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Color name
HEX #C8AC69

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8AC69 it is the complementary color #375396. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8AC69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8AC69 shade: #CDAC64, #DEBE77, #EFD08A, #FFE29D and #FFF4B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8AC69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8AC69 shade: #C8AC69, #B79A56, #A68843, #957630 and #84641D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8AC69 shade: #C7AC6A, #C7926A, #C7796A and #C76A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8AC69 shade: #C7AC6A, #C7C56A, #B0C76A, #97C76A and #7EC76A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8AC69 shade matches the following richer shades: #C7AC6A, #D8B359, #E8B949 and #F9C038

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8AC69 shade: #C7AC6A, #B7A57A, #A69E8B, #96979B and #8591AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8AC69 shade: #C7796A, #C7926A, #C7AB6A, #C7C46A and #B2C76A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8AC69 shade: #A3843C, #BC9B4B, #C7AC6A, #D3BD88 and #DECDA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8AC69 shade: #C8AC69, #73C76A and #866AC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8AC69 shade: #C8AC69, #6AC7AB and #AB6AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8AC69 shade: #C8AC69, #73C76A, #6A86C7 and #BE6AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8AC69 shade: #C8AC69, #6AC77C, #6A86C7 and #C76AB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 48 / 22

HEX #C8AC69

RGB 200 172 105

HSL 42.32, 0.46%, 0.6%

LAB 71.42, 1.35, 38.07

 

Complementary color

CMYK 63 / 45 / 0 / 41

HEX #375396

RGB 55 83 150

HSL 222.32, 0.46%, 0.4%

LAB 36.37, 11.68, -39.99

 

CMYK 0 / 16 / 51 / 20

HEX #CDAC64

RGB 205 172 100

HSL 41.14, 0.51%, 0.6%

LAB 71.83, 2.96, 41.24

 

CMYK 0 / 14 / 46 / 13

HEX #DEBE77

RGB 222 190 119

HSL 41.36, 0.61%, 0.67%

LAB 78.28, 2.21, 39.95

 

CMYK 0 / 13 / 42 / 6

HEX #EFD08A

RGB 239 208 138

HSL 41.58, 0.76%, 0.74%

LAB 84.64, 1.57, 38.71

 

CMYK 0 / 11 / 38 / 0

HEX #FFE29D

RGB 255 226 157

HSL 42.24, 1%, 0.81%

LAB 90.82, 0.63, 37.39

 

CMYK 0 / 4 / 31 / 0

HEX #FFF4B0

RGB 255 244 176

HSL 51.65, 1%, 0.85%

LAB 95.62, -6.25, 34.16

 

CMYK 0 / 14 / 48 / 22

HEX #C8AC69

RGB 200 172 105

HSL 42.32, 0.46%, 0.6%

LAB 71.42, 1.35, 38.07

 

CMYK 0 / 16 / 53 / 28

HEX #B79A56

RGB 183 154 86

HSL 42.06, 0.4%, 0.53%

LAB 64.84, 2.12, 39.38

 

CMYK 0 / 18 / 60 / 35

HEX #A68843

RGB 166 136 67

HSL 41.82, 0.42%, 0.46%

LAB 58.15, 3.04, 40.71

 

CMYK 0 / 21 / 68 / 42

HEX #957630

RGB 149 118 48

HSL 41.58, 0.51%, 0.39%

LAB 51.34, 4.18, 41.95

 

CMYK 0 / 24 / 78 / 48

HEX #84641D

RGB 132 100 29

HSL 41.36, 0.64%, 0.32%

LAB 44.39, 5.6, 42.84

 

CMYK 0 / 14 / 47 / 22

HEX #C7AC6A

RGB 199 172 106

HSL 42.58, 0.45%, 0.6%

LAB 71.34, 1.03, 37.44

 

CMYK 0 / 27 / 47 / 22

HEX #C7926A

RGB 199 146 106

HSL 25.81, 0.45%, 0.6%

LAB 64.76, 15.12, 29.01

 

