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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8A988 it is the complementary color #375677. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8A988. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8A988 shade: #CDA983, #DEBB96, #EFCDA9, #FFDFBC and #FFF1CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8A988. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8A988 shade: #C8A988, #B79775, #A68562, #95734F and #84613C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8A988 shade: #C8A988, #C89888 and #C88888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8A988 shade: #C8A988, #C8BA88, #C4C888, #B3C888 and #A2C888

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8A988 shade matches the following richer shades: #C8A988, #D6A97A, #E4AA6C and #F2AA5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8A988 shade: #C8A988, #BAA896, #ACA8A4, #9EA7B2 and #90A7C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8A988 shade: #C8888A, #C89788, #C8A888, #C8B988 and #C6C888

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8A988 shade: #AE8050, #BB946B, #C8A988, #D5BDA4 and #E2D2C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8A988 shade: #C8A988, #9BC888 and #8E88C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8A988 shade: #C8A988, #88C8A8 and #A888C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8A988 shade: #C8A988, #9BC888, #88A8C8 and #B588C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8A988 shade: #C8A988, #88C888, #88A8C8 and #C888C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 32 / 22

HEX #C8A988

RGB 200 169 136

HSL 30.94, 0.37%, 0.66%

LAB 71.17, 6.47, 21.25

 

Complementary color

CMYK 54 / 28 / 0 / 53

HEX #375677

RGB 55 86 119

HSL 210.94, 0.37%, 0.34%

LAB 35.6, -1.16, -22.25

 

CMYK 0 / 18 / 36 / 20

HEX #CDA983

RGB 205 169 131

HSL 30.81, 0.43%, 0.66%

LAB 71.55, 7.83, 24.56

 

CMYK 0 / 16 / 32 / 13

HEX #DEBB96

RGB 222 187 150

HSL 30.83, 0.52%, 0.73%

LAB 78.04, 7.25, 23.42

 

CMYK 0 / 14 / 29 / 6

HEX #EFCDA9

RGB 239 205 169

HSL 30.86, 0.69%, 0.8%

LAB 84.42, 6.74, 22.36

 

CMYK 0 / 13 / 26 / 0

HEX #FFDFBC

RGB 255 223 188

HSL 31.34, 1%, 0.87%

LAB 90.63, 5.91, 21.23

 

CMYK 0 / 5 / 19 / 0

HEX #FFF1CF

RGB 255 241 207

HSL 42.5, 1%, 0.91%

LAB 95.44, -0.62, 18.13

 

CMYK 0 / 16 / 32 / 22

HEX #C8A988

RGB 200 169 136

HSL 30.94, 0.37%, 0.66%

LAB 71.17, 6.47, 21.25

 

CMYK 0 / 17 / 36 / 28

HEX #B79775

RGB 183 151 117

HSL 30.91, 0.31%, 0.59%

LAB 64.55, 7.05, 22.4

 

CMYK 0 / 20 / 41 / 35

HEX #A68562

RGB 166 133 98

HSL 30.88, 0.28%, 0.52%

LAB 57.81, 7.74, 23.65

 

CMYK 0 / 23 / 47 / 42

HEX #95734F

RGB 149 115 79

HSL 30.86, 0.31%, 0.45%

LAB 50.94, 8.55, 25.01

 

CMYK 0 / 27 / 55 / 48

HEX #84613C

RGB 132 97 60

HSL 30.83, 0.38%, 0.38%

LAB 43.92, 9.55, 26.51

 

CMYK 0 / 16 / 32 / 22

HEX #C8A988

RGB 200 169 136

HSL 30.94, 0.37%, 0.66%

LAB 71.17, 6.47, 21.25

 

CMYK 0 / 24 / 32 / 22

HEX #C89888

RGB 200 152 136

HSL 15, 0.37%, 0.66%

LAB 66.91, 15.73, 15.38

 

