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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8BCCE it is the complementary color #374331. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8BCCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8BCCE shade: #CDBCC9, #DECEDC, #EFE0EF and #FFF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8BCCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8BCCE shade: #C8BCCE, #B7AABB, #A698A8, #958695 and #847482

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8BCCE shade: #C7BACD, #CCBACD, #CDBAC9, #CDBAC4 and #CDBABF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8BCCE shade: #C7BACD, #C2BACD, #BDBACD and #BABACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8BCCE shade matches the following richer shades: #C7BACD, #CAB1D7, #CDA7E0, #D09EEA and #D495F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8BCCE shade: #C7BACD, #C4C4C4, #C1CDBA, #BDD7B1 and #BAE0A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8BCCE shade: #BDBACD, #C2BACD, #C7BACD, #CCBACD and #CDBAC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8BCCE shade: #A08BAB, #B3A3BC, #C7BACD, #DBD2DF and #EEEAF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8BCCE shade: #C8BCCE, #CDBABD and #BACDBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8BCCE shade: #C8BCCE, #CDC7BA and #BACDC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8BCCE shade: #C8BCCE, #CDBABD, #C1CDBA and #BACDCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8BCCE shade: #C8BCCE, #CDBEBA, #C1CDBA and #BACACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 9 / 0 / 19

HEX #C8BCCE

RGB 200 188 206

HSL 280, 0.16%, 0.77%

LAB 77.7, 7.52, -7.52

 

Complementary color

CMYK 18 / 0 / 27 / 74

HEX #374331

RGB 55 67 49

HSL 100, 0.16%, 0.23%

LAB 26.87, -8.91, 9.36

 

CMYK 0 / 8 / 2 / 20

HEX #CDBCC9

RGB 205 188 201

HSL 314.12, 0.15%, 0.77%

LAB 77.97, 8.31, -4.36

 

CMYK 0 / 7 / 1 / 13

HEX #DECEDC

RGB 222 206 220

HSL 307.5, 0.2%, 0.84%

LAB 84.4, 8.01, -4.92

 

CMYK 0 / 6 / 0 / 6

HEX #EFE0EF

RGB 239 224 239

HSL 300, 0.32%, 0.91%

LAB 90.73, 7.73, -5.46

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 3 / 9 / 0 / 19

HEX #C8BCCE

RGB 200 188 206

HSL 280, 0.16%, 0.77%

LAB 77.7, 7.52, -7.52

 

CMYK 2 / 9 / 0 / 27

HEX #B7AABB

RGB 183 170 187

HSL 285.88, 0.11%, 0.7%

LAB 71.15, 7.82, -7.01

 

CMYK 1 / 10 / 0 / 34

HEX #A698A8

RGB 166 152 168

HSL 292.5, 0.08%, 0.63%

LAB 64.48, 8.13, -6.49

 

CMYK 0 / 10 / 0 / 42

HEX #958695

RGB 149 134 149

HSL 300, 0.07%, 0.55%

LAB 57.66, 8.48, -5.95

 

CMYK 0 / 12 / 2 / 48

HEX #847482

RGB 132 116 130

HSL 307.5, 0.06%, 0.49%

LAB 50.7, 8.87, -5.39

 

CMYK 3 / 9 / 0 / 20

HEX #C7BACD

RGB 199 186 205

HSL 281.05, 0.16%, 0.77%

LAB 77.08, 8.07, -7.9

 

CMYK 0 / 9 / 0 / 20

HEX #CCBACD

RGB 204 186 205

HSL 296.84, 0.16%, 0.77%

LAB 77.5, 9.78, -7.24

 

CMYK 0 / 9 / 2 / 20

HEX #CDBAC9

RGB 205 186 201

HSL 312.63, 0.16%, 0.77%

LAB 77.47, 9.38, -5.11

 

CMYK 0 / 9 / 4 / 20

HEX #CDBAC4

RGB 205 186 196

HSL 328.42, 0.16%, 0.77%

LAB 77.33, 8.48, -2.6

 

