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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8B055 it is the complementary color #374FAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8B055. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8B055 shade: #CDB050, #DEC263, #EFD476, #FFE689 and #FFF89C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8B055. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8B055 shade: #C8B055, #B79E42, #A68C2F, #957A1C and #846809

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8B055 shade: #C8B055, #C89155, #C87255 and #C85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8B055 shade: #C8B055, #C1C855, #A2C855, #83C855 and #64C855

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8B055 shade matches the following richer shades: #C8B055, #DABA43, #ECC531 and #FECF1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8B055 shade: #C8B055, #B5A567, #A39A79, #91908C and #7F859E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8B055 shade: #C87255, #C89055, #C8AF55, #C2C855 and #A3C855

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8B055 shade: #998331, #B89E3B, #C8B055, #D2BE74 and #DCCD93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8B055 shade: #C8B055, #57C855 and #8155C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8B055 shade: #C8B055, #55C8AF and #AF55C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8B055 shade: #C8B055, #57C855, #556EC8 and #C655C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8B055 shade: #C8B055, #55C876, #556EC8 and #C855A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 58 / 22

HEX #C8B055

RGB 200 176 85

HSL 47.48, 0.51%, 0.56%

LAB 72.22, -2.51, 48.98

 

Complementary color

CMYK 68 / 54 / 0 / 33

HEX #374FAA

RGB 55 79 170

HSL 227.48, 0.51%, 0.44%

LAB 36.57, 21.62, -51.66

 

CMYK 0 / 14 / 61 / 20

HEX #CDB050

RGB 205 176 80

HSL 46.08, 0.56%, 0.56%

LAB 72.63, -0.75, 51.92

 

CMYK 0 / 13 / 55 / 13

HEX #DEC263

RGB 222 194 99

HSL 46.34, 0.65%, 0.63%

LAB 79.05, -1.63, 50.76

 

CMYK 0 / 11 / 51 / 6

HEX #EFD476

RGB 239 212 118

HSL 46.61, 0.79%, 0.7%

LAB 85.38, -2.38, 49.55

 

CMYK 0 / 10 / 46 / 0

HEX #FFE689

RGB 255 230 137

HSL 47.29, 1%, 0.77%

LAB 91.53, -3.42, 48.21

 

CMYK 0 / 3 / 39 / 0

HEX #FFF89C

RGB 255 248 156

HSL 55.76, 1%, 0.81%

LAB 96.33, -10.49, 45

 

CMYK 0 / 12 / 58 / 22

HEX #C8B055

RGB 200 176 85

HSL 47.48, 0.51%, 0.56%

LAB 72.22, -2.51, 48.98

 

CMYK 0 / 14 / 64 / 28

HEX #B79E42

RGB 183 158 66

HSL 47.18, 0.47%, 0.49%

LAB 65.68, -1.59, 50.09

 

CMYK 0 / 16 / 72 / 35

HEX #A68C2F

RGB 166 140 47

HSL 46.89, 0.56%, 0.42%

LAB 59.04, -0.46, 50.95

 

CMYK 0 / 18 / 81 / 42

HEX #957A1C

RGB 149 122 28

HSL 46.61, 0.68%, 0.35%

LAB 52.28, 0.91, 51.21

 

CMYK 0 / 21 / 93 / 48

HEX #846809

RGB 132 104 9

HSL 46.34, 0.87%, 0.28%

LAB 45.39, 2.63, 50.13

 

CMYK 0 / 12 / 58 / 22

HEX #C8B055

RGB 200 176 85

HSL 47.48, 0.51%, 0.56%

LAB 72.22, -2.51, 48.98

 

CMYK 0 / 28 / 58 / 22

HEX #C89155

RGB 200 145 85

HSL 31.3, 0.51%, 0.56%

LAB 64.31, 14.2, 39.67

 

CMYK 0 / 43 / 58 / 22

HEX #C87255

RGB 200 114 85

HSL 15.13, 0.51%, 0.56%

LAB 57.05, 31.07, 30.71

 

