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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8C63C it is the complementary color #3739C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8C63C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8C63C shade: #CDC637, #DED84A, #EFEA5D, #FFFC70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8C63C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8C63C shade: #C8C63C, #B7B429, #A6A216, #959003 and #847E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8C63C shade: #C8C63C, #C8A03C, #C87A3C, #C8543C and #C83C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8C63C shade: #C8C63C, #A4C83C, #7EC83C, #58C83C and #3CC845

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8C63C shade matches the following richer shades: #C8C63C, #DCD927 and #F0ED13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8C63C shade: #C8C63C, #B3B250, #9F9E64, #8B8B78 and #77778C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8C63C shade: #C87B3C, #C8A03C, #C8C53C, #A5C83C and #7FC83C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8C63C shade: #8A8927, #AAA830, #C8C63C, #D1CF5C and #DAD87C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8C63C shade: #C8C63C, #3CC855 and #8D3CC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8C63C shade: #C8C63C, #3CC8C5 and #C53CC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8C63C shade: #C8C63C, #3CC855, #3C3EC8 and #C83CAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8C63C shade: #C8C63C, #3CC87F, #3C3EC8 and #C83C84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 70 / 22

HEX #C8C63C

RGB 200 198 60

HSL 59.14, 0.56%, 0.51%

LAB 77.87, -15.41, 65.58

 

Complementary color

CMYK 72 / 71 / 0 / 24

HEX #3739C3

RGB 55 57 195

HSL 239.14, 0.56%, 0.49%

LAB 33.3, 44.36, -71.76

 

CMYK 0 / 3 / 73 / 20

HEX #CDC637

RGB 205 198 55

HSL 57.2, 0.6%, 0.51%

LAB 78.25, -13.53, 67.85

 

CMYK 0 / 3 / 67 / 13

HEX #DED84A

RGB 222 216 74

HSL 57.57, 0.69%, 0.58%

LAB 84.55, -14.46, 67.6

 

CMYK 0 / 2 / 61 / 6

HEX #EFEA5D

RGB 239 234 93

HSL 57.95, 0.82%, 0.65%

LAB 90.77, -15.25, 66.95

 

CMYK 0 / 1 / 56 / 0

HEX #FFFC70

RGB 255 252 112

HSL 58.74, 1%, 0.72%

LAB 96.84, -16.32, 65.97

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 1 / 70 / 22

HEX #C8C63C

RGB 200 198 60

HSL 59.14, 0.56%, 0.51%

LAB 77.87, -15.41, 65.58

 

CMYK 0 / 2 / 78 / 28

HEX #B7B429

RGB 183 180 41

HSL 58.73, 0.63%, 0.44%

LAB 71.47, -14.41, 65.46

 

CMYK 0 / 2 / 87 / 35

HEX #A6A216

RGB 166 162 22

HSL 58.33, 0.77%, 0.37%

LAB 64.97, -13.2, 64.32

 

CMYK 0 / 3 / 98 / 42

HEX #959003

RGB 149 144 3

HSL 57.95, 0.96%, 0.3%

LAB 58.36, -11.75, 61.77

 

CMYK 0 / 5 / 100 / 48

HEX #847E00

RGB 132 126 0

HSL 57.27, 1%, 0.26%

LAB 51.64, -9.97, 56.67

 

CMYK 0 / 1 / 70 / 22

HEX #C8C63C

RGB 200 198 60

HSL 59.14, 0.56%, 0.51%

LAB 77.87, -15.41, 65.58

 

CMYK 0 / 20 / 70 / 22

HEX #C8A03C

RGB 200 160 60

HSL 42.86, 0.56%, 0.51%

LAB 67.83, 4.41, 55.53

 

CMYK 0 / 39 / 70 / 22

HEX #C87A3C

RGB 200 122 60

HSL 26.57, 0.56%, 0.51%

LAB 58.53, 25.1, 45.69

 

