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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8B9AB it is the complementary color #374654. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8B9AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8B9AB shade: #CDB9A6, #DECBB9, #EFDDCC, #FFEFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8B9AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8B9AB shade: #C8B9AB, #B7A798, #A69585, #958372 and #84715F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8B9AB shade: #C8B9AB, #C8B1AB and #C8ABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8B9AB shade: #C8B9AB, #C8C1AB, #C7C8AB, #C0C8AB and #B8C8AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8B9AB shade matches the following richer shades: #C8B9AB, #D3B9A0, #DEB895, #EAB88A and #F5B87F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8B9AB shade: #C8B9AB, #BDBAB6, #B2BAC1, #A7BACD and #9CBBD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8B9AB shade: #C8ABAD, #C8B1AB, #C8B9AB, #C8C0AB and #C8C8AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8B9AB shade: #A89079, #B8A492, #C8B9AB, #D8CEC4 and #E9E3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8B9AB shade: #C8B9AB, #B5C8AB and #ADABC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8B9AB shade: #C8B9AB, #ABC8B9 and #B9ABC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8B9AB shade: #C8B9AB, #B5C8AB, #ABBBC8 and #BEABC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8B9AB shade: #C8B9AB, #ACC8AB, #ABBBC8 and #C7ABC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 15 / 22

HEX #C8B9AB

RGB 200 185 171

HSL 28.97, 0.21%, 0.73%

LAB 76.02, 2.97, 9.01

 

Complementary color

CMYK 35 / 17 / 0 / 67

HEX #374654

RGB 55 70 84

HSL 208.97, 0.21%, 0.27%

LAB 28.99, -2.1, -10.3

 

CMYK 0 / 10 / 19 / 20

HEX #CDB9A6

RGB 205 185 166

HSL 29.23, 0.28%, 0.73%

LAB 76.33, 4.04, 12.23

 

CMYK 0 / 9 / 17 / 13

HEX #DECBB9

RGB 222 203 185

HSL 29.19, 0.36%, 0.8%

LAB 82.78, 3.72, 11.37

 

CMYK 0 / 8 / 15 / 6

HEX #EFDDCC

RGB 239 221 204

HSL 29.14, 0.52%, 0.87%

LAB 89.12, 3.42, 10.56

 

CMYK 0 / 6 / 13 / 0

HEX #FFEFDF

RGB 255 239 223

HSL 30, 1%, 0.94%

LAB 95.3, 2.8, 9.66

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 0 / 8 / 15 / 22

HEX #C8B9AB

RGB 200 185 171

HSL 28.97, 0.21%, 0.73%

LAB 76.02, 2.97, 9.01

 

CMYK 0 / 9 / 17 / 28

HEX #B7A798

RGB 183 167 152

HSL 29.03, 0.18%, 0.66%

LAB 69.45, 3.28, 9.85

 

CMYK 0 / 10 / 20 / 35

HEX #A69585

RGB 166 149 133

HSL 29.09, 0.16%, 0.59%

LAB 62.76, 3.62, 10.74

 

CMYK 0 / 12 / 23 / 42

HEX #958372

RGB 149 131 114

HSL 29.14, 0.14%, 0.52%

LAB 55.92, 4.01, 11.7

 

CMYK 0 / 14 / 28 / 48

HEX #84715F

RGB 132 113 95

HSL 29.19, 0.16%, 0.45%

LAB 48.94, 4.48, 12.75

 

CMYK 0 / 8 / 15 / 22

HEX #C8B9AB

RGB 200 185 171

HSL 28.97, 0.21%, 0.73%

LAB 76.02, 2.97, 9.01

 

CMYK 0 / 12 / 15 / 22

HEX #C8B1AB

RGB 200 177 171

HSL 12.41, 0.21%, 0.73%

LAB 73.97, 7.27, 6.08

 

CMYK 0 / 15 / 15 / 22

HEX #C8ABAB

RGB 200 171 171

HSL 0, 0.21%, 0.73%

LAB 72.46, 10.51, 3.9

 