CMYK 0 / 58 / 58 / 22

HEX #C85555

RGB 200 85 85

HSL 0, 0.51%, 0.56%

LAB 51.19, 45.86, 23.17

 

CMYK 0 / 12 / 58 / 22

HEX #C8B055

RGB 200 176 85

HSL 47.48, 0.51%, 0.56%

LAB 72.22, -2.51, 48.98

 

CMYK 4 / 0 / 58 / 22

HEX #C1C855

RGB 193 200 85

HSL 63.65, 0.51%, 0.56%

LAB 78.05, -17.77, 55.43

 

CMYK 19 / 0 / 58 / 22

HEX #A2C855

RGB 162 200 85

HSL 79.83, 0.51%, 0.56%

LAB 75.85, -30.19, 52.35

 

CMYK 35 / 0 / 58 / 22

HEX #83C855

RGB 131 200 85

HSL 96, 0.51%, 0.56%

LAB 74.06, -41.59, 49.82

 

CMYK 50 / 0 / 58 / 22

HEX #64C855

RGB 100 200 85

HSL 112.17, 0.51%, 0.56%

LAB 72.68, -51.33, 47.87

 

CMYK 0 / 12 / 58 / 22

HEX #C8B055

RGB 200 176 85

HSL 47.48, 0.51%, 0.56%

LAB 72.22, -2.51, 48.98

 

CMYK 0 / 15 / 69 / 15

HEX #DABA43

RGB 218 186 67

HSL 47.28, 0.67%, 0.56%

LAB 76.33, -1.24, 61.88

 

CMYK 0 / 17 / 79 / 7

HEX #ECC531

RGB 236 197 49

HSL 47.49, 0.83%, 0.56%

LAB 80.73, -0.01, 73.09

 

CMYK 0 / 19 / 88 / 0

HEX #FECF1F

RGB 254 207 31

HSL 47.35, 0.99%, 0.56%

LAB 84.89, 2.07, 81.79

 

CMYK 0 / 12 / 58 / 22

HEX #C8B055

RGB 200 176 85

HSL 47.48, 0.51%, 0.56%

LAB 72.22, -2.51, 48.98

 

CMYK 0 / 9 / 43 / 29

HEX #B5A567

RGB 181 165 103

HSL 47.69, 0.35%, 0.56%

LAB 67.81, -3, 34.19

 

CMYK 0 / 6 / 26 / 36

HEX #A39A79

RGB 163 154 121

HSL 47.14, 0.19%, 0.56%

LAB 63.57, -2.13, 18.55

 

CMYK 0 / 1 / 3 / 43

HEX #91908C

RGB 145 144 140

HSL 48, 0.02%, 0.56%

LAB 59.76, -0.39, 2.24

 

CMYK 20 / 16 / 0 / 38

HEX #7F859E

RGB 127 133 158

HSL 228.39, 0.14%, 0.56%

LAB 55.84, 3.31, -14.05

 

CMYK 0 / 43 / 58 / 22

HEX #C87255

RGB 200 114 85

HSL 15.13, 0.51%, 0.56%

LAB 57.05, 31.07, 30.71

 

CMYK 0 / 28 / 58 / 22

HEX #C89055

RGB 200 144 85

HSL 30.78, 0.51%, 0.56%

LAB 64.07, 14.74, 39.38

 

CMYK 0 / 13 / 58 / 22

HEX #C8AF55

RGB 200 175 85

HSL 46.96, 0.51%, 0.56%

LAB 71.96, -1.98, 48.68

 

CMYK 3 / 0 / 58 / 22

HEX #C2C855

RGB 194 200 85

HSL 63.13, 0.51%, 0.56%

LAB 78.13, -17.36, 55.54

 

CMYK 19 / 0 / 58 / 22

HEX #A3C855

RGB 163 200 85

HSL 79.3, 0.51%, 0.56%

LAB 75.92, -29.8, 52.44

 

