

LAB 79.57, -5.04, 16.18

 

CMYK 17 / 0 / 4 / 22

HEX #A7C8C0

RGB 167 200 192

HSL 165.45, 0.23%, 0.72%

LAB 78.07, -12.61, 0.31

 

CMYK 17 / 17 / 0 / 22

HEX #A7A7C8

RGB 167 167 200

HSL 240, 0.23%, 0.72%

LAB 69.49, 6.78, -16.81

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 5 / 0 / 17 / 22

HEX #BEC8A7

RGB 190 200 167

HSL 78.18, 0.23%, 0.72%

LAB 79.07, -9.23, 15.37

 

CMYK 17 / 0 / 4 / 22

HEX #A7C8C0

RGB 167 200 192

HSL 165.45, 0.23%, 0.72%

LAB 78.07, -12.61, 0.31

 

CMYK 12 / 17 / 0 / 22

HEX #B0A7C8

RGB 176 167 200

HSL 256.36, 0.23%, 0.72%

LAB 70.2, 9.72, -15.66

 

Description

Color code: HEX #C8A7AE | qconv.com Color code: HEX #C8A7AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 167 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 167 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 13 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 13% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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