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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8C517 it is the complementary color #373AE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8C517. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8C517 shade: #CDC512, #DED725, #EFE938, #FFFB4B and #FFFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8C517. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8C517 shade: #C8C517, #B7B304, #A6A100, #958F00 and #847D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8C517 shade: #C8C517, #C89617, #C86617, #C83617 and #C81717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8C517 shade: #C8C517, #9CC817, #6CC817, #3CC817 and #17C822

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8C517 shade matches the following richer shades: #C8C517 and #DAD705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8C517 shade: #C8C517, #B6B429, #A4A23B, #92914E and #807F60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8C517 shade: #C86417, #C89317, #C8C217, #9FC817 and #70C817

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8C517 shade: #7E7D0E, #A3A113, #C8C517, #E5E224 and #E9E649

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8C517 shade: #C8C517, #17C835 and #7C17C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8C517 shade: #C8C517, #17C8C2 and #C217C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8C517 shade: #C8C517, #17C835, #171DC8 and #C817AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8C517 shade: #C8C517, #17C86A, #171DC8 and #C81776

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 89 / 22

HEX #C8C517

RGB 200 197 23

HSL 58.98, 0.79%, 0.44%

LAB 77.44, -16.16, 75.35

 

Complementary color

CMYK 76 / 75 / 0 / 9

HEX #373AE8

RGB 55 58 232

HSL 238.98, 0.79%, 0.56%

LAB 37.23, 55.83, -86.62

 

CMYK 0 / 4 / 91 / 20

HEX #CDC512

RGB 205 197 18

HSL 57.43, 0.84%, 0.44%

LAB 77.85, -14.1, 76.64

 

CMYK 0 / 3 / 83 / 13

HEX #DED725

RGB 222 215 37

HSL 57.73, 0.74%, 0.51%

LAB 84.1, -15.43, 78.69

 

CMYK 0 / 3 / 77 / 6

HEX #EFE938

RGB 239 233 56

HSL 58.03, 0.85%, 0.58%

LAB 90.28, -16.58, 79.64

 

CMYK 0 / 2 / 71 / 0

HEX #FFFB4B

RGB 255 251 75

HSL 58.67, 1%, 0.65%

LAB 96.31, -17.98, 79.73

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 1 / 89 / 22

HEX #C8C517

RGB 200 197 23

HSL 58.98, 0.79%, 0.44%

LAB 77.44, -16.16, 75.35

 

CMYK 0 / 2 / 98 / 28

HEX #B7B304

RGB 183 179 4

HSL 58.66, 0.96%, 0.37%

LAB 71.09, -14.72, 72.38

 

CMYK 0 / 3 / 100 / 35

HEX #A6A100

RGB 166 161 0

HSL 58.19, 1%, 0.33%

LAB 64.64, -13.04, 67.49

 

CMYK 0 / 4 / 100 / 42

HEX #958F00

RGB 149 143 0

HSL 57.58, 1%, 0.29%

LAB 58.07, -11.27, 62.04

 

CMYK 0 / 5 / 100 / 48

HEX #847D00

RGB 132 125 0

HSL 56.82, 1%, 0.26%

LAB 51.35, -9.43, 56.46

 

CMYK 0 / 1 / 89 / 22

HEX #C8C517

RGB 200 197 23

HSL 58.98, 0.79%, 0.44%

LAB 77.44, -16.16, 75.35

 

CMYK 0 / 25 / 89 / 22

HEX #C89617

RGB 200 150 23

HSL 43.05, 0.79%, 0.44%

LAB 65.08, 8.47, 65.58

 

CMYK 0 / 49 / 89 / 22

HEX #C86617

RGB 200 102 23

HSL 26.78, 0.79%, 0.44%

LAB 53.86, 34.42, 56.78

 

CMYK 0 / 73 / 89 / 22

HEX #C83617

RGB 200 54 23

HSL 10.51, 0.79%, 0.44%

LAB 45.61, 56.06, 50.38

 

CMYK 0 / 89 / 89 / 22

HEX #C81717

RGB 200 23 23

HSL 0, 0.79%, 0.44%

LAB 42.69, 64.26, 48.15

 

CMYK 0 / 1 / 89 / 22

HEX #C8C517

RGB 200 197 23

HSL 58.98, 0.79%, 0.44%

LAB 77.44, -16.16, 75.35

 

CMYK 22 / 0 / 89 / 22

HEX #9CC817

RGB 156 200 23

HSL 74.92, 0.79%, 0.44%

LAB 75.1, -35.94, 72.13

 

CMYK 46 / 0 / 89 / 22

HEX #6CC817

RGB 108 200 23

HSL 91.19, 0.79%, 0.44%

LAB 72.6, -53.24, 69.03

 

CMYK 70 / 0 / 89 / 22

HEX #3CC817

RGB 60 200 23

HSL 107.46, 0.79%, 0.44%

LAB 71.1, -65.33, 67.16

 

CMYK 89 / 0 / 83 / 22

HEX #17C822

RGB 23 200 34

HSL 123.73, 0.79%, 0.44%

LAB 70.6, -69.58, 64.09

 

CMYK 0 / 1 / 89 / 22

HEX #C8C517

RGB 200 197 23

HSL 58.98, 0.79%, 0.44%

LAB 77.44, -16.16, 75.35

 

CMYK 0 / 1 / 98 / 15

HEX #DAD705

RGB 218 215 5

HSL 59.15, 0.96%, 0.44%

LAB 83.71, -17.63, 82.91

 

CMYK 0 / 1 / 89 / 22

HEX #C8C517

RGB 200 197 23

HSL 58.98, 0.79%, 0.44%

LAB 77.44, -16.16, 75.35

 

