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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8CFC5 it is the complementary color #37303A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8CFC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8CFC5 shade: #CDCFC0, #DEE1D3, #EFF3E6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8CFC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8CFC5 shade: #C8CFC5, #B7BDB2, #A6AB9F, #95998C and #848779

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8CFC5 shade: #C7CEC4, #CACEC4, #CCCEC4, #CECDC4 and #CECAC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8CFC5 shade: #C7CEC4, #C4CEC4, #C4CEC6, #C4CEC9 and #C4CECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8CFC5 shade matches the following richer shades: #C7CEC4, #C4D6BB, #C0DFB3, #BDE8AA and #B9F0A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8CFC5 shade: #C7CEC4, #CAC5CD, #CEBCD5, #D1B4DE and #D5ABE7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8CFC5 shade: #CCCEC4, #CACEC4, #C7CEC4, #C4CEC4 and #C4CEC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8CFC5 shade: #9CA897, #B2BBAE, #C7CEC4, #DCE1DB and #F2F3F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8CFC5 shade: #C8CFC5, #C4CECD and #CEC4CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8CFC5 shade: #C8CFC5, #C4C7CE and #CEC4C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8CFC5 shade: #C8CFC5, #C4CECD, #CBC4CE and #CEC4C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8CFC5 shade: #C8CFC5, #C4CCCE, #CBC4CE and #CEC6C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 5 / 19

HEX #C8CFC5

RGB 200 207 197

HSL 102, 0.09%, 0.79%

LAB 82.34, -4.21, 4.13

 

Complementary color

CMYK 5 / 17 / 0 / 77

HEX #37303A

RGB 55 48 58

HSL 282, 0.09%, 0.21%

LAB 20.95, 5.42, -5.18

 

CMYK 1 / 0 / 7 / 19

HEX #CDCFC0

RGB 205 207 192

HSL 68, 0.14%, 0.78%

LAB 82.6, -3.34, 7.21

 

CMYK 1 / 0 / 6 / 12

HEX #DEE1D3

RGB 222 225 211

HSL 72.86, 0.19%, 0.85%

LAB 88.96, -3.47, 6.48

 

CMYK 2 / 0 / 5 / 5

HEX #EFF3E6

RGB 239 243 230

HSL 78.46, 0.35%, 0.93%

LAB 95.23, -3.59, 5.79

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 3 / 0 / 5 / 19

HEX #C8CFC5

RGB 200 207 197

HSL 102, 0.09%, 0.79%

LAB 82.34, -4.21, 4.13

 

CMYK 3 / 0 / 6 / 26

HEX #B7BDB2

RGB 183 189 178

HSL 92.73, 0.08%, 0.72%

LAB 75.87, -4.11, 4.82

 

CMYK 3 / 0 / 7 / 33

HEX #A6AB9F

RGB 166 171 159

HSL 85, 0.07%, 0.65%

LAB 69.28, -4.01, 5.56

 

CMYK 3 / 0 / 8 / 40

HEX #95998C

RGB 149 153 140

HSL 78.46, 0.06%, 0.57%

LAB 62.56, -3.9, 6.33

 

CMYK 2 / 0 / 10 / 47

HEX #848779

RGB 132 135 121

HSL 72.86, 0.06%, 0.5%

LAB 55.7, -3.78, 7.14

 

CMYK 3 / 0 / 5 / 19

HEX #C7CEC4

RGB 199 206 196

HSL 102, 0.09%, 0.79%

LAB 81.98, -4.21, 4.13

 

CMYK 2 / 0 / 5 / 19

HEX #CACEC4

RGB 202 206 196

HSL 84, 0.09%, 0.79%

LAB 82.21, -3.17, 4.48

 

CMYK 1 / 0 / 5 / 19

HEX #CCCEC4

RGB 204 206 196

HSL 72, 0.09%, 0.79%

LAB 82.36, -2.48, 4.72

 

CMYK 0 / 0 / 5 / 19

HEX #CECDC4

RGB 206 205 196

HSL 54, 0.09%, 0.79%

LAB 82.25, -1.25, 4.59

 

