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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8BBC0 it is the complementary color #37443F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8BBC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8BBC0 shade: #CDBBBB, #DECDCE, #EFDFE1 and #FFF1F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8BBC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8BBC0 shade: #C8BBC0, #B7A9AD, #A6979A, #958587 and #847374

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8BBC0 shade: #C8BBC0, #C8BBBC and #C8BBBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8BBC0 shade: #C8BBC0, #C8BBC3, #C8BBC7, #C5BBC8 and #C2BBC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8BBC0 shade matches the following richer shades: #C8BBC0, #D2B1BD, #DCA7BB, #E69DB9 and #F093B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8BBC0 shade: #C8BBC0, #BEC4C2, #B4CEC4, #AAD8C7 and #A0E2C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8BBC0 shade: #C8BBC7, #C8BBC4, #C8BBC0, #C8BBBC and #C8BCBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8BBC0 shade: #A38D95, #B6A4AB, #C8BBC0, #DAD1D5 and #EDE8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8BBC0 shade: #C8BBC0, #C8C5BB and #BBC5C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8BBC0 shade: #C8BBC0, #C0C8BB and #BBC0C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8BBC0 shade: #C8BBC0, #C8C5BB, #BBC8C3 and #BBBDC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8BBC0 shade: #C8BBC0, #C7C8BB, #BBC8C3 and #BCBBC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

Complementary color

CMYK 19 / 0 / 7 / 73

HEX #37443F

RGB 55 68 63

HSL 156.92, 0.11%, 0.24%

LAB 27.59, -6.46, 1.28

 

CMYK 0 / 9 / 9 / 20

HEX #CDBBBB

RGB 205 187 187

HSL 0, 0.15%, 0.77%

LAB 77.35, 6.37, 2.3

 

CMYK 0 / 8 / 7 / 13

HEX #DECDCE

RGB 222 205 206

HSL 356.47, 0.2%, 0.84%

LAB 83.78, 6.08, 1.63

 

CMYK 0 / 7 / 6 / 6

HEX #EFDFE1

RGB 239 223 225

HSL 352.5, 0.33%, 0.91%

LAB 90.12, 5.8, 0.98

 

CMYK 0 / 5 / 4 / 0

HEX #FFF1F4

RGB 255 241 244

HSL 347.14, 1%, 0.97%

LAB 96.29, 5.21, 0.23

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

CMYK 0 / 8 / 5 / 28

HEX #B7A9AD

RGB 183 169 173

HSL 342.86, 0.09%, 0.69%

LAB 70.5, 5.75, -0.24

 

CMYK 0 / 9 / 7 / 35

HEX #A6979A

RGB 166 151 154

HSL 348, 0.08%, 0.62%

LAB 63.81, 6.06, 0.42

 

CMYK 0 / 11 / 9 / 42

HEX #958587

RGB 149 133 135

HSL 352.5, 0.07%, 0.55%

LAB 56.99, 6.4, 1.13

 

CMYK 0 / 13 / 12 / 48

HEX #847374

RGB 132 115 116

HSL 356.47, 0.07%, 0.48%

LAB 50.01, 6.79, 1.88

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

CMYK 0 / 7 / 6 / 22

HEX #C8BBBC

RGB 200 187 188

HSL 355.38, 0.11%, 0.76%

LAB 76.95, 4.76, 1.14

 

CMYK 0 / 7 / 7 / 22

HEX #C8BBBB

RGB 200 187 187

HSL 0, 0.11%, 0.76%

LAB 76.93, 4.59, 1.64

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

CMYK 0 / 7 / 3 / 22

HEX #C8BBC3

RGB 200 187 195

HSL 323.08, 0.11%, 0.76%

LAB 77.14, 6.01, -2.39

 

CMYK 0 / 7 / 0 / 22

HEX #C8BBC7

RGB 200 187 199

HSL 304.62, 0.11%, 0.76%

LAB 77.25, 6.75, -4.39

 

CMYK 1 / 7 / 0 / 22

HEX #C5BBC8

RGB 197 187 200

HSL 286.15, 0.11%, 0.76%

LAB 77.03, 5.9, -5.29

 

CMYK 3 / 7 / 0 / 22

HEX #C2BBC8

RGB 194 187 200

HSL 272.31, 0.11%, 0.76%

LAB 76.79, 4.87, -5.67

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

CMYK 0 / 16 / 10 / 18

HEX #D2B1BD

RGB 210 177 189

HSL 338.18, 0.27%, 0.76%

LAB 75.34, 13.88, -1.66

 

CMYK 0 / 24 / 15 / 14

HEX #DCA7BB

RGB 220 167 187

HSL 337.36, 0.43%, 0.76%

LAB 73.83, 22.53, -2.66

 