CMYK 0 / 1 / 77 / 29

HEX #B6B429

RGB 182 180 41

HSL 59.15, 0.63%, 0.44%

LAB 71.38, -14.85, 65.35

 

CMYK 0 / 1 / 64 / 36

HEX #A4A23B

RGB 164 162 59

HSL 58.86, 0.47%, 0.44%

LAB 65, -12.46, 51.96

 

CMYK 0 / 1 / 47 / 43

HEX #92914E

RGB 146 145 78

HSL 59.12, 0.3%, 0.44%

LAB 58.89, -9.64, 35.5

 

CMYK 0 / 1 / 25 / 50

HEX #807F60

RGB 128 127 96

HSL 58.13, 0.14%, 0.44%

LAB 52.52, -5.05, 17.04

 

CMYK 0 / 50 / 89 / 22

HEX #C86417

RGB 200 100 23

HSL 26.1, 0.79%, 0.44%

LAB 53.44, 35.45, 56.46

 

CMYK 0 / 27 / 89 / 22

HEX #C89317

RGB 200 147 23

HSL 42.03, 0.79%, 0.44%

LAB 64.33, 10.1, 64.99

 

CMYK 0 / 3 / 89 / 22

HEX #C8C217

RGB 200 194 23

HSL 57.97, 0.79%, 0.44%

LAB 76.63, -14.66, 74.71

 

CMYK 21 / 0 / 89 / 22

HEX #9FC817

RGB 159 200 23

HSL 73.9, 0.79%, 0.44%

LAB 75.29, -34.74, 72.36

 

CMYK 44 / 0 / 89 / 22

HEX #70C817

RGB 112 200 23

HSL 89.83, 0.79%, 0.44%

LAB 72.77, -51.96, 69.24

 

CMYK 0 / 1 / 89 / 51

HEX #7E7D0E

RGB 126 125 14

HSL 59.46, 0.8%, 0.27%

LAB 50.84, -11.95, 53.12

 

CMYK 0 / 1 / 88 / 36

HEX #A3A113

RGB 163 161 19

HSL 59.17, 0.79%, 0.36%

LAB 64.42, -14.09, 64.4

 

CMYK 0 / 1 / 89 / 22

HEX #C8C517

RGB 200 197 23

HSL 58.98, 0.79%, 0.44%

LAB 77.44, -16.16, 75.35

 

CMYK 0 / 1 / 84 / 10

HEX #E5E224

RGB 229 226 36

HSL 59.07, 0.79%, 0.52%

LAB 87.57, -17.92, 82.01

 

CMYK 0 / 1 / 69 / 9

HEX #E9E649

RGB 233 230 73

HSL 58.88, 0.78%, 0.6%

LAB 89.11, -16.87, 72.82

 

CMYK 0 / 1 / 89 / 22

HEX #C8C517

RGB 200 197 23

HSL 58.98, 0.79%, 0.44%

LAB 77.44, -16.16, 75.35

 

CMYK 89 / 0 / 74 / 22

HEX #17C835

RGB 23 200 53

HSL 130.17, 0.79%, 0.44%

LAB 70.7, -68.33, 58.39

 

CMYK 38 / 89 / 0 / 22

HEX #7C17C8

RGB 124 23 200

HSL 274.24, 0.79%, 0.44%

LAB 36.11, 67.95, -69.8

 

CMYK 0 / 1 / 89 / 22

HEX #C8C517

RGB 200 197 23

HSL 58.98, 0.79%, 0.44%

LAB 77.44, -16.16, 75.35

 

CMYK 89 / 0 / 3 / 22

HEX #17C8C2

RGB 23 200 194

HSL 177.97, 0.79%, 0.44%

LAB 73.15, -41.02, -8.59

 

CMYK 3 / 89 / 0 / 22

HEX #C217C8

RGB 194 23 200

HSL 297.97, 0.79%, 0.44%

LAB 47.3, 78.49, -51.14

 

CMYK 0 / 1 / 89 / 22

HEX #C8C517

RGB 200 197 23

HSL 58.98, 0.79%, 0.44%

LAB 77.44, -16.16, 75.35

 

CMYK 89 / 0 / 74 / 22

HEX #17C835

RGB 23 200 53

HSL 130.17, 0.79%, 0.44%

LAB 70.7, -68.33, 58.39

 

CMYK 89 / 86 / 0 / 22

HEX #171DC8

RGB 23 29 200

HSL 237.97, 0.79%, 0.44%

LAB 27.38, 58.27, -84.54

 

CMYK 0 / 89 / 15 / 22

HEX #C817AB

RGB 200 23 171

HSL 309.83, 0.79%, 0.44%

LAB 46.75, 75.44, -34.95

 

CMYK 0 / 1 / 89 / 22

HEX #C8C517

RGB 200 197 23

HSL 58.98, 0.79%, 0.44%

LAB 77.44, -16.16, 75.35

 

CMYK 89 / 0 / 47 / 22

HEX #17C86A

RGB 23 200 106

HSL 148.14, 0.79%, 0.44%

LAB 71.24, -61.71, 35.59

 

CMYK 89 / 86 / 0 / 22

HEX #171DC8

RGB 23 29 200

HSL 237.97, 0.79%, 0.44%

LAB 27.38, 58.27, -84.54

 

CMYK 0 / 89 / 41 / 22

HEX #C81776

RGB 200 23 118

HSL 327.8, 0.79%, 0.44%

LAB 44.52, 69.43, -6.3

 

Description

Color code: HEX #C8C517 | qconv.com Color code: HEX #C8C517 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 197 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 197 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 89 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 89% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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