CMYK 0 / 2 / 5 / 19

HEX #CECAC4

RGB 206 202 196

HSL 36, 0.09%, 0.79%

LAB 81.48, 0.32, 3.47

 

CMYK 3 / 0 / 5 / 19

HEX #C7CEC4

RGB 199 206 196

HSL 102, 0.09%, 0.79%

LAB 81.98, -4.21, 4.13

 

CMYK 5 / 0 / 5 / 19

HEX #C4CEC4

RGB 196 206 196

HSL 120, 0.09%, 0.79%

LAB 81.76, -5.25, 3.78

 

CMYK 5 / 0 / 4 / 19

HEX #C4CEC6

RGB 196 206 198

HSL 132, 0.09%, 0.79%

LAB 81.81, -4.88, 2.79

 

CMYK 5 / 0 / 2 / 19

HEX #C4CEC9

RGB 196 206 201

HSL 150, 0.09%, 0.79%

LAB 81.89, -4.33, 1.29

 

CMYK 5 / 0 / 1 / 19

HEX #C4CECC

RGB 196 206 204

HSL 168, 0.09%, 0.79%

LAB 81.97, -3.77, -0.19

 

CMYK 3 / 0 / 5 / 19

HEX #C7CEC4

RGB 199 206 196

HSL 102, 0.09%, 0.79%

LAB 81.98, -4.21, 4.13

 

CMYK 8 / 0 / 13 / 16

HEX #C4D6BB

RGB 196 214 187

HSL 100, 0.25%, 0.79%

LAB 83.66, -10.95, 11.29

 

CMYK 14 / 0 / 20 / 13

HEX #C0DFB3

RGB 192 223 179

HSL 102.27, 0.41%, 0.79%

LAB 85.62, -18.21, 18.22

 

CMYK 19 / 0 / 27 / 9

HEX #BDE8AA

RGB 189 232 170

HSL 101.61, 0.57%, 0.79%

LAB 87.7, -25.07, 25.72

 

CMYK 23 / 0 / 33 / 6

HEX #B9F0A1

RGB 185 240 161

HSL 101.77, 0.72%, 0.79%

LAB 89.49, -31.58, 32.69

 

CMYK 3 / 0 / 5 / 19

HEX #C7CEC4

RGB 199 206 196

HSL 102, 0.09%, 0.79%

LAB 81.98, -4.21, 4.13

 

CMYK 1 / 4 / 0 / 20

HEX #CAC5CD

RGB 202 197 205

HSL 277.5, 0.07%, 0.79%

LAB 80.12, 3.2, -3.38

 

CMYK 3 / 12 / 0 / 16

HEX #CEBCD5

RGB 206 188 213

HSL 283.2, 0.23%, 0.79%

LAB 78.4, 10.89, -10.21

 

CMYK 6 / 19 / 0 / 13

HEX #D1B4DE

RGB 209 180 222

HSL 281.43, 0.39%, 0.79%

LAB 76.96, 17.96, -17.21

 

CMYK 8 / 26 / 0 / 9

HEX #D5ABE7

RGB 213 171 231

HSL 282, 0.56%, 0.79%

LAB 75.48, 25.93, -24.31

 

CMYK 1 / 0 / 5 / 19

HEX #CCCEC4

RGB 204 206 196

HSL 72, 0.09%, 0.79%

LAB 82.36, -2.48, 4.72

 

CMYK 2 / 0 / 5 / 19

HEX #CACEC4

RGB 202 206 196

HSL 84, 0.09%, 0.79%

LAB 82.21, -3.17, 4.48

 

CMYK 3 / 0 / 5 / 19

HEX #C7CEC4

RGB 199 206 196

HSL 102, 0.09%, 0.79%

LAB 81.98, -4.21, 4.13

 

CMYK 5 / 0 / 5 / 19

HEX #C4CEC4

RGB 196 206 196

HSL 120, 0.09%, 0.79%

LAB 81.76, -5.25, 3.78

 

