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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8B517 it is the complementary color #374AE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8B517. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8B517 shade: #CDB512, #DEC725, #EFD938, #FFEB4B and #FFFD5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8B517. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8B517 shade: #C8B517, #B7A304, #A69100, #957F00 and #846D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8B517 shade: #C8B517, #C88617, #C85617, #C82617 and #C81717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8B517 shade: #C8B517, #ACC817, #7CC817, #4CC817 and #1CC817

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8B517 shade matches the following richer shades: #C8B517 and #DAC405

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8B517 shade: #C8B517, #B6A729, #A4993B, #928B4E and #807C60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8B517 shade: #C85517, #C88417, #C8B417, #AEC817 and #7EC817

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8B517 shade: #7E720E, #A39413, #C8B517, #E5D024 and #E9D849

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8B517 shade: #C8B517, #17C826 and #6D17C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8B517 shade: #C8B517, #17C8B4 and #B417C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8B517 shade: #C8B517, #17C826, #172CC8 and #C817BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8B517 shade: #C8B517, #17C85B, #172CC8 and #C81784

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 89 / 22

HEX #C8B517

RGB 200 181 23

HSL 53.56, 0.79%, 0.44%

LAB 73.15, -8.01, 71.95

 

Complementary color

CMYK 76 / 68 / 0 / 9

HEX #374AE8

RGB 55 74 232

HSL 233.56, 0.79%, 0.56%

LAB 40.47, 46.83, -81.28

 

CMYK 0 / 12 / 91 / 20

HEX #CDB512

RGB 205 181 18

HSL 52.3, 0.84%, 0.44%

LAB 73.59, -5.91, 73.36

 

CMYK 0 / 10 / 83 / 13

HEX #DEC725

RGB 222 199 37

HSL 52.54, 0.74%, 0.51%

LAB 79.9, -7.39, 75.19

 

CMYK 0 / 9 / 77 / 6

HEX #EFD938

RGB 239 217 56

HSL 52.79, 0.85%, 0.58%

LAB 86.14, -8.67, 75.89

 

CMYK 0 / 8 / 71 / 0

HEX #FFEB4B

RGB 255 235 75

HSL 53.33, 1%, 0.65%

LAB 92.21, -10.19, 75.76

 

CMYK 0 / 1 / 63 / 0

HEX #FFFD5E

RGB 255 253 94

HSL 59.25, 1%, 0.68%

LAB 96.95, -17.97, 73.47

 

CMYK 0 / 10 / 89 / 22

HEX #C8B517

RGB 200 181 23

HSL 53.56, 0.79%, 0.44%

LAB 73.15, -8.01, 71.95

 

CMYK 0 / 11 / 98 / 28

HEX #B7A304

RGB 183 163 4

HSL 53.3, 0.96%, 0.37%

LAB 66.73, -6.41, 69.17

 

CMYK 0 / 13 / 100 / 35

HEX #A69100

RGB 166 145 0

HSL 52.41, 1%, 0.33%

LAB 60.21, -4.54, 64.3

 

CMYK 0 / 15 / 100 / 42

HEX #957F00

RGB 149 127 0

HSL 51.14, 1%, 0.29%

LAB 53.57, -2.54, 58.81

 

CMYK 0 / 17 / 100 / 48

HEX #846D00

RGB 132 109 0

HSL 49.55, 1%, 0.26%

LAB 46.77, -0.44, 53.19

 

CMYK 0 / 10 / 89 / 22

HEX #C8B517

RGB 200 181 23

HSL 53.56, 0.79%, 0.44%

LAB 73.15, -8.01, 71.95

 

CMYK 0 / 33 / 89 / 22

HEX #C88617

RGB 200 134 23

HSL 37.63, 0.79%, 0.44%

LAB 61.13, 17.2, 62.47

 

CMYK 0 / 57 / 89 / 22

HEX #C85617

RGB 200 86 23

HSL 21.36, 0.79%, 0.44%

LAB 50.68, 42.48, 54.31

 

CMYK 0 / 81 / 89 / 22

HEX #C82617

RGB 200 38 23

HSL 5.08, 0.79%, 0.44%

LAB 43.84, 61, 49.03

 

CMYK 0 / 89 / 89 / 22

HEX #C81717

RGB 200 23 23

HSL 0, 0.79%, 0.44%

LAB 42.69, 64.26, 48.15

 

CMYK 0 / 10 / 89 / 22

HEX #C8B517

RGB 200 181 23

HSL 53.56, 0.79%, 0.44%

LAB 73.15, -8.01, 71.95

 

CMYK 14 / 0 / 89 / 22

HEX #ACC817

RGB 172 200 23

HSL 69.49, 0.79%, 0.44%

LAB 76.16, -29.46, 73.43

 

CMYK 38 / 0 / 89 / 22

HEX #7CC817

RGB 124 200 23

HSL 85.76, 0.79%, 0.44%

LAB 73.32, -47.93, 69.93

 

CMYK 62 / 0 / 89 / 22

HEX #4CC817

RGB 76 200 23

HSL 102.03, 0.79%, 0.44%

LAB 71.49, -62.02, 67.65

 

CMYK 86 / 0 / 89 / 22

HEX #1CC817

RGB 28 200 23

HSL 118.31, 0.79%, 0.44%

LAB 70.61, -69.66, 66.54

 

CMYK 0 / 10 / 89 / 22

HEX #C8B517

RGB 200 181 23

HSL 53.56, 0.79%, 0.44%

LAB 73.15, -8.01, 71.95

 

CMYK 0 / 10 / 98 / 15

HEX #DAC405

RGB 218 196 5

HSL 53.8, 0.96%, 0.44%

LAB 78.69, -8.11, 79.23

 