CMYK 0 / 9 / 7 / 20

HEX #CDBABF

RGB 205 186 191

HSL 344.21, 0.16%, 0.77%

LAB 77.2, 7.6, -0.08

 

CMYK 3 / 9 / 0 / 20

HEX #C7BACD

RGB 199 186 205

HSL 281.05, 0.16%, 0.77%

LAB 77.08, 8.07, -7.9

 

CMYK 5 / 9 / 0 / 20

HEX #C2BACD

RGB 194 186 205

HSL 265.26, 0.16%, 0.77%

LAB 76.68, 6.37, -8.55

 

CMYK 8 / 9 / 0 / 20

HEX #BDBACD

RGB 189 186 205

HSL 249.47, 0.16%, 0.77%

LAB 76.28, 4.69, -9.18

 

CMYK 9 / 9 / 0 / 20

HEX #BABACD

RGB 186 186 205

HSL 240, 0.16%, 0.77%

LAB 76.05, 3.69, -9.55

 

CMYK 3 / 9 / 0 / 20

HEX #C7BACD

RGB 199 186 205

HSL 281.05, 0.16%, 0.77%

LAB 77.08, 8.07, -7.9

 

CMYK 6 / 18 / 0 / 16

HEX #CAB1D7

RGB 202 177 215

HSL 279.47, 0.32%, 0.77%

LAB 75.39, 15.9, -15.83

 

CMYK 8 / 25 / 0 / 12

HEX #CDA7E0

RGB 205 167 224

HSL 280, 0.48%, 0.77%

LAB 73.54, 24.15, -23.52

HEX #CDA7E0

CMYK 11 / 32 / 0 / 8

HEX #D09EEA

RGB 208 158 234

HSL 279.47, 0.64%, 0.77%

LAB 72.1, 32.05, -31.17

HEX #D09EEA

CMYK 13 / 39 / 0 / 5

HEX #D495F3

RGB 212 149 243

HSL 280.21, 0.8%, 0.77%

LAB 70.85, 39.98, -37.99

HEX #D495F3

CMYK 3 / 9 / 0 / 20

HEX #C7BACD

RGB 199 186 205

HSL 281.05, 0.16%, 0.77%

LAB 77.08, 8.07, -7.9

 

CMYK 0 / 0 / 0 / 23

HEX #C4C4C4

RGB 196 196 196

HSL 0, 0%, 0.77%

LAB 79.16, 0, -0.01

 

CMYK 6 / 0 / 9 / 20

HEX #C1CDBA

RGB 193 205 186

HSL 97.89, 0.16%, 0.77%

LAB 81.04, -7.55, 8.05

 

CMYK 12 / 0 / 18 / 16

HEX #BDD7B1

RGB 189 215 177

HSL 101.05, 0.32%, 0.77%

LAB 83.23, -15.59, 15.89

 

CMYK 17 / 0 / 25 / 12

HEX #BAE0A7

RGB 186 224 167

HSL 100, 0.48%, 0.77%

LAB 85.27, -22.7, 23.93

 

CMYK 8 / 9 / 0 / 20

HEX #BDBACD

RGB 189 186 205

HSL 249.47, 0.16%, 0.77%

LAB 76.28, 4.69, -9.18

 

CMYK 5 / 9 / 0 / 20

HEX #C2BACD

RGB 194 186 205

HSL 265.26, 0.16%, 0.77%

LAB 76.68, 6.37, -8.55

 

CMYK 3 / 9 / 0 / 20

HEX #C7BACD

RGB 199 186 205

HSL 281.05, 0.16%, 0.77%

LAB 77.08, 8.07, -7.9

 

CMYK 0 / 9 / 0 / 20

HEX #CCBACD

RGB 204 186 205

HSL 296.84, 0.16%, 0.77%

LAB 77.5, 9.78, -7.24

 

CMYK 0 / 9 / 2 / 20

HEX #CDBAC9

RGB 205 186 201

HSL 312.63, 0.16%, 0.77%

LAB 77.47, 9.38, -5.11

 