CMYK 0 / 32 / 32 / 22

HEX #C88888

RGB 200 136 136

HSL 0, 0.37%, 0.66%

LAB 63.07, 24.51, 9.97

 

CMYK 0 / 16 / 32 / 22

HEX #C8A988

RGB 200 169 136

HSL 30.94, 0.37%, 0.66%

LAB 71.17, 6.47, 21.25

 

CMYK 0 / 7 / 32 / 22

HEX #C8BA88

RGB 200 186 136

HSL 46.88, 0.37%, 0.66%

LAB 75.56, -2.6, 27.19

 

CMYK 2 / 0 / 32 / 22

HEX #C4C888

RGB 196 200 136

HSL 63.75, 0.37%, 0.66%

LAB 78.94, -11.42, 31.62

 

CMYK 11 / 0 / 32 / 22

HEX #B3C888

RGB 179 200 136

HSL 79.69, 0.37%, 0.66%

LAB 77.68, -17.92, 29.72

 

CMYK 19 / 0 / 32 / 22

HEX #A2C888

RGB 162 200 136

HSL 95.63, 0.37%, 0.66%

LAB 76.54, -24.18, 28

 

CMYK 0 / 16 / 32 / 22

HEX #C8A988

RGB 200 169 136

HSL 30.94, 0.37%, 0.66%

LAB 71.17, 6.47, 21.25

 

CMYK 0 / 21 / 43 / 16

HEX #D6A97A

RGB 214 169 122

HSL 30.65, 0.53%, 0.66%

LAB 72.28, 10.42, 30.52

 

CMYK 0 / 25 / 53 / 11

HEX #E4AA6C

RGB 228 170 108

HSL 31, 0.69%, 0.66%

LAB 73.76, 14.24, 40.04

 

CMYK 0 / 30 / 61 / 5

HEX #F2AA5E

RGB 242 170 94

HSL 30.81, 0.85%, 0.66%

LAB 75.1, 18.91, 49.07

 

CMYK 0 / 16 / 32 / 22

HEX #C8A988

RGB 200 169 136

HSL 30.94, 0.37%, 0.66%

LAB 71.17, 6.47, 21.25

 

CMYK 0 / 10 / 19 / 27

HEX #BAA896

RGB 186 168 150

HSL 30, 0.21%, 0.66%

LAB 69.93, 3.56, 11.67

 

CMYK 0 / 2 / 5 / 33

HEX #ACA8A4

RGB 172 168 164

HSL 30, 0.05%, 0.66%

LAB 69.08, 0.7, 2.56

 

CMYK 11 / 6 / 0 / 30

HEX #9EA7B2

RGB 158 167 178

HSL 213, 0.11%, 0.66%

LAB 68.11, -0.93, -6.76

 

CMYK 25 / 13 / 0 / 25

HEX #90A7C0

RGB 144 167 192

HSL 211.25, 0.28%, 0.66%

LAB 67.56, -2.34, -15.46

 

CMYK 0 / 32 / 31 / 22

HEX #C8888A

RGB 200 136 138

HSL 358.13, 0.37%, 0.66%

LAB 63.11, 24.77, 8.91

 

CMYK 0 / 25 / 32 / 22

HEX #C89788

RGB 200 151 136

HSL 14.06, 0.37%, 0.66%

LAB 66.66, 16.28, 15.03

 

CMYK 0 / 16 / 32 / 22

HEX #C8A888

RGB 200 168 136

HSL 30, 0.37%, 0.66%

LAB 70.91, 7.01, 20.9

 

CMYK 0 / 8 / 32 / 22

HEX #C8B988

RGB 200 185 136

HSL 45.94, 0.37%, 0.66%

LAB 75.3, -2.07, 26.84

 

CMYK 1 / 0 / 32 / 22

HEX #C6C888

RGB 198 200 136

HSL 61.88, 0.37%, 0.66%

LAB 79.09, -10.65, 31.85

 