CMYK 0 / 58 / 70 / 22

HEX #C8543C

RGB 200 84 60

HSL 10.29, 0.56%, 0.51%

LAB 50.62, 44.75, 36.84

 

CMYK 0 / 70 / 70 / 22

HEX #C83C3C

RGB 200 60 60

HSL 0, 0.56%, 0.51%

LAB 46.76, 55.1, 32.32

 

CMYK 0 / 1 / 70 / 22

HEX #C8C63C

RGB 200 198 60

HSL 59.14, 0.56%, 0.51%

LAB 77.87, -15.41, 65.58

 

CMYK 18 / 0 / 70 / 22

HEX #A4C83C

RGB 164 200 60

HSL 75.43, 0.56%, 0.51%

LAB 75.78, -31.24, 62.63

 

CMYK 37 / 0 / 70 / 22

HEX #7EC83C

RGB 126 200 60

HSL 91.71, 0.56%, 0.51%

LAB 73.59, -45.46, 59.7

 

CMYK 56 / 0 / 70 / 22

HEX #58C83C

RGB 88 200 60

HSL 108, 0.56%, 0.51%

LAB 72.03, -57, 57.61

 

CMYK 70 / 0 / 66 / 22

HEX #3CC845

RGB 60 200 69

HSL 123.86, 0.56%, 0.51%

LAB 71.35, -62.28, 53.07

 

CMYK 0 / 1 / 70 / 22

HEX #C8C63C

RGB 200 198 60

HSL 59.14, 0.56%, 0.51%

LAB 77.87, -15.41, 65.58

 

CMYK 0 / 1 / 82 / 14

HEX #DCD927

RGB 220 217 39

HSL 59.01, 0.72%, 0.51%

LAB 84.48, -17.21, 78.48

 

CMYK 0 / 1 / 92 / 6

HEX #F0ED13

RGB 240 237 19

HSL 59.19, 0.88%, 0.51%

LAB 91.3, -18.98, 88.07

 

CMYK 0 / 1 / 70 / 22

HEX #C8C63C

RGB 200 198 60

HSL 59.14, 0.56%, 0.51%

LAB 77.87, -15.41, 65.58

 

CMYK 0 / 1 / 55 / 30

HEX #B3B250

RGB 179 178 80

HSL 59.39, 0.39%, 0.51%

LAB 70.87, -12.83, 49.32

 

CMYK 0 / 1 / 37 / 38

HEX #9F9E64

RGB 159 158 100

HSL 58.98, 0.24%, 0.51%

LAB 63.95, -8.7, 30.46

 

CMYK 0 / 0 / 14 / 45

HEX #8B8B78

RGB 139 139 120

HSL 60, 0.08%, 0.51%

LAB 57.38, -3.48, 10.18

 

CMYK 15 / 15 / 0 / 45

HEX #77778C

RGB 119 119 140

HSL 240, 0.08%, 0.51%

LAB 50.7, 4.55, -11.4

 

CMYK 0 / 39 / 70 / 22

HEX #C87B3C

RGB 200 123 60

HSL 27, 0.56%, 0.51%

LAB 58.76, 24.56, 45.94

 

CMYK 0 / 20 / 70 / 22

HEX #C8A03C

RGB 200 160 60

HSL 42.86, 0.56%, 0.51%

LAB 67.83, 4.41, 55.53

 

CMYK 0 / 1 / 70 / 22

HEX #C8C53C

RGB 200 197 60

HSL 58.71, 0.56%, 0.51%

LAB 77.6, -14.91, 65.32

 

CMYK 18 / 0 / 70 / 22

HEX #A5C83C

RGB 165 200 60

HSL 75, 0.56%, 0.51%

LAB 75.84, -30.84, 62.71

 

CMYK 37 / 0 / 70 / 22

HEX #7FC83C

RGB 127 200 60

HSL 91.29, 0.56%, 0.51%

LAB 73.64, -45.11, 59.77

 