CMYK 0 / 39 / 47 / 22

HEX #C7796A

RGB 199 121 106

HSL 9.68, 0.45%, 0.6%

LAB 58.84, 28.8, 21.17

 

CMYK 0 / 47 / 47 / 22

HEX #C76A6A

RGB 199 106 106

HSL 0, 0.45%, 0.6%

LAB 55.57, 36.8, 16.73

 

CMYK 0 / 14 / 47 / 22

HEX #C7AC6A

RGB 199 172 106

HSL 42.58, 0.45%, 0.6%

LAB 71.34, 1.03, 37.44

 

CMYK 0 / 1 / 47 / 22

HEX #C7C56A

RGB 199 197 106

HSL 58.71, 0.45%, 0.6%

LAB 77.94, -12.02, 45.58

 

CMYK 12 / 0 / 47 / 22

HEX #B0C76A

RGB 176 199 106

HSL 74.84, 0.45%, 0.6%

LAB 76.75, -22.21, 43.73

 

CMYK 24 / 0 / 47 / 22

HEX #97C76A

RGB 151 199 106

HSL 90.97, 0.45%, 0.6%

LAB 75.12, -31.7, 41.36

 

CMYK 37 / 0 / 47 / 22

HEX #7EC76A

RGB 126 199 106

HSL 107.1, 0.45%, 0.6%

LAB 73.75, -40.39, 39.36

 

CMYK 0 / 14 / 47 / 22

HEX #C7AC6A

RGB 199 172 106

HSL 42.58, 0.45%, 0.6%

LAB 71.34, 1.03, 37.44

 

CMYK 0 / 17 / 59 / 15

HEX #D8B359

RGB 216 179 89

HSL 42.52, 0.62%, 0.6%

LAB 74.55, 2.96, 50.15

 

CMYK 0 / 20 / 69 / 9

HEX #E8B949

RGB 232 185 73

HSL 42.26, 0.78%, 0.6%

LAB 77.48, 5.56, 61.02

 

CMYK 0 / 23 / 78 / 2

HEX #F9C038

RGB 249 192 56

HSL 42.28, 0.94%, 0.6%

LAB 80.81, 8.35, 71.37

 

CMYK 0 / 14 / 47 / 22

HEX #C7AC6A

RGB 199 172 106

HSL 42.58, 0.45%, 0.6%

LAB 71.34, 1.03, 37.44

 

CMYK 0 / 10 / 33 / 28

HEX #B7A57A

RGB 183 165 122

HSL 42.3, 0.3%, 0.6%

LAB 68.3, 0.05, 24.71

 

CMYK 0 / 5 / 16 / 35

HEX #A69E8B

RGB 166 158 139

HSL 42.22, 0.13%, 0.6%

LAB 65.3, -0.38, 10.97

 

CMYK 3 / 3 / 0 / 39

HEX #96979B

RGB 150 151 155

HSL 228, 0.02%, 0.6%

LAB 62.49, 0.43, -2.23

 

CMYK 23 / 16 / 0 / 33

HEX #8591AC

RGB 133 145 172

HSL 221.54, 0.19%, 0.6%

LAB 60.08, 1.73, -15.6

 

CMYK 0 / 39 / 47 / 22

HEX #C7796A

RGB 199 121 106

HSL 9.68, 0.45%, 0.6%

LAB 58.84, 28.8, 21.17

 

CMYK 0 / 27 / 47 / 22

HEX #C7926A

RGB 199 146 106

HSL 25.81, 0.45%, 0.6%

LAB 64.76, 15.12, 29.01

 

CMYK 0 / 14 / 47 / 22

HEX #C7AB6A

RGB 199 171 106

HSL 41.94, 0.45%, 0.6%

LAB 71.08, 1.56, 37.11

 

CMYK 0 / 2 / 47 / 22

HEX #C7C46A

RGB 199 196 106

HSL 58.06, 0.45%, 0.6%

LAB 77.68, -11.51, 45.26

 

CMYK 11 / 0 / 47 / 22

HEX #B2C76A

RGB 178 199 106

HSL 73.55, 0.45%, 0.6%

LAB 76.89, -21.43, 43.94

 