CMYK 0 / 26 / 54 / 32

HEX #AE8050

RGB 174 128 80

HSL 30.64, 0.37%, 0.5%

LAB 57.09, 12.1, 32.83

 

CMYK 0 / 21 / 43 / 27

HEX #BB946B

RGB 187 148 107

HSL 30.75, 0.37%, 0.58%

LAB 64, 9.18, 27.24

 

CMYK 0 / 16 / 32 / 22

HEX #C8A988

RGB 200 169 136

HSL 30.94, 0.37%, 0.66%

LAB 71.17, 6.47, 21.25

 

CMYK 0 / 11 / 23 / 16

HEX #D5BDA4

RGB 213 189 164

HSL 30.61, 0.37%, 0.74%

LAB 78.01, 4.63, 15.76

 

CMYK 0 / 7 / 15 / 11

HEX #E2D2C0

RGB 226 210 192

HSL 31.76, 0.37%, 0.82%

LAB 85.03, 2.6, 10.91

 

CMYK 0 / 16 / 32 / 22

HEX #C8A988

RGB 200 169 136

HSL 30.94, 0.37%, 0.66%

LAB 71.17, 6.47, 21.25

 

CMYK 23 / 0 / 32 / 22

HEX #9BC888

RGB 155 200 136

HSL 102.19, 0.37%, 0.66%

LAB 76.1, -26.67, 27.34

 

CMYK 29 / 32 / 0 / 22

HEX #8E88C8

RGB 142 136 200

HSL 245.63, 0.37%, 0.66%

LAB 59.46, 16.62, -32.35

 

CMYK 0 / 16 / 32 / 22

HEX #C8A988

RGB 200 169 136

HSL 30.94, 0.37%, 0.66%

LAB 71.17, 6.47, 21.25

 

CMYK 32 / 0 / 16 / 22

HEX #88C8A8

RGB 136 200 168

HSL 150, 0.37%, 0.66%

LAB 75.68, -27.24, 9.56

 

CMYK 16 / 32 / 0 / 22

HEX #A888C8

RGB 168 136 200

HSL 270, 0.37%, 0.66%

LAB 61.74, 24.57, -28.63

 

CMYK 0 / 16 / 32 / 22

HEX #C8A988

RGB 200 169 136

HSL 30.94, 0.37%, 0.66%

LAB 71.17, 6.47, 21.25

 

CMYK 23 / 0 / 32 / 22

HEX #9BC888

RGB 155 200 136

HSL 102.19, 0.37%, 0.66%

LAB 76.1, -26.67, 27.34

 

CMYK 32 / 16 / 0 / 22

HEX #88A8C8

RGB 136 168 200

HSL 210, 0.37%, 0.66%

LAB 67.58, -3.33, -19.9

 

CMYK 10 / 32 / 0 / 22

HEX #B588C8

RGB 181 136 200

HSL 282.19, 0.37%, 0.66%

LAB 63.01, 28.69, -26.57

 

CMYK 0 / 16 / 32 / 22

HEX #C8A988

RGB 200 169 136

HSL 30.94, 0.37%, 0.66%

LAB 71.17, 6.47, 21.25

 

CMYK 32 / 0 / 32 / 22

HEX #88C888

RGB 136 200 136

HSL 120, 0.37%, 0.66%

LAB 75.03, -33.12, 25.71

 

CMYK 32 / 16 / 0 / 22

HEX #88A8C8

RGB 136 168 200

HSL 210, 0.37%, 0.66%

LAB 67.58, -3.33, -19.9

 

CMYK 0 / 32 / 0 / 22

HEX #C888C8

RGB 200 136 200

HSL 300, 0.37%, 0.66%

LAB 65.01, 34.81, -23.34

 

Description

Color code: HEX #C8A988 | qconv.com Color code: HEX #C8A988 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 169 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 169 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 32 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 32% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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