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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8BDF5 it is the complementary color #37420A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8BDF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8BDF5 shade: #CDBDF0, #DECFFF, #EFE1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8BDF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8BDF5 shade: #C8BDF5, #B7ABE2, #A699CF, #9587BC and #8475A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8BDF5 shade: #C7BCF5, #D6BCF5, #E6BCF5, #F5BCF4 and #F5BCE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8BDF5 shade: #C7BCF5 and #BCBCF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8BDF5 shade matches the following richer shades: #C7BCF5 and #C3B6FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8BDF5 shade: #C7BCF5, #CBC2EE, #CFC8E8, #D2CFE2 and #D6D5DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8BDF5 shade: #BCD0F5, #BCC1F5, #C6BCF5, #D5BCF5 and #E5BCF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8BDF5 shade: #8B74EA, #A998EF, #C7BCF5 and #E5E0FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8BDF5 shade: #C8BDF5, #F5BCDF and #C8F5BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8BDF5 shade: #C8BDF5, #F5C6BC and #BCF5C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8BDF5 shade: #C8BDF5, #F5BCDF, #EAF5BC and #BCF5D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8BDF5 shade: #C8BDF5, #F5BCCE, #EAF5BC and #BCF5E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 23 / 0 / 4

HEX #C8BDF5

RGB 200 189 245

HSL 251.79, 0.74%, 0.85%

LAB 79.19, 14.99, -26.29

 

Complementary color

CMYK 17 / 0 / 85 / 74

HEX #37420A

RGB 55 66 10

HSL 71.79, 0.74%, 0.15%

LAB 25.95, -13.25, 30.29

 

CMYK 15 / 21 / 0 / 6

HEX #CDBDF0

RGB 205 189 240

HSL 258.82, 0.63%, 0.84%

LAB 79.42, 15.46, -23.22

 

CMYK 13 / 19 / 0 / 0

HEX #DECFFF

RGB 222 207 255

HSL 258.75, 1%, 0.91%

LAB 85.69, 14.25, -21.57

 

CMYK 6 / 12 / 0 / 0

HEX #EFE1FF

RGB 239 225 255

HSL 268, 1%, 0.94%

LAB 91.42, 10.17, -12.81

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 18 / 23 / 0 / 4

HEX #C8BDF5

RGB 200 189 245

HSL 251.79, 0.74%, 0.85%

LAB 79.19, 14.99, -26.29

 

CMYK 19 / 24 / 0 / 11

HEX #B7ABE2

RGB 183 171 226

HSL 253.09, 0.49%, 0.78%

LAB 72.68, 15.41, -26.09

 

CMYK 20 / 26 / 0 / 19

HEX #A699CF

RGB 166 153 207

HSL 254.44, 0.36%, 0.71%

LAB 66.05, 15.88, -25.92

 

CMYK 21 / 28 / 0 / 26

HEX #9587BC

RGB 149 135 188

HSL 255.85, 0.28%, 0.63%

LAB 59.3, 16.4, -25.77

 

CMYK 22 / 31 / 0 / 34

HEX #8475A9

RGB 132 117 169

HSL 257.31, 0.23%, 0.56%

LAB 52.39, 16.97, -25.66

 

CMYK 19 / 23 / 0 / 4

HEX #C7BCF5

RGB 199 188 245

HSL 251.58, 0.74%, 0.85%

LAB 78.87, 15.22, -26.79

 

CMYK 13 / 23 / 0 / 4

HEX #D6BCF5

RGB 214 188 245

HSL 267.37, 0.74%, 0.85%

LAB 80.1, 19.87, -24.81

 

CMYK 6 / 23 / 0 / 4

HEX #E6BCF5

RGB 230 188 245

HSL 284.21, 0.74%, 0.85%

LAB 81.5, 24.94, -22.54

 

CMYK 0 / 23 / 0 / 4

HEX #F5BCF4

RGB 245 188 244

HSL 301.05, 0.74%, 0.85%

LAB 82.87, 29.58, -19.81

 

CMYK 0 / 23 / 7 / 4

HEX #F5BCE5

RGB 245 188 229

HSL 316.84, 0.74%, 0.85%

LAB 82.4, 26.93, -12.48

 

CMYK 19 / 23 / 0 / 4

HEX #C7BCF5

RGB 199 188 245

HSL 251.58, 0.74%, 0.85%

LAB 78.87, 15.22, -26.79

 

CMYK 23 / 23 / 0 / 4

HEX #BCBCF5

RGB 188 188 245

HSL 240, 0.74%, 0.85%

LAB 78.02, 11.9, -28.16

 

CMYK 19 / 23 / 0 / 4

HEX #C7BCF5

RGB 199 188 245

HSL 251.58, 0.74%, 0.85%

LAB 78.87, 15.22, -26.79

 

CMYK 22 / 27 / 0 / 2

HEX #C3B6FB

RGB 195 182 251

HSL 251.3, 0.9%, 0.85%

LAB 77.29, 18.64, -32.46

 

CMYK 19 / 23 / 0 / 4

HEX #C7BCF5

RGB 199 188 245

HSL 251.58, 0.74%, 0.85%

LAB 78.87, 15.22, -26.79

 

CMYK 15 / 18 / 0 / 7

HEX #CBC2EE

RGB 203 194 238

HSL 252.27, 0.56%, 0.85%

LAB 80.43, 11.71, -20.63

 