CMYK 0 / 8 / 15 / 22

HEX #C8B9AB

RGB 200 185 171

HSL 28.97, 0.21%, 0.73%

LAB 76.02, 2.97, 9.01

 

CMYK 0 / 4 / 15 / 22

HEX #C8C1AB

RGB 200 193 171

HSL 45.52, 0.21%, 0.73%

LAB 78.09, -1.27, 11.95

 

CMYK 0 / 0 / 15 / 22

HEX #C7C8AB

RGB 199 200 171

HSL 62.07, 0.21%, 0.73%

LAB 79.84, -5.31, 14.41

 

CMYK 4 / 0 / 15 / 22

HEX #C0C8AB

RGB 192 200 171

HSL 76.55, 0.21%, 0.73%

LAB 79.3, -7.85, 13.58

 

CMYK 8 / 0 / 15 / 22

HEX #B8C8AB

RGB 184 200 171

HSL 93.1, 0.21%, 0.73%

LAB 78.72, -10.72, 12.67

 

CMYK 0 / 8 / 15 / 22

HEX #C8B9AB

RGB 200 185 171

HSL 28.97, 0.21%, 0.73%

LAB 76.02, 2.97, 9.01

 

CMYK 0 / 12 / 24 / 17

HEX #D3B9A0

RGB 211 185 160

HSL 29.41, 0.37%, 0.73%

LAB 76.73, 5.42, 16.1

 

CMYK 0 / 17 / 33 / 13

HEX #DEB895

RGB 222 184 149

HSL 28.77, 0.53%, 0.73%

LAB 77.27, 8.72, 22.91

 

CMYK 0 / 21 / 41 / 8

HEX #EAB88A

RGB 234 184 138

HSL 28.75, 0.7%, 0.73%

LAB 78.23, 12.14, 30.25

 

CMYK 0 / 25 / 48 / 4

HEX #F5B87F

RGB 245 184 127

HSL 28.98, 0.86%, 0.73%

LAB 79.17, 15.4, 37.44

 

CMYK 0 / 8 / 15 / 22

HEX #C8B9AB

RGB 200 185 171

HSL 28.97, 0.21%, 0.73%

LAB 76.02, 2.97, 9.01

 

CMYK 0 / 2 / 4 / 26

HEX #BDBAB6

RGB 189 186 182

HSL 34.29, 0.05%, 0.73%

LAB 75.65, 0.33, 2.39

 

CMYK 8 / 4 / 0 / 24

HEX #B2BAC1

RGB 178 186 193

HSL 208, 0.11%, 0.73%

LAB 75.1, -1.4, -4.5

 

CMYK 19 / 9 / 0 / 20

HEX #A7BACD

RGB 167 186 205

HSL 210, 0.28%, 0.73%

LAB 74.66, -2.49, -11.77

 

CMYK 28 / 13 / 0 / 15

HEX #9CBBD8

RGB 156 187 216

HSL 209, 0.43%, 0.73%

LAB 74.55, -3.88, -17.99

 

CMYK 0 / 15 / 14 / 22

HEX #C8ABAD

RGB 200 171 173

HSL 355.86, 0.21%, 0.73%

LAB 72.51, 10.84, 2.87

 

CMYK 0 / 12 / 15 / 22

HEX #C8B1AB

RGB 200 177 171

HSL 12.41, 0.21%, 0.73%

LAB 73.97, 7.27, 6.08

 

CMYK 0 / 8 / 15 / 22

HEX #C8B9AB

RGB 200 185 171

HSL 28.97, 0.21%, 0.73%

LAB 76.02, 2.97, 9.01

 

CMYK 0 / 4 / 15 / 22

HEX #C8C0AB

RGB 200 192 171

HSL 43.45, 0.21%, 0.73%

LAB 77.83, -0.75, 11.58

 

CMYK 0 / 0 / 15 / 22

HEX #C8C8AB

RGB 200 200 171

HSL 60, 0.21%, 0.73%

LAB 79.91, -4.94, 14.53

 