CMYK 0 / 32 / 20 / 10

HEX #E69DB9

RGB 230 157 185

HSL 336.99, 0.59%, 0.76%

LAB 72.52, 31.14, -3.37

 

CMYK 0 / 39 / 24 / 6

HEX #F093B7

RGB 240 147 183

HSL 336.77, 0.76%, 0.76%

LAB 71.43, 39.6, -3.74

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

CMYK 3 / 0 / 1 / 23

HEX #BEC4C2

RGB 190 196 194

HSL 160, 0.05%, 0.76%

LAB 78.65, -2.43, 0.27

 

CMYK 13 / 0 / 5 / 19

HEX #B4CEC4

RGB 180 206 196

HSL 156.92, 0.21%, 0.76%

LAB 80.64, -10.65, 2.02

 

CMYK 21 / 0 / 8 / 15

HEX #AAD8C7

RGB 170 216 199

HSL 157.83, 0.37%, 0.76%

LAB 82.8, -18.38, 3.47

 

CMYK 29 / 0 / 11 / 11

HEX #A0E2C9

RGB 160 226 201

HSL 157.27, 0.53%, 0.76%

LAB 85.04, -25.96, 5.58

 

CMYK 0 / 7 / 0 / 22

HEX #C8BBC7

RGB 200 187 199

HSL 304.62, 0.11%, 0.76%

LAB 77.25, 6.75, -4.39

 

CMYK 0 / 7 / 2 / 22

HEX #C8BBC4

RGB 200 187 196

HSL 318.46, 0.11%, 0.76%

LAB 77.16, 6.19, -2.89

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

CMYK 0 / 7 / 6 / 22

HEX #C8BBBC

RGB 200 187 188

HSL 355.38, 0.11%, 0.76%

LAB 76.95, 4.76, 1.14

 

CMYK 0 / 6 / 7 / 22

HEX #C8BCBB

RGB 200 188 187

HSL 4.62, 0.11%, 0.76%

LAB 77.18, 4.05, 2.01

 

CMYK 0 / 13 / 9 / 36

HEX #A38D95

RGB 163 141 149

HSL 338.18, 0.11%, 0.6%

LAB 60.79, 9.66, -1.2

 

CMYK 0 / 10 / 6 / 29

HEX #B6A4AB

RGB 182 164 171

HSL 336.67, 0.11%, 0.68%

LAB 69.07, 7.77, -1.24

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

CMYK 0 / 4 / 2 / 15

HEX #DAD1D5

RGB 218 209 213

HSL 333.33, 0.11%, 0.84%

LAB 84.64, 3.81, -0.88

 

CMYK 0 / 2 / 1 / 7

HEX #EDE8EA

RGB 237 232 234

HSL 336, 0.12%, 0.92%

LAB 92.42, 2.04, -0.38

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

CMYK 0 / 1 / 7 / 22

HEX #C8C5BB

RGB 200 197 187

HSL 46.15, 0.11%, 0.76%

LAB 79.5, -0.73, 5.37

 

CMYK 7 / 1 / 0 / 22

HEX #BBC5C8

RGB 187 197 200

HSL 193.85, 0.11%, 0.76%

LAB 78.85, -2.84, -2.69

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

CMYK 4 / 0 / 7 / 22

HEX #C0C8BB

RGB 192 200 187

HSL 96.92, 0.11%, 0.76%

LAB 79.67, -5.12, 5.54

 

CMYK 7 / 4 / 0 / 22

HEX #BBC0C8

RGB 187 192 200

HSL 216.92, 0.11%, 0.76%

LAB 77.54, -0.19, -4.62

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

CMYK 0 / 1 / 7 / 22

HEX #C8C5BB

RGB 200 197 187

HSL 46.15, 0.11%, 0.76%

LAB 79.5, -0.73, 5.37

 

CMYK 7 / 0 / 3 / 22

HEX #BBC8C3

RGB 187 200 195

HSL 156.92, 0.11%, 0.76%

LAB 79.51, -5.38, 0.96

 

CMYK 7 / 5 / 0 / 22

HEX #BBBDC8

RGB 187 189 200

HSL 230.77, 0.11%, 0.76%

LAB 76.76, 1.42, -5.78

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

CMYK 0 / 0 / 7 / 22

HEX #C7C8BB

RGB 199 200 187

HSL 64.62, 0.11%, 0.76%

LAB 80.2, -2.66, 6.37

 

CMYK 7 / 0 / 3 / 22

HEX #BBC8C3

RGB 187 200 195

HSL 156.92, 0.11%, 0.76%

LAB 79.51, -5.38, 0.96

 

CMYK 6 / 7 / 0 / 22

HEX #BCBBC8

RGB 188 187 200

HSL 244.62, 0.11%, 0.76%

LAB 76.32, 2.83, -6.42

 

Description

Color code: HEX #C8BBC0 | qconv.com Color code: HEX #C8BBC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 187 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 187 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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