CMYK 11 / 14 / 0 / 9

HEX #CFC8E8

RGB 207 200 232

HSL 253.13, 0.41%, 0.85%

LAB 82.06, 8.52, -14.94

 

CMYK 7 / 8 / 0 / 11

HEX #D2CFE2

RGB 210 207 226

HSL 249.47, 0.25%, 0.85%

LAB 83.87, 4.59, -9.01

 

CMYK 3 / 3 / 0 / 14

HEX #D6D5DC

RGB 214 213 220

HSL 248.57, 0.09%, 0.85%

LAB 85.53, 1.63, -3.33

 

CMYK 23 / 15 / 0 / 4

HEX #BCD0F5

RGB 188 208 245

HSL 218.95, 0.74%, 0.85%

LAB 83.12, 1.13, -20.4

 

CMYK 23 / 21 / 0 / 4

HEX #BCC1F5

RGB 188 193 245

HSL 234.74, 0.74%, 0.85%

LAB 79.28, 9.18, -26.23

 

CMYK 19 / 23 / 0 / 4

HEX #C6BCF5

RGB 198 188 245

HSL 250.53, 0.74%, 0.85%

LAB 78.79, 14.92, -26.92

 

CMYK 13 / 23 / 0 / 4

HEX #D5BCF5

RGB 213 188 245

HSL 266.32, 0.74%, 0.85%

LAB 80.01, 19.56, -24.94

 

CMYK 7 / 23 / 0 / 4

HEX #E5BCF5

RGB 229 188 245

HSL 283.16, 0.74%, 0.85%

LAB 81.41, 24.62, -22.69

 

CMYK 41 / 50 / 0 / 8

HEX #8B74EA

RGB 139 116 234

HSL 251.69, 0.74%, 0.69%

LAB 56.01, 36.53, -56.91

 

CMYK 29 / 36 / 0 / 6

HEX #A998EF

RGB 169 152 239

HSL 251.72, 0.73%, 0.77%

LAB 67.37, 24.99, -41.53

 

CMYK 19 / 23 / 0 / 4

HEX #C7BCF5

RGB 199 188 245

HSL 251.58, 0.74%, 0.85%

LAB 78.87, 15.22, -26.79

 

CMYK 8 / 10 / 0 / 2

HEX #E5E0FA

RGB 229 224 250

HSL 251.54, 0.72%, 0.93%

LAB 90.26, 6.51, -12.01

 

CMYK 18 / 23 / 0 / 4

HEX #C8BDF5

RGB 200 189 245

HSL 251.79, 0.74%, 0.85%

LAB 79.19, 14.99, -26.29

 

CMYK 0 / 23 / 9 / 4

HEX #F5BCDF

RGB 245 188 223

HSL 323.16, 0.74%, 0.85%

LAB 82.22, 25.92, -9.53

 

CMYK 18 / 0 / 23 / 4

HEX #C8F5BC

RGB 200 245 188

HSL 107.37, 0.74%, 0.85%

LAB 92.23, -24.74, 22.81

 

CMYK 18 / 23 / 0 / 4

HEX #C8BDF5

RGB 200 189 245

HSL 251.79, 0.74%, 0.85%

LAB 79.19, 14.99, -26.29

 

CMYK 0 / 19 / 23 / 4

HEX #F5C6BC

RGB 245 198 188

HSL 10.53, 0.74%, 0.85%

LAB 83.67, 15.22, 11.32

 

CMYK 23 / 0 / 19 / 4

HEX #BCF5C6

RGB 188 245 198

HSL 130.53, 0.74%, 0.85%

LAB 91.72, -27.01, 16.86

 

CMYK 18 / 23 / 0 / 4

HEX #C8BDF5

RGB 200 189 245

HSL 251.79, 0.74%, 0.85%

LAB 79.19, 14.99, -26.29

 

CMYK 0 / 23 / 9 / 4

HEX #F5BCDF

RGB 245 188 223

HSL 323.16, 0.74%, 0.85%

LAB 82.22, 25.92, -9.53

 

CMYK 4 / 0 / 23 / 4

HEX #EAF5BC

RGB 234 245 188

HSL 71.58, 0.74%, 0.85%

LAB 94.5, -12.88, 26.29

 

CMYK 23 / 0 / 14 / 4

HEX #BCF5D2

RGB 188 245 210

HSL 143.16, 0.74%, 0.85%

LAB 91.98, -24.84, 11.03

 

CMYK 18 / 23 / 0 / 4

HEX #C8BDF5

RGB 200 189 245

HSL 251.79, 0.74%, 0.85%

LAB 79.19, 14.99, -26.29

 

CMYK 0 / 23 / 16 / 4

HEX #F5BCCE

RGB 245 188 206

HSL 341.05, 0.74%, 0.85%

LAB 81.75, 23.17, -1.09

 

CMYK 4 / 0 / 23 / 4

HEX #EAF5BC

RGB 234 245 188

HSL 71.58, 0.74%, 0.85%

LAB 94.5, -12.88, 26.29

 

CMYK 23 / 0 / 7 / 4

HEX #BCF5E3

RGB 188 245 227

HSL 161.05, 0.74%, 0.85%

LAB 92.37, -21.57, 2.79

 

Description

Color code: HEX #C8BDF5 | qconv.com Color code: HEX #C8BDF5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 189 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 189 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 23 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 23% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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