CMYK 0 / 14 / 68 / 40

HEX #998331

RGB 153 131 49

HSL 47.31, 0.51%, 0.4%

LAB 55.31, -1.25, 45.83

 

CMYK 0 / 14 / 68 / 28

HEX #B89E3B

RGB 184 158 59

HSL 47.52, 0.51%, 0.48%

LAB 65.72, -1.58, 53.26

 

CMYK 0 / 12 / 58 / 22

HEX #C8B055

RGB 200 176 85

HSL 47.48, 0.51%, 0.56%

LAB 72.22, -2.51, 48.98

 

CMYK 0 / 10 / 45 / 18

HEX #D2BE74

RGB 210 190 116

HSL 47.23, 0.51%, 0.64%

LAB 77.15, -2.96, 39.83

 

CMYK 0 / 7 / 33 / 14

HEX #DCCD93

RGB 220 205 147

HSL 47.67, 0.51%, 0.72%

LAB 82.37, -3.32, 30.81

 

CMYK 0 / 12 / 58 / 22

HEX #C8B055

RGB 200 176 85

HSL 47.48, 0.51%, 0.56%

LAB 72.22, -2.51, 48.98

 

CMYK 57 / 0 / 58 / 22

HEX #57C855

RGB 87 200 85

HSL 118.96, 0.51%, 0.56%

LAB 72.22, -54.76, 47.22

 

CMYK 36 / 58 / 0 / 22

HEX #8155C8

RGB 129 85 200

HSL 262.96, 0.51%, 0.56%

LAB 46.09, 42.72, -53.58

 

CMYK 0 / 12 / 58 / 22

HEX #C8B055

RGB 200 176 85

HSL 47.48, 0.51%, 0.56%

LAB 72.22, -2.51, 48.98

 

CMYK 58 / 0 / 13 / 22

HEX #55C8AF

RGB 85 200 175

HSL 166.96, 0.51%, 0.56%

LAB 73.76, -38.57, 2.75

 

CMYK 13 / 58 / 0 / 22

HEX #AF55C8

RGB 175 85 200

HSL 286.96, 0.51%, 0.56%

LAB 51.59, 54.14, -44.48

 

CMYK 0 / 12 / 58 / 22

HEX #C8B055

RGB 200 176 85

HSL 47.48, 0.51%, 0.56%

LAB 72.22, -2.51, 48.98

 

CMYK 57 / 0 / 58 / 22

HEX #57C855

RGB 87 200 85

HSL 118.96, 0.51%, 0.56%

LAB 72.22, -54.76, 47.22

 

CMYK 58 / 45 / 0 / 22

HEX #556EC8

RGB 85 110 200

HSL 226.96, 0.51%, 0.56%

LAB 48.58, 17.79, -49.78

 

CMYK 1 / 58 / 0 / 22

HEX #C655C8

RGB 198 85 200

HSL 298.96, 0.51%, 0.56%

LAB 54.73, 60.07, -39.3

 

CMYK 0 / 12 / 58 / 22

HEX #C8B055

RGB 200 176 85

HSL 47.48, 0.51%, 0.56%

LAB 72.22, -2.51, 48.98

 

CMYK 58 / 0 / 41 / 22

HEX #55C876

RGB 85 200 118

HSL 137.22, 0.51%, 0.56%

LAB 72.59, -50.48, 31.47

 

CMYK 58 / 45 / 0 / 22

HEX #556EC8

RGB 85 110 200

HSL 226.96, 0.51%, 0.56%

LAB 48.58, 17.79, -49.78

 

CMYK 0 / 58 / 17 / 22

HEX #C855A7

RGB 200 85 167

HSL 317.22, 0.51%, 0.56%

LAB 53.56, 55.24, -22.01

 

Description

Color code: HEX #C8B055 | qconv.com Color code: HEX #C8B055 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 176 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 176 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 58 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 58% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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