CMYK 0 / 14 / 28 / 34

HEX #A89079

RGB 168 144 121

HSL 29.36, 0.21%, 0.57%

LAB 61.35, 5.39, 15.56

 

CMYK 0 / 11 / 21 / 28

HEX #B8A492

RGB 184 164 146

HSL 28.42, 0.21%, 0.65%

LAB 68.62, 4.35, 12

 

CMYK 0 / 8 / 15 / 22

HEX #C8B9AB

RGB 200 185 171

HSL 28.97, 0.21%, 0.73%

LAB 76.02, 2.97, 9.01

 

CMYK 0 / 5 / 9 / 15

HEX #D8CEC4

RGB 216 206 196

HSL 30, 0.2%, 0.81%

LAB 83.3, 1.75, 6.19

 

CMYK 0 / 3 / 5 / 9

HEX #E9E3DD

RGB 233 227 221

HSL 30, 0.21%, 0.89%

LAB 90.54, 1, 3.63

 

CMYK 0 / 8 / 15 / 22

HEX #C8B9AB

RGB 200 185 171

HSL 28.97, 0.21%, 0.73%

LAB 76.02, 2.97, 9.01

 

CMYK 10 / 0 / 15 / 22

HEX #B5C8AB

RGB 181 200 171

HSL 99.31, 0.21%, 0.73%

LAB 78.5, -11.79, 12.34

 

CMYK 14 / 15 / 0 / 22

HEX #ADABC8

RGB 173 171 200

HSL 244.14, 0.21%, 0.73%

LAB 70.99, 6.53, -14.49

 

CMYK 0 / 8 / 15 / 22

HEX #C8B9AB

RGB 200 185 171

HSL 28.97, 0.21%, 0.73%

LAB 76.02, 2.97, 9.01

 

CMYK 15 / 0 / 8 / 22

HEX #ABC8B9

RGB 171 200 185

HSL 148.97, 0.21%, 0.73%

LAB 78.15, -12.68, 4.23

 

CMYK 8 / 15 / 0 / 22

HEX #B9ABC8

RGB 185 171 200

HSL 268.97, 0.21%, 0.73%

LAB 71.97, 10.52, -12.93

 

CMYK 0 / 8 / 15 / 22

HEX #C8B9AB

RGB 200 185 171

HSL 28.97, 0.21%, 0.73%

LAB 76.02, 2.97, 9.01

 

CMYK 10 / 0 / 15 / 22

HEX #B5C8AB

RGB 181 200 171

HSL 99.31, 0.21%, 0.73%

LAB 78.5, -11.79, 12.34

 

CMYK 15 / 7 / 0 / 22

HEX #ABBBC8

RGB 171 187 200

HSL 206.9, 0.21%, 0.73%

LAB 75.06, -2.82, -8.43

 

CMYK 5 / 15 / 0 / 22

HEX #BEABC8

RGB 190 171 200

HSL 279.31, 0.21%, 0.73%

LAB 72.39, 12.2, -12.25

 

CMYK 0 / 8 / 15 / 22

HEX #C8B9AB

RGB 200 185 171

HSL 28.97, 0.21%, 0.73%

LAB 76.02, 2.97, 9.01

 

CMYK 14 / 0 / 15 / 22

HEX #ACC8AB

RGB 172 200 171

HSL 117.93, 0.21%, 0.73%

LAB 77.89, -14.93, 11.38

 

CMYK 15 / 7 / 0 / 22

HEX #ABBBC8

RGB 171 187 200

HSL 206.9, 0.21%, 0.73%

LAB 75.06, -2.82, -8.43

 

CMYK 0 / 15 / 0 / 22

HEX #C7ABC8

RGB 199 171 200

HSL 297.93, 0.21%, 0.73%

LAB 73.18, 15.27, -10.99

 

Description

Color code: HEX #C8B9AB | qconv.com Color code: HEX #C8B9AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 185 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 185 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 15% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - 폴스부띠끄
Link: http://www.paulsboutique.co.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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