CMYK 0 / 1 / 72 / 46

HEX #8A8927

RGB 138 137 39

HSL 59.39, 0.56%, 0.35%

LAB 55.52, -11.93, 49.83

 

CMYK 0 / 1 / 72 / 33

HEX #AAA830

RGB 170 168 48

HSL 59.02, 0.56%, 0.43%

LAB 67.1, -13.6, 58.64

 

CMYK 0 / 1 / 70 / 22

HEX #C8C63C

RGB 200 198 60

HSL 59.14, 0.56%, 0.51%

LAB 77.87, -15.41, 65.58

 

CMYK 0 / 1 / 56 / 18

HEX #D1CF5C

RGB 209 207 92

HSL 58.97, 0.56%, 0.59%

LAB 81.27, -14.18, 56.25

 

CMYK 0 / 1 / 43 / 15

HEX #DAD87C

RGB 218 216 124

HSL 58.72, 0.56%, 0.67%

LAB 84.73, -12.25, 45.44

 

CMYK 0 / 1 / 70 / 22

HEX #C8C63C

RGB 200 198 60

HSL 59.14, 0.56%, 0.51%

LAB 77.87, -15.41, 65.58

 

CMYK 70 / 0 / 58 / 22

HEX #3CC855

RGB 60 200 85

HSL 130.71, 0.56%, 0.51%

LAB 71.5, -60.45, 46.2

 

CMYK 30 / 70 / 0 / 22

HEX #8D3CC8

RGB 141 60 200

HSL 274.71, 0.56%, 0.51%

LAB 42.86, 57.99, -58.71

 

CMYK 0 / 1 / 70 / 22

HEX #C8C63C

RGB 200 198 60

HSL 59.14, 0.56%, 0.51%

LAB 77.87, -15.41, 65.58

 

CMYK 70 / 0 / 1 / 22

HEX #3CC8C5

RGB 60 200 197

HSL 178.71, 0.56%, 0.51%

LAB 73.74, -36.83, -9.28

 

CMYK 1 / 70 / 0 / 22

HEX #C53CC8

RGB 197 60 200

HSL 298.71, 0.56%, 0.51%

LAB 51, 69.8, -45.21

 

CMYK 0 / 1 / 70 / 22

HEX #C8C63C

RGB 200 198 60

HSL 59.14, 0.56%, 0.51%

LAB 77.87, -15.41, 65.58

 

CMYK 70 / 0 / 58 / 22

HEX #3CC855

RGB 60 200 85

HSL 130.71, 0.56%, 0.51%

LAB 71.5, -60.45, 46.2

 

CMYK 70 / 69 / 0 / 22

HEX #3C3EC8

RGB 60 62 200

HSL 239.14, 0.56%, 0.51%

LAB 35.15, 43.64, -71.62

 

CMYK 0 / 70 / 13 / 22

HEX #C83CAE

RGB 200 60 174

HSL 311.14, 0.56%, 0.51%

LAB 50.18, 66.44, -31.36

 

CMYK 0 / 1 / 70 / 22

HEX #C8C63C

RGB 200 198 60

HSL 59.14, 0.56%, 0.51%

LAB 77.87, -15.41, 65.58

 

CMYK 70 / 0 / 37 / 22

HEX #3CC87F

RGB 60 200 127

HSL 148.71, 0.56%, 0.51%

LAB 72.1, -53.7, 26.01

 

CMYK 70 / 69 / 0 / 22

HEX #3C3EC8

RGB 60 62 200

HSL 239.14, 0.56%, 0.51%

LAB 35.15, 43.64, -71.62

 

CMYK 0 / 70 / 34 / 22

HEX #C83C84

RGB 200 60 132

HSL 329.14, 0.56%, 0.51%

LAB 48.48, 60.97, -8.94

 

Description

Color code: HEX #C8C63C | qconv.com Color code: HEX #C8C63C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 198 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 198 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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