CMYK 6 / 19 / 0 / 33

HEX #A08BAB

RGB 160 139 171

HSL 279.38, 0.16%, 0.61%

LAB 60.67, 13.98, -13.92

 

CMYK 5 / 13 / 0 / 26

HEX #B3A3BC

RGB 179 163 188

HSL 278.4, 0.16%, 0.69%

LAB 69.05, 10.49, -10.73

 

CMYK 3 / 9 / 0 / 20

HEX #C7BACD

RGB 199 186 205

HSL 281.05, 0.16%, 0.77%

LAB 77.08, 8.07, -7.9

 

CMYK 2 / 6 / 0 / 13

HEX #DBD2DF

RGB 219 210 223

HSL 281.54, 0.17%, 0.85%

LAB 85.24, 5.44, -5.3

 

CMYK 1 / 3 / 0 / 6

HEX #EEEAF0

RGB 238 234 240

HSL 280, 0.17%, 0.93%

LAB 93.15, 2.41, -2.43

 

CMYK 3 / 9 / 0 / 19

HEX #C8BCCE

RGB 200 188 206

HSL 280, 0.16%, 0.77%

LAB 77.7, 7.52, -7.52

 

CMYK 0 / 9 / 8 / 20

HEX #CDBABD

RGB 205 186 189

HSL 350.53, 0.16%, 0.77%

LAB 77.14, 7.25, 0.93

 

CMYK 9 / 0 / 7 / 20

HEX #BACDBF

RGB 186 205 191

HSL 135.79, 0.16%, 0.77%

LAB 80.66, -9.07, 4.77

 

CMYK 3 / 9 / 0 / 19

HEX #C8BCCE

RGB 200 188 206

HSL 280, 0.16%, 0.77%

LAB 77.7, 7.52, -7.52

 

CMYK 0 / 3 / 9 / 20

HEX #CDC7BA

RGB 205 199 186

HSL 41.05, 0.16%, 0.77%

LAB 80.39, -0.17, 7.24

 

CMYK 9 / 0 / 3 / 20

HEX #BACDC7

RGB 186 205 199

HSL 161.05, 0.16%, 0.77%

LAB 80.86, -7.56, 0.78

 

CMYK 3 / 9 / 0 / 19

HEX #C8BCCE

RGB 200 188 206

HSL 280, 0.16%, 0.77%

LAB 77.7, 7.52, -7.52

 

CMYK 0 / 9 / 8 / 20

HEX #CDBABD

RGB 205 186 189

HSL 350.53, 0.16%, 0.77%

LAB 77.14, 7.25, 0.93

 

CMYK 6 / 0 / 9 / 20

HEX #C1CDBA

RGB 193 205 186

HSL 97.89, 0.16%, 0.77%

LAB 81.04, -7.55, 8.05

 

CMYK 9 / 0 / 1 / 20

HEX #BACDCB

RGB 186 205 203

HSL 173.68, 0.16%, 0.77%

LAB 80.97, -6.78, -1.21

 

CMYK 3 / 9 / 0 / 19

HEX #C8BCCE

RGB 200 188 206

HSL 280, 0.16%, 0.77%

LAB 77.7, 7.52, -7.52

 

CMYK 0 / 7 / 9 / 20

HEX #CDBEBA

RGB 205 190 186

HSL 12.63, 0.16%, 0.77%

LAB 78.08, 4.6, 3.91

 

CMYK 6 / 0 / 9 / 20

HEX #C1CDBA

RGB 193 205 186

HSL 97.89, 0.16%, 0.77%

LAB 81.04, -7.55, 8.05

 

CMYK 9 / 1 / 0 / 20

HEX #BACACD

RGB 186 202 205

HSL 189.47, 0.16%, 0.77%

LAB 80.23, -4.82, -3.36

 

Description

Color code: HEX #C8BCCE | qconv.com Color code: HEX #C8BCCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 188 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 188 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 9 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 9% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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