CMYK 5 / 0 / 4 / 19

HEX #C4CEC6

RGB 196 206 198

HSL 132, 0.09%, 0.79%

LAB 81.81, -4.88, 2.79

 

CMYK 7 / 0 / 10 / 34

HEX #9CA897

RGB 156 168 151

HSL 102.35, 0.09%, 0.63%

LAB 67.51, -7.47, 7.33

 

CMYK 5 / 0 / 7 / 27

HEX #B2BBAE

RGB 178 187 174

HSL 101.54, 0.09%, 0.71%

LAB 74.86, -5.54, 5.5

 

CMYK 3 / 0 / 5 / 19

HEX #C7CEC4

RGB 199 206 196

HSL 102, 0.09%, 0.79%

LAB 81.98, -4.21, 4.13

 

CMYK 2 / 0 / 3 / 12

HEX #DCE1DB

RGB 220 225 219

HSL 110, 0.09%, 0.87%

LAB 89.01, -2.76, 2.33

 

CMYK 0 / 0 / 1 / 5

HEX #F2F3F1

RGB 242 243 241

HSL 90, 0.08%, 0.95%

LAB 95.72, -0.68, 0.83

 

CMYK 3 / 0 / 5 / 19

HEX #C8CFC5

RGB 200 207 197

HSL 102, 0.09%, 0.79%

LAB 82.34, -4.21, 4.13

 

CMYK 5 / 0 / 0 / 19

HEX #C4CECD

RGB 196 206 205

HSL 174, 0.09%, 0.79%

LAB 81.99, -3.58, -0.69

 

CMYK 0 / 5 / 1 / 19

HEX #CEC4CB

RGB 206 196 203

HSL 318, 0.09%, 0.79%

LAB 80.13, 4.74, -2.26

 

CMYK 3 / 0 / 5 / 19

HEX #C8CFC5

RGB 200 207 197

HSL 102, 0.09%, 0.79%

LAB 82.34, -4.21, 4.13

 

CMYK 5 / 3 / 0 / 19

HEX #C4C7CE

RGB 196 199 206

HSL 222, 0.09%, 0.79%

LAB 80.2, 0.29, -3.86

 

CMYK 0 / 5 / 3 / 19

HEX #CEC4C7

RGB 206 196 199

HSL 342, 0.09%, 0.79%

LAB 80.02, 4.02, -0.26

 

CMYK 3 / 0 / 5 / 19

HEX #C8CFC5

RGB 200 207 197

HSL 102, 0.09%, 0.79%

LAB 82.34, -4.21, 4.13

 

CMYK 5 / 0 / 0 / 19

HEX #C4CECD

RGB 196 206 205

HSL 174, 0.09%, 0.79%

LAB 81.99, -3.58, -0.69

 

CMYK 1 / 5 / 0 / 19

HEX #CBC4CE

RGB 203 196 206

HSL 282, 0.09%, 0.79%

LAB 79.97, 4.26, -4.13

 

CMYK 0 / 5 / 4 / 19

HEX #CEC4C5

RGB 206 196 197

HSL 354, 0.09%, 0.79%

LAB 79.97, 3.67, 0.74

 

CMYK 3 / 0 / 5 / 19

HEX #C8CFC5

RGB 200 207 197

HSL 102, 0.09%, 0.79%

LAB 82.34, -4.21, 4.13

 

CMYK 5 / 1 / 0 / 19

HEX #C4CCCE

RGB 196 204 206

HSL 192, 0.09%, 0.79%

LAB 81.5, -2.34, -1.95

 

CMYK 1 / 5 / 0 / 19

HEX #CBC4CE

RGB 203 196 206

HSL 282, 0.09%, 0.79%

LAB 79.97, 4.26, -4.13

 

CMYK 0 / 4 / 5 / 19

HEX #CEC6C4

RGB 206 198 196

HSL 12, 0.09%, 0.79%

LAB 80.46, 2.43, 1.98

 

Description

Color code: HEX #C8CFC5 | qconv.com Color code: HEX #C8CFC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 207 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 207 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 5 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 5% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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