CMYK 0 / 19 / 63 / 36

HEX #A3843C

RGB 163 132 60

HSL 41.94, 0.46%, 0.44%

LAB 56.7, 3.42, 42.45

 

CMYK 0 / 18 / 60 / 26

HEX #BC9B4B

RGB 188 155 75

HSL 42.48, 0.46%, 0.52%

LAB 65.47, 2.84, 45.75

 

CMYK 0 / 14 / 47 / 22

HEX #C7AC6A

RGB 199 172 106

HSL 42.58, 0.45%, 0.6%

LAB 71.34, 1.03, 37.44

 

CMYK 0 / 10 / 36 / 17

HEX #D3BD88

RGB 211 189 136

HSL 42.4, 0.46%, 0.68%

LAB 77.29, 0.16, 29.67

 

CMYK 0 / 8 / 25 / 13

HEX #DECDA6

RGB 222 205 166

HSL 41.79, 0.46%, 0.76%

LAB 82.88, -0.09, 21.59

 

CMYK 0 / 14 / 48 / 22

HEX #C8AC69

RGB 200 172 105

HSL 42.32, 0.46%, 0.6%

LAB 71.42, 1.35, 38.07

 

CMYK 42 / 0 / 47 / 22

HEX #73C76A

RGB 115 199 106

HSL 114.19, 0.45%, 0.6%

LAB 73.24, -43.87, 38.61

 

CMYK 33 / 47 / 0 / 22

HEX #866AC7

RGB 134 106 199

HSL 258.06, 0.45%, 0.6%

LAB 51.27, 31.67, -44.7

 

CMYK 0 / 14 / 48 / 22

HEX #C8AC69

RGB 200 172 105

HSL 42.32, 0.46%, 0.6%

LAB 71.42, 1.35, 38.07

 

CMYK 47 / 0 / 14 / 22

HEX #6AC7AB

RGB 106 199 171

HSL 161.94, 0.45%, 0.6%

LAB 74.09, -34.39, 5.49

 

CMYK 14 / 47 / 0 / 22

HEX #AB6AC7

RGB 171 106 199

HSL 281.94, 0.45%, 0.6%

LAB 55.16, 42.02, -38.29

 

CMYK 0 / 14 / 48 / 22

HEX #C8AC69

RGB 200 172 105

HSL 42.32, 0.46%, 0.6%

LAB 71.42, 1.35, 38.07

 

CMYK 42 / 0 / 47 / 22

HEX #73C76A

RGB 115 199 106

HSL 114.19, 0.45%, 0.6%

LAB 73.24, -43.87, 38.61

 

CMYK 47 / 33 / 0 / 22

HEX #6A86C7

RGB 106 134 199

HSL 221.94, 0.45%, 0.6%

LAB 56.33, 7.66, -36.87

 

CMYK 5 / 47 / 0 / 22

HEX #BE6AC7

RGB 190 106 199

HSL 294.19, 0.45%, 0.6%

LAB 57.44, 47.52, -34.56

 

CMYK 0 / 14 / 48 / 22

HEX #C8AC69

RGB 200 172 105

HSL 42.32, 0.46%, 0.6%

LAB 71.42, 1.35, 38.07

 

CMYK 47 / 0 / 38 / 22

HEX #6AC77C

RGB 106 199 124

HSL 131.61, 0.45%, 0.6%

LAB 73.13, -43.74, 29.21

 

CMYK 47 / 33 / 0 / 22

HEX #6A86C7

RGB 106 134 199

HSL 221.94, 0.45%, 0.6%

LAB 56.33, 7.66, -36.87

 

CMYK 0 / 47 / 9 / 22

HEX #C76AB5

RGB 199 106 181

HSL 311.61, 0.45%, 0.6%

LAB 57.83, 46.99, -23.57

 

Description

Color code: HEX #C8AC69 | qconv.com Color code: HEX #C8AC69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 172 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 172 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 48 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 48% 22% C M Y K

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Provide designers and agencies with accurate color values.

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