CMYK 0 / 10 / 89 / 22

HEX #C8B517

RGB 200 181 23

HSL 53.56, 0.79%, 0.44%

LAB 73.15, -8.01, 71.95

 

CMYK 0 / 8 / 77 / 29

HEX #B6A729

RGB 182 167 41

HSL 53.62, 0.63%, 0.44%

LAB 67.83, -8.11, 62.13

 

CMYK 0 / 7 / 64 / 36

HEX #A4993B

RGB 164 153 59

HSL 53.71, 0.47%, 0.44%

LAB 62.5, -7.7, 49.3

 

CMYK 0 / 5 / 47 / 43

HEX #928B4E

RGB 146 139 78

HSL 53.82, 0.3%, 0.44%

LAB 57.2, -6.38, 33.41

 

CMYK 0 / 3 / 25 / 50

HEX #807C60

RGB 128 124 96

HSL 52.5, 0.14%, 0.44%

LAB 51.67, -3.36, 15.87

 

CMYK 0 / 58 / 89 / 22

HEX #C85517

RGB 200 85 23

HSL 21.02, 0.79%, 0.44%

LAB 50.5, 42.96, 54.16

 

CMYK 0 / 34 / 89 / 22

HEX #C88417

RGB 200 132 23

HSL 36.95, 0.79%, 0.44%

LAB 60.64, 18.29, 62.09

 

CMYK 0 / 10 / 89 / 22

HEX #C8B417

RGB 200 180 23

HSL 53.22, 0.79%, 0.44%

LAB 72.88, -7.49, 71.74

 

CMYK 13 / 0 / 89 / 22

HEX #AEC817

RGB 174 200 23

HSL 68.81, 0.79%, 0.44%

LAB 76.3, -28.63, 73.6

 

CMYK 37 / 0 / 89 / 22

HEX #7EC817

RGB 126 200 23

HSL 85.08, 0.79%, 0.44%

LAB 73.42, -47.23, 70.05

 

CMYK 0 / 10 / 89 / 51

HEX #7E720E

RGB 126 114 14

HSL 53.57, 0.8%, 0.27%

LAB 47.63, -5.86, 50.49

 

CMYK 0 / 9 / 88 / 36

HEX #A39413

RGB 163 148 19

HSL 53.75, 0.79%, 0.36%

LAB 60.79, -7.22, 61.48

 

CMYK 0 / 10 / 89 / 22

HEX #C8B517

RGB 200 181 23

HSL 53.56, 0.79%, 0.44%

LAB 73.15, -8.01, 71.95

 

CMYK 0 / 9 / 84 / 10

HEX #E5D024

RGB 229 208 36

HSL 53.47, 0.79%, 0.52%

LAB 82.86, -8.99, 78.13

 

CMYK 0 / 7 / 69 / 9

HEX #E9D849

RGB 233 216 73

HSL 53.63, 0.78%, 0.6%

LAB 85.46, -9.94, 69.19

 

CMYK 0 / 10 / 89 / 22

HEX #C8B517

RGB 200 181 23

HSL 53.56, 0.79%, 0.44%

LAB 73.15, -8.01, 71.95

 

CMYK 89 / 0 / 81 / 22

HEX #17C826

RGB 23 200 38

HSL 125.08, 0.79%, 0.44%

LAB 70.62, -69.37, 63.05

 

CMYK 46 / 89 / 0 / 22

HEX #6D17C8

RGB 109 23 200

HSL 269.15, 0.79%, 0.44%

LAB 34.05, 66.18, -73.27

 

CMYK 0 / 10 / 89 / 22

HEX #C8B517

RGB 200 181 23

HSL 53.56, 0.79%, 0.44%

LAB 73.15, -8.01, 71.95

 

CMYK 89 / 0 / 10 / 22

HEX #17C8B4

RGB 23 200 180

HSL 173.22, 0.79%, 0.44%

LAB 72.75, -44.99, -1.57

 

CMYK 10 / 89 / 0 / 22

HEX #B417C8

RGB 180 23 200

HSL 293.22, 0.79%, 0.44%

LAB 44.92, 76.14, -55.09

 

CMYK 0 / 10 / 89 / 22

HEX #C8B517

RGB 200 181 23

HSL 53.56, 0.79%, 0.44%

LAB 73.15, -8.01, 71.95

 

CMYK 89 / 0 / 81 / 22

HEX #17C826

RGB 23 200 38

HSL 125.08, 0.79%, 0.44%

LAB 70.62, -69.37, 63.05

 

CMYK 89 / 78 / 0 / 22

HEX #172CC8

RGB 23 44 200

HSL 232.88, 0.79%, 0.44%

LAB 29.8, 51.18, -80.53

 

CMYK 0 / 89 / 7 / 22

HEX #C817BA

RGB 200 23 186

HSL 304.75, 0.79%, 0.44%

LAB 47.54, 77.49, -42.54

 

CMYK 0 / 10 / 89 / 22

HEX #C8B517

RGB 200 181 23

HSL 53.56, 0.79%, 0.44%

LAB 73.15, -8.01, 71.95

 

CMYK 89 / 0 / 55 / 22

HEX #17C85B

RGB 23 200 91

HSL 143.05, 0.79%, 0.44%

LAB 71.04, -64.07, 42.7

 

CMYK 89 / 78 / 0 / 22

HEX #172CC8

RGB 23 44 200

HSL 232.88, 0.79%, 0.44%

LAB 29.8, 51.18, -80.53

 

CMYK 0 / 89 / 34 / 22

HEX #C81784

RGB 200 23 132

HSL 323.05, 0.79%, 0.44%

LAB 45.02, 70.81, -14.16

 

Description

Color code: HEX #C8B517 | qconv.com Color code: HEX #C8B517 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 181 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 181 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